't do that! You're a common carrier! You have no right to discriminate against me! I'll report it to the Unification Board!"
"--if I give you a train to get you within sight or hearing of your Board," said Dagny, turning away.
She saw Kellogg looking at her, his glance like a line drawn under her words, underscoring them for her own attention.
"Get a flashlight somewhere," she said, "while I go to get my handbag, then we'll start."
When they started out on their way to the track phone, walking past the silent line of cars, they saw another figure descending from the train and hurrying to meet them. She recognized the tramp.
"Trouble, ma.'am?" he asked, stopping.
"The crew has deserted."
"Oh. What's to be done?"
"I'm going to a phone to call the division point."
"You can't go alone, ma.'am. Not these days. I'd better go with you."
She smiled. "Thanks. But I'll be all right. Mr. Kellogg here is going with me. Say-what's your name?"
"Jeff Allen, ma.'am."
"Listen, Allen, have you ever worked for a railroad?"
"No, ma.'am."
"Well, you're working for one now. You're deputy-conductor and proxy-vice-president-in-charge-of-operation. Your job is to take charge of this train in my absence, to preserve order and to keep the cattle from stampeding. Tell them that I appointed you. You don't need any proof. They'll obey anybody who expects obedience."
"Yes, ma.'am," he answered firmly, with a look of understanding.
She remembered that money inside a man's pocket had the power to turn into confidence inside his mind; she took a hundred-dollar bill from her bag and slipped it into his hand. "As advance on wages," she said.
"Yes, ma.'am."
She had started off, when he called after her, "Miss Taggart!"
She turned. "Yes?"
"Thank you," he said.
She smiled, half-raising her hand in a parting salute, and walked .on.
"Who is that?" asked Kellogg.
"A tramp who was caught stealing a ride."
"He'll do the job, I think."
"He will."
They walked silently past the engine and on in the direction of its headlight. At first, stepping from tie to tie, with the violent light beating against them from behind, they still felt as if they were at home in the normal realm of a railroad. Then she found herself watching the light on the ties under her feet, watching it ebb slowly, trying to hold it, to keep seeing its fading glow, until she knew that the hint of a glow on the wood was no longer anything but moonlight. She could not prevent the shudder that made her turn to look back. The headlight still hung behind them, like the liquid silver globe of a planet, deceptively close, but belonging to another orbit and another system.
Owen Kellogg walked silently beside her, and she felt certain that they knew each other's thoughts.
"He couldn't have. Oh God, he couldn.'t!" she said suddenly, not realizing that she had switched to words.
."Who?"
"Nathaniel Taggart. He couldn't have worked with people like those passengers. He couldn't have run trains for them. He couldn't have employed them. He couldn't have used them at all, neither as customers nor as workers."
Kellogg smiled. "You mean that he couldn't have grown rich by exploiting them, Miss Taggart?"
She nodded. "They ..." she said, and he heard the faint trembling of her voice, which was love and pain and indignation, "they've said for years that he rose by thwarting the ability of others, by leaving them no chance, and that ... that human incompetence was to his selfish interest.... But he ... it wasn't obedience that he required of people."
"Miss Taggart," he said, with an odd note of sternness in his voice, "just remember that he represented a code of existence which--for a brief span in all human history--drove slavery out of the civilized world. Remember it, when you feel baffled by the nature of his enemies."
"Have you ever heard of a woman named Ivy Starnes?"
"Oh yes."
"I keep thinking that this was what she would have enjoyed--the spectacle of those passengers tonight. This was what she's after. But we--we can't live with it, you and I, can we? No one can live with it. It's not possible to live with it."
"What makes you think that Ivy Starnes's purpose is life?"
Somewhere on the edge of her mind--like the wisps she saw floating on the edges of the prairie, neither quite rays nor fog nor cloud--she felt some shape which she could not grasp, half-suggested and demanding to be grasped.
She did not speak, and--like the links of a chain unrolling through their silence--the rhythm of their steps went on, spaced to the ties, scored by the dry, swift beat of heels on wood.
She had not had time to be aware of him, except as of a providential comrade-in-competence; now she glanced at him with conscious attention. His face had the clear, hard look she remembered having liked in the past. But the face had grown calmer, as if more serenely at peace. His clothes were threadbare. He wore an old leather jacket, and even in the darkness she could distinguish the scuffed blotches streaking across the leather.
"What have you been doing since you left Taggart Transcontinental?" she asked.
"Oh, many things."
"Where are you working now?"
"On special assignments, more or less."
"Of what kind?"
"Of every kind."
"You're not working for a railroad?"
"No."
The sharp brevity of the sound seemed to expand it into an eloquent statement. She knew that he knew her motive. "Kellogg, if I told you that I don't have a single first-rate man left on the Taggart system, if I offered you any job, any terms, any money you cared to name--would you come back to us?"
"No."
