ondescension, and added: 'Some sensation!' Whereupon everybody laughed.
'The piece is known,' he concluded lustily, 'as "Vladmir Tostoff's Jazz History of the World!".'
The nature of Mr Tostoff's composition eluded me, because just as it began my eyes fell on Gatsby, standing alone on the marble steps and looking from one group to another with approving eyes. His tanned skin was drawn attractively tight on his face and his short hair looked as though it were trimmed every day. I could see nothing sinister about him. I wondered if the fact that he was not drinking helped to set him off from his guests, for it seemed to me that he grew more correct as the fraternal hilarity increased. When the 'Jazz History of the World' was over, girls were putting their heads on men's shoulders in a puppyish, convivial way, girls were swooning backward playfully into men's arms, even into groups, knowing that some one would arrest their falls - but no one swooned backward on Gatsby, and no French bob touched Gatsby's shoulder, and no singing quartets were formed with Gatsby's head for one link.
'I beg your pardon.'
Gatsby's butler was suddenly standing beside us.
'Miss Baker?' he inquired. 'I beg your pardon, but Mr Gatsby would like to speak to you alone.'
'With me?' she exclaimed in surprise.
'Yes, madame.'
She got up slowly, raising her eyebrows at me in astonishment, and followed the butler toward the house. I noticed that she wore her evening-dress, all her dresses, like sports clothes - there was a jauntiness about her movements as if she had first learned to walk upon golf courses on clean, crisp mornings.
I was alone and it was almost two. For some time confused and intriguing sounds had issued from a long, many-windowed room which overhung the terrace. Eluding Jordan's undergraduate, who was now engaged in an obstetrical conversation with two chorus girls, and who implored me to join him, I went inside.
The large room was full of people. One of the girls in yellow was playing the piano, and beside her stood a tall, red-haired young lady from a famous chorus, engaged in song. She had drunk a quantity of champagne, and during the course of her song she had decided, ineptly, that everything was very, very sad - she was not only singing, she was weeping too. Whenever there was a pause in the song she filled it with gasping, broken sobs, and then took up the lyric again in a quavering soprano. The tears coursed down her cheeks - not freely, however, for when they came into contact with her heavily beaded eyelashes they assumed an inky colour, and pursued the rest of their way in slow black rivulets. A humorous suggestion was made that she sing the notes on her face, whereupon she threw up her hands, sank into a chair, and went off into a deep vinous sleep.
'She had a fight with a man who says he's her husband,' explained a girl at my elbow.
I looked around. Most of the remaining women were now having fights with men said to be their husbands. Even Jordan's party, the quartet from East Egg, were rent asunder by dissension. One of the men was talking with curious intensity to a young actress, and his wife, after attempting to laugh at the situation in a dignified and indifferent way, broke down entirely and resorted to flank attacks - at intervals she appeared suddenly at his side like an angry diamond, and hissed: 'You promised!' into his ear.
The reluctance to go home was not confined to wayward men. The hall was at present occupied by two deplorably sober men and their highly indignant wives. The wives were sympathizing with each other in slightly raised voices.
'Whenever he sees I'm having a good time he wants to go home.'
'Never heard anything so selfish in my life.'
'we're always the first ones to leave.'
'So are we.'
'Well, we're almost the last tonight,' said one of the men sheepishly. "The orchestra left half an hour ago.'
In spite of the wives' agreement that such malevolence was beyond credibility, the dispute ended in a short struggle, and both wives were lifted, kicking, into the night.
As I waited for my hat in the hall the door of the library opened and Jordan Baker and Gatsby came out together. He was saying some last word to her, but the eagerness in his manner tightened abruptly into formality as several people approached him to say good-bye.
Jordan's party were calling impatiently to her from the porch, but she lingered for a moment to shake hands.
'I've just heard the most amazing thing,' she whispered. 'How long were we in there?'
'Why, about an hour.'
'It was... simply amazing,' she repeated abstractedly. 'But I swore I wouldn't tell it and here I am tantalizing you.' She yawned gracefully in my face. 'Please come and see me... Phone book... Under the name of Mrs Sigourney Howard... My aunt...' She was hurrying off as she talked - her brown hand waved a jaunty salute as she melted into her party at the door.
