"One day, she takes me to see a doctor who is visiting the area. After listening attentively to my story, taking notes, peering into my eyes with a strange instrument, listening to my heart, and tapping my knee, he diagnoses a form of epilepsy. He says it isn't contagious and that the attacks will diminish with age.
"I know it isn't an illness, but I pretend to believe him so as to reassure my mother. The director of the museum, who notices me struggling to learn, takes pity on me and becomes my teacher. With him I learn geography and literature and the one thing that will prove vital to me in the future: English. One afternoon, the voice asks me to tell the director that he will shortly be offered an important post. When I tell him this, all I hear is a timid laugh and a firm response: there isn't the remotest chance of this ever happening because not only has he never been a Party member, he is a devout Muslim.
"I am fifteen years old. Two months after this conversation, I sense that something is changing in the region. The normally arrogant civil servants are suddenly much kinder and ask if I would like to go back to school. Great convoys of Russian soldiers head off to the frontier. One evening, while I am studying in the little office that once belonged to the poet, the director comes running in and looks at me with a mixture of alarm and embarrassment. He tells me that the one thing he could never imagine happening--the collapse of the Communist regime--is happening right now, and with incredible speed. The former Soviet republics are becoming independent countries; the news from Almaty is all about the formation of a new government, and he has been appointed to govern the province!
"Instead of joyfully embracing me, he asks me how I knew this was going to happen. Had I overheard someone talking about it? Had I been engaged by the secret services to spy on him because he did not belong to the Party? Or--worst of all--had I, at some point in my life, made a pact with the devil?
"I remind him that he knows my story: the little girl, the voice, the attacks that allow me to hear things that other people do not know. He says this is just part of my illness; there is only one prophet, Mohammed, and everything that needed to be said has already been revealed. This, he goes on, does not mean that the devil is not still abroad in the world, using all kinds of tricks--including a supposed ability to foresee the future--to deceive the weak and lure people away from the true faith. He had given me a job because Islam demands that we should be charitable, but now he deeply regretted it: I am clearly either a tool of the secret services or an envoy of the devil.
"He dismisses me there and then.
"Life had not been easy before and it now becomes harder still. The factory for which my mother works, and which once belonged to the government, falls into private hands, and the new owners have very different ideas; they restructure the whole business and she, too, is dismissed. Two months later, we have nothing to live on, and all that remains for us is to leave the village where I have spent my whole life and go in search of work.
"My grandparents refuse to leave; they would rather die of hunger on the land where they were born and have spent their entire lives. My mother and I go to Almaty and I see my first big city: I am amazed at the cars, the huge buildings, the neon signs, the escalators and--above all--the elevators. My mother gets a job in a shop and I go to work at a garage as a trainee mechanic. Much of the money we earn is sent back to my grandparents, but there is enough left over for us to be able to eat and for me to see things I have never seen before: films, fairs, and football games.
"When we move to the city, my attacks vanish, but so does the voice and the little girl's presence. It's better that way, I decide. I am too fascinated by Almaty and too busy earning a living to miss the invisible friend who has been my companion since I was eight years old; I realize that all it takes to become someone in the world is a little intelligence. Then, one Sunday night, I am sitting at our small apartment's only window, which looks out onto a small dirt alleyway. I am very worried because, the day before, I dented a car as I was maneuvering it inside the garage and am so frightened I might get the sack that I haven't eaten all day.
"Suddenly, I feel the warm wind and see the lights. According to my mother, I fell to the floor and spoke in a strange language and the trance seemed to last longer than usual. I remember that it was then that the voice reminded me of my mission. When I come to, I can feel the presence of the little girl again, and although I cannot see her, I can talk to her.
"A change of home has meant a change of worlds too, and I am no longer interested in all this. Nevertheless, I ask her what my mission is: the voice tells me that it is the mission shared by all human beings--to fill the world with the energy of total love. I ask about the one thing that is really worrying me at that precise moment: the dented car and the owner's reaction. She tells me not to worry, just tell the truth and he will understand.
"I work at the garage for five more years. I make friends, have my first girlfriends, discover sex, get involved in street fights; in short, I have an entirely normal adolescence. I have a few fits and, at first, my friends are surprised, but then I invent some story about being in possession of 'higher powers' and this earns me their respect. They ask for my help, consult me when they have problems with their girlfriends or with their families, but I never ask the voice for advice--the traumatic experience of seeing the tree cut down all those years ago has made me realize that when you help someone you get only ingratitude in return.
"If my friends probe further, I tell them I belong to a 'secret society.' After decades of religious repression in Kazakhstan, mysticism and the esoteric are now very fashionable in Almaty. Books are published about people with so-called higher powers, about gurus and teachers from India and China; courses of self-improvement abound. I go to a few, but realize that I have nothing to learn. The only thing I really trust is the voice, but I am too busy to pay attention to what it is saying.