"You were shocked by our loss of traffic. I don't think you have any idea of what our loss of men has done to us. I can't tell you the sort of agony I went through three days ago, trying to find somebody able to build five miles of temporary track. I have fifty miles to build through the Rockies. I see no way to do it. But it has to be done. I've combed the country for men. There aren't any. And then to run into you suddenly, to find you here, in a day coach, when I'd give half the system for one employee like you--do you understand why I can't let you go? Choose anything you wish. Want to be general manager of a region? Or assistant operating vice-president?"
"No."
"You're still working for a living, aren't you?"
"Yes."
"You don't seem to be making very much."
"I'm making enough for my needs--and for nobody else's."
"Why are you willing to work for anyone but Taggart Transcontinental?"
"Because you wouldn't give me the kind of job I'd want."
"I?" She stopped still. "Good God, Kellogg!--haven't you understood? I'd give you any job you name!"
"All right. Track walker."
"What?"
"Section hand. Engine wiper." He smiled at the look on her face. "No? You see, I said you wouldn't."
"Do you mean that you'd take a day laborer's job?"
"Any time you offered it."
"But nothing better?"
"That's right, nothing better."
"Don't you understand that I have too many men who're able to do those jobs, but nothing better?"
"I understand it, Miss Taggart. Do you?"
"What I need is your--"
"--mind, Miss Taggart? My mind is not on the market any longer."
She stood looking at him, her face growing harder. "You're one of them, aren't you?" she said at last.
"Of whom?"
She did not answer, shrugged and went on.
"Miss Taggart," he asked, "how long will you remain willing to be .a common carrier?"
"I won't surrender the world to the creature you're quoting."
"The answer you gave her was much more realistic."
The chain of their steps had stretched through many silent minutes before she asked, "Why did you stand by me tonight? Why were you willing to help me?"
He answered easily, almost gaily, "Because there isn't a passenger on that train who needs to get where he's going more urgently than I do. If the train can be started, none will profit more than I. But when I need something, I don't sit and expect transportation, like that creature of yours."
"You don't? And what if all trains stopped running?"
"Then I wouldn't count on making a crucial journey by train."
"Where are you going?"
"West."
"On a 'special assignment'?"
"No. For a month's vacation with some friends."
"A vacation? And it's that important to you?"
"More important than anything on earth."
They had walked two miles when they came to the small gray box on a post by the trackside, which was the emergency telephone. The box hung sidewise, beaten by storms. She jerked it open. The telephone was there, a familiar, reassuring object, glinting in the beam of Kellogg's flashlight. But she knew, the moment she pressed the receiver to her ear, and he knew, when he saw her finger tapping sharply against the hook, that the telephone was dead.
She handed the receiver to him without a word. She held the flashlight, while he went swiftly over the instrument, then tore it off the wall and studied the wires.
"The wire's okay," he said. "The current's on. It's this particular instrument that's out of order. There's a chance that the next one might be working." He added, "The next one is five miles away."
"Let's go," she said.
Far behind them, the engine's headlight was still visible, not a planet any longer, but a small star winking through mists of distance. Ahead of them, the rail went off into bluish space, with nothing to mark its end.
She realized how often she had glanced back at that headlight; so long as it remained in sight, she had felt as if a life-line were holding them anchored safely; now they had to break it and dive into ... and dive off this planet, she thought. She noticed that Kellogg, too, stood looking back at the headlight.
They glanced at each other, but said nothing. The crunch of a pebble under her shoe sole burst like a firecracker in the silence. With a coldly intentional movement, he kicked the telephone instrument and sent it rolling into a ditch: the violence of the noise shattered the vacuum.
"God damn him," he said evenly, not raising his voice, with a loathing past any display of emotion. "He probably didn't feel like attending to his job, and since he needed his pay check, nobody had the right to ask that he keep the phones in order."
"Come on," she said.
"We can rest, if you feel tired, Miss Taggart."
"I'm all right. We have no time to feel tired."
"That's our great error, Miss Taggart. We ought to take the time, some day."
She gave a brief chuckle, she stepped onto a tie of the track, stressing the step as her answer, and they went on.
It was hard, walking on ties, but when they tried to walk along the trackside, they found that it was harder. The soil, half-sand, half-dust, sank under their heels, like the soft, unresisting spread of some substance that was neither liquid nor solid. They went back to walking from tie to tie; it was almost like stepping from log to log in the midst of a river.
She thought of what an enormous distance five miles had suddenly become, and that a division point thirty miles away was now unattainable--after an era of railroads built by men who thought in thousands of transcontinental miles. That net of rails and lights, spreading from ocean to ocean, hung on the snap of a wire, on a broken connection inside a rusty phone--no, she thought, on something much more powerful and much more delicate. It hung on the connections in the minds of the men who knew that the existence of a wire, of a train, of a job, of themselves and their actions was an absolute not to be escaped. When such minds were gone, a two-thousand-ton train was left at the mercy of the muscles of her legs.
Tired?--she thought; even the strain of walking was a value, a small piece of reality in the stillness around them. The sensation of effort was a specific experience, it was pain and could be nothing else--in the midst of a space which was neither light nor dark, a soil which neither gave nor resisted, a fog which neither moved nor hung still. Their strain was the only evidence of their motion: nothing changed in the emptiness around them, nothing took form to mark their progress. She had always wondered, in incredulous contempt, about the sects that preached the annihilation of the universe as the ideal to be attained. There, she thought, was their world and the content of their minds made real.
