Page 25 of The Magicians


  They’d heard almost nothing from the others since last summer. Quen tin hadn’t really expected to. Of course he was curious about what was going on in the outside world, but he had the idea that Eliot and Josh and Janet were busy ascending to some inconceivable new level of coolness, as far above Brakebills as Brakebills was above Brooklyn or Chesterton, and he would have felt let down if they’d still had the time and inclination to bother keeping in touch with him.

  As far as he could deduce from their scattered reports, they were all living together in an apartment in downtown Manhattan. The only decent correspondent among them was Janet, who every couple of weeks sent the cheesiest I ❤ New York postcard she could find. She wrote in all caps and kept the punctuation to a minimum:

  DEAR Q&A

  WHAT IT IS WE 3 WENT TO CHINATOWN LAST WEEK 2 LOOK FOR HERBS, ELIOT BOUGHT A MONGOLIAN SPELLBOOK ITS IN MONGOLIAN DUH BUT HE CLAIMS HE CAN READ IT BUT I THINK IT’S MONGOLIAN PORNO. JOSH BOUGHT A LITTLE GREEN BABY TURTLE HE NAMED IT GAMERA AFTER THE MONSTER. HE IS GROWING A BEARD JOSH NOT GAMERA. U GUYS [the rest was in tiny, barely-legible script overflowing vertically into the space for the address] HAVE GOT TO GET HERE BRAKEBILLS IS A SMALL SMALL POND AND NYC IS THE OCEAN AND ELIOT IS DRINKING LIKE A FISH STOP IT ELIOT STOP IT I KEEL YOU FOR THIS I KEEL YOU 1000 TIMES . . . [illegible]

  SO MUCH LOVE

  J✶

  Despite widespread popular resistance, or possibly because of it, Dean Fogg entered Brakebills in an international welters tournament, and Quentin traveled to overseas magic schools for the first time, though he didn’t see much of them beyond the welters court, and once in a while a dining hall. They played in the emerald-green courtyard of a medieval keep in the misty Carpathians, and at a compound bushwhacked out of the seemingly endless Argentine pampas. On Rishiri Island, off the northern coast of Hokkaido, they played on the most beautiful welters court Quentin had ever seen. The sand squares were a searing white and perfectly scraped and leveled. The grass squares were lime green and clipped to a regulation 12 mm. The water squares steamed darkly in the chilly air. Frowning, uncannily humanoid monkeys watched them play, clinging to wiggly pine trees, their bare pink faces ringed with nimbi of snowy-white fur.

  But Quentin’s world tour was cut short when, to Professor Fogg’s acute embarrassment, the Brakebills team lost all six of its first six matchups and exited the tournament. Their perfect losing record was preserved forever when they were crushed at home in the first round of the consolation bracket by a pan-European team captained by a tiny, fiery, curly-haired Luxembourgeoise on whom Quentin, along with every other boy on the Brakebills team, and some of the girls, developed an instant crush.

  The welters season ended on the last day of March, and suddenly, Quentin found himself staring at the end of his Brakebills career across a perilously slender gap of only two months of time. It was like he’d been wending his way through a vast glittering city, zig-zagging through side streets and wandering through buildings and haunted de Chirico arcades and little hidden piazzas, the whole time thinking that he’d barely scratched the surface, that he was seeing just a tiny sliver of one little neighborhood. And then suddenly he turned a corner and it turned out he’d been through the whole city, it was all behind him, and all that was left was one short street leading straight out of town.

  Now the most insignificant things Quentin did felt momentous, brimming over with anticipatory nostalgia. He’d be passing by a window at the back of the House, hurrying between classes, and a tiny movement would catch his eye, a distant figure trudging across the Sea in a Brakebills jacket, or a gawky topiary flamingo fussily shedding the cap of snow on its little green head, and he would realize that he would never see that particular movement ever again, or if he did he would see it in some future time as some unimaginably different person.