"One day, a woman in a four-wheel drive stops at the garage where I work and asks me to fill up the tank. She addresses me in halting, heavily accented Russian, and I respond in English. She seems relieved and asks if I know of an interpreter who could go with her into the interior of Kazakhstan.
"The moment she says this, the little girl's presence fills the whole place, and I understand that this is the person I have been waiting for all my life. She is my way out, and I must not miss this opportunity. I tell her that, if she wants, I can be her interpreter. She says that I obviously have a job already and, besides, she needs someone older, more experienced, someone who is free to travel. I say that I know every path in the steppes and the mountains, and I lie, saying that the job I have is only temporary. I beg her to give me a chance; reluctantly, she arranges to meet me later in the city's most luxurious hotel.
"We meet in the lounge; she tests my knowledge of English, asks a series of questions about the geography of Central Asia, wants to know who I am and where I come from. She is suspicious and will not say exactly what she does or where she wants to go. I try to play my part as best I can, but I can see she's not convinced.
"And I am surprised to realize that, for no apparent reason, I am in love with her, with this woman I have only known for a matter of hours. I control my anxiety and once more place my trust in the voice. I plead for help from the invisible girl and ask her to enlighten me; I promise that, if I get this job, I will carry out the mission entrusted to me; she had told me that one day a woman would come and take me far away from there; she had been there with me when the woman stopped to fill her tank; I need a positive response.
"After Esther's intense questioning, I sense that I am beginning to win her confidence; she warns me that what she wants to do is completely illegal. She explains that she is a journalist and wants to write an article about the American bases being built in a neighboring country in preparation for a war that is about to begin. Her application for a visa has been turned down and so we will have to travel on foot, crossing the border at points where there are no guards. Her contacts have given her a map and sho
wn her where it is safe to cross, but she says she will reveal none of this until we are far from Almaty. If I want to go with her, I must be at the hotel in two days' time at eleven o'clock in the morning. She promises me only a week's wages, unaware that I have a permanent job, earn enough to help out my mother and my grandparents, and that my boss trusts me despite having been witness to several of the convulsive attacks--what he calls my "epileptic fits"--that always accompany my contacts with the unknown world.
"Before saying goodbye, the woman tells me her name--Esther--and warns me that if I go to the police to report her, she will be arrested and deported. She also says that there are moments in life when we need to trust blindly in intuition, which is what she is doing now. I tell her not to worry. I feel tempted to say something about the voice and the presence, but decide against it. I go home, talk to my mother, and tell her I've found a new job as an interpreter, which is better paid but will involve me going away for a while. She doesn't seem in the least concerned; everything around me is developing as if it had long been planned and we were all just waiting for the right moment.
"I sleep badly and the following day I arrive earlier than usual at the garage. I tell my boss that I'm sorry, but I've found a new job. He says that, sooner or later, they'll find out about my illness, that it's very risky giving up steady employment for something less certain, but, just as happened with my mother, he makes no real fuss about letting me go, as if the voice were manipulating the minds of all the people I have to talk to that day, facilitating things, helping me take the first step.
"When Esther and I meet at the hotel, I tell her: 'If we're caught, you'll just be deported but I'll get put in prison, possibly for many years. Since I'm running the greater risk, you really ought to trust me.' She seems to understand what I'm saying. We walk for two days; a group of men are waiting for her on the other side of the frontier; she goes off with them and returns shortly afterward, frustrated and angry. The war is about to start, all the roads are being guarded, and it's impossible to go any farther without being arrested as a spy.
"We start the journey back. The usually self-confident Esther seems suddenly sad and confused. To distract her, I recite some lines written by the poet who used to live close to my village, at the same time thinking that in forty-eight hours this whole experience will be over. However, I prefer to trust in the voice. I must do everything I can to prevent Esther leaving as suddenly as she came; perhaps I should show her that I have always been waiting for her, that she is important to me.
"That night, after rolling out our sleeping bags near some rocks, I reach out and touch her hand. She gently pulls back, saying that she's married. I realize that I have made a foolish blunder; then, since I now have nothing to lose, I tell her about the visions I had as a child, about my mission to spread love throughout the world, about the doctor's diagnosis of epilepsy.
"To my surprise, she understands exactly what I'm talking about. She tells me a little about her life. She says that she loves her husband and that he loves her, but that, with the passing of time, something important has been lost, and she prefers now to be far away from him, rather than watch her marriage slowly disintegrate. She had everything in life, and yet she was unhappy; although she could easily go through the rest of her life pretending that this unhappiness didn't exist, she was terrified of falling into a depression from which she might never emerge.
"That is why she decided to give up everything and go in search of adventure, in search of things that leave her no time to think about a love that is dying. However, the more she looked, the more confused she became, the more alone she felt. She feels she has completely lost her way, and the experience we have just had seems to be telling her that she is on the wrong track and should go back to her daily routine.
