Then Seth had started stomping his feet on the barstool, and Georgie’d grabbed on to his bare ankles—“Stop, you’ll fall.”
“You,” he’d said, craning his head down and holding his drink up, “are my secret weapon.”
Heather leaned against Georgie’s chair now, gesturing with a piece of cold pizza. “Passing Time is already my favorite show,” she said, “and I’m part of a very desirable demographic.”
Georgie swallowed the bite of tuna mac that was sitting at the back of her throat. “Thanks, kid.”
“Have you talked to the girls today?” her mom asked. She was holding the pug right up against her face, scratching between its ears with her chin. The pug’s watery eyes bulged with every pull.
Georgie grimaced and looked away. “No,” she said. “I was just about to call.”
“What’s the time difference?” Kendrick asked. “Isn’t it almost midnight there?”
“Oh God.” Georgie dropped her fork. “You’re right.” Her cell phone was dead, so she walked over to the brown Trimline that was still stuck to the kitchen wall.
Heather and Kendrick and her mom and the dog were all watching her. Another dog shuffled into the kitchen, its toenails clicking against the tile, and looked up.
“Is there still a phone in my room?” Georgie asked.
“I think so,” her mom said. “Check the closet.”
“Great. I’ll just . . .” Georgie rushed out of the kitchen and down the hall.
Her mom had turned Georgie’s childhood bedroom into the pug trophy room as soon as she graduated from high school—which was irritating because Georgie didn’t actually move out of the house until she graduated from college.
“Where else am I supposed to display their ribbons?” her mom had said when Georgie objected. “They’re award-winning dogs. You’ve got one foot out the door anyway.”
“Not currently. Currently, I have both feet on my bed.”
“Take off your shoes, Georgie. This isn’t a barn.”
Georgie’s old bed was still in the room. So was her night table, a lamp, and some books she’d never gotten around to packing up. She opened the closet and dug through a pile of leftover junk until she found an antique, yellow rotary phone; she’d bought it herself at a garage sale back in high school—because she’d been exactly that kind of pretentious.
Christ, it was heavy. She untangled the cord and crawled halfway under the bed to plug it in. (She’d forgotten the way that felt—the way the outlet bit down on the end of the cord with a click.) Then she climbed up on the bed and settled the phone in her lap, taking a deep breath before she picked up the receiver.
She tried Neal’s cell phone first, but the call didn’t go through—their network sucked in Omaha. So she dialed his mom’s home number from memory. . . .
Georgie and Neal had spent one summer apart—junior year, right after they started dating. She’d called him in Omaha every night that summer. From this room, actually, on this yellow telephone.
There were fewer dog portraits on the walls back then, but still enough to make Georgie feel like she needed to hide under the blankets when she stayed up late talking dirty to Neal. (You wouldn’t expect Neal to be filthy on the phone; normally he didn’t even swear. But it’d been a long summer.)
His mom answered after four rings. “Hello?”
“Hey, Margaret, hi. I know it’s late, sorry, I always forget about time zones—is Neal still up?”
“Georgie?”
“Oh, sorry. Yeah, it’s me—Georgie.”
Neal’s mom paused. “Just a minute, I’ll see.”
Georgie waited, feeling nervous for some reason. Like she was calling some guy she liked when she was fourteen. Not the guy she’d been married to for fourteen years.
“Hello?” Neal sounded like he’d been asleep. His voice was rough.
She sat up straighter. “Hey.”
“Georgie.”
“Yeah . . . Hey.”
“It’s really late here.”
“I know, I always forget, I’m sorry. Time zones.”
“I—” He made a frustrated huffing noise. “—I guess I didn’t expect you to call.”
“Oh. Well. I just wanted to make sure you got in okay.”
“I got in fine,” he said.
“Good.”
“Yeah . . .”
“How’s your mom?” she asked.
“She’s fine—they’re both fine, everybody’s fine. Look, Georgie, it’s late.”