  And then there were the other moments, when he was violently sick of Brakebills and everything and everyone in it, when it felt lame and pokey and claustrophobic and he was desperate to get out. In four years he’d barely even set foot off the Brakebills campus. My God, he was wearing a school uniform. He’d essentially just spent four extra years in high school! Students had a particular way of speaking at Brakebills, an affected, overly precise, quasi-British diction that came from all those vocal exercises, like they were just freshly back from a Rhodes scholarship and wanted everybody to know it. It made Quentin want to lay about him with an edged weapon. And there was this obsession with naming things. All the rooms at Brakebills had the same identical desk, a broad-shouldered black cherrywood hulk that must have been ordered up in bulk sometime in the second half of the nineteenth century. It was honeycombed with little drawers and cubbies and pigeonholes, and each of those drawers and cubbies and pigeonholes had its own precious little name. Every time Quentin heard somebody drop a reference to “the Ink Chink” and “the Old Dean’s Ear” he rolled his eyes at Alice. Sweet Jesus, are they serious? We have got to get out of this place.

  But where was he going to go, exactly? It was not considered the thing to look panicked or even especially concerned about graduation, but everything about the world after Brakebills felt dangerously vague and under-thought to Quentin. The bored, bedraggled specters of Alice’s parents haunted him. What was he going to do? What exactly? Every ambition he’d ever had in his life had been realized the day he was admitted to Brakebills, and he was struggling to formulate a new one with any kind of practical specificity. This wasn’t Fillory, where there was some magical war to be fought. There was no Watcherwoman to be rooted out, no great evil to be vanquished, and without that everything else seemed so mundane and penny-ante. No one would come right out and say it, but the worldwide magical ecology was suffering from a serious imbalance: too many magicians, not enough monsters.

  It made it worse that he was the only one who seemed to be bothered by it. Lots of students were already actively networking with established magical organizations. Surendra lectured anybody who would listen about a consortium of wizards—whom he hadn’t actually heard from yet, but he was pretty sure they’d basically guaranteed him an internship—who spent their time at suborbital altitudes keeping a weather eye out for stray asteroids and oversize solar flares and other potential planetary-scale disasters. Plenty of students went in for academic research. Alice was looking at a post-graduate program in Glasgow, though the idea of being separated didn’t particularly appeal to either of them, nor did the idea of Quentin’s aimlessly tagging along with her to Scotland.

  It was considered chic to go undercover, to infiltrate governments and think tanks and NGOs, even the military, in order to get oneself into a position to influence real-world affairs magically from behind the scenes. People devoted years of their lives to it. And there were even more exotic paths. A few magicians—Illusionists in particular—undertook massive art projects, manipulating the northern lights and things like that, decades-long enchantments that might only ever have an audience of one. There was an extensive network of war-gamers who staged annual global conflicts over arbitrary tactical objectives, just for the fun of it, sorcerers against sorcerers, in teams and free-for-all battles royal. They played without safeguards, and it was well known that once in a blue moon someone got killed. But that was half the fun of it, the thrill.

  And on and on, and it all sounded completely, horribly plausible. Any one of a thousand options promised—basically guaranteed—a rich, fulfilling, challenging future for him. So why did Quentin feel like he was looking around frantically for another way out? Why was he still waiting for some grand adventure to come and find him? He was drowning—why did he recoil whenever anybody reached down to help him? The professors Quentin talked to about it didn’t seem concerned at all. They didn’t get what the problem was. What should he do? Why, anything he wanted to!

  Meanwhile Quentin and Alice plugged away at their mandatory senior theses with steadily diminishing enthusiasm. Alice was attempting to isolate an individual photon and freeze it in place, halting it
s headlong light-speed flight. She constructed an intricate trap for it out of wood and glass, interwoven with a hellishly complex spherical tangle of glowing indigo gramarye. But in the end nobody was quite sure whether the photon was in there or not, and they couldn’t figure out how to prove it one way or the other. Privately Alice confessed to Quentin that she wasn’t totally sure either, and she was genuinely hoping the faculty could settle it one way or the other, because it was driving her insane. After a week of increasingly fractious debate that settled nothing, they voted to give Alice the lowest possible passing grade and leave it at that.

