y as if it were a physical support.
"Mr. Rearden," said a strangely quiet voice beside him, "permit me to introduce myself. My name is d'Anconia."
Rearden turned, startled; d'Anconia's manner and voice had a quality he had seldom encountered before: a tone of authentic respect.
"How do you do," he answered. His voice was brusque and dry; but he had answered.
"I have observed that Mrs. Rearden has been trying to avoid the necessity of presenting me to you, and I can guess the reason. Would you prefer that I leave your house?"
The action of naming an issue instead of evading it, was so unlike the usual behavior of all the men he knew, it was such a sudden, startling relief, that Rearden remained silent for a moment, studying d'An conia's face. Francisco had said it very simply, neither as a reproach nor a plea, but in a manner which, strangely, acknowledged Rearden's dignity and his own.
"No," said Rearden, "whatever else you guessed, I did not say that."
"Thank you. In that case, you will allow me to speak to you."
"Why should you wish to speak to me?"
"My motives cannot interest you at present."
"Mine is not the sort of conversation that could interest you at all."
"You are mistaken about one of us, Mr. Rearden, or both. I came to this party solely in order to meet you."
There had been a faint tone of amusement in Rearden's voice; now it hardened into a hint of contempt. "You started by playing it straight. Stick to it."
"I am."
"What did you want to meet me for? In order to make me lose money?"
Francisco looked straight at him. "Yes--eventually."
"What is it, this time? A gold mine?"
Francisco shook his head slowly; the conscious deliberation of the movement gave it an air that was almost sadness. "No," he said, "I don't want to sell you anything. As a matter of fact, I did not attempt to sell the copper mine to James Taggart, either. He came to me for it. You won't."
Rearden chuckled. "If you understand that much, we have at least a sensible basis for conversation. Proceed on that. If you don't have some fancy investment in mind, what did you want to meet me for?"
"In order to become acquainted with you."
"That's not an answer. It's just another way of saying the same thing."
"Not quite, Mr. Rearden."
"Unless you mean--in order to gain my confidence?"
"No. I don't like people who speak or think in terms of gaining anybody's confidence. If one's actions are honest, one does not need the predated confidence of others, only their rational perception. The person who craves a moral blank check of that kind, has dishonest intentions, whether he admits it to himself or not."
Rearden's startled glance at him was like the involuntary thrust of a hand grasping for support in a desperate need. The glance betrayed how much he wanted to find the sort of man he thought he was seeing. Then Rearden lowered his eyes, almost closing them, slowly, shutting out the vision and the need. His face was hard; it had an expression of severity, an inner severity directed at himself; it looked austere and lonely.
"All right," he said tonelessly. "What do you want, if it's not my confidence?"
"I want to learn to understand you."
"What for?"
"For a reason of my own which need not concern you at present."
"What do you want to understand about me?"
Francisco looked silently out at the darkness. The fire of the mills was dying down. There was only a faint tinge of red left on the edge of the earth, just enough to outline the scraps of clouds ripped by the tortured battle of the storm in the sky. Dim shapes kept sweeping through space and vanishing, shapes which were branches, but looked as if they were the fury of the wind made visible.
"It's a terrible night for any animal caught unprotected on that plain," said Francisco d'Anconia. "This is when one should appreciate the meaning of being a man."
Rearden did not answer for a moment; then he said, as if in answer to himself, a tone of wonder in his voice, "Funny . . ."
"What?"
"You told me what I was thinking just a while ago . . ."
"You were?"
"... only I didn't have the words for it."
"Shall I tell you the rest of the words?"
"Go ahead."
"You stood here and watched the storm with the greatest pride one can ever feel--because you are able to have summer flowers and half-naked women in your house on a night like this, in demonstration of your victory over that storm. And if it weren't for you, most of those who are here would be left helpless at the mercy of that wind in the middle of some such plain."
"How did you know that?"
In time with his question, Rearden realized that it was not his thoughts this man had named, but his most hidden, most personal emotion; and that he, who would never confess his emotions to anyone, had confessed it in his question. He saw the faintest flicker in Francisco's eyes, as of a smile or a check mark.
"What would you know about a pride of that kind?" Rearden asked sharply, as if the contempt of the second question could erase the confidence of the first.
"That is what I felt once, when I was young."
Rearden looked at him. There was neither mockery nor self-pity in Francisco's face; the fine, sculptured planes and the clear, blue eyes held a quiet composure, the face was open, offered to any blow, unflinching.
"Why do you want to talk about it?" Rearden asked, prompted by a moment's reluctant compassion.
"Let us say--by way of gratitude, Mr. Rearden."
"Gratitude to me?"
"If you will accept it."
Rearden's voice hardened. "I haven't asked for gratitude. I don't need it."
"I have not said you needed it. But of all those whom you are saving from the storm tonight, I am the only one who will offer it."
After a moment's silence, Rearden asked, his voice low with a sound which was almost a threat, "What are you trying to do?"
"I am calling your attention to the nature of those for whom you are working."