“Right. Neal, I’m sorry—I’ll call you tomorrow.”
“You will?”
“Yeah. I mean, I’ll call earlier tomorrow. I just, um . . .”
He huffed again. “Fine.” And then he hung up.
Georgie sat there for a second, holding the dead receiver against her ear.
Neal had hung up on her.
She hadn’t even had a chance to ask about the girls.
And she hadn’t gotten to say “I love you”—Georgie always said “I love you,” and Neal always said it back, no matter how perfunctory it was. It was a safety check, proof that they were both still in this thing.
Maybe Neal was upset with her.
Obviously he was upset with her, he was always upset with her—but maybe he was more upset than she thought.
Maybe.
Or maybe he was just tired. He’d been up since four.
Georgie had been up since four thirty. Suddenly she felt tired, too. She thought about getting back in the car and driving out to Calabasas, to an empty house where nobody was waiting up for her. . . .
Then kicked off her shoes and climbed under her old bedspread, clapping twice to turn off the light. She could still see fifty pairs of mournful pug eyes flashing in the dark.
She’d call Neal tomorrow.
She’d start with “I love you.”
THURSDAY
DECEMBER 19, 2013
CHAPTER 4
There was a Post-it note from Pamela (the front-desk girl) on Georgie’s office door. She must have missed it when she left last night.
Your husband called while you were talking to Mr. German. He said to tell you they landed and to call when you can.
Georgie’d already tried to call Neal twice that morning on the way to work—she wanted something to replace their last stilted conversation in her head—but he hadn’t picked up.
Which wasn’t that unusual. Neal often left his phone downstairs or in the car, or he forgot to turn his ringer on. He never purposely ignored Georgie’s calls. Never so far.
She hadn’t left him a message—she kept freezing up. But at least Neal would see that she’d called. That was something.
He’d sounded so off last night. . . .
Clearly Georgie had woken him up. But it was more than that. The way that he’d said his mom was fine—“they’re both fine”—for a second, Georgie thought maybe he was talking about his dad.
Neal’s dad had died three years ago. He was a railroad yardman, and he had a heart attack at work. When the call came that day from his mom, Neal had gone into their bedroom without saying a word. It was only the second time Georgie had seen him cry.
Maybe Neal was disoriented last night, waking up in his parents’ house, sleeping in his old room. All the memories of his dad . . .
Or maybe he’d just meant Alice and Noomi. “She’s fine. They’re both fine. Everybody’s fine.”
Georgie set her coffee on her desk and plugged in her phone.
Seth was watching her. “Are you about to start your period?”
That should probably be an offensive workplace question, but it wasn’t. You can’t work with someone every day of your adult life and never talk to him about your PMS.
Or maybe you could, but Georgie was glad she didn’t have to. “No.” She shook her head at Seth. “I’m fine.”
“You don’t look fine,” he said. “Are those your clothes from yesterday?”
Jeans. One of Neal’s old Metallica concert T-sh
irts. A cardigan.
“We should work in the big room,” she said, “with the whiteboards.”
“Those are your clothes from yesterday,” Seth said, “and they were sad enough yesterday.”
Georgie exhaled. “I spent the night at my mom’s house, okay? You’re lucky I showered.” She’d used Heather’s shower, and Heather’s shampoo. And now she smelled like frosting.
“You spent the night at your mom’s house? Were you too drunk to drive?”
“Too tired,” she said.
He narrowed his eyes. “You still look tired.”
Georgie frowned back at him; Seth looked pristine, of course. Gingham shirt, tan pants cuffed high over his bare ankles, suede saddle shoes. He looked like he’d just stepped out of a Banana Republic. Or what Georgie imagined that might look like—it’d been years since she was actually inside a Banana Republic. She did all her shopping online now, and only when things got desperate.
Seth, however, had never let himself go. If anything, he’d tightened his grip. He looked like he hadn’t aged a day since 1994, since the first day he and Georgie met.
