Books by Penelope Lively
fiction
THE ROAD TO LICHFIELD
NOTHING MISSING BUT THE SAMOVAR
TREASURES OF TIME
JUDGEMENT DAY
NEXT TO NATURE, ART
PERFECT HAPPINESS
CORRUPTION
ACCORDING TO MARK
PACK OF CARDS
MOON TIGER
for children
ASTERCOTE
THE WHISPERING KNIGHTS
THE WILD HUNT OF HAGWORTHY
THE DRIFTWAY
THE GHOST OF THOMAS KEMPE
THE HOUSE IN NORHAM GARDENS
GOING BACK
BOY WITHOUT A NAME
THE STAINED GLASS WINDOW
A STITCH IN TIME
FANNY'S SISTER
THE VOYAGE OF QV66
FANNY AND THE MONSTERS
FANNY AND THE BATTLE OF POTTER'S PIECE
THE REVENGE OF SAMUEL STOKES
UNINVITED GHOSTS AND OTHER STORIES
DRAGON TROUBLE
A HOUSE INSIDE OUT
nonfiction
THE PRESENCE OF THE PAST:
AN INTRODUCTION TO LANDSCAPE HISTORY
Copyright © 1978, 1980, 1981, 1982, 1984, 1985, 1986 by Penelope Lively
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Any members of educational institutions wishing to photocopy part or all of the work for classroom use, or publishers who would like to obtain permission to include the work in an anthology, should send their inquiries to Grove/Atlantic, Inc., 841 Broadway, New York, NY 10003.
First published in 1986 by William Heinemann Ltd., London
Printed in the United States of America
FIRST GROVE PRESS PAPERBACK EDITION
Library of Congress Cataloging-in-Publication Data
Lively, Penelope, 1933–
Pack of cards and other stories / Penelope Lively.
“First published in 1986 by William Heinemann Ltd., London”—T.p. verso.
ISBN 9780802197351
I. Title.
PR6062.I89P3 1989
823′.914—dcl9 89-1851
Grove Press
841 Broadway
New York, NY 10003
99 00 01 02 10 9 8 7 6 5 4 3 2 1
Acknowledgements
THE FIRST fourteen stories in this volume were originally published by William Heinemann in 1978 as Nothing Missing but the Samovar: ‘Nothing Missing but the Samovar’; ‘The Voice of God in Adelaide Terrace’; ‘Interpreting the Past’; ‘Servants Talk About People: Gentlefolk Discuss Things’; ‘Help’; ‘Miss Carlton and the Pop Concert’; ‘Revenant as Typewriter’; ‘Next Term, We'll Mash You’; ‘At the Pitt-Rivers’; ‘Nice People’; ‘A World of Her Own’; ‘Presents of Fish and Game’; ‘A Clean Death’ and ‘Party’.
‘Corruption’ was first published in Encounter, 1984; ‘Venice, Now and Then’ was first published in Quarto, 1980; ‘Grow Old Along With Me, the Best Is Yet To Be’ was first published in Cosmopolitan, 1984; ‘The Darkness Out There’ was first published in the Bodley Head collection, You Can't Keep out the Darkness, 1980, and read on BBC radio and Australian radio; ‘Yellow Trains’ was first published in Vogue, 1984; ‘“The Ghost of a Flea”’ was first published in The Literary Review, 1980; ‘The Art of Biography’ was first published in Good Housekeeping, 1981; ‘What the Eye Doesn't See’ was first published in Encounter, 1981; ‘The Emasculation of Ted Roper’ was first published in Encounter, 1982. These nine stories, together with ‘The Pill-Box’ and ‘Customers’, were published by William Heinemann in 1984 as Corruption.
‘A Long Night at Abu Simbel’ was first published in Encounter, 1984; ‘Bus-Stop’ was first published under the title ‘Transport of Delight’ in Woman's Own, 1985; ‘Clara's Day’ was first published in Good Housekeeping, 1986; ‘The French Exchange’ was first published in the Bodley Head collection, Misfits, 1984; ‘The Dream Merchant’ was first published in Good Housekeeping, 1985; ‘Pack of Cards’ was first published in Cosmopolitan, 1986; ‘The Crimean Hotel’ was first published in Encounter, 1986; ‘Black Dog’ was first published in Cosmopolitan, 1986.