Rather ashamed that on my first appearance I had stayed so late, I joined the last of Gatsby's guests, who were clustered around him. I wanted to explain that I'd hunted for him early in the evening and to apologize for not having known him in the garden.
'Don't mention it,' he enjoined me eagerly. 'Don't give it another thought, old sport.' The familiar expression held no more familiarity than the hand which reassuringly brushed my shoulder. 'And don't forget we're going up in the hydroplane tomorrow morning, at nine o'clock.'
Then the butler, behind his shoulder:
'Philadelphia wants you on the phone, sir.'
'All right, in a minute. Tell them I'll be right there... Good night.'
'Good night.'
'Good night.' He smiled - and suddenly there seemed to be a pleasant significance in having been among the last to go, as if he had desired it all the time. 'Good night, old sport... Good night.'
But as I walked down the steps I saw that the evening was not quite over. Fifty feet from the door a dozen headlights illuminated a bizarre and tumultuous scene. In the ditch beside the road, right side up, but violently shorn of one wheel, rested a new coupe which had left Gatsby's drive not two minutes before. The sharp jut of a wall accounted for the detachment of the wheel, which was now getting considerable attention from half a dozen curious chauffeurs. However, as they had left their cars blocking the road, a harsh, discordant din from those in the rear had been audible for some time, and added to the already violent confusion of the scene.
A man in a long duster had dismounted from the wreck and now stood in the middle of the road, looking from the car to the tyre and from the tyre to the observers in a pleasant, puzzled way.
'See!' he explained. 'It went in the ditch.'
The fact was infinitely astonishing to him, and I recognized first the unusual quality of wonder, and then the man - it was the late patron of Gatsby's library.
'How'd it happen?'
He shrugged his shoulders.
'I know nothing whatever about mechanics,' he said decisively.
'But how did it happen? Did you run into the wall?'
'Don't ask me,' said Owl Eyes, washing his hands of the whole matter. 'I know very little about driving - next to nothing. It happened, and that's all I know.'
'Well, if you're a poor driver you oughtn't to try driving at night.'
'But I wasn't even trying,' he explained indignantly, 'I wasn't even trying.'
An awed hush fell upon the bystanders.
'Do you want to commit suicide?'
'You're lucky it was just a wheel! A bad driver and not even trying!'
'You don't understand,' explained the criminal. 'I wasn't driving. There's another man in the car.'
The shock that followed this dclaration found voice in a sustained 'Ah-h-h!' as the door of the coupe swung slowly open. The crowd - it was now a crowd - stepped back involuntarily, and when the door had opened wide there was a ghostly pause. Then, very gradually, part by part, a pale, dangling individual stepped out of the wreck, pawing tentatively at the ground with a large uncertain dancing shoe.
Blinded by the glare of the headlights and confused by the incessant groaning of the horns, the apparition stood swaying for a moment before he perceived the man in the duster.
'Wha's matter?' he inquired calmly. 'Did we run outa gas?'
'Look!'
Half a dozen fingers pointed at the amputated wheel - he stared at it for a moment, and then looked upward as though he suspected that it had dropped from the sky.
'It came off,' someone explained.
He nodded.
'At first I din' notice we'd stopped.'
A pause. Then, taking a long breath and straightening his shoulders, he remarked in a determined voice:
'Wonder'ff tell me where there's a gas'line station?'
At least a dozen men, some of them a little better off than he was, explained to him that wheel and car were no longer joined by any physical bond.
'Back out,' he suggested after a moment. 'Put her in reverse.'
'But the wheel's off!'
He hesitated.
'No harm in trying,' he said.
The caterwauling horns had reached a crescendo and I turned away and cut across the lawn toward home. I glanced back once. A wafer of a moon was shining over Gatsby's house, making the night fine as before, and surviving the laughter and the sound of his still glowing garden. A sudden emptiness seemed to flow now from the windows and the great doors, endowing with complete isolation the figure of the host, who stood on the porch, his hand up in a formal gesture of farewell.