"I suggest trying a less closely guarded trail, say that I know smugglers in Almaty who could help us, but she seems to have no energy, no will to go on.
"At that moment, the voice tells me to bless Esther and to dedicate her to the earth. Without really knowing what I am doing, I get up, open my backpack, dip my fingers in the small bottle of oil we have taken with us for cooking, place my hand on her head and pray in silence, asking, at the end, that she continue her search, because it is important for all of us. The voice is telling me--and I repeat the words out loud to her--that if just one person changes, the whole human race is changed. She puts her arms around me, and I can feel the earth blessing her, and we stay like that together for several hours.
"Afterward, I ask if she believes what I told her about the voice. She says that she both does and doesn't. She believes that we all have a power that we never use and that I have clearly come into contact with that power through my epileptic fits, but this is something we can find out about together. She has been thinking of interviewing a nomad who lives to the north of Almaty and who is said by everyone to have magical powers. I am welcome to accompany her. When she tells me the man's name, I realize that I know his grandson and that this could greatly facilitate matters.
"We drive through Almaty, stopping only to fill the tank with gas and buy some food, then we drive on in the direction of a tiny village near an artificial lake constructed by the Soviet regime. I find out where the nomad is staying, but despite telling one of his assistants that I know the man's grandson, we still have to wait many hours, for there is a large crowd wanting the advice of this man they consider to be a saint.
"At last, we are ushered in. By acting as interpreter at that interview and by reading and rereading Esther's article when it was published, I learn several things I needed to know.
"Esther asks why people are sad.
"'That's simple,' says the old man. 'They are the prisoners of their personal history. Everyone believes that the main aim in life is to follow a plan. They never ask if that plan is theirs or if it was created by another person. They accumulate experiences, memories, things, other people's ideas, and it is more than they can possibly cope with. And that is why they forget their dreams.'
"Esther remarks that many people say to her, 'You're lucky, you know what you want from life, whereas I don't even know what I want to do.'
"'Of course they know,' replies the nomad. 'How many people do you know who say: I've never done what I wanted, but then, that's life. If they say they haven't done what they wanted, then, at some point, they must have known what it was that they did want. As for life, it's just a story that other people tell us about the world and about how we should behave in the world.'
"'Even worse are those people who say: I'm happy because I'm sacrificing my life for those I love.'
"'And do you think that the people who love us want to see us suffering for their sakes? Do you think that love is a source of suffering?'
"'To be honest, yes.'
"'Well, it shouldn't be.'
"'If I forget the story other people have told me, I'll also forget a lot of very important things life has taught me. What was the point of struggling to learn so much? What was the point of struggling to gain experience, so as to be able to deal with my career, my husband, my various crises?'
"'Accumulated knowledge is useful when it comes to cooking or living within your means or wrapping up warm in winter or respecting certain limits or knowing where particular bus and train lines go. Do you believe that your past loves have taught you to love better?'
"'They've taught me to know what I want.'
"'I didn't ask that. Have your past loves taught you to love your husband better?'
"'No, on the contrary. In order to surrender myself to him, I had to forget all the scars left by other men. Is that what you mean?'
"'In order for the true energy of love to penetrate your soul, your soul must be as if you had just been born. Why are people unhappy? Because they want to imprison that energy, which is impossible. Forgetting your personal history means leaving that channel clear, allowing that energy to manifest itself each day in whatever way it chooses, allowing yourself to be
guided by it.'
"'That's all very romantic, but very difficult too, because that energy gets blocked by all kinds of things: commitments, children, your social situation...'
"'...and, after a while, by despair, fear, loneliness, and your attempts to control the uncontrollable. According to the tradition of the steppes--which is known as the Tengri--in order to live fully, it is necessary to be in constant movement; only then can each day be different from the last. When they passed through cities, the nomads would think: The poor people who live here, for them everything is always the same. The people in the cities probably looked at the nomads and thought: Poor things, they have nowhere to live. The nomads had no past, only the present, and that is why they were always happy, until the Communist governors made them stop traveling and forced them to live on collective farms. From then on, little by little, they came to believe that the story society told them was true. Consequently, they have lost all their strength.'
"'No one nowadays can spend their whole life traveling.'
"'Not physically, no, but they can on a spiritual plane. Going farther and farther, distancing yourself from your personal history, from what you were forced to become.'
"'How does one go about abandoning the story one was told?'
"'By repeating it out loud in meticulous detail. And as we tell our story, we say goodbye to what we were and, as you'll see if you try, we create space for a new, unknown world. We repeat the old story over and over until it is no longer important to us.'
"'Is that all?'
"'There is just one other thing: as those spaces grow, it is important to fill them up quickly, even if only provisionally, so as not to be left with a feeling of emptiness.'
"'How?'
"'With different stories, with experiences we never dared to have or didn't want to have. That is how we change. That is how love grows. And when love grows, we grow with it.'