Contents
Nothing Missing but the Samovar
The Voice of God in Adelaide Terrace
Interpreting the Past
Servants Talk About People: Gentlefolk Discuss Things
Help
Miss Carlton and the Pop Concert
Revenant as Typewriter
Next Term, We'll Mash You
At the Pitt-Rivers
Nice People
A World of Her Own
Presents of Fish and Game
A Clean Death
Party
Corruption
Venice, Now and Then
Grow Old Along With Me, the Best Is Yet To Be
The Darkness Out There
The Pill-Box
Customers
Yellow Trains
‘The Ghost of a Flea’
The Art of Biography
What the Eye Doesn't See
The Emasculation of Ted Roper
A Long Night at Abu Simbel
Bus-Stop
Clara's Day
The French Exchange
The Dream Merchant
Pack of Cards
The Crimean Hotel
A Dream of Fair Women
Black Dog
Nothing Missing but the Samovar
IT WAS July when he went to Morswick, early autumn when he left it; in retrospect it was to seem always summer, those heavy, static days of high summer, of dingy weather and outbursts of sunshine, of blue sky and heaped clouds. Of straw and horseflies. Blackberries; jam for tea; church on Sunday. The Landers.
Dieter Helpmann was twenty-four, a tall, fair young man, serious-looking but with a smile of great sweetness; among his contemporaries he seemed older than he was, sober, reserved, the quiet member of a group, the listener. He had come from Germany to do his post-graduate degree – a thesis on nineteenth-century Anglo-Prussian relations. His father was a distinguished German journalist. Dieter intended to go into journalism himself; he was English correspondent, now, for a socio-political weekly, contributing periodic articles on aspects of contemporary Britain. His English was perfect: idiomatic, lightly accented. His manners were attractive; he held doors open for women, rose to his feet for them, was deferential to his elders. All this made him seem slightly old-fashioned, as did his worried liberalism, which looked not shrewd nor edgy enough for a journalist. His gentle, concerned pieces about education, industrial unrest, the housing problem, read more like a sympathetic academic analysis of the ills of some other time than energetic journalism.
It was 1957, and he had spent eighteen months in England. The year before – the year of Suez and Hungary – he had seen his friends send telegrams to the Prime Minister fiercely dissociating themselves from British intervention; he had agonised alongside them outraged both with and for them; he had written an article on ‘the alienation of the British intellectual’ that was emotional and partisan. His father commented that he seemed deeply committed – ‘The climate appears to suit you, in more ways than one.’ And Dieter had written back, ‘You are right – and it is its variety I think that appeals the most. It is a place that so much defies analysis – just as you think you have the measure of it, you stumble across yet another confusing way in which the different layers of British life overlap, another curious anachronism. I have to admit that I have caught Anglophilia, for better or for worse.’
He had. He loved the p
lace. He loved the sobriety of the academic world in which he mostly moved. He loved all those derided qualities of reserve and restraint, he loved the landscape. He liked English girls, while remaining faithful to his German fiancee, Erika (also engaged on post-graduate work, but in Bonn). He liked and respected what he took to be a basic cultural stability; here was a place where things changed, but changed with dignity. To note, to understand, became his deep concern.
All that, though, took second place to the thesis. That was what mattered at the moment, the patient quarrying into a small slice of time, a small area of activity. He worked hard. Most of his waking hours were spent in the agreeable hush of great libraries, or alone in his room with his card index and his notebooks.