When the green light of a signal appeared by the track, it gave them a point to reach and pass, but--incongruous in the midst of the floating dissolution--it brought them no sense of relief. It seemed to come from a long since extinguished world, like those stars whose light remains after they are gone. The green circle glowed in space, announcing a clear track, inviting motion where there was nothing to move. Who was that philosopher, she thought, who preached that motion exists without any moving entities? This was his world, too.
She found herself pushing forward with increasing effort, as if against some resistance that was, not pressure, but suction. Glancing at Kellogg, she saw that he, too, was walking like a man braced against a storm. She felt as if the two of them were the sole survivors of ... of reality, she thought--two lonely figures fighting, not through a storm, but worse: through non-existence.
It was Kellogg who glanced back, after a while, and she followed his glance: there was no headlight behind them.
They did not stop. Looking straight ahead, he reached absently into his pocket; she felt certain that the movement was involuntary; he produced a package of cigarettes and extended it to her.
She was about to take a cigarette--then, suddenly, she seized his wrist and tore the package out of his hand. It was a plain white package that bore, as single imprint, the sign of the dollar.
"Give me the flashlight!" she ordered, stopping.
He stopped obediently and sent the beam of the flashlight at the package in her hands. She caught a glimpse of his face: he looked a little astonished and very amused.
There was no printing on the package, no trade name, no address, only the dollar sign stamped in gold. The cigarettes bore the same sign.
"Where did you get this?" she asked.
He was smiling. "If you know enough to ask that, Miss Taggart, you should know that I won't answer."
"I know that this stands for something."
"The dollar sign? For a great deal. It stands on the vest of every fat, piglike figure in every cartoon, for the purpose of denoting a crook, a grafter, a scoundrel--as the one sure-fire brand of evil. It stands--as the money of a free country--for achievement, for success, for ability, for man's creative power--and, precisely for these reasons, it is used as a brand of infamy. It stands stamped on the forehead of a man like Hank Rearden, as a mark of damnation. Incidentally, do you know where that sign comes from? It stands for the initials of the United States."
He snapped the flashlight off, but he did not move to go; she could distinguish the hint of his bitter smile.
"Do you know that the United States is the only country in history that has ever used its own monogram as a symbol of depravity? Ask yourself why. Ask yourself how long a country that did that could hope to exist, and whose moral standards have destroyed it. It was the only country in history where wealth was not acquired by looting, but by production, not by force, but by trade, the only country whose money was the symbol of man's right to his own mind, to his work, to his life, to his happiness, to himself. If this is evil, by the present standards of the world, if this is the reason for damning us, then we --we, the dollar chasers and makers--accept it and choose to be damned by that world. We choose to wear the sign of the dollar on our foreheads, proudly, as our badge of nobility--the badge we are willing to live for and, if need be, to die."
He extended his hand for the package. She held it as if her fingers would not let it go, but gave up and placed it on his palm. With deliberate slowness, as if to underscore the meaning of his gesture, he offered her a cigarette. She took it and placed it between her lips. He took one for himself, struck a match, lighted both, and they walked on.
They walked, over rotting logs that sank without resistance into the shifting ground, through a vast, uncongealed globe of moonlight and coiling mist--with two spots of living fire in their hands and the glow of two small circles to light their faces.
"Fire, a dangerous force, tamed at his fingertips ..." she remembered the old man saying to her, the old man who had said that these cigarettes were not made anywhere on earth. "When a man thinks, there is a spot of fire alive in his mind--and it's proper that he should have the burning point of a cigarette as his one expression."
"I wish you'd tell me who makes them," she said, in the tone of a hopeless plea.
He chuckled good-naturedly. "I can tell you this much: they're made by a friend of mine, for sale, but--not being a common carrier --he sells them only to his friends."
"Sell me that package, will you?"
"I don't think you'll be able to afford it, Miss Taggart, but--all right, if you wish."
"How much is it?"
"Five cents."
"Five cents?" she repeated, bewildered.
"Five cents--" he said, and added, "in gold."
She stopped, staring at him. "In gold?"
"Yes, Miss Taggart."
"Well, what's your rate of exchange? How much is it in our normal money?"
"There is no rate of exchange, Miss Taggart. No amount of physical--or spiritual--currency, whose sole standard of value is the decree of Mr. Wesley Mouch, will buy these cigarettes."
"I see."
He reached into his pocket, took out the package and handed it to her. "I'll give them to you, Miss Taggart," he said, "because you've earned them many times over--and because you need them for the same purpose we do."
"What purpose?"
"To remind us--in moments of discouragement, in the loneliness of exile--of our true homeland, which has always been yours, too, Miss Taggart."
"Thank you," she said. She put the cigarettes in her pocket; he saw that her hand was trembling.
When they reached the fourth of the five mileposts, they had been silent for a long time, with no strength left for anything but the effort of moving their feet. Far ahead, they saw a dot of light, too low on the horizon and too harshly clear to be a star. They kept watching it,