  For his project Quentin planned to fly to the moon and back. Distance-wise he figured he could get there in a couple of days, straight shot, and after his Antarctic adventure he was pretty solid on personal warmth spells. (Though they weren’t his Discipline either. He’d just about given up on his Discipline.) And the idea had a certain Romantic, lyrical savor to it. He took off from the Sea on a bright, hot, humid spring morning, with Alice and Gretchen and a couple of the more sycophantic new Physical Kids to see him off. The protection spells formed a clear bubble around him. Sounds became distorted, and the green lawn and the smiling faces of his well-wishers took on a surreal fish-eye warp. As he rose, the Earth gradually changed from an infinite matte plain below him to a radiant, bounded blue sphere. Overhead the stars came out and became sharper and steelier and less twinkly.

  Six hours into the trip his throat suddenly clamped shut, and iron nails stabbed his eardrums. His eyeballs tried to pry themselves out of their sockets. He had drifted off, and his improvised space bubble had started to fail. Quentin waved his arms like a frantic conductor, prestissimo, and the air thickened and warmed again, but by then the fun had gone out of the whole thing. Bouts of shivering and wheezing and nervous laughter rattled him, and he couldn’t calm down. Jesus, he thought, was there ever anything less worth risking his life for than this? God knows how much interstellar radiation he’d already absorbed. Space was full of angry little particles.

  He reversed course. He considered hiding out for a few days and just pretending he’d gone to the moon. Maybe he could score some moon dust off Lovelady, present it as evidence. The air got warmer again. The sky grew lighter. He relaxed as a cocktail of relief and shame filled him, one generous part of each. The world spread out again underneath him: the fractally detailed coastline, the blue water textured like beaten metal, the beckoning claw of Cape Cod.

  The worst part turned out to be walking into the Great Hall for dinner that night, two days early, with a sheepish yeah-I-fucked-up grin plastered on his face, which was sunburned a flaming red. After dinner he borrowed Alice’s key and retreated to the Prefects’ Common Room, where he drank too much sherry, sipping it alone in front of the darkened window, even though all he could see was his own reflection, picturing the Hudson River moving past in the darkness, sluggish and swollen with cold spring rain. Alice was studying up in her room. Everybody else was asleep except for a lone weeknight party that was racketing on in one wing, spinning off drunk students in pairs and groups. When he was thoroughly smashed on self-pity and alcohol and the dawn was threatening to leap up at him at any moment, Quentin walked gingerly back to his bedroom, climbing the spiral steps past what used to be Eliot’s room. He weaved a little bit, swigging directly from the sherry bottle, which he’d liberated on his way out.

  He felt his intoxication already turning into a hangover, that queasy neurological alchemy that usually happens during sleep. His abdomen was overfull, swollen with tainted viscera. People he’d betrayed came wandering out from the place in his mind where they usually stayed. His parents. James. Julia. Professor March. Amanda Orloff. Even old dead Mr. What’s-his-name, his Princeton interviewer. They all watched him dispassionately. He was beneath their contempt.

  He lay down on his bed with the light on. Wasn’t there a spell for making yourself happy? Somebody must have invented one. How could he have missed it? Why didn’t they teach it? Was it in the library, a flying book fluttering just out of reach, beating its wings against some high window? He felt the bed slipping down and away, down and away, like a film loop of a Stuka sheering down into an attack run, over and over again. He’d been so young when he first came here. He thought about that freezing day in November when he’d taken the book from the lovely paramedic, and the note had blown away into that dry, twisted, frozen garden, and he’d gone blithely running after it. Now he’d never know what it said. Had it contained all the riches, all the good feeling that he was still somehow missing, even after so much goodness had been heaped upon him? Was it the secret revelation of Martin Chatwin, the boy who had escaped into Fillory and never returned to face the misery of this world? Because he was drunk, he thought about his mother, and how she’d held him once when he was little after he’d lost an action figure down a storm drain, and he smooshed his red, smarting face into his cool pillow and sobbed as if his heart were broken.