He had been about to start writing the first draft when it happened. ‘I have had the most remarkable piece of luck,’ he wrote to Erika. ‘Peter Sutton – he is the friend who is working on John Stuart Mill, you remember – is married to a girl who comes from Dorset and knows a family whose forebear was ambassador in Berlin in the 1840s and apparently they still have all his papers. In trunks in the attic! They are an aristocratic family – Sir Philip Lander is the present holder of the title, a baronetcy. Anyway, Felicity Sutton has known them all her life (she is rather upper-class too, but intelligent, and married Peter at Cambridge, where they both were – this is something of a feature of the young English intelligentsia, these inter-class marriages, Peter of course is of a working-class background), and mentioned that I would be interested in the papers and they said at once apparently that I would be welcome to go down there and have a look. It certainly is a stroke of luck – Felicity says she got the impression there is a vast amount of stuff, all his personal correspondence and official papers too. I go next week, I imagine it will all be rather grand …’
There was no car to meet him, as promised. At least, he stood at the entrance to the small country station and the only waiting cars were a taxi and a small pick-up van with open back full of agriculture sacks. He checked Sir Philip Lander's letter: date and time were right. Apprehensively he turned to go to the telephone kiosk – and at that moment the occupant of the van, who had been reading a newspaper, looked up, opened the door and stepped out, smiling.
Or rather, unfolded himself. He was immensely tall, well over six foot. He towered above Dieter, holding out a hand, saying my dear fellow, I'm so sorry, had you been there long – I didn't realise the train was in – I say, is that all the luggage you've got, let me shove it in the back …
Bemused, Dieter climbed into the van beside him. It smelled of petrol and, more restrainedly, of horse.
They wound through lanes and over hills. Sir Philip boomed, above the unhealthy sound of the van's engine, of topography, of recollections of Germany before the war, of the harvest. He wore corduroy trousers laced with wisps of hay, gum-boots, a tweed jacket. He was utterly affable, totally without affectation, impregnable in his confidence. Dieter, looking out of the window, saw a countryside that seemed dormant, the trees' dark drooping shapes, the cattle huddled in tranquil groups, their tails lazily twitching. The phrase of some historian about ‘the long deep sleep of the English people’ swam into his head; he listened to Sir Philip and talked and had the impression of travelling miles, of being swallowed up by this billowing, drowsy landscape.
Once, Sir Philip stopped at a village shop and came out with a cardboard carton of groceries; the van, after this, refused to start and Dieter got out to push. As he got back in, Sir Philip said, ‘Thanks so much. Very old, I'm afraid. Needs servicing, too – awful price, nowadays, a service. Oh, well …’ They passed a pub called the Lander Arms, beetle-browed cottages, an unkempt village green, a Victorian school, turned in at iron gates that shed curls of rusting paint, and jolted up a long, weedy, rutted drive.
It could never have been a beautiful house, Morswick: early seventeenth century, satisfactory enough in its proportions, with a moderately ambitious flight of steps (now cracked and crumbling) to the front door, but without the gilding of any famous architectural hand. The immediate impression was of a combination of resilience and decay: the pock-marked stone, the window frames unpainted for many years, the pedestal-less urns with planting of woody geraniums, the weeds fringing the steps, the rusted guttering.
They went in. Dieter had a muddled impression of welcoming hands and faces, a big cool hallway, a wide oak staircase, perplexing passages and doors culminating in a room with window looking out on to a field in which a girl jumped a large horse to and fro over an obstacle made from old oil-drums. He changed his shirt, watching her.
Only later, over tea, did he sort them all out. And that took time and effort, so thunderstruck was he by the room in which it was eaten, that bizarre – preposterous – backdrop to brown bread and butter, Marmite, fish paste and gooseberry jam.
It was huge, stone-flagged, its exterior wall taken up with one great high window, as elaborate with stone tracery as that of a church transept. There were family portraits all round the room – a jumble of artistic good and bad – and above them jutted banners so airy with age as to be completely colourless. The table at which they sat must have been twelve feet long; the wood had the rock-hard feel of immense age; there was nothing in sight that was new except the electric kettle with which Lady Lander made the tea. (‘The kitchen is such miles away, we do as much as we can in here …’)
He stared incredulously at the banners, the pictures, at pieces of furniture such as he had only ever seen before in museums. These, though, were scarred with use, faded by sun, their upholstery in ribbons: Empire chairs and sofas, eighteenth-century cabinets, pedestal tables, writing desks, bureaux. Bemused, he smiled and thanked and spread jam on brown bread and was handed a cup of tea by his hostess.