"It would take a man who's never done an honest day's work in his life, to think or say that." The contempt in Rearden's voice had a note of relief; he had been disarmed by a doubt of his judgment on the character of his adversary; now he felt certain once more. "You wouldn't understand it if I told you that the man who works, works for himself, even if he does carry the whole wretched bunch of you along. Now I'll guess what you're thinking: go ahead, say that it's evil, that I'm selfish, conceited, heartless, cruel. I am. I don't want any part of that tripe about working for others. I'm not."
For the first time, he saw the look of a personal reaction in Francisco's eyes, the look of something eager and young. "The only thing that's wrong in what you said," Francisco answered, "is that you permit anyone to call it evil." In Rearden's pause of incredulous silence, he pointed at the crowd in the drawing room. "Why are you willing to carry them?"
"Because they're a bunch of miserable children who struggle to remain alive, desperately and very badly, while I--I don't even notice the burden."
"Why don't you tell them that?"
"What?"
"That you're working for your own sake, not theirs."
"They know it."
"Oh yes, they know it. Every single one of them here knows it. But they don't think you do. And the aim of all their efforts is to keep you from knowing it."
"Why should I care what they think?"
"Because it's a battle in which one must make one's stand clear."
"A battle? What battle? I hold the whip hand. I don't fight the disarmed."
"Are they? They have a weapon against you. It's their only weapon, but it's a terrible one. Ask yourself what it is, some time."
"Where do you see any evidence of it?"
"In the unforgivable fact that you're as unhappy as you are."
Rearden could accept any form of reproach, abuse, damnation anyone chose to throw at him; the only human reaction which he would not accept was pity. The stab of a coldly rebellious anger brought him back to the full context of the moment. He spoke, fighting not to acknowledge the nature of the emotion rising within him. "What sort of effrontery are you indulging in? What's your motive?"
"Let us say--to give you the words you need, for the time when you'll need them."
"Why should you want to speak to me on such a subject?"
"In the hope that you will remember it."
What he felt, thought Rearden, was anger at the incomprehensible fact that he had allowed himself to enjoy this conversation. He felt a dim sense of betrayal, the hint of an unknown danger. "Do you expect me to forget what you are?" he asked, knowing that this was what he had forgotten.
"I do not expect you to think of me at all."
Under his anger, the emotion which Rearden would not acknowledge remained unstated and unthought; he knew it only as a hint of pain. Had he faced it, he would have known that he still heard Francisco's voice saying, "I am the only one who will offer it ... if you will accept it...." He heard the words and the strangely solemn inflection of the quiet voice and an inexplicable answer of his own, something within him that wanted to cry yes, to accept, to tell this man that he accepted, that he needed it--though there was no name for what he needed, it was not gratitude, and he knew that it was not gratitude this man had meant.
Aloud, he said, "I didn't seek to talk to you. But you've asked for it and you're going to hear it. To me, there's only one form of human depravity--the man without a purpose."
"That is true."
"I can forgive all those others, they're not vicious, they're merely helpless. But you--you're the kind who can't be forgiven."
"It is against the sin of forgiveness that I wanted to warn you."
"You had the greatest chance in life. What have you done with it? If you have the mind to understand all the things you said, how can you speak to me at all? How can you face anyone after the sort of irresponsible destruction you've perpetrated in that Mexican business?"
"It is your right to condemn me for it, if you wish."
Dagny stood by the corner of the window recess, listening. They did not notice her. She had seen them together and she had approached, drawn by an impulse she could not explain or resist; it seemed crucially important that she know what these two men said to each other.
She had heard their last few sentences. She had never thought it possible that she would see Francisco taking a beating. He could smash any adversary in any form of encounter. Yet he stood, offering no defense. She knew that it was not indifference; she knew his face well enough to see the effort his calm cost him--she saw the faint line of a muscle pulled tight across his cheek.
"Of all those who live by the ability of others," said Rearden, "you're the one real parasite."
"I have given you grounds to think so."
"Then what right have you to talk about the meaning of being a man? You're the one who has betrayed it."
"I am sorry if I have offended you by what you may rightly consider as a presumption."
Francisco bowed and turned to go. Rearden said involuntarily, not knowing that the question negated his anger, that it was a plea to stop this man and hold him, "What did you want to learn to understand about me?"
Francisco turned. The expression of his face had not changed; it was still a look of gravely courteous respect. "I have learned it," he answered.
Rearden stood watching him as he walked off into the crowd. The figures of a butler, with a crystal dish, and of Dr. Pritchett, stooping to choose another canape, hid Francisco from sight. Rearden glanced out at the darkness; nothing could be seen there but the wind.
Dagny stepped forward, when he came out of the recess; she smiled, openly inviting conversation. He stopped. It seemed to her that he had stopped reluctantly. She spoke hastily, to break the silence. "Hank, why do you have so many intellectuals of the looter persuasion here? I wouldn't have them in my house."
This was not what she had wanted to say to him. But she did not know what she wanted to say; never before had she felt herself left wordless in his presence.
She saw his eyes narrowing, like a door being closed. "I see no reason why one should not invite them to a party," he answered coldly.