Reading over what I have written so far, I see I have given the impression that the events of three nights several weeks apart were all that absorbed me. On the contrary, they were merely casual events in a crowded summer, and, until much later, they absorbed me infinitely less than my personal affairs.
Most of the time I worked. In the early morning the sun threw my shadow westward as I hurried down the white chasms of lower New York to the Probity Trust. I knew the other clerks and young bond-salesmen by their first names, and lunched with them in dark, crowded restaurants on little pig sausages and mashed potatoes and coffee. I even had a short affair with a girl who lived in Jersey City and worked in the accounting department, but her brother began throwing mean looks in my direction, so when she went on her vacation in July I let it blow quietly away.
I took dinner usually at the Yale Club - for some reason it was the gloomiest event of my day - and then I went upstairs to the library and studied investments and securities for a conscientious hour. There were generally a few rioters around, but they never came into the library, so it was a good place to work. After that, if the night was mellow, I strolled down Madison Avenue past the old Murray Hill Hotel, and over 33rd Street to the Pennsylvania Station.
I began to like New York, the racy, adventurous feel of it at night, and the satisfaction that the constant flicker of men and women and machines gives to the restless eye. I liked to walk up Fifth Avenue and pick out romantic women from the crowd and imagine that in a few minutes I was going to enter into their lives, and no one would ever know or disapprove. Sometimes, in my mind, I followed them to their apartments on the corners of hidden streets, and they turned and smiled back at me before they faded through a door into warm darkness. At the enchanted metropolitan twilight I felt a haunting loneliness sometimes, and felt it in others - poor young clerks who loitered in front of windows waiting until it was time for a solitary restaurant dinner - young clerks in the dusk, wasting the most poignant moments of night and life.
Again at eight o'clock, when the dark lanes of the Forties were lined five deep with throbbing taxicabs, bound for the theatre district, I felt a sinking in my heart. Forms leaned together in the taxis as they waited, and voices sang, and there was laughter from unheard jokes, and lighted cigarettes made unintelligible circles inside. Imagining that I, too, was hurrying towards gaiety and sharing their intimate excitement, I wished them well.
For a while I lost sight of Jordan Baker, and then in midsummer I found her again. At first I was flattered to go places with her, because she was a golf champion, and everyone knew her name. Then it was something more. I wasn't actually in love, but I felt a sort of tender curiosity. The bored haughty face that she turned to the world concealed something - most affectations conceal something eventually, even though they don't in the beginning - and one day I found what it was. When we were on a house-party together up in Warwick,19 she left a borrowed car out in the rain with the top down, and then lied about it - and suddenly I remembered the story about her that had eluded me that night at Daisy's. At her first big gold tournament there was a row that nearly reached the newspapers - a suggestion that she had moved her ball from a bad lie in the semi-final round. The thing approached the proportions of a scandal - then died away. A caddy retracted his statement, and the only other witness admitted that he might have been mistaken. The incident and the name had remained together in my mind.
Jordan Baker instinctively avoided clever, shrewd men, and now I saw that this was because she felt safer on a plane where any divergence from a code would be thought impossible. She was incurably dishonest. She wasn't able to endure being at a disadvantage and, given this unwillingness, I suppose she had begun dealing in subterfuges when she was very young in order to keep that cool, insolent smile turned to the world and yet satisfy the demands of her hard, jaunty body.
It made no difference to me. Dishonesty in a woman is a thing you never blame deeply - I was casually sorry, and then I forgot. It was on that same house-party that we had a curious conversation about driving a car. It started because she passed so close to some workmen that our fender flicked a button on one man's coat.
'You're a rotten driver,' I protested. 'Either you ought to be more careful, or you oughtn't to drive at all.'
'I am careful.'
'No, you're not.'
'Well, other people are,' she said lightly.
'What's that got to do with it?'
'They'll keep out of my way,' she insisted. 'It takes two to make an accident.'
'Suppose you met somebody just as careless as yourself.'
