Kickaha had seen even more luxurious rooms. What held his attention was the opening of the round door at the far end of the room and the entrance through it of a cylindrical object. This was dark red, and it floated a foot above the floor. At its distant end the top of a blond head appeared. A man was pushing the object toward them.
That head looked like Red Orc's. He seemed to be the only one who would be in another world and bringing toward this gate an object that undoubtedly meant death and destruction to the occupants of this house.
Kickaha had his beamer ready, but he did not fire it. If that cylinder was packed with some powerful explosive, it might go up at the touch of the energy in the ray from a beamer.
Quickly, but silently, he began to close the door. Anana looked puzzled, since she had not seen what he had. He whispered, "Take off out the front door and run as far as you can as fast as you can!"
She shook her head and said, "Why should I?"
"Here!"
He thrust the Horn and the case at her. "Beat it! Don't argue! If he..."
The door began to swing open. A thin curved instrument came around the side of the door. Kickaha fired at it, cutting it in half. There was a yell from the other side, cut off by the door slamming. Kickaha had shoved it hard with his foot.
"Run!" he yelled, and he took her hand and pulled her after him. Just as he went through the door, he looked back. There was a crash as the door under the stairs and part of the wall around it fell broken outward, and the cylinder thrust halfway through before stopping.
That was enough for Kickaha. He jumped out onto the porch and down the steps, pulling Anana behind him with one hand, the other holding the beamer. When they reached the brick wall by the sidewalk, he turned to run along it for its protection.
The expected explosion did not come immediately. At that moment, a car screeched around the corner a block away. It straightened up, swaying under the street lights, and shot toward the driveway of the house they had just left. Kickaha saw the silhouettes of six heads inside it; one might have been Urthona's. Then he was running again. They rounded the corner from which the speeding automobile had come, and still nothing happened. Anana cried out, but he continued to drag her on. They ran a complete block and were crossing the street to go around another corner, when a black and white patrol car came by. It was cruising slowly and so the occupants had plenty of time to see the two runners. Anybody walking on the streets after dark in this area was suspect. A running person was certain to be taken to the station for questioning. Two running persons carrying a large musical instrument case and something that looked like a peculiar shotgun were guaranteed capture by the police. If they could be caught, of course.
Kickaha cursed and darted toward the house nearest them. Its lights were on, and the front door was open, though the screen door was probably locked. Behind them, brakes squealed as the patrol car slid to a stop. A loud voice told them to stop.
They continued to run. They ran onto the porch and Kickaha pulled on the screen door. He intended to go right through the house and out the back door, figuring that the police were not likely to shoot at them if innocents were in the way.
Kickaha cursed, gave the handle of the screen door a yank that tore the lock out. He plunged through with Anana right behind him. They shot through a vestibule and into a large room with a chandelier and a broad winding staircase to the second story. There were about ten men and women standing or sitting, all dressed semiformally. The women screamed; the men yelled. The two intruders ran through them, unhindered while the shouts of the policemen rose above the noise of the occupants.
The next moment, all human noise was shattered. The blast smashed in the glass of the windows and shook the house as if a tidal wave had struck it. All were hurled to the floor by the impact.
Kickaha had been expecting this, and Anana had expected something enormously powerful by his behavior. They jumped up before anybody else could regain their wits and were going out the back door in a few seconds. Kickaha doubled back, running toward the front along the side of the house. There was much broken glass on the walk, flicked there by the explosion from some nearby house. A few bushes and some lawn furniture also lay twisted on the sidewalk.
The patrol car, its motor running, and lights on, was still by the curb. Anana threw the instrument case into the rear seat and got in and Kickaha laid the beamer on the floor and climbed in. They strapped themselves in, and he turned the car around and took off. In the course of the next four blocks, he found the button switches to set the siren off and the light whirling and flashing.
"We'll get to Urthona's house, near it, anyway," he yelled, "and then we'll abandon this. I think Red Orc'll be there now to find out if Urthona was among those who entered the house when that mine went off!"
Anana shook her head and pointed at her ears. She was still deaf.
It was no wonder. He could just faintly hear the siren which must be screaming in their ears.
A few minutes later, as they shot through a red light, they passed a patrol car, lights flashing, going the other way. Anana ducked down so that she would not be seen, but evidently the car had received notice by radio that this car was stolen. It screamed as it slowed down and turned on the broad intersection and started after Kickaha and Anana. A sports car which had sped through the intersections, as if its driver intended to ignore the flashing red lights and sirens, turned away to avoid a collision, did not quite make it, scraped against the rear of the police car, and caromed off over the curbing, and up onto the sidewalk.
Kickaha saw this in the mirror as he accelerated. A few minutes later, he went through a stop sign south of a very broad intersection with stop signs on all corners. A big Cadillac stopped in the middle of the intersection so suddenly that its driver went up over the wheel. Before he could sit back and continue, the patrol car came through the stop sign.
Kickaha said, "Can you hear me now?"
She said, "Yes. You don't have to shout quite so loudly!"
"We're in Beverly Hills now. We'll take this car as far as we can and then we'll abandon it, on the run," he said. "We'll have to lose them on foot. That is, if we make it."