The first time she’d seen Seth, he was sitting on a pretty girl’s desk, playing with her hair. Georgie had been excited just to see another girl in The Spoon offices.
She found out later that the girl only came in on Wednesdays to sell ads. “Girls aren’t usually into comedy,” Seth explained. Which was better than what a lot of the other guys on staff said: “Girls aren’t funny.” (After working at the college humor magazine for four years, Georgie eventually convinced a few of them to add, “Present company excluded.”)
She’d chosen the University of Los Angeles because of The Spoon. Well, and also because of the theater program, and because ULA was close enough to her mom’s house that Georgie could still live at home.
But The Spoon was the main thing. It was Georgie’s thing.
She’d started reading it in the ninth grade; she used to save back issues and stick the front pages up on her bedroom wall. Everyone said The Spoon was The Harvard Lampoon of the West Coast—lighter, better-looking. Some of her favorite comedy writers had gotten their start there.
Georgie had shown up at The Spoon offices, a rumpus room/computer lab in the basement of the student union, the first week of her freshman year, willing to do anything—willing to make coffee or proofread the personal ads—but wanting, so badly, to write.
Seth was the first person she met there. He was a sophomore and already an editor, and initially he was the only guy on staff who’d make eye contact with Georgie at editorial meetings.
But that was because he was Seth, and because she was a girl.
Seth’s chief pastime back then was paying attention to girls. (Another thing that hadn’t changed.) Lucky for him, then and now, girls usually paid attention back.
Seth was shiny and handsome—tall, with brown eyes and thick auburn hair—and he dressed like he belonged on the cover of an early Beach Boys album.
Georgie got used to Seth’s madras shirts and khaki pants.
She got used to Seth. Always sitting on her desk or falling onto the couch next to her. She got used to always having his attention at The Spoon—because she was almost always the only girl in the room.
And because they were a good team.
That was pretty obvious, almost immediately. Georgie and Seth laughed at all the same jokes, and they were funnier together—as soon as one of them walked into a room, the other started putting on a show.
That’s when Seth had started calling Georgie his secret weapon. The other guys on staff at The Spoon were so busy ignoring her, they mostly missed how funny she was.
“Nobody cares who writes their favorite sitcoms,” Seth would say. “Nobody cares if it’s a cool guy with little wire-rimmed glasses.” (It was the ’90s.) “Or a cute girl with yellow hair.” (That was Georgie.) “Stick with me, Georgie, and nobody’ll see us coming.”
She did.
After graduation, she’d stuck with Seth through five half-hour sitcoms, each one a little less terrible than the last.
And now they finally had a hit, a huge hit—Jeff’d Up—and who cared if it was terrible? (Who cared, besides Georgie. And Seth. And the rest of the bitter, disillusioned writing staff.) Because it was a hit, and it was theirs.
And it would all be worth it if this deal went through.
Seth had been ecstatic ever since they got the call from Maher Jafari’s office. They’d thought, even after their triumphant pitch meeting, that Jafari was going to pass on Passing Time. On them. He’d sent them a weird note that seemed like a rejection. But then, two days ago, he’d called to say that the network needed a midseason replacement. Something they could turn pretty quickly. And pretty cheap. “I’ve got a feeling about this one,” Jafari had said. “Can you make it happen in a week?”
Seth had promised to make everything happen in a week. “We can make it happen by last week,” he said.
Then he’d climbed up on his desk chair to dance again. “This is our Sopranos, Georgie, it’s our Mad Men.”
“Get down,” she’d said. “Everyone’s going to think you’re drunk.”
“I may as well be,” he said, “because I’m about to get drunk. And time is an illusion.”
“You’re a delusion. We can’t write four scripts before Christmas.”
Seth didn’t stop dancing. He pumped his chin and did a little lasso move over his head. “We’ve got till the twenty-seventh. That’s ten whole days.”