"Oh, I didn't mean to criticize your choice of guests. But . . . Well, I've been trying not to learn which one of them is Bertram Scudder. If I do, I'll slap his face." She tried to sound casual. "I don't want to create a scene, but I'm not sure I'll be able to control myself. I couldn't believe it when somebody told me that Mrs. Rearden had invited him."
"I invited him."
"But ..." Then her voice dropped. "Why?"
"I don't attach any importance to occasions of this kind."
"I'm sorry, Hank. I didn't know you were so tolerant. I'm not."
He said nothing.
"I know you don't like parties. Neither do I. But sometimes I wonder ... perhaps we're the only ones who were meant to be able to enjoy them."
"I am afraid I have no talent for it."
"Not for this. But do you think any of these people are enjoying it? They're just straining to be more senseless and aimless than usual. To be light and unimportant . . . You know, I think that only if one feels immensely important can one feel truly light."
"I wouldn't know."
"It's just a thought that disturbs me once in a while.... I thought it about my first ball.... I keep thinking that parties are intended to be celebrations, and celebrations should be only for those who have something to celebrate."
"I have never thought of it."
She could not adapt her words to the rigid formality of his manner; she could not quite believe it. They had always been at ease together, in his office. Now he was like a man in a strait jacket.
"Hank, look at it. If you didn't know any of these people, wouldn't it seem beautiful? The lights and the clothes and all the imagination that went to make it possible . . ." She was looking at the room. She did not notice that he had not followed her glance. He was looking down at the shadows on her naked shoulder, the soft, blue shadows made by the light that fell through the strands of her hair. "Why have we left it all to fools? It should have been ours."
"In what manner?"
"I don't know ... I've always expected parties to be exciting and brilliant, like some rare drink." She laughed; there was a note of sadness in it. "But I don't drink, either. That's just another symbol that doesn't mean what it was intended to mean." He was silent. She added, "Perhaps there's something that we have missed."
"I am not aware of it."
In a flash of sudden, desolate emptiness, she was glad that he had not understood or responded, feeling dimly that she had revealed too much, yet not knowing what she had revealed. She shrugged, the movement running through the curve of her shoulder like a faint convulsion. "It's just an old illusion of mine," she said indifferently. "Just a mood that comes once every year or two. Let me see the latest steel price index and I'll forget all about it."
She did not know that his eyes were following her, as she walked away from him.
She moved slowly through the room, looking at no one. She noticed a small group huddled by the unlighted fireplace. The room was not cold, but they sat as if they drew comfort from the thought of a non-existent fire.
"I do not know why, but I am growing to be afraid of the dark. No, not now, only when I am alone. What frightens me is night. Night as such."
The speaker was an elderly spinster with an air of breeding and hopelessness. The three women and two men of the group were well dressed, the skin of their faces was smoothly well tended, but they had a manner of anxious caution that kept their voices one tone lower than normal and blurred the differences of their ages, giving them all the same gray look of being spent. It was the look one saw in groups of respectable people everywhere. Dagny stopped and listened.
"But, my dear," one of them asked, "why should it frighten you?"
"I don't know," said the spinster. "I am not afraid of prowlers or robberies or anything of the sort. But I stay awake all night. I fall asleep only when I see the sky turning pale. It is very odd. Every evening, when it grows dark, I get the feeling that this time it is final, that daylight will not return."
"My cousin who lives on the coast of Maine wrote me the same thing," said one of the women.
"Last night," said the spinster, "I stayed awake because of the shooting. There were guns going off all night, way out at sea. There were no flashes. There was nothing. Just those detonations, at long intervals, somewhere in the fog over the Atlantic."
"I read something about it in the paper this morning. Coast Guard target practice."
"Why, no," the spinster said indifferently. "Everybody down on the shore knows what it was. It was Ragnar Danneskjold. It was the Coast Guard trying to catch him."
"Ragnar Danneskjold in Delaware Bay?" a woman gasped.
"Oh, yes. They say it is not the first time."
"Did they catch him?"
"No."
"Nobody can catch him," said one of the men.
"The People's State of Norway has offered a million-dollar reward for his head."
"That's an awful lot of money to pay for a pirate's head."
"But how are we going to have any order or security or planning in the world, with a pirate running loose all over the seven seas?"
"Do you know what it was that he seized last night?" said the spinster. "The big ship with the relief supplies we were sending to the People's State of France."
"How does he dispose of the goods he seizes?"
"Ah, that--nobody knows."
"I met a sailor once, from a ship he'd attacked, who'd seen him in person. He said that Ragnar Danneskjold has the purest gold hair and the most frightening face on earth, a face with no sign of any feeling. If there ever was a man born without a heart, he's it--the sailor said."
"A nephew of mine saw Ragnar Danneskjold's ship one night, off the coast of Scotland. He wrote me that he couldn't believe his eyes. It was a better ship than any in the navy of the People's State of England."
"They say he hides in one of those Norwegian fjords where neither God nor man will ever find him. That's where the Vikings used to hide in the Middle Ages."
"There's a reward on his head offered by the People's State of Portugal, too. And by the People's State of Turkey."
"They say it's a national scandal in Norway. He comes from one o