A second patrol car had joined them. It had come out of a side street, ignoring a stop sign, causing another car to wheel away and ram into the curbing. Its driver had hoped to cut across in front of them and bar their way, but he had not been quite fast enough. Kickaha had the car up to eighty now, which was far too fast on this street with its many intersecting side streets.
Then the business section of Beverly Hills was ahead. The light changed to yellow just as Kickaha zoomed through. He blasted the horn and went around a sports car and skidded a little and then the car hit a dip and bounced into the air. He had, however, put on the brakes to slow to sixty. Even so, the car swayed so that he feared they were going over.
Ahead of them, a patrol car was approaching. It swung broadside when over a half block away and barred most of the street. There was very little clearance at either end of the patrol car, but Kickaha took the rear.
Both uniformed policemen were out of the car, one behind the hood with a shotgun and the other standing between the front of the car and the parked cars. Kickaha told Anana to duck and took the car through the narrow space on the other side. There was a crash, the car struck the side of the bumper of the patrol car and the other struck the side of a parked car. But they were through with a grinding and clashing of metal. The shotgun boomed; the rear window starred.
At the same time, another patrol car swung around the corner on their left. The car angled across the street. Kickaha slammed on the brakes. They screamed, and he was pushed forward against his belt and the wheel. The car fishtailed, rocked, and then it slammed at an obtuse angle into the front of the patrol car.
Both cars were out of commission. Kickaha and Anana were stunned, but they reacted on pure reflex. They were out of the car on either side, Kickaha holding the beamer, and Anana the instrument case. They
ran across the street, between two parked cars, and across the sidewalk before they heard the shouts of the policemen behind them. Then they were between two tall buildings on a narrow sidewalk bordered by trees and bushes. They dashed down this until they came out on the next street. Here Kickaha led her northward, saw another opening between buildings, and took that. There was an overhang of prestressed concrete about eight feet up over a doorway. He threw his beamer upon it, threw the instrument case up, turned, held his locked hands out, and she put her foot in it and went up as he heaved. She caught the edge of the overhang; he pushed, and she was up on it. He leaped and swung on up, lying down just in time.
Feet pounded; several men, breathing hard, passed under them. He risked a peep over the edge and saw three policemen at the far end of the passageway, outlined by the streetlights. They were talking, obviously puzzled by the disappearance of their quarry. Then one started back, and Kickaha flattened out. The other two went around the corner of the building.
But as the man passed below him, Kickaha, taken by a sudden idea, rose and leaped upon the man. He knocked him sprawling, hitting the man so hard he knocked the wind out of him. He followed this with a kick on the jaw.
Kickaha put the officer's cap on and emptied the.38 which he took from his holster. Anana swung down after having dropped the beamer and the Horn to him. She said, "Why did you do this?"
"He would have blocked our retreat. Besides, there's a car that isn't damaged, and we're going to take that."
The fourth policeman was sitting in the car and talking over a microphone. He did not see Kickaha until he was about forty paces away. He dropped the microphone and grabbed for the shotgun on the seat. The beamer, set for stunning power, hit him in the shoulder and knocked him against the car. He slumped down, the shotgun falling on the street. Kickaha pulled the officer away from the car, noting that blood was seeping through his shirt sleeve. The beamer, even when set on "stun" power, could smash bone, tear skin, and rupture blood vessels.
As soon as Anana was in the car, Kickaha turned it northward. Down the street, coming swiftly toward him, on the wrong side because the other lane was blocked, were two police cars.
At the intersection ahead, as Kickaha shot past the red light, he checked his rear view mirror and saw the police cars had turned and were speeding after him.
Ahead the traffic was so heavy, he had no chance of getting onto it or across it. There was nothing to do but to take the alley to the right or the left, and he took the left. This was by the two-story brick wall of a grocery store building.
Then he was down the alley. Kickaha applied his brakes so hard, the car swerved, scraping against the brick wall. Anana scrambled out after Kickaha on his side of the car.
The police cars, moving more slowly than Kickaha's had when it took the corner into the alley, turned in. Just as the first straightened out to enter, Kickaha shot at the tires. The front of the lead car dropped as if it had driven off a curb, and there was a squeal of brakes. The car rocked up and down, and then its front doors opened like the wings of a bird just before taking off.
Kickaha ran away with Anana close behind him. He led her at an angle across the parking lot of the grocery store, and through the driveway out onto the street.
The light was red now, and the cars were stopped. Kickaha ran up behind a sports car in which sat a small youth with long black hair, huge round spectacles, a hawkish nose, and a bristly black moustache. He was tapping on the instrument panel with his right hand to the raucous cacophonous radio music, which was like Scylla and Charybdis rubbing against each other. He stiffened when Kickaha's arm shot down, as unexpectedly as a lightning stroke from a clear sky, over his shoulder and onto his lap. Before he could do more than squeak and turn his head, the safety belt was unbuckled. Like a sack of flour, he came out of the seat at the end of Kickaha's arm and was hurled onto the sidewalk. The dispossessed driver lay stunned for a moment and then leaped screaming with fury to his feet. By then, Kickaha and Anana were in his car, on their way.
