BLANCHE: Oh—God...
STANLEY: I've been on to you from the start! Not once did you pull any wool over this boy's eyes! You come in here and sprinkle the place with powder and spray perfume and cover the light bulb with a paper lantern, and lo and behold the place has turned into Egypt and you are the Queen of the Nile! Sitting on your throne and swilling down my liquor! I say—Ha!—Ha! Do you hear me? Ha—ha—ha!
[He walks into the bedroom.]
BLANCHE: Don't come in here!
[Lurid reflections appear on the wall around Blanche. The shadows are of a grotesque and menacing form. She catches her breath, crosses to the phone and jiggles the hook. Stanley goes into the bathroom and closes the door.]
Operator, operator! Give me long-distance, please.... I want to get in touch with Mr. Shep Huntleigh of Dallas. He's so well-known he doesn't require any address. Just ask anybody who—Wait! I—No, I couldn't find it right now.... Please understand, I—No! No, wait! ...One moment! Someone is—Nothing! Hold on, please!
[She sets the phone down and crosses warily into the kitchen. The night is filled with inhuman voices like cries in a jungle.
The shadows and lurid reflections move sinuously as flames along the wall spaces.
Through the back wall of the rooms, which have become transparent, can be seen the sidewalk. A prostitute has rolled a drunkard. He pursues her along the walk, overtakes her and there is a struggle. A policeman's whistle breaks it up. The figures disappear.
Some moments later the Negro Woman appears around the corner with a sequined bag which the prostitute had dropped on the walk. She is rooting excitedly through it.
Blanche presses her knuckles to her lips and returns slowly to the phone. She speaks in a hoarse whisper.]
BLANCHE: Operator! Operator! Never mind long-distance. Get Western Union. There isn't time to be—Western—Western Union!
[She waits anxiously.]
Western Union? Yes! I—want to—Take down this message! "In desperate, desperate circumstances! Help me! Caught in a trap. Caught in—" Oh!
[The bathroom door is thrown open and Stanley comes out in the brilliant silk pyjamas. He grins at her as he knots the tasseled sash about his waist. She gasps and backs away from the phone. He stares at her for a count of ten. Then a clicking becomes audible from the telephone, steady and rasping.]
STANLEY: You left th' phone off th' hook.
[He crosses to it deliberately and sets it back on the hook. After he has replaced it, he stares at her again, his mouth slowly curving into a grin, as he weaves between Blanche and the outer door.
The barely audible "blue piano" begins to drum up louder. The sound of it turns into the roar of an approaching locomotive. Blanche crouches, pressing her fists to her ears until it has gone by.]
BLANCHE [finally straightening]: Let me—let me get by you!
STANLEY: Get by me! Sure. Go ahead.
[He moves back a pace in the doorway.]
BLANCHE: You—you stand over there!
[She indicates a further position.]
STANLEY [grinning]: You got plenty of room to walk by me now.
BLANCHE: Not with you there! But I've got to get out somehow!
STANLEY: You think I'll interfere with you? Ha-ha!
[The "blue piano" goes softly. She turns confusedly and makes a faint gesture. The inhuman jungle voices rise up. He takes a step toward her, biting his tongue which protrudes between his lips.]
STANLEY [softly]: Come to think of it—maybe you wouldn't be bad to—interfere with....
[Blanche moves backward through the door into the bedroom.]
BLANCHE: Stay back! Don't you come toward me another step or I'll—
STANLEY: What?
BLANCHE: Some awful thing will happen! It will!
STANLEY: What are you putting on now?
[They are now both inside the bedroom.]
BLANCHE: I warn you, don't, I'm in danger!
[He takes another step. She smashes a bottle on the table and faces him, clutching the broken top.]
STANLEY: What did you do that for?
BLANCHE: So I could twist the broken end in your face!
STANLEY: I bet you would do that!
BLANCHE: I would! I will if you—
STANLEY: Oh! So you want some rough-house! All right, let's have some rough-house!
[He springs toward her, overturning the table. She cries out and strikes at him with the bottle top but he catches her wrist.]
Tiger—tiger! Drop the bottle top! Drop it! We've had this date with each other from the beginning!
[She moans. The bottle top falls. She sinks to her knees. He picks up her inert figure and carries her to the bed. The hot trumpet and drums from the Four Deuces sound loudly.]
SCENE ELEVEN
It is some weeks later. Stella is packing Blanche's things. Sounds of water can be heard running in the bathroom. The portieres are partly open on the poker players—Stanley, Steve, Mitch and Pablo—who sit around the table in the kitchen. The atmosphere of the kitchen is now the same raw, lurid one of the disastrous poker night. The building is framed by the sky of turquoise. Stella has been crying as she arranges the flowery dresses in the open trunk. Eunice comes down the steps from her flat above and enters the kitchen. There is an outburst from the poker table.
STANLEY: Drew to an inside straight and made it, by God.
PABLO: Maldita sea to suerto!
