Page 21 of The Second Trip


  He stood by the window with his back to her.

  A long time later she said, voice thin and distant, “The talking in my head was driving me crazy. Bouncing off the walls. I couldn’t stay.”

  He swung around to face her. She was wholly expressionless. Still staring at the dresser. Her words might have been those of a ventriloquist. “You didn’t need to run away,” he said. “I was trying to help you.”

  “You had no help to give. And I couldn’t help you either. We were destroying each other.”

  “No.”

  “I opened you to Hamlin.”

  “It doesn’t matter. We needed each other.”

  “I needed to go,” she said. “I was choking there, I had to get out. So I went. So I came here.”

  “Why?”

  “To hide. To rest.” Murmured words, windsounds. “Go away, now. I have the voices again. The pressure building up. Can’t you feel it? The pressure. The pressure building up.”

  He caught her hand in his. The fever raging. The muscles of her arm entirely limp. Like holding a length of rope. “You’re ill, Lissa, physically ill. Let me get a doctor for you.” He wasn’t sure she heard him. Floating away from him again. “I’ll call a doctor,” he said. “All right.”

  Her eyes like glass spheres. She was adrift, heading out on the tide. He shook her, he fondled her, he talked to her. Zero. Talked at her. An urgent torrent. Flooding her with words, trying to talk her back into some sort of contact with him. Come on, snap out of it. Telling her of love, of need, of second starts, of new tomorrows, of shared anguishes, of an end to self-pity and vulnerability. Anything. Inspirational words. The old sunny platitudes. Why not tell her such things? To reach her. We’ll go far away and try again, you and me, me and you. A whole world of happiness. Come, Lissa. Come.

  Knowing that he is losing her, moment by moment. Has lost her. A million million miles away on her planetoid of ice. Yet he continued. Striving to pour his frantic energy into her, to fill her with enough stamina to return and rise. Visions of hope, daydreams of health and joy. A shimmering rainbow curving across the room from door to window. On and on and on, his voice growing rasping and edgy and desperate, Lissa paying no attention; the ice now entombed her, she could only dimly be seen within the sparkling wall of the glacier. He was tiring. Why go on? She didn’t want to hear this.

  He became angry with her, hostile, irritated, begrudging her the resources of strength she was draining from him. And for what, this tremendous effort of his? What good? Everything he gave her the fever ate. She was the conduit through which his energies rushed uselessly into a shoreless sea. Now there was loud in him the voice of temptation, telling him to leave her while he still could, to forget her, to make his own difficult way through the world without dragging her on his back.

  You owe her nothing. You have troubles of your own, many of them caused by her. Why this quixotic desire to rescue and repair her? Let her sink. Let her fry. Let her freeze. Let her stew. Go. She told you to go: therefore go. This shabby burned-out girl with her implausible affliction, her ESP. Her chattering angry voices. The necklace of grime on her chest. Vacant glassy eyes. Go.

  To this Macy answered, not releasing Lissa’s sweating palm, that he would hear no counsel of defeat, nor would he abandon her now. He went on urging her to come out of her trance; he pleaded with her not to give up. Here I am: take strength from me. Let me be your shield and your support. He conceived the notion of hauling her from the bed and carrying her out of the room, to that shower in the hall, where he would let the cool cleansing water sluice her from her lethargy. He naked beside her as the purifying deluge descended.

  Up, then. To the shower. Grunting, he seized her by the shoulders, but her body was a dead weight and there was suddenly a terrific fiery bolus in his chest and a band of hot steel across his forehead, and he realized that she had already drained too much from him, that he was no longer strong enough to lift her. He let her fall back and collapsed across her, panting. His eyes were wet, he knew not whether from pain or despair or frustration or rage. Saving her was beyond him. He was too weak. He was too weary. He was too empty. He had given all he could give, and it had not been enough, and now he could give no more. Perhaps if I rest. Perhaps in a little while.