Anana, looking behind, said, "We got away just in time." "Any police cars after us?" he said. "No, not yet."
"Good. We only have a couple of miles to go."
There was no sign of the police from there on until Kickaha parked the car a block and a half from Urthona's.
He said, "I've described the layout of the house, so you won't get confused when we're in it. Once we get in, things may go fast and furious. I think Red Orc will be there. I believe he's gated there just to make sure that Urthona is dead. He may be alive, though, because he's a fox. He should have scented a trap. I know I would've been skittish about going into that house unless I'd sniffed around a lot."
The house was well lit, but there was no sign of occupants. They walked boldly up the front walk and onto the porch. Kickaha tried the door and found it locked. A quick circling of the beamer muzzle with piercing power turned on removed the lock mechanism. They entered a silent house and when they were through exploring it, they had found only a parrot in a cage and it broke the silence only once to give a muffled squawk.
Kickaha removed the Horn from the case and began to test for resonant points as he had at Red Orc's. He went from room to room, working out from Urthona's bedroom and office because the gates were most likely to be there. The Horn sent out its melodious notes in vain, however, until he stuck it into a large closet downstairs just off the bottom of the staircase. The wall issued a tiny white spot, like a tear of light, and then it expanded and suddenly became a hole into another world.
Kickaha got a glimpse of a room that was a duplicate of the closet in the house in which he stood. Anana cried out softly then and pulled at his arm. He turned, hearing the noise that had caused her alarm. There were footsteps on the porch, followed by the chiming of the doorbell. He strode across the room, stopped halfway, turned and tossed the Horn to her, and said, "Keep that gate open!" While the notes of the Horn traveled lightly across the room, he lifted the curtain a little. Three uniformed policemen were on the porch and a plainclothesman was just going around the side. On the street were two patrol cars and an unmarked automobile.
Kickaha returned to her and said, "Urthona must have had a man outside watching for us. He called the cops. They must have the place surrounded!"
They could try to fight their way out, surrender, or go through the gate. To do the first was to kill men whose only fault was to mistake Kickaha for a criminal.
If Kickaha surrendered, he would sentence himself and Anana to death. Once either of the Lords knew they were in prison, they would get to their helpless victims one way or the other and murder them.
He did not want to go through the gate without taking some precautions, but he had no choice. He said, "Let's go," and leaped through the contracting hole with his beamer ready. Anana, holding onto the Horn, followed him.
He kicked the door open and jumped back. After a minute of waiting, he stepped through it. The closet was set near the bottom of a staircase, just like its counterpart on Earth. The room was huge with marble walls on which were bright murals and a many-colored marble mosaic floor. It was night outside, the light inside came from many oil-burning lamps and cressets on the walls and the fluted marble pillars around the edges of the room. Beyond, in the shadows cast by the pillars, were en-trances to other rooms and to the outside.
There was no sound except for a hissing and sputtering from the flames at the ends of the cressets.
Kickaha walked across the room between the pillars and through an antechamber, the walls of which were decorated with dolphins and octopuses. It was these that made him expect the scene that met him when he stepped out upon the great pillared porch. He was back on Earth Number Two.
At least, it seemed that he was. Certainly, the full moon near the zenith was Earth's moon. And, looking down from the porch, which was near the edge of a small mountain, he would swear that he was looking down on the duplicate of that part of southern California on which Los Angeles of Earth Num
ber One was built. As nearly as he could tell in the darkness, it had the same topography. The unfamiliarity was caused by the differences in the two cities. This one was smaller than Los Angeles; the lights were not so many nor so bright, and were more widely spaced. He would guess that the population of this valley was about one thirty-second of Earth Number One's.
The air looked clear; the stars and the moon were large and bright.
There was no hint of the odor of gasoline. He could smell a little horse manure, but that was pleasant, very pleasant. Of course, he was basing his beliefs on very small evidence, but it seemed that the technology of this Earth had not advanced nearly as swiftly as that of his native planet.
Evidently, Urthona had found gates leading to this world. He heard voices then from the big room into which he had emerged from the closet. He took Anana's arm and pulled her with him into the shadow of a pillar. Immediately thereafter, three people stepped out onto the porch. Two were men, wearing kilts and sandals and cloth jackets with flared-out collars, puffed sleeves, and swallow tails. One was short, dark and Mediterranean, like the servants of Red Orc. The other was tall, ruddy-faced and reddish-haired. The woman was a short blonde with a chunky figure. She wore a kilt, buskins and a jacket also, but the jacket, unbuttoned, revealed bare breasts held up by a stiff shelf projecting from a flaming red corselet. Her hair was piled high in an ornate coiffure, and her face was heavily made up. She shivered, said something in a Semitic-sounding language, and buttoned up the jacket. If these were servants, they were able to ride in style. A carriage like a cabriolet, drawn by two handsome horses, came around the corner and stopped before the porch. The coachman jumped down and assisted them into the carriage. He wore a tall tricorn hat with a bright red feather, a jacket with huge gold buttons and scarlet piping, a heavy blue kilt, and calf-length boots.