STANLEY: Put it in English, greaseball!
PABLO: I am cursing your rutting luck.
STANLEY [prodigiously elated]: You know what luck is? Luck is believing you're lucky. Take at Salerno. I believed I was lucky. I figured that 4 out of 5 would not come through but I would... and I did. I put that down as a rule. To hold front position in this rat-race you've got to believe you are lucky.
MITCH: You... you... you... Brag... brag... bull... bull.
[Stella goes into the bedroom and starts folding a dress.]
STANLEY: What's the matter with him?
EUNICE [walking past the table]: I always did say that men are callous things with no feelings, but this does beat anything. Making pigs of yourselves.
[She comes through the portieres into the bedroom.]
STANLEY: What's the matter with her?
STELLA: How is my baby?
EUNICE: Sleeping like a little angel. Brought you some grapes.
[She puts them on a stool and lowers her voice.]
Blanche?
STELLA: Bathing.
EUNICE: How is she?
STELLA: She wouldn't eat anything but asked for a drink.
EUNICE: What did you tell her?
STELLA: I—just told her that—we'd made arrangements for her to rest in the country. She's got it mixed in her mind with Shep Huntleigh.
[Blanche opens the bathroom door slightly.]
BLANCHE: Stella.
STELLA: Yes, Blanche?
BLANCHE: If anyone calls while I'm bathing take the number and tell them I'll call right back.
STELLA: Yes.
BLANCHE: That cool yellow silk—the boucle. See if it's crushed. If it's not too crushed I'll wear it and on the lapel that silver and turquoise pin in the shape of a seahorse. You will find them in the heart-shaped box I keep my accessories in. And Stella... Try and locate a bunch of artificial violets in that box, too, to pin with the seahorse on the lapel of the jacket.
[She closes the door. Stella turns to Eunice.]
STELLA: I don't know if I did the right thing.
EUNICE: What else could you do?
STELLA: I couldn't believe her story and go on living with Stanley.
EUNICE: Don't ever believe it. Life has got to go on. No matter what happens, you've got to keep on going.
[The bathroom door opens a little.]
BLANCHE [looking out]: Is the coast clear?
STELLA: Yes, Blanche.
[To Eunice]
Tell her how well she's looking.
BLANCHE: Please close
the curtains before I come out.
STELLA: They're closed.
STANLEY: —How many for you?
PABLO: —Two.
STEVE: —Three.
[Blanche appears in the amber tight of the door. She has a tragic radiance in her red satin robe following the sculptural lines of her body. The "Varsouviana" rises audibly as Blanche enters the bedroom.]
BLANCHE [with faintly hysterical vivacity]: I have just washed my hair.
STELLA: Did you?
BLANCHE: I'm not sure I got the soap out.
EUNICE: Such fine hair!
BLANCHE [accepting the compliment]: It's a problem. Didn't I get a call?
STELLA: Who from, Blanche?
BLANCHE: Shep Huntleigh....
STELLA: Why, not yet, honey!
BLANCHE: How strange! I—
[At the sound of Blanche's voice Mitch's arm supporting his cards has sagged and his gaze is dissolved into space. Stanley slaps him on the shoulder.]
STANLEY: Hey, Mitch, come to!
[The sound of this new voice shocks Blanche. She makes a shocked gesture, forming his name with her lips. Stella nods and looks quickly away. Blanche stands quite still for some moments—the silver-backed mirror in her hand and a look of sorrowful perplexity as though all human experience shows on her face. Blanche finally speaks but with sudden hysteria.]
BLANCHE: What's going on here?
[She turns from Stella to Eunice and back to Stella. Her rising voice penetrates the concentration of the game. Mitch ducks his head lower but Stanley shoves back his chair as if about to rise. Steve places a restraining hand on his arm.]
BLANCHE [continuing]: What's happened here? I want an explanation of what's happened here.
STELLA [agonizingly]: Hush! Hush!
EUNICE: Hush! Hush! Honey.
STELLA: Please, Blanche.
BLANCHE: Why are you looking at me like that? Is something wrong with me?
EUNICE: You look wonderful, Blanche. Don't she look wonderful?
STELLA: Yes.
EUNICE: I understand you are going on a trip.
STELLA: Yes, Blanche is. She's going on a vacation.
EUNICE: I'm green with envy.
BLANCHE: Help me, help me get dressed!
STELLA [handing her dress]: Is this what you—
BLANCHE: Yes, it will do! I'm anxious to get out of here—this place is a trap!
EUNICE: What a pretty blue jacket.
STELLA: It's lilac colored.
BLANCHE: You're both mistaken. It's Delia Robbia blue. The blue of the robe in the old Madonna pictures. Are these grapes washed?
[She fingers the bunch of grapes which Eunice had brought in.]
EUNICE: Huh?
BLANCHE: Washed, I said. Are they washed?
EUNICE: They're from the French Market.
BLANCHE: That doesn't mean they've been washed.