  But he knew he was being foolish. He was drained. He would not soon recover. And now, too, he knew who it was who had tempted him to turn back before reaching this point, for he felt the presence hot within him, rising, expanding, glowing, the dark presence of his other self coming forth from his hidden lair, whispering wordlessly to him, crooning, inviting him to yield.

  Shall I fight him? Can I fight him? I must. I must. Macy readied himself to resist. Searching the corridors of his soul for forgotten reservoirs of strength. But he feared it was too late, that the takeover was already beginning. Already he felt a familiar sensation, a prickling at the back of his neck, a tingling, a mild stiffening of the skin. The unseen fingers were at work, stroking the lobes of his brain, caressing the prominences and corrugations. Inviting him to yield. Yes. Yes. Temptation. An end to turmoil and torment No, Macy said, I will not let you have me.

  He attempted to get to his feet, but the best he could manage was to roll heavily free of Lissa and lie beside her. She seemed to be unconscious. A sleep beyond all dreams. How peaceful she looks. And I could sleep that sleep. Come, said the voiceless voice in wordless words, let me enfold you, let me supplant you. Let there no longer be struggle between us. Give way to me. No! You will not have me!

  And Macy reached out toward Lissa, seeking her, asking alliance. The two of us against him. We can strike at him, we can destroy him. Lissa was a million miles away. Her planetoid of ice. The cold light of the distant sun dancing on the walls of the glacier. The tempter said, You see, there is no help to be had from her. Now is the time. Step aside for me. Be realistic, Macy, be realistic! Macy attempted to be realistic. Where shall I go? How shall I fight? Who shall I be? And saw how little hope there was. He could not save himself. He had not been designed for this sort of stress. They had sent him on this second trip laden with an impossible burden, and was it then any surprise that the trip was a bummer? Let us end it. Let us fight no more. He would rest, he would close himself to struggling and hoping, he would surrender. The odds were too high against him. Outside waited Gomez, the van, the long cold needles, the drugs, all the machinery of deconstruction. Inside lurked Hamlin. Beside him lay this shattered girl. All right. I yield. I will fight no more.

  —Then get out of the way, Hamlin said, and let me become you.

  The mixing of selves was beginning. The dissolving, the blending. Paul Hamlin. Nat Macy. I am he. He is I. Maelstrom. Blinded by churning debris raining upon them out of their entangled pasts. A holocaust of dislocated events. As we dissolve into one another. Jeanie Grossman beneath the snows of Mount Rainier. And the girl with the long straight silken golden hair. Look, all through history girls have been posing for famous artists. Let me show you these charts, ma’am, explaining the special advantages of our encyclopedia. Why should you go to art school? My boy, you are already a master! Members of the class of ’93, welcome to the UCLA campus. Hey, no, officer! Put that stunner down! I surrender, damn you, I surrender! I’ll go peacefully! It isn’t a matter of opinion, it’s a matter of voltage thresholds. A voltage doesn’t lie. Amperes don’t have opinions. Resistances don’t fuck around with you for sly tactical reasons. We’re dealing in objective facts, and the objective facts tell me that Nat Hamlin has been wiped out. One-and-two-and-one-and-two. Proudly down the goddam street. Your new career. Your new life. Shqkm. Vtpkp. Smss! Grgg! Will the defendant please rise. Nathaniel James Hamlin you have heard the verdict of your peers. Don’t play around with me. I know you’re Nat Hamlin. You’re looking good, Nat. THE TORMENTS OF FAME. THE DAY THE MUSEUM BOUGHT EVERYTHING. MY NAME IS LISSA. No! Come back! Paul! Paul! Nat! Paul Hamlin. Nat Macy. We are becoming one. We are dissolving each into each. I will be you and you will be nothing. And there
will be peace at last.

  Lissa! LISSA!

