"Yeah, but I cover a lot of ground. See a lot of things. I'll bet that's why they want to talk to me. They're just looking for eco-freaks."
"Yeah, maybe you're right. It's probably that." She nods slowly, trying to make herself believe. "Those enviros, they don't make any sense at all. Not enough water for people, and they want to give the river to a bunch of fish and birds."
Lolo nods emphatically and grins wider. "Yeah. Stupid." But suddenly he views the eco-crazies with something approaching brotherly affection. The Californians are after him, too.
Lolo doesn't sleep all night. His instincts tell him to run, but he doesn't have the heart to tell Annie, or to leave her. He goes out in the morning hunting tamarisk and fails at that as well. He doesn't cut a single stand all day. He considers shooting himself with his shotgun, but chickens out when he gets the barrels in his mouth. Better alive and on the run than dead. Finally, as he stares into the twin barrels, he knows that he has to tell Annie, tell her he's been a water thief for years and that he's got to run north. Maybe she'll come with him. Maybe she'll see reason. They'll run together. At least they have that. For sure, he's not going to let those bastards take him off to a labor camp for the rest of his life.
But the guardies are already waiting when Lolo gets back. They're squatting in the shade of their Humvee, talking. When Lolo comes over the crest of the hill, one of them taps the other and points. They both stand. Annie is out in the field again, turning over dirt, unaware of what's about to happen. Lolo reins in and studies the guardies. They lean against their Humvee and watch him back.
Suddenly Lolo sees his future. It plays out in his mind the way it does in a movie, as clear as the blue sky above. He puts his hand on his shotgun. Where it sits on Maggie's far side, the guardies can't see it. He keeps Maggie angled away from them and lets the camel start down the hill.
The guardies saunter toward him. They've got their Humvee with a .50 caliber on the back and they've both got M-16s slung over their shoulders. They're in full bulletproof gear and they look flushed and hot. Lolo rides down slowly. He'll have to hit them both in the face. Sweat trickles between his shoulder blades. His hand is slick on the shotgun's stock.
The guardies are playing it cool. They've still got their rifles slung, and they let Lolo keep approaching. One of them has a wide smile. He's maybe forty years old, and tanned. He's been out for a while, picking up a tan like that. The other raises a hand and says, "Hey there, Lolo."
Lolo's so surprised he takes his hand off his shotgun. "Hale?" He recognizes the guardie. He grew up with him. They played football together a million years ago, when football fields still had green grass and sprinklers sprayed their water straight into the air. Hale. Hale Perkins. Lolo scowls. He can't shoot Hale.
Hale says. "You're still out here, huh?"
"What the hell are you doing in that uniform? You with the Calies now?"
Hale grimaces and points to his uniform patches: Utah National Guard.
Lolo scowls. Utah National Guard. Colorado National Guard. Arizona National Guard. They're all the same. There's hardly a single member of the "National Guard" that isn't an out-of-state mercenary. Most of the local guardies quit a long time ago, sick to death of goose-stepping family and friends off their properties and sick to death of trading potshots with people who just wanted to stay in their homes. So even if there's still a Colorado National Guard, or an Arizona or a Utah, inside those uniforms with all their expensive nightsight gear and their brand-new choppers flying the river bends, it's pure California.
And then there are a few like Hale.
Lolo remembers Hale as being an OK guy. Remembers stealing a keg of beer from behind the Elks Club one night with him. Lolo eyes him. "How you liking that Supplementary Assistance Program?" He glances at the other guardie. "That working real well for you? The Calies a big help?"
Hale's eyes plead for understanding. "Come on, Lolo. I'm not like you. I got a family to look after. If I do another year of duty, they let Shannon and the kids base out of California."
"They give you a swimming pool in your back yard, too?"
"You know it's not like that. Water's scarce there, too."
Lolo wants to taunt him, but his heart isn't in it. A part of him wonders if Hale is just smart. At first, when California started winning its water lawsuits and shutting off cities, the displaced people just followed the water—right to California. It took a little while before the bureaucrats realized what was going on, but finally someone with a sharp pencil did the math and realized that taking in people along with their water didn't solve a water shortage. So the immigration fences went up.
But people like Hale can still get in.
"So what do you two want?" Inside, Lolo's wondering why they haven't already pulled him off Maggie and hauled him away, but he's willing to play this out.
The other guardie grins. "Maybe we're just out here seeing how the water ticks live."
Lolo eyes him. This one, he could shoot. He lets his hand fall to his shotgun again. "BuRec sets my headgate. No reason for you to be out here."
The Calie says, "There were some marks on it. Big ones."
Lolo smiles tightly. He knows which marks the Calie is talking about. He made them with five different wrenches when he tried to dismember the entire headgate apparatus in a fit of obsession. Finally he gave up trying to open the bolts and just beat on the thing, banging the steel of the gate, smashing at it, while on the other side he had plants withering. After that, he gave up and just carried buckets of water to his plants and left it at that. But the dents and nicks are still there, reminding him of a period of madness. "It still works, don't it?"
Hale holds up a hand to his partner, quieting him. "Yeah, it still works. That's not why we're here."
"So what do you two want? You didn't drive all the way out here with your machine gun just to talk about dents in my headgate."
Hale sighs, put-upon, trying to be reasonable. "You mind getting down off that damn camel so we can talk?"
Lolo studies the two guardies, figuring his chances on the ground. "Shit." He spits. "Yeah, OK. You got me." He urges Maggie to kneel and climbs off her hump. "Annie didn't know anything about this. Don't get her involved. It was all me."
Hale's brow wrinkles, puzzled. "What are you talking about?"
"You're not arresting me?"
The Calie with Hale laughs. "Why? Cause you take a couple buckets of water from the river? Cause you probably got an illegal cistern around here somewhere?" He laughs again. "You ticks are all the same. You think we don't know about all that crap?"
Hale scowls at the Calie, then turns back to Lolo. "No, we're not here to arrest you. You know about the Straw?"
"Yeah." Lolo says it slowly, but inside, he's grinning. A great weight is suddenly off him. They don't know. They don't know shit. It was a good plan when he started it, and it's a good plan still. Lolo schools his face to keep the glee off, and tries to listen to what Hale's saying, but he can't, he's jumping up and down and gibbering like a monkey. They don't know—
"Wait." Lolo holds up his hand. "What did you just say?"
Hale repeats himself. "California's ending the water bounty. They've got enough Straw sections built up now that they don't need the program. They've got half the river enclosed. They got an agreement from the Department of Interior to focus their budget on seep and evaporation control. That's where all the big benefits are. They're shutting down the water bounty payout program." He pauses. "I'm sorry, Lolo."
Lolo frowns. "But a tamarisk is still a tamarisk. Why should one of those damn plants get the water? If I knock out a tamarisk, even if Cali doesn't want the water, I could still take it. Lots of people could use the water."
Hale looks pityingly at Lolo. "We don't make the regulations, we just enforce them. I'm supposed to tell you that your headgate won't get opened next year. If you keep hunting tamarisk, it won't do any good." He looks around the patch, then shrugs. "Anyway, in another couple years
they were going to pipe this whole stretch. There won't be any tamarisk at all after that."
"What am I supposed to do, then?"
"California and BuRec is offering early buyout money." Hale pulls a booklet out of his bulletproof vest and flips it open. "Sort of to soften the blow." The pages of the booklet flap in the hot breeze. Hale pins the pages with a thumb and pulls a pen out of another vest pocket. He marks something on the booklet, then tears off a perforated check. "It's not a bad deal."
Lolo takes the check. Stares at it. "Five hundred dollars?"
Hale shrugs sadly. "It's what they're offering. That's just the paper codes. You confirm it online. Use your BuRec camera phone, and they'll deposit it in whatever bank you want. Or they can hold it in trust until you get into a town and want to withdraw it. Any place with a BLM office, you can do that. But you need to confirm before April 15. Then BuRec'll send out a guy to shut down your headgate before this season gets going."
"Five hundred dollars?"
"It's enough to get you north. That's more than they're offering next year."
"But this is my patch."
"Not as long as we've got Big Daddy Drought. I'm sorry, Lolo."
"The drought could break any time. Why can't they give us a couple more years? It could break any time." But even as he says it, Lolo doesn't believe. Ten years ago, he might have. But not now. Big Daddy Drought's here to stay. He clutches the check and its keycodes to his chest.
A hundred yards away, the river flows on to California.
Pop Squad
The familiar stench of unwashed bodies, cooked food, and shit washes over me as I come through the door. Cruiser lights flicker through the blinds, sparkling in rain and illuminating the crime scene with strobes of red and blue fire. A kitchen. A humid mess. A chunky woman huddles in the corner, clutching closed her nightgown. Fat thighs and swaying breasts under stained silk. Squad goons crowding her, pushing her around, making her sit, making her cower. Another woman, young-looking and pretty, pregnant and black-haired, is slumped against the opposite wall, her blouse spackled with spaghetti remains. Screams from the next room: kids.
I squeeze my fingers over my nose and breathe through my mouth, fighting off nausea as Pentle wanders in, holstering his Grange. He sees me and tosses me a nosecap. I break it and snort lavender until the stink slides off. Children come scampering in with Pentle, a brood of three tangling around his knees—the screamers from the other room. They gallop around the kitchen and disappear again, screaming still, into the living room where data sparkles like fairy dust on the wallscreens and provides what is likely their only connection to the outside world.
"That's everyone," Pentle says. He's got a long skinny face and a sour small mouth that always points south. Weights seem to hang off his cheeks. Fat caterpillar brows droop over his eyes. He surveys the kitchen, mouth corners dragging lower. It's always depressing to come into these scenes. "They were all inside when we broke down the door."
I nod absently as I shake monsoon water from my hat. "Great. Thanks." Liquid beads scatter on the floor, joining puddles of wet from the pop squad along with the maggot debris of the spaghetti dinner. I put my hat back on. Water still manages to drip off the brim and slip under my collar, a slick rivulet of discomfort. Someone closes the door to the outside. The shit smell thickens, eggy and humid. The nosecap barely holds it off. Old peas and bits of cereal crunch under my feet. They squish with the spaghetti, the geologic layers of past feedings. The kitchen hasn't been self-cleaned in years.
The older woman coughs and pulls her nightgown tighter around her cellulite and I wonder, as I always do when I come into situations like this, what made her choose this furtive nasty life of rotting garbage and brief illicit forays into daylight. The pregnant girl seems to have slipped even further into herself since I arrived. She stares into space. You'd have to touch her pulse to know that she's alive. It amazes me that women can end up like this, seduced so far down into gutter life that they arrive here, fugitives from everyone who would have kept them and held them and loved them and let them see the world outside.
The children run in from the living room again, playing chase: a blond, no more than five; another, younger and with brown braids, topless and in makeshift diapers, less than three; and a knee-high toddler boy, scrap diaper bunched around little muscle thighs, wearing a T-shirt stained with tomato sauce that says "Who's the Cutest?" The T-shirt would be an antique if it wasn't stained.
"You need anything else?" Pentle asks. He wrinkles his nose as new reek wafts from the direction of the kids.
"You get photos for the prosecutor?"
"Got 'em." Pentle holds out a digicam and thumbs through the images of the ladies and the three children, all of them staring out from the screen like little smeared dolls. "You want me to take them in, now?"
I look over the women. The kids have run out again. From the other room, their howls echo as they chase around. Their shrieks are piercing. Even from a distance they hurt my head. "Yeah. I'll deal with the kids."