  By then there were only two weeks left until graduation. Classwork ground to a halt. The Maze was a vivid verdant glowing green knot, the air was full of floaty little motes, and siren-like pleasure craft came drifting down the river past the boathouse, laden with oblivious sunbathers. All anybody talked about was how great it would be when they could party and sleep in and experiment with forbidden spells. They kept looking at each other and laughing and slapping each other on the back and shaking their heads. The carousel was slowing down. The music had almost stopped.

  Pranks were organized. A decadent, last-days-of-Pompeii vibe swept through the dorms. Somebody thought up a new game involving dice and a lightly enchanted mirror that was basically a magical version of strip poker. Desperate, ill-advised attempts were made to sleep with that one person with whom one had always secretly, hopelessly wanted to sleep.

  The graduation ceremony started at six in the afternoon, with the sky still heavy with fading golden light. An eleven-course banquet was served in the dining hall. The nineteen graduating Fifth Years regarded one another with awe, feeling lost and alone at the long, empty dining table. Red wine was served from bottles without labels; it was made, Fogg revealed, using grapes from Brakebills’ own tiny pocket vineyard, which Quentin had stumbled on in the fall of his First Year. Traditionally the vineyard’s entire output was drunk by the seniors at graduation dinner—had to be drunk, Fogg stressed, hinting darkly at what would happen if a single bottle was left unconsumed. It was a cabernet sauvignon, and it was thin and sour, but they quaffed it lustily anyway. Quentin declaimed a lengthy tribute to its subtle expression of the unique Brakebills terroir. Toasts were drunk to the memory of Amanda Orloff, and the glasses hurled into the fireplace to ensure that no lesser toast would ever be drunk from them. When the wind blew, the candles flickered and dropped molten beeswax onto the fresh white tablecloth.

  Along with the cheese course they were each presented with a silver bee pin, identical to the ones the prefects wore—Quentin was at a loss to imagine any occasion on which it would be even remotely appropriate to wear it—and a heavy black two-toothed iron key that would permit them to return to Brakebills if they ever needed to. School songs were sung, and Chambers served Scotch, which Quentin had never had before. He tipped his little tumbler of it from side to side, watching the light drift through this mysterious amber fluid. It was amazing that anything in liquid form could taste that much like both smoke and fire.

  He leaned over to Georgia and started to explain this fascinating conundrum to her, but as he did so Fogg stood up at the head of the table, strangely grave, dismissed Chambers, and asked the Fifth Years to follow him downstairs.

  This was unexpected. Downstairs meant the cellar, where Quentin had almost never been in his whole time at Brakebills—just once or twice to sneak a particularly coveted bottle from the wine cellar, or when he and Alice had been desperate for privacy. But now Professor Fogg led them in a loose, bantering, occasionally singing flock back through the kitchen, through a small, unassuming door in the pant
ry, and down a flight of worn and dusty wooden stairs that changed midflight into stone. They emerged into a dark, earthy subbasement.

  This wasn’t where Quentin had thought the party was going. It wasn’t a party atmosphere at all. It was cool down here and suddenly quiet. The floor was dirt, the ceilings were low, and the walls were bumpy and unfinished. They devoured sound. Voice by voice the chorus of a traditional Brakebills song—an elaborately euphemistic number entitled “The Prefect Has a Defect”—died away. There was a grave but not unpleasant smell of damp soil.

  Fogg stopped at what looked like a manhole cover embedded in the dirt floor. It was brass and densely inscribed with calligraphic writing. Oddly, it looked as shiny and new as a freshly struck coin. The Dean picked up a heavy manhole tool and, with an effort, levered up the brass disk. It was two inches thick, and it took three of the Fifth Years to roll it to one side.

  “After you,” the Dean said, panting a little. He gestured grandly at the inky black hole.

  Quentin went first. He felt around blindly with his Scotch-benumbed feet till he found an iron rung. It was like lowering himself into warm black oil. The ladder took him and the other graduates straight down into a circular chamber large enough for all nineteen of them to stand upright in a circle, which they did. Fogg came down last; they could hear him screwing the manhole cover back into place behind them. Then he descended, too, and with a crash he sent the ladder retracting back up, like a fire escape. After that the silence was absolute.