  Abruptly the sky darkened and without warning bolts of lightning flashed and terrible thunder came and a sword swept down, trailing streamers of fire, to cleave the hemispheres of his brain one from the other. Between the two there loomed an unbridgeable gap, and on the far side of it Macy beheld Hamlin, stunned, dazed, wandering through a charred and blasted meadow as lightning struck all about him. That sudden fierce blow had severed all connection between them just at the instant of merger. I am Paul Macy. He is Nat Hamlin. And the crashing of the lightning. Blinding white streaks splitting the sky. Is that Lissa up there? Yes. Yes. Yes. Yes. She hurls the bolts. Crash! Crash! Hamlin tries to dodge. Across the great gulf drifts the scent of burning flesh. He is wounded. He moves more slowly. Crash! She has hemmed him in by a zone of fire on every side. Now Hamlin offers resistance. He shakes his fist; he shouts; he seizes her bolts and hurls them back at her. But each act of defiance brings redoubled furies out of the heavens. Her aim is deadly. Lightning spears his toes. Lightning licks at his heels. He hops. He dances. He screams in rage and then in pain. His arm is blackened by a bolt; he can no longer return her shafts. Now he writhes on the smouldering earth; now he shrieks for mercy. But there will be no mercy. Lissa is the avenging goddess. Hamlin will be destroyed.

  But what’s this? In the moment of triumph she tires. She weakens. The bolts lose intensity, and Hamlin still lives! He regains strength. She cries out for help. Paul, Paul, Paul, Paul. Yes, he replies, from his place beyond the zone of combat. Hamlin has risen. He is hideously disfigured, he is maimed and ruined, but yet there is demonic power in him, and now he lashes back at her, trying to bring her tumbling down to his own level. Crackling energies climb the sky. Help me, Paul!

  And Macy opens himself to her, letting her take from him whatever she must have, and he arms her so that she can return to the attack. Again her lightnings flash. Again Hamlin howls. His thrusts are beaten back. He cannot fight on. He falls. A bolt pierces his back. He twists and coils in frightful convulsions. Lissa transfixes him again. Again. He is burning. He is dying. The odor of charred flesh on the wind. The sky is a sheet of white fire. She is spending herself, emptying herself, to eradicate him. She is cutting him to pieces.

  Hamlin still moves, but now only in the random galvanic twitches of the dead. The meadow is a blazing pyre. He burns. He burns. He dwindles. He is gone. The sky grows still. Lissa can no longer be seen. A strange silence has come; a gentle cooling rain begins to fall. The air is sweet. The clouds part; the rain ends; the soft sunlight returns. There is no gulf between the regions of the brain. Macy crosses over. He sees no trace of Hamlin but only a dark place on the ground, a blackened scar in the grass, and quickly the grass grows to hide it, tall green blades moving swiftly in, sprouting tender new shoots that rise and meet, and soon there is no sign of destruction anywhere, although Macy knows that beneath the graceful grassy carpet one might find a layer of ash, if one chose to excavate. He walks away from that place. He is utterly alone. Lissa? he calls. Lissa? But there is no reply. Silence governs. He is utterly alone.

  After a time he sat up and got carefully to his feet. The sense of being alone remained with him. There was a faint throbbing in his head, of the sort one might feel if one were transported suddenly from the heart of some great city to the eerie soundless wastelands of the polar plateau, but otherwise he was aware of no aftereffects of the battle. Except one. Hamlin was gone from him. That much was certain: Hamlin was gone.

  He looked at Lissa. She lay as before, limp, glassy-eyed, self-isolated. Her bare skin glistened with sweat. The feverish look had left her, and, touching her side, he found that she was indeed cooler. Not only the fever had departed from her, though. For the first time since he had known her, Macy was unable to detect that look of terrible strain in her features, that expression of barely suppressed despair. She was calm. Her inner storms, as well as his, were over. But her calmness was of a frightening sort. She seemed vacant, almost entirely absent.

  “Lissa?” he said. “Can you hear me?”

  “Lis—Lis”

  “Lissa.”

  “Lissa,” he said. “Lissa is you.”

  “Lissa is you.” Her voice was high, childish, fluting, toneless.