[The cathedral bells chime]
Those cathedral bells—they're the only clean thing in the Quarter. Well, I'm going now. I'm ready to go.
EUNICE [whispering]: She's going to walk out before they get here.
STELLA: Wait, Blanche.
BLANCHE: I don't want to pass in front of those men.
EUNICE: Then wait'll the game breaks up.
STELLA: Sit down and...
[Blanche turns weakly, hesitantly about. She lets them push her into a chair.]
BLANCHE: I can smell the sea air. The rest of my time I'm going to spend on the sea. And when I die, I'm going to die on the sea. You know what I shall die of?
[She plucks a grape]
I shall die of eating an unwashed grape one day out on the ocean. I will die—with my hand in the hand of some nice-looking ship's doctor, a very young one with a small blond mustache and a big silver watch. "Poor lady," they'll say, "the quinine did her no good. That unwashed grape has transported her soul to heaven."
[The cathedral chimes are heard]
And I'll be buried at sea sewn up in a clean white sack and dropped overboard—at noon—in the blaze of summer—and into an ocean as blue as…
[Chimes again]
…my first lover's eyes!
[A Doctor and a Matron have appeared around the corner of the building and climbed the steps to the porch. The gravity of their profession is exaggerated—the unmistakable aura of the state institution with its cynical detachment. The Doctor rings the doorbell. The murmur of the game is interrupted.]
EUNICE [whispering to Stella]: That must be them.
[Stella presses her fists to her lips.]
BLANCHE [rising slowly]: What is it?
EUNICE [affectedly casual]: Excuse me while I see who's at the door.
STELLA: Yes.
[Eunice goes into the kitchen.]
BLANCHE [tensely]: I wonder if it's for me.
[A whispered colloquy takes place at the door.]
EUNICE [returning, brightly]: Someone is calling for Blanche.
BLANCHE: It is for me, then!
[She looks fearfully from one to the other and then to the portieres. The "Varsouviana" faintly plays]
Is it the gentleman I was expecting from Dallas?
EUNICE: I think it is, Blanche.
BLANCHE: I'm not quite ready.
STELLA: Ask him to wait outside.
BLANCHE: I...
[Eunice goes back to the portieres. Drums sound very softly.]
STELLA: Everything packed?
BLANCHE: My silver toilet articles are still out.
STELLA: Ah!
EUNICE [returning]: They're waiting in front of the house.
BLANCHE: They! Who's "they"?
[The "Varsouviana" is playing distantly.
Stella stares back at Blanche. Eunice is holding Stella's arm. There is a moment of silence—no sound but that of Stanley steadily shuffling the cards.
Blanche catches her breath again and slips back into the flat with a peculiar smile, her eyes wide and brilliant. As soon as her sister goes past her, Stella closes her eyes and clenches her hands. Eunice throws her arms comforting about her. Then she starts up to her flat. Blanche stops just inside the door. Mitch keeps staring down at his hands on the table, but the other men look at her curiously. At last she starts around the table toward the bedroom. As she does, Stanley suddenly pushes back his chair and rises as if to block her way. The Matron follows her into the flat.]
STANLEY: Did you forget something?
BLANCHE [shrilly]: Yes! Yes, I forgot something!
[She rushes past him into the bedroom. Lurid reflections appear on the walls in odd, sinuous shapes. The "Varsouviana" is filtered into a weird distortion, accompanied by the cries and noises of the jungle. Blanche seizes the back of a chair as if to defend herself.]
STANLEY [sotto voice]: Doc, you better go in.
DOCTOR [sotto voce, motioning to the Matron]: Nurse, bring her out
[The Matron advances on one side, Stanley on the other, Divested of all the softer properties of womanhood, the Matron is a peculiarly sinister figure in her severe dress. Her voice is bold and toneless as a firebell.]
MATRON: Hello, Blanche.
[The greeting is echoed and re-echoed by other mysterious voices behind the walls, as if reverberated through a canyon of rock.]
STANLEY: She says that she forgot something.
[The echo sounds in threatening whispers.]
MATRON: That's all right.
STANLEY: What did you forget, Blanche?
BLANCHE: I—I—
MATRON: It don't matter. We can pick it up later.
STANLEY: Sure. We can send it along with the trunk.
BLANCHE [retreating in panic]: I don't know you—I don't know you. I want to be—left alone—please!
MATRON: Now, Blanche!
ECHOES [rising and falling]: Now, Blanche—now, Blanche—now, Blanche!
STANLEY: You left nothing here but spilt talcum and old empty perfume bottles—unless it's the paper lantern you want to take with you. You want
the lantern?
[He crosses to dressing table and seizes the paper lantern, tearing it off the light bulb, and extends it toward her. She cries out as if the lantern was herself. The Matron steps boldly toward her. She screams and tries to break past the Matron. All the men spring to their feet. Stella runs out to the porch, with Eunice following to comfort her, simultaneously with the confused voices of the men in the kitchen. Stella rushes into Eunice's embrace on the porch.]