“Ten days during which I’ll be in Omaha, Nebraska, celebrating Christmas.”
“Fuck Omaha. Christmas came early.”
“Stop dancing, Seth. Talk to me.”
He’d stopped dancing and frowned at her. “Are you hearing me? Maher Jafari wants our show. Our show, remember? The one we were put on this earth to write?”
“Do you think anybody actually gets put on earth to write TV comedy?”
“Yes,” Seth said. “Us.”
He’d been irrepressible ever since—even when Georgie was arguing with him, even when she was ignoring him. Seth wouldn’t stop smiling. He wouldn’t stop humming, which should probably annoy her. But Georgie was used to that, too.
She looked back up at him now to ask about a Jeff’d Up deadline. . . .
And ended up just looking at him.
He was grinning to himself and typing an e-mail with his index fingers, just to be silly. His eyebrows were dancing.
She sighed.
They were supposed to end up together, Seth and Georgie.
Well, technically, they had ended up together. They’d talked every day since that first day they met.
But they were supposed to end up together-together. Everyone thought it would happen—Georgie had thought it would happen.
Just as soon as Seth exhausted his other possibilities, as soon as he worked through his queue of admirers. He hadn’t been in any hurry, and Georgie didn’t have a say in the matter. She’d taken a number. She was waiting patiently.
And then, one day, she wasn’t.
After Seth headed down to the writers’ room, Georgie decided to try calling Neal again.
He picked up after three rings. “Hello?”
No. It wasn’t Neal. “Alice? Is that you?”
“Yes.”
“It’s Mommy.”
“I know. Your song played when the phone rang.”
“What’s my song?”
Alice started singing “Good Day Sunshine.”
Georgie bit her lip. “That’s my song?”
“Yep.”
“That’s a good song.”
“Yep.”
“Hey,” Georgie said, “where’s Daddy?”
“Outside.”
“Outside?”
“He’s shoveling the snow,” Alice said. “There’s snow here. We’re gonna have a white Christmas.”
“That’s lucky. Did you have a good plane trip?”
“Uh-huh.”
&
nbsp; “What was the best part? . . . Alice?” The girls liked answering the phone—and they loved calling people—but they always lost interest once they were on the line. “Alice. Are you watching TV?”
“Uh-huh.”
“Pause it and talk to Mommy.”
“I can’t. Grandma doesn’t have pause.”
“Then turn it off for a minute.”
“I don’t know how.”
“Okay, just . . .” Georgie tried not to sound irritated. “I really miss you.”
“I miss you, too.”
“I love you guys . . . Alice?”
“Yeah?”
“Let me talk to Noomi.”
There was some shuffling, then a thump like somebody had dropped the phone—then finally, “Meow?”
“Noomi? It’s Mommy.”
“Meow.”
“Meow. What are you doing?”
“We’re watching Chip ’n’ Dale.”
“Was Grandma happy to see you?”
“She said we could watch Chip ’n’ Dale.”
“Okay. I love you.”
“You’re the best mommy in the world!”
“Thanks. Hey, Noomi, tell Daddy I called. Okay?”
“Meow.”
“Meow. Tell Daddy, okay?”
“Meow!”
“Meow.” Georgie ended the call, then fidgeted with her phone for a minute, flipping through a few photos of the girls. She hated talking to them on the phone; it made them feel farther away. And it made her feel helpless. Like, even if she heard something bad happening, there’d be nothing she could do to stop it. One time Georgie had called home from the freeway, and all she could do was listen while Alice dropped the phone in her cereal bowl, then tried to decide whether to pick it up.
Plus . . . the girls’ voices were higher on the phone. They sounded younger, and Georgie could hear their every breath. It just always made her realize that she was missing them. Actually missing them. That they kept on growing and changing when she wasn’t there.
If Georgie didn’t talk to her kids all day, it was easier to pretend like their whole world froze in place while she was at work.