She was French, but seemed, he thought, poles removed from any Frenchwoman he had ever known – there was nothing left but the faintest accent, the occasional misuse of a word. And then there was the mother-in-law, old Lady Lander, a small pastel figure in her special chair (so fragile-looking, how could she have perpetrated that enormous man?) and Madame Heurgon, Lady Lander's mother, and the two boys, Philip and James, and Sophie, the old French nurse, and Sally, who was sixteen (she it was who had been jumping that horse, beyond the window).
He ate his tea, and smiled and listened. Later, he wrote to his father (and forgot to post the letter): ‘This is the most extraordinary family, I hardly know what to make of them as yet. The French mother-in-law has been here twenty years but speaks the most dreadful English, and yet she never stirs from the place, it seems – I asked her if she went back to France often and she said, “Oh, but of course not, it is so impossibly expensive to go abroad nowadays.” The boys go away to boarding school, but the girl, Sally, went to some local school and is really barely educated at all, daughters are expendable, I suppose. And they are all there, all the time, for every meal, the old nurse too, and in the evenings they all sit in the drawing-room, listening to the wireless – comedy shows that bewilder them all, except the children, who try to explain the jokes and references, all at once, so no one can hear a word anyway. The old ladies, and the nurse, are in there all day, knitting and sewing and looking out of the window and saying how hot it is, or how cold, and how early the fruit is, or how late, day after day, just the same, there is nothing missing but the samovar … Sir Philip is out most of the time, in the fields, he is nothing if not a working farmer, tomorrow I shall help him with some young bullocks they have up on the hill.
I have not yet looked at the papers.’
That first day there had been no mention of the papers at all; and he had not, he realised, as he got into bed, given them so much as a thought himself. After tea he had been shown round the place by Sally and the boys: the weedy gardens where couch grass and bindweed quenched the outline of tennis court, kitchen garden, and what had once been a formal rose garden with box hedges and a goldfish pond. From time to time they met Lady Lander, hoeing a vegetable bed or snipping the dead h
eads from flowers; she worked with a slow deliberation that seemed appropriate to the hopeless task of controlling that large area. To go any faster would have been pointless – the forces of nature were winning hands down in any case – to give up altogether would be craven. There was no gardener, Sally said – ‘The only men are Daniels and Jim, and Jim's only half really because he's on day release at the Tech and of course Daddy needs them on the farm all the time.’
They toured the stables (a graceful eighteenth-century courtyard, more architecturally distinguished than the house) and admired the Guernsey cows grazing in a paddock nearby. Sir Philip came down the drive on a tractor, and dismounted to join them and explain the finer points of raising calves to Dieter: this was a small breeding herd. ‘Of course,’ he said, ‘it doesn't really make sense, economic sense, one never gets enough for them, but it's something I've always enjoyed doing.’
Sally broke in, ‘And they look so nice.’
He beamed at the cows, and his daughter. ‘Of course. That's half the point.’
A car was approaching slowly, taking the ruts and bumps with caution, a new model. Sir Philip said, ‘Ah, here's George Nethercott, we're going to have a chat about those top fields’. He moved away from them as the car stopped, saying, ‘Good evening, George, very good of you to come up – how's your hay going, I'm afraid we're making a very poor showing this year, I'm about three hundred bales short so far. I say, that's a very smart car …’
His voice carried in the stillness of the early evening; it seemed the only forceful element in all that peace of pigeons cooing, cows cropping the grass, hypnotically shifting trees.
Sally said, ‘Mr Nethercott's land joins our farm on two sides. Daddy may be going to sell him the three hill fields because we've got to have a new tractor next year, it's a pity, you oughtn't to sell land …’ Her voice trailed away vaguely, and then she went on with sudden enthusiasm, ‘I say, do you like riding? Would you like to try Polly?’
‘You will never believe it, I have been horse-riding,’ he wrote to Erika. ‘Not for long, I hasten to say – I fell off with much humiliation, and was made a great fuss of. They are such a charming family, and have a way of drawing you into everything they do, without ever really bothering about whether it is the kind of thing you are fitted for, or would like … So that I find myself leading the most extraordinary – for me – life, mending fences, herding cattle, picking fruit, hay-making.