hatred--a hatred of which she was the sudden symbol, not the object. "He didn't like it when his Metal was thrown into common, public use, for any chance passer-by to make ... did he?"
"No, he didn't."
His words were blurring a little, as if weighted with drops of the liquor he had swallowed: "Don't tell me that you helped us to get that Gift Certificate as a favor to me and that you gained nothing.... I know why you did it."
"You knew it at the time."
"Sure. That's why I like you, Lillian."
His eyes kept coming back to the low cut of her gown. It was not the smooth skin that attracted his glance, not the exposed rise of her breasts, but the fraud of the safety pin beyond the edge.
"I'd like to see him beaten," he said. "I'd like to hear him scream with pain, just once."
"You won.'t, Jimmy."
"Why does he think he's better than the rest of us--he and that sister of mine?"
She chuckled.
He rose as if she had slapped him. He went to the bar and poured himself another drink, not offering to refill her glass.
She was speaking into space, staring past him. "He did notice my existence--even though I can't lay railroad tracks for him and erect bridges to the glory of his Metal. I can't build his mills--but I can destroy them. I can't produce his Metal--but I can take it away from him. I can't bring men down to their knees in admiration--but I can bring them down to their knees."
"Shut up!" he screamed in terror, as if she were coming too close to that fogbound alley which had to remain unseen.
She glanced up at his face. "You're such a coward, Jim."
"Why don't you get drunk?" he snapped, sticking his unfinished drink at her mouth, as if he wanted to strike her.
Her fingers half-closed limply about the glass, and she drank, spilling the liquor down her chin, her breast and her gown.
"Oh hell, Lillian, you're a mess!" he said and, not troubling to reach for his handkerchief, he stretched out his hand to wipe the liquor with the flat of his palm. His fingers slipped under the gown's neckline, closing over her breast, his breath catching in a sudden gulp, like a hiccough. His eyelids were drawing closed, but he caught a glimpse of her face leaning back unresistingly, her mouth swollen with revulsion. When he reached for her mouth, her arms embraced him obediently and her mouth responded, but the response was just a pressure, not a kiss.
He raised his head to glance at her face. Her teeth were bared in a smile, but she was staring past him, as if mocking some invisible presence, her smile lifeless, yet loud with malice, like the grin of a flesh-less skull.
He jerked her closer, to stifle the sight and his own shudder. His hands were going through the automatic motions of intimacy--and she complied, but in a manner that made him feel as if the beats of her arteries under his touch were snickering giggles. They were both performing an expected routine, a routine invented by someone and imposed upon them, performing it in mockery, in hatred, in defiling parody on its inventors.
He felt a sightless, heedless fury, part-horror, part-pleasure-the horror of committing an act he would never dare confess to anyone--the pleasure of committing it in blasphemous defiance of those to whom he would not dare confess it. He was himself!--the only conscious part of his rage seemed to be screaming to him--he was, at last, himself!
They did not speak. They knew each other's motive. Only two words were pronounced between them. "Mrs. Rearden," he said.
They did not look at each other when he pushed her into his bedroom and onto his bed, falling against her body, as against a soft, stuffed object. Their faces had a look of secrecy, the look of partners in guilt, the furtive, smutty look of children defiling someone's clean fence by chalking sneaky scratches intended as symbols of obscenity.
Afterward, it did not disappoint him that what he had possessed was an inanimate body without resistance or response. It was not a woman that he had wanted to possess. It was not an act in celebration of life that he had wanted to perform--but an act in celebration of the triumph of impotence.
Cherryl unlocked the door and slipped in quietly, almost surreptitiously, as if hoping not to be seen or to see the place which was her home. The sense of Dagny's presence--of Dagny's world--had supported her on her way back, but when she entered her own apartment the walls seemed to swallow her again into the suffocation of a trap.
The apartment was silent; a wedge of light cut across the anteroom from a door left half-open. She dragged herself mechanically in the direction of her room. Then she stopped.
The open band of light was the door of Jim's study, and on the illuminated strip of its carpet she saw a woman's hat with a feather stirring faintly in a draft.
She took a step forward. The room was empty, she saw two glasses, one on a table, the other on the floor, and a woman's purse lying on the seat of an armchair. She stood, in unreacting stupor, until she heard the muffled drawl of two voices behind the door of Jim's bedroom; she could not distinguish the words, only the quality of the sounds: Jim's voice had a tone of irritation, the woman.'s--of contempt.
Then she found herself in her own room, fumbling frantically to lock her door. She had been flung here by the blind panic of escape, as if it were she who had to hide, she who had to run from the ugliness of being seen in the act of seeing them--a panic made of revulsion, of pity, of embarrassment, of that mental chastity which recoils from confronting a man with the unanswerable proof of his evil.
She stood in the middle of her room, unable to grasp what action was now possible to her. Then her knees gave way, folding gently, she found herself sitting on the floor and she stayed there, staring at the carpet, shaking.
It was neither anger nor jealousy nor indignation, but the blank horror of dealing with the grotesquely senseless. It was the knowledge that neither their marriage nor his love for her nor his insistence on holding her nor his love for that other woman nor this gratuitous adultery had any meaning whatever, that there was no shred of sense in any of it and no use to grope for explanations. She had always thought of evil as purposeful, as a means to some end; what she was seeing now was evil for evil's sake.
She did not know how long she had sat there, when she heard their steps and voices, then the sound of the front door closing. She got up, with no purpose in mind, but impelled by some instinct from the past, as if acting in a vacuum where honesty was not relevant any longer, but knowing no other way to act.
She met Jim in the anteroom. For a moment, they looked at each other as if neither could believe the other's reality.
"When did you come back?" he snapped. "How long have you been home?"
"I don't know ..."
He was looking at her face. "What's the matter with you?"
"Jim, I--" She struggled, gave up and waved her hand toward his bedroom. "Jim, I know."
"What do you know?"
"You were there ... with a woman."
His first action was to push her into his study and slam the door, as if to hide them both, he could no longer say from whom. An unadmitted rage was boiling in his mind, struggling between escape and explosion, and it blew up into the sensation that this negligible little wife of his was depriving him of his triumph, that he would not surrender to her his new enjoyment.
"Sure!" he screamed. "So what? What are you going to do about it?"
She stared at him blankly.
"Sure! I was there with a woman! That's what I did, because that's what I felt like doing! Do you think you're going to scare me with your gasps, your stares, your whimpering virtue?" He snapped his fingers. "That for your opinion! I don't give a hoot in hell about your opinion! Take it and like it!" It was her white, defenseless face that drove him on, lashing him into a state of pleasure, the pleasure of feeling as if his words were blows disfiguring a human face. "Do you think you're going to make me hide? I'm sick of having to put on an act for your righteous satisfaction! Who the hell are you, you cheap little nobody? I'll do as I please, and you'll keep your mouth shut and go through the right tricks in public, like everybody else, and stop demanding that I act in my own home!--nobody is virtuous in his own home, the show is only for company!--but if you expect me to mean it--to mean it, you damn little fool!--you'd better grow up in a hurry!"
It was not her face that he was seeing, it was the face of the man at whom he wanted and would never be able to throw his deed of this night--but she had always stood as the worshipper, the defender, the agent of that man in his eyes, he had married her for it, so she could serve his purpose now, and he screamed, "Do you know who she was, the woman I laid? It was--"
"No!" she cried. "Jim! I don't have to know it!"
"It was Mrs. Rearden! Mrs. Hank Rearden!"
She stepped back. He felt a brief flash of terror--because she was loo