  “No. No. I’m Paul. You’re Lissa.”

  “I’m Paul. You’re Lissa.”

  He sat beside her. He took her hands in his. Her fingers were very cold. Her eyes closed a moment; then the lids fluttered and she opened them and looked at him in a sunny, uncomprehending way, and she smiled. He said, “You’ve burned yourself out, haven’t you? You just used up everything you had. To save me. And now there’s nothing left but a husk.”

  “Husk.”

  “Is the ESP gone too, I wonder? Can you still hear the voices? Do you hear them, Lissa?”

  “Voices. Do you. Hear them. Lissa.”

  “You don’t, do you? Not any more.”

  “No,” she said unexpectedly. “I don’t hear. Anything.”

  Her response startled him. “You can understand me now? The voices are really gone?”

  A smile. A fluttering of the eyelids. A babyish giggle. “The. Voices. Are. Really. Gone.” She had slipped away from him once more.

  He searched the room for a telephone. None. He went to the door and looked into the hall. A phone out there, yes. Someone using it. Chattering away. All right, I’ll wait. A few minutes. And then phone Gomez. Send your van, I’ll tell him. Manhattan North People’s Co-op, and hurry. Not for me. For her, for Lissa. Yes. Burned out, hardly knows her own name. But there’s something still intact down deep inside her. Not much, but enough, maybe, for you to work with, Gomez. No, you don’t have to bother with me. I’m okay. It’s over. Hamlin’s gone, obliterated for keeps, gone, really gone. A total deconstruct. But the girl. Can you fix her, Gomez? Can you put her back together? It won’t be like a reconstruct, exactly. You won’t have to pour a new identity into an old body, just put an old identity back where it belongs. Okay, Gomez? You’ll do it? Good. Good. And how long will it take? Five months, six, a year? Whatever. Just do it.

  Five months. Six. November. December. Macy saw himself waiting at the main building of the Rehab Center. Snow on the ground, the branches of the trees heavy with whiteness, the sky a wintry blue. And Lissa, renewed, repaired, coming toward him out of the inner wing. No longer a telepath. A brand-new Lissa, stripped of her gift and of her torment. Uncertain of herself as she goes forth to face the world. Hello, he’ll say. Hello, she’ll say. An awkward little kiss. Button up, he’ll tell her, it’s cold. I’ve got a car. She’ll look worried. Are we going into the city? she’ll ask. My first day out. I’m nervous. You know what it’s like, Paul, coming out. Sure, he’ll say, I know just what it’s like. But you’ll be all right. New people, new lives. The second trip. Paul and Lissa, Lissa and Paul Minus our old friend Nat. A great artist has gone from the world. How quiet it is inside my head. Five months. Six. November. December. Lissa?

  She was giggling softly, and her hands were exploring her body, discovering this and that as a baby might. Lightly he touched her cheek. She wriggled in pleasure. You wait, he said. Gomez will fix you better than you were before. Macy peered into the hall again. The phone still busy. Come on, get off the line, get off, get off! He didn’t say it He stood in the doorway, waiting to make his call, half expecting Hamlin to rise from somewhere, but Hamlin did not arise. Gone. Gone. My other self, my dark twin. He has left the world, and I have his place. Macy almost felt guilty about it. The merest flicker of regret. Farewell to you, Nat, a long farewell to Mr. Hyde. And I will go on through life without you. Wearing your skin, wearing your face. I am you, Nat and you are nothing.

  Macy looked back at Lissa. She was drooling. As I must have drooled, he thought. Four years ago when I was very new. He went to her and mopped her chin. It’s all right, he said to her without bothering to speak aloud. December isn’t so far away. And then hello, and then we start again. Two ordinary
people. Trip two, yours, mine. The second trip. The good one, maybe. From the hall came the click of the receiver. The phone was free at last. He went out to call Gomez.

 


 

  Robert Silverberg, The Second Trip

 


 

 
Thank you for reading books on BookFrom.Net

Share this book with friends