'I hope I never will,' she answered. 'I hate careless people. That's why I like you.'
Her grey, sun-strained eyes stared straight ahead, but she had deliberately shifted our relations, and for a moment I thought I loved her. But I am slow-thinking and full of interior rules that act as brakes on my desires, and I knew that first I had to get myself definitely out of that tangle back home. I'd been writing letters once a week and signing them: 'Love, Nick,' and all I could think of was how, when that certain girl played tennis, a faint moustache of perspiration appeared on her upper lip. Nevertheless there was a vague understanding that had to be tactfully broken off before I was free.
Every one suspects himself of at least one of the cardinal virtues, and this is mine: I am one of the few honest people that I have ever known.
Chapter IV
ON Sunday morning while church bells rang in the villages alongshore, the world and its mistress returned to Gatsby's house and twinkled hilariously on his lawn.
'He's bootlegger,' said the young ladies,20 moving somewhere between his cocktails and his flowers. 'One time he killed a man who had found out that he was nephew to Von Hindenburg21 and second cousin to the devil. Reach me a rose, honey, and pour me a last drop into that there crystal glass.'
Once I wrote down on the empty spaces of a time-table the names of those who came to Gastby's house that summer. It is an old time-table now, disintegrating at its folds, and headed 'This schedule in effect July 5th, 1922'. But I can still read the grey names, and they will give you a better impression than my generalities of those who accepted Gatsby's hospitality and paid him the subtle tribute of knowing nothing whatever about him.
From East Egg, then, came the Chester Beckers and the Leeches, and a man named Bunsen, whom I knew at Yale, and Doctor Webster Civet, who was drowned last summer up in Maine. And the Hornbeams and the Willie Voltaires, and a whole clan named Blackbuck, who always gathered in a corner and flipped up their noses like goats at whosoever came near. And the Ismays and the Chrysties (or rather Hubert Auerbach and Mr Chrystie's wife), and Edgar Beaver, whose hair, they say, turned cotton-white one winter afternoon for no good reason at all.
Clarence Endive was from East Egg, as I remember. He came only once, in white knickerbockers, and had a fight with a bum named Etty in the garden. From farther out on the Island came the Cheadles and the O. R. P. Schreaders, and the Stonewall Jackson Abrams of Georgia, and the Fishguards and the Ripley Snells. Snell was there three days before he went to the penitentiary, so drunk out on the gravel drive that Mrs Ulysses Swett's automobile ran over his right hand. The Dancies came, too, and S. B. Whitebait, who was well over sixty, and Maurice A. Flink, and the Hammerheads, and Beluga the tobacco importer, and Beluga's girls.
From West Egg came the Poles and the Mulreadys and Cecil Roebuck and Cecil Schoen and Gulick the State senator and Newton Orchid, who controlled Films Par Excellence, and Eckhaust and Clyde Cohen and Don S. Schwartz (the son) and Arthur McCarty, all connected with the movies in one way or another. And the Catlips and the Bembergs and G. Earl Muldoon, brother to that Muldoon who afterward strangled his wife. Da Fontano the promoter came there, and Ed Legros and James B. ('Rot-Gut') Ferret and the De Jongs and Ernest Lilly - they came to gamble, and when Ferret wandered into the garden it meant he was cleaned out and Associated Traction would have to fluctuate profitably next day.
A man named Klipspringer was there so often that he became known as 'the boarder' - I doubt if he had any other home. Of theatrical people there were Gus Waize and Horace O'Donavan and Lester Myer and George Duckweed and Francis Bull. Also from New York were the Chromes and the Backhyssons and the Dennickers and Russel Betty and the Corrigans and the Kellehers and the Dewars and the Scullys and S. W. Belcher and the Smirkes and the young Quinns, divorced now, and Henry L. Palmetto, who killed himself by jumping in front of a subway train in Times Square.
Benny McClenahan arrived always with four girls. They were never quite the same ones in physical person, but they were so identical one with another that it inevitably seemed they had been there before. I have forgotten their names - Jaqueline, I think, or else Consuela, or Gloria or Judy or June, and their last names were either the melodious names o