They turned to see a tourist, to judge by the bag she held from a nearby souvenir shop.
"That's right," Dance said.
"I just wanted to say that it's so nice to see a happily married couple with such lovely children. How long have you been married?"
A millisecond pause. Dance answered, "Oh, for some time."
"Well, bless you. Stay happy." The woman joined an elderly man leaving a gift shop. She took his arm and they headed toward a large tour bus, parked nearby.
Dance and O'Neil laughed. Then she noticed a silver Lexus pull up in a nearby parking lot. As the door opened, she was aware that O'Neil had eased away from her slightly, so that their arms no longer touched.
The deputy smiled and waved to his wife as she climbed from the Lexus.
Tall, blond Anne O'Neil, wearing a leather jacket, peasant blouse, long skirt and belt of dangly metal, smiled as she approached. "Hello, honey," she said to O'Neil and hugged him, kissed his cheek. Her eyes lit on Dance. "Kathryn."
"Hi, Anne. Welcome home."
"The flight was awful. I got tied up at the gallery and didn't make it in time to check my bag. I was right on the borderline."
"I was in an interview," O'Neil told her. "Kathryn picked up Tyler and Ammie."
"Oh, thanks. Mike said you've closed the case. That one about the roadside crosses."
"A few hours ago. Lot of paperwork, but, yeah, it's done." Not wanting to talk about it any longer, Dance said, "How's the photo exhibition going?"
"Getting ready," said Anne O'Neil, whose hair brought to mind the word "lioness." "Curating's more work than taking the pictures."
"Which gallery?"
"Oh, just Gerry Mitchell's. South of Market." The tone was dismissive, but Dance guessed the gallery was well known. Whatever else, Anne never flaunted ego.
"Congratulations."
"We'll see what happens at the opening. Then there are the reviews afterward." Her sleek face grew solemn. In a low voice: "I'm sorry about your mother, Kathryn. It's all crazy. How's she holding up?"
"Pretty upset."
"It's like a circus. The newspaper stories. It made the news up there."
A hundred and thirty miles away? Well, Dance shouldn't 've been surprised. Not with the prosecutor Robert Harper playing the media game.
"We've got a good attorney."
"If there's anything I can do . . ." The ends of Anne's metal belt tinkled like a wind chime in the breeze.
O'Neil called down to the beach, "Hey, guys, your mother's here. Come on!"
"Can't we stay, Dad?" Tyler pleaded.
"Nope. Time to get home. Come on."
Reluctantly the children trudged toward the adults. Maggie was dispensing shells. Dance was sure she'd be giving the good ones to the O'Neil children and her brother.
Wes and Maggie piled into Dance's Pathfinder for the short ride to the inn where her parents were staying. Once again, they'd spend the night with Edie and Stuart. The perp was dead, so the threat to her personally was gone, but Dance was adamant about finding Travis alive. She'd possibly be working late into the night.
They were halfway to the inn when Dance noticed that Wes had grown quiet.
"Hey, young man, what's up?"
"Just wondering."
Dance knew how to reel in details from reluctant children. The trick was patience. "About what?"
She was sure it had to do with his grandmother.
But it didn't.
"Is Mr. Boling coming over again?"
"Jon? Why?"
"Just, The Matrix's on TNT tomorrow. Maybe he hasn't seen it."
"I'll bet he has." Dance was always amused by the way children assumed that they're the first to experience something and that prior generations lived in sorrowful ignