Hu peers down from above. "Are you all right?"
Tranh glances warily over his shoulder. Potato God is watching, counting the sacks as they are carried into the warehouse. His eyes occasionally flick up to the wagons and trace across Tranh. Beyond him, fifty unlucky men watch silently from the shadows, any one of them far more observant than Potato God can ever be. Tranh straightens and reaches up to accept the next sack, trying not to think about the watching eyes. How politely they wait. How silent. How hungry. "I'm fine. Just fine."
Hu shrugs and pushes the next burlap load over the wagon's lip. Hu has the better place, but Tranh cannot resent it. One or the other must suffer. And Hu found the job. Hu has the right to the best place. To rest a moment before the next sack moves. After all, Hu collected Tranh for the job when he should have starved tonight. It is fair.
Tranh takes the sack and lowers it into the forest of waiting women's hands, releases his hooks with a twist, and drops the bag to the ground. His joints feel loose and rubbery, as if femur and tibia will skid apart at any moment. He is dizzy with heat, but he dares not ask to slow the pace.
Another potato sack comes down. Women's hands rise up like tangling strands of seaweed, touching, prodding, hungering. He cannot force them back. Even if he shouts at them they return. They are like devil cats; they cannot help themselves. He drops the sack the last few feet to the ground and reaches up for another as it comes over the wagon's lip.
As he hooks the sack, his ladder creaks and suddenly slides. It chatters down the side of the wagon, then catches abruptly. Tranh sways, juggling the potato sack, trying to regain his center of gravity. Hands are all around him, tugging at the bag, pulling, prodding. "Watch out—"
The ladder skids again. He drops like a stone. Women scatter as he plunges. He hits the ground and pain explodes in his knee. The potato sack bursts. For a moment he worries what Potato God will say but then he hears screams all around him. He rolls onto his back. Above him, the wagon is swaying, shuddering. People are shouting and fleeing. The megodont lunges forward and the wagon heaves. Bamboo ladders fall like rain, slapping the pavement with bright firecracker retorts. The beast reverses itself and the wagon skids past Tranh, grinding the ladders to splinters. It is impossibly fast, even with wagon's weight still hampering it. The megodont's great maw opens and suddenly it is screaming, a sound as high and panicked as a human's.
All around them, other megodonts respond in a chorus. Their cacophony swamps the street. The megodont surges onto its hind legs, an explosion of muscle and velocity that breaks the wagon's traces and flips it like a toy. Men cartwheel from it, blossoms shaken from a cherry tree. Maddened, the beast rears again and kicks the wagon. Sends it skidding sidewise. It slams past Tranh, missing him by inches.
Tranh tries to rise but his leg won't work. The wagon smashes into a wall. Bamboo and teak crackle and explode, the wagon disintegrating as the megodont drags and kicks it, trying to win free completely. Tranh drags himself away from the flying wagon, hand over hand, hauling his useless leg behind him. All around, men are shouting instructions, trying to control the beast, but he doesn't look back. He focuses on the cobbles ahead, on getting out of reach. His leg won't work. It refuses him. It seems to hate him.
Finally he makes it into the shelter of a protective wall. He hauls himself upright. "I'm fine," he tells himself. "Fine." Gingerly he tests his leg, setting weight on it. It's wobbly, but he feels no real pain, not now. "Mei wenti. Mei wenti," he whispers. "Not a problem. Just cracked it. Not a problem."
The men are still shouting and the megodont is still screaming, but all he can see is his brittle old knee. He lets go of the wall. Takes a step, testing his weight, and collapses like a shadow puppet with strings gone slack.
Gritting his teeth, he again hauls himself up off the cobbles. He props himself against the wall, massaging his knee and watching the bedlam. Men are throwing ropes over the back of the struggling megodont, pulling it down, immobilizing it, finally. More than a score of men are working to hobble it.
The wagon's frame has shattered completely and potatoes are spilled everywhere. A thick mash coats the ground. Women scramble on their knees, clawing through the mess, fighting with one another to hoard pulped tubers. They scrape it up from the street. Some of their scavenge is stained red, but no one seems to care. Their squabbling continues. The red bloom spreads. At the blossom's center, a man's trousers protrude from the muck
Tranh frowns. He drags himself upright again and hops on his one good leg toward the broken wagon. He catches up against its shattered frame, staring. Hu's body is a savage ruin, awash in megodont dung and potato mash. And now that Tranh is close, he can see that the struggling megodont's great gray feet are gory with his friend. Someone is calling for a doctor but it is half-hearted, a habit from a time when they were not yellow cards.
Tranh tests his weight again but his knee provides the same queer jointless failure. He catches up against the wagon's splintered planking and hauls himself back upright. He works the leg, trying to understand why it collapses. The knee bends, it doesn't even hurt particularly, but it will not support his weight. He tests it again, with the same result.
With the megodont restrained, order in the unloading area is restored. Hu's body is dragged aside. Devil cats gather near his blood pool, feline shimmers under methane glow. Their tracks pock the potato grime in growing numbers. More paw impressions appear in the muck, closing from all directions on Hu's discarded body.
Tranh sighs. So we all go, he thinks. We all die. Even those of us who took our aging treatments and our tiger penis and kept ourselves strong are subject to the Hell journey. He promises to burn money for Hu, to ease his way in the afterlife, then catches himself and remembers that he is not the man he was. That even paper Hell Money is out of reach.
Potato God, disheveled and angry, comes and studies him. He frowns suspiciously. "Can you still work?"
"I can." Tranh tries to walk but stumbles once again and catches up against the wagon's shattered frame.
Potato God shakes his head. "I will pay you for the hours you worked." He waves to a young man, fresh and grinning from binding the megodont. "You! You're a quick one. Haul the rest of these sacks into the warehouse."
Already, other workers are lining up and grabbing loads from within the broken wagon. As the new man comes out with his first sack, his eyes dart to Tranh and then flick away, hiding his relief at Tranh's incapacity.
Potato God watches with satisfaction and heads back to the warehouse.
"Double pay," Tranh calls after Potato God's retreating back. "Give me double pay. I lost my leg for you."
The manager looks back at Tranh with pity, then glances at Hu's body and shrugs. It is an easy acquiescence. Hu will demand no reparation.
It is better to die insensate than to feel every starving inch of collapse; Tranh pours his leg-wreck money into a bottle of Mekong whiskey. He is old. He is broken. He is the last of his line. His sons are dead. His daughter mouths are long gone. His ancestors will live uncared for in the underworld with no one to burn incense or offer sweet rice to them.
How they must curse him.
He limps and stumbles and crawls through the sweltering night streets, one hand clutching the open bottle, the other scrabbling at doorways and walls and methane lamp posts to keep himself upright. Sometimes his knee works; sometimes it fails him completely. He has kissed the streets a dozen times.
He tells himself that he is scavenging, hunting for the chance of sustenance. But Bangkok is a city of scavengers, and the crows and devil cats and children have all come before him. If he is truly lucky, he will encounter the white shirts and they will knock him into bloody oblivion, perhaps send him to meet the previous owner of this fine Hwang Brothers suit that now flaps ragged around his shins. The thought appeals to him.
An ocean of whiskey rolls in his empty belly and he is warm and happy and carefree for the first time since the Incident. He laughs and drinks and shouts for the white shirts, ca
lling them paper tigers, calling them dog fuckers. He calls them to him. Casts baiting words so that any within earshot will find him irresistable. But the Environment Ministry's patrols must have other yellow cards to abuse, for Tranh wanders the green-tinged streets of Bangkok alone.
Never mind. It doesn't matter. If he cannot find white shirts to do the job, he will drown himself. He will go to the river and dump himself in its offal. Floating on river currents to the sea appeals to him. He will end in the ocean like his scuttled clipper ships and the last of his heirs. He takes a swig of whiskey, loses his balance, and winds up on the ground once again, sobbing and cursing white shirts and green headbands, and wet machetes.
Finally he drags himself into a doorway to rest, holding his miraculously unbroken whiskey bottle with one feeble hand. He cradles it to himself like a last bit of precious jade, smiling and laughing that it is not broken. He wouldn't want to waste his life savings on the cobblestones.
He takes another swig. Stares at the methane lamps flickering overhead. Despair is the color of approved-burn methane flickering green and gaseous, vinous in the dark. Green used to mean things like coriander and silk and jade and now all it means to him is bloodthirsty men with patriotic headbands and hungry scavenging nights. The lamps flicker. An entire green city. An entire city of despair.
Across the street, a shape scuttles, keeping to the shadows. Tranh leans forward, eyes narrowed. At first he takes it for a white shirt. But no. It is too furtive. It's a woman. A girl. A pretty creature, all made up. An enticement that moves with the stuttery jerky motion of . . .
A windup girl.
Tranh grins, a surprised skeleton rictus of delight at the sight of this unnatural creature stealing through the night. A windup girl. Ma Ping's windup girl. The impossible made flesh.
She slips from shadow to shadow, a creature even more terrified of white shirts than a yellow card geriatric. A waifish ghost-child ripped from her natural habitat and set down in a city which despises everything she represents: her genetic inheritance, her manufacturers, her unnatural competition—her ghostly lack of a soul. She has been here every night as he has pillaged through discarded melon spines. She has been here, tottering through the sweat heat darkness as he dodged white shirt patrols. And despite everything, she has been surviving.
Tranh forces himself upright. He sways, drunken and unsteady, then follows, one hand clutching his whiskey bottle, the other touching walls, catching himself when his bad knee falters. It's a foolish thing, a whimsy, but the windup girl has seized his inebriated imagination. He wants to stalk this unlikely Japanese creature, this interloper on foreign soil even more despised than himself. He wants to follow her. Perhaps steal kisses from her. Perhaps protect her from the hazards of the night. To pretend at least that he is not this drunken ribcage caricature of a man, but is in fact a tiger still.
The windup girl travels through the blackest of back alleys, safe in darkness, hidden from the white shirts who would seize her and mulch her before she could protest. Devil cats yowl as she passes, scenting something as cynically engineered as themselves. The Kingdom is infested with plagues and beasts, besieged by so many bio-engineered monsters that it cannot keep up. As small as gray fa' gan fringe and as large as megodonts, they come. And as the Kingdom struggles to adapt, Tranh slinks after a windup girl, both of them as invasive as blister rust on a durian and just as welcome.
For all her irregular motion, the windup girl travels well enough. Tranh has difficulty keeping up with her. His knees creak and grind and he clenches his teeth against the pain. Sometimes he falls with a muffled grunt, but still he follows. Ahead of him, the windup girl ducks into new shadows, a wisp of tottering motion. Her herky-jerky gait announces her as a creature not human, no matter how beautiful she may be. No matter how intelligent, no matter how strong, no matter how supple her skin, she is a windup and meant to serve—and marked as such by a genetic specification that betrays her with every unnatural step.
Finally, when Tranh thinks that his legs will give out for a final time and that he can continue no longer, the windup girl pauses. She stands in the black mouth of a crumbling highrise, a tower as tall and wretched as his own, another carcass of the old Expansion. From high above, music and laughter filter down. Shapes float in the tower's upper-story windows, limned in red light, the silhouettes of women dancing. Calls of men and the throb of drums. The windup girl disappears inside.
What would it be like to enter such a place? To spend baht like water while women danced and sang songs of lust? Tranh suddenly regrets spending his last baht on whiskey. This is where he should have died. Surrounded by fleshly pleasures that he has not known since he lost his country and his life. He purses his lips, considering. Perhaps he can bluff his way in. He still wears the raiment of the Hwang Brothers. He still appears a gentleman, perhaps. Yes. He will attempt it, and if he gathers the shame of ejection on his head, if he loses face one more time, what of it? He will be dead in a river soon anyway, floating to the sea to join his sons.
He starts to cross the street but his knee gives out and he falls flat instead. He saves his whiskey bottle more by luck than by dexterity. The last of its amber liquid glints in the methane light. He grimaces and pulls himself into a sitting position, then drags himself back into a doorway. He will rest, first. And finish the bottle. The windup girl will be there for a long time, likely. He has time to recover himself. And if he falls again, at least he won't have wasted his liquor. He tilts the bottle to his lips then lets his tired head rest against the building. He'll just catch his breath.
Laughter issues from the highrise. Tranh jerks awake. A man stumbles from its shadow portal: drunk, laughing. More men spill out after him. They laugh and shove one another. Drag tittering women out with them. Motion to cycle rickshaws that wait in the alleys for easy drunken patrons. Slowly, they disperse. Tranh tilts his whiskey bottle. Finds it empty.
Another pair of men emerges from the highrise's maw. One of them is Ma Ping. The other a farang who can only be Ma's boss. The farang waves for a cycle rickshaw. He climbs in and waves his farewells. Ma raises his own hand in return and his gold and diamond wristwatch glints in the methane light. Tranh's wristwatch. Tranh's history. Tranh's heirloom flashing bright in the darkness. Tranh scowls. Wishes he could rip it off young Ma's wrist.
The farang's rickshaw starts forward with a screech of unoiled bicycle chains and drunken laughter, leaving Ma Ping standing alone in the middle of the street. Ma laughs to himself, seems to consider returning to the bars, then laughs again and turns away, heading across the street, toward Tranh.
Tranh shies into the shadows, unwilling to let Ma catch him in such a state. Unwilling to endure more humiliation. He crouches deeper in his doorway as Ma stumbles about the street in search of rickshaws. But all the rickshaws have been taken for the moment. No more lurk below the bars.
Ma's gold wristwatch glints again in the methane light.
Pale forms glazed green materialize on the street, three men walking, their mahogany skin almost black in the darkness, contrasting sharply against the creased whites of their uniforms. Their black batons twirl casually at their wrists. Ma doesn't seem to notice them at first. The white shirts converge, casual. Their voices carry easily in the quiet night.
"You're out late."
Ma shrugs, grins queasily. "Not really. Not so late."
The three white shirts gather close. "Late for a yellow card. You should be home by now. Bad luck to be out after yellow card curfew. Especially with all that yellow gold on your wrist."
Ma holds up his hands, defensive. "I'm not a yellow card."
"Your accent says differently."
Ma reaches for his pockets, fumbles in them. "Really. You'll see. Look."
A white shirt steps close. "Did I say you could move?"
"My papers. Look—"
"Get your hands out!"
"Look at my stamps!"
"Out!" A black baton flashes. Ma yelps, clutches his el
bow. More blows rain down. Ma crouches, trying to shield himself. He curses, "Nimade bi!"
The white shirts laugh. "That's yellow card talk." One of them swings his baton, low and fast, and Ma collapses, crying out, curling around a damaged leg. The white shirts gather close. One of them jabs Ma in the face, making him uncurl, then runs the baton down Ma's chest, dragging blood.
"He's got nicer clothes than you, Thongchai."
"Probably snuck across the border with an assful of jade."
One of them squats, studies Ma's face. "Is it true? Do you shit jade?"
Ma shakes his head frantically. He rolls over and starts to crawl away. A black runnel of blood spills from his mouth. One leg drags behind him, useless. A white shirt follows, pushes him over with his shoe and puts his foot on Ma's face. The other two suck in their breath and step back, shocked. To beat a man is one thing . . . "Suttipong, no."
The man called Suttipong glances back at his peers. "It's nothing. These yellow cards are as bad as blister rust. This is nothing. They all come begging, taking food when we've got little enough for our own, and look." He kicks Ma's wrist. "Gold."