Uneasy, Sarah looked behind her but saw no one and turned back to her contemplation of the image of her sister’s madness; but in the stillness she heard from outside the church the squeaking sound of a motor-car or taxi coming to a halt and then, after a second or two, the short note of summons on its horn; and presently, much closer, the unmistakable sound of footsteps on tiles, within the body of the church. She turned again. A woman in an old-fashioned veiled topee was coming down the aisle towards the altar, making for the south door; a woman who must have been there all the time on the darker side of the nave, and whom Sarah recognized. At the end of the aisle the woman genuflected, supporting herself with one hand on the end of the pew.

  Why, what a lot you know, Sarah told her silently, what a lot, what a terrible, terrible lot. But now I know some of it too, and know that this kind of knowing isn’t knowing but bowing my head, as you are bowing yours, under the weight of it.

  The woman came towards her, one hand held to her breast clutching a cross that wasn’t there except in the form of pleats and buttons. Level with her the woman hesitated. Sarah could make out little of the face through the veil, but smiled because she felt beholden, as Susan would have said. The woman said nothing but half raised a hand in a gesture that stopped short both of greeting and farewell, and then went out through the south door to the waiting transport. And when she had gone Sarah moved, stumbling over the hassocks, wanting to ask, to ask; but just what she didn’t know. She hesitated too, and was lost. Outside, rounding the buttressed corner of the church she saw the old woman opening the lych-gate, began to run, and stopped. The rain was falling again; gentle rain. All the hills of Pankot were green and soft. She ran down the gravel pathway, past the graves of Muirs and Laytons, understanding that this was part of her dream, the running and the absence of an end to the journey. When she got to the road the car was gone.

  Little prisoner, shall I free you? Divine intervention! Well, Minnie had understood and not gone beyond the gate in Mahmoud’s wake, to change an order for blue ribbons, but crept cautiously back to the end of the veranda where she had been sorting bundles of laundry for the dhobi, and where Susan Mem was dressing the baby in the lace he was to wear on the morrow, talking to him in her strange guttural tongue.

  Divine intervention; odd, alien custom. Which? How could Minnie know? All she could do was watch and wait. After a while the dressing was over. The mother hugged the child to her and then walked out into the bright sunshine of the rainfree afternoon, across the patch of grass towards the wall that hid the servants’ quarters. There, for many days, Mahmoud had lit bonfires to destroy the accumulation of unwanted years. And there Susan placed the child on the grass, took the ready-to-hand tin of kerosene and sprinkled a wide circle around it. For a time Minnie stared, fascinated, believing herself a hidden witness of a secret initiation. But when Susan Mem set fire to the kerosene and the flames leapt, arcing their way round in a geometrical perfection, Minne snatched a sheet from the dhobi’s bundle and ran, threw the sheet on to the flames, entered the circle and picked the child up and carried it to safety.

  She stood some way off. Susan Mem had not moved. She knelt and watched the flames dying and did not appear to notice the trampled sheet or the fact that the child was no longer there. The grass was too wet for the flames to catch hold. Only the spirit burned, and left a scorched smouldering ring.

  ‘Pankot Rifles Depot ki taraf jao,’ Sarah told the tonga-wallah who snapped his whip and clicked his tongue. They bowled down the lane from St John’s, from the eminence towards the valley. As they went past the nursing home which was set far back from the road in wooded grounds Sarah leant her head against the canopy and imagined herself Susan, leaning her head against the bars that separated her from the window pane. She closed her eyes as perhaps Susan was doing, even now, and after a while felt the quietness of her own happiness and grace welling up inside her; and smiled, ignoring the rain that seemed to be falling on her face.

  This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

  Version 1.0

  Epub ISBN: 9781409037675

  www.randomhouse.co.uk

  Published by Arrow Books in 2005

  5 7 9 10 8 6 4

  Copyright © Paul Scott 1968

  The right of Paul Scott to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act, 1988

  This novel is a work of fiction. Names and characters are the product of the author’s imagination and any resemblance to actual persons, living or dead, is entirely coincidental

  This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser

  First published in the United Kingdom in 1968 by William Heinemann

  This edition published in 1997 by Mandarin Paperbacks

  Arrow Books

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  A CIP catalogue record for this book is available from the British Library

  ISBN 9780099478829

 


 

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