Pentle gets the women up off the floor and shuffles out the door, leaving me standing alone in the middle of the kitchen. It's all so familiar: a typical floor plan from Builders United. Custom undercab lighting, black mirror tile on the floors, clever self-clean nozzles hidden behind deco trim lines, so much like the stuff Alice and I have that I can almost forget where I am. It's a negative image of our apartment's kitchen: light vs. dark, clean vs. dirty, quiet vs. loud. The same floor plan, everything about it the same, and yet, nothing in it is. It's archeological. I can look at the layers of gunk and grime and noise and see what must have underlain it before . . . when these people worried about color coordinating and classy appliances.
I open the fridge (smudgefree nickel, how practical). Ours contains pineapples and avocados and endive and corn and coffee and brazil nuts from Angel Spire's hanging gardens. This one holds a shelf cluttered with ground mycoprotein bars and wadded piles of nutrition supplement sacs like the kind they hand out at the government rejoo clinics. Other than a bag of slimy lettuce, there isn't anything unprocessed in the fridge at all. No vegetables except in powder jars, ditto for fruit. A stack of self-warming dinner bins for fried rice and laap and spaghetti just like the one still lying on the kitchen table in a puddle of its own sauce, and that's it.
I close the fridge and straighten. There's something here in the mess and the screaming in the next room and the reek of the one kid's poopy pants, but I'm stumped as to what it is. They could have lived up in the light and air. Instead, they hid in the dark under wet jungle canopy and turned pale and gave up their lives.
The kids race back in, chasing each other all in a train, laughing and shrieking. They stop and look around, surprised, maybe, that their moms have disappeared. The littlest one has a stuffed dinosaur by the nose. It's got a long green neck and a fat body. A brontosaurus, I think, with big cartooney eyes and black felt lashes. It's funny about the dinosaur, because they've been gone so long, but here one is, showing up as a stuffed toy. And then it's funny again, because when you think about it, a dinosaur toy is really extinct twice.
"Sorry, kids. Mommy's gone."
I pull out my Grange. Their heads kick back in successive jerks, bang bang bang down the line, holes appearing on their foreheads like paint and their brains spattering out the back. Their bodies flip and skid on the black mirror floor. They land in jumbled piles of misaligned limbs. For a second, gunpowder burn makes the stench bearable.
Up out of the jungle like a bat out of hell, climbing out of Rhine-hurst Supercluster's holdout suburban sprawl and then rising through jungle overstory. Blasting across the Causeway toward Angel Spire and the sea. Monkeys diving off the rail line like grasshoppers, pouring off the edge ahead of my cruiser and disappearing into the mangrove and kudzu and mahogany and teak, disappearing into the wet bowels of greenery tangle. Dumping the cruiser at squad center, no time for mopdown, don't need it anyway. My hat, my raincoat, my clothes into hazmat b
ags, and then out again on the other side, rushing to pull on a tux before catching a masslift up 188 stories, rising into the high clear air over the jungle fur of carbon sequestration project N22.
Mma Telogo has a new concerto. Alice is his diva viola, his prize, and Hua Chiang and Telogo have been circling her like ravens, picking apart her performance, corvid eyes on her, watching and hungry for fault, but now they call her ready. Ready to banish Banini from his throne. Ready to challenge for a place in the immortal canon of classical performance. And I'm late. Caught in a masslift on Level 55, packed in with the breath and heat of upper-deck diners and weekenders climbing the spire while the seconds tick by, listening to the climate fans buzz and whir while we all sweat and wilt, waiting for some problem on the line to clear.
Finally we're rising again, our stomachs dropping into our shoes, our ears popping as we soar into the heavens, flying under magnetic acceleration . . . and then slowing so fast we almost leave the floor. Our stomachs catch up. I shove out through hundreds of people, waving my cop badge when anyone complains, and sprint through the glass arch of the Ki Performance Center. I dive between the closing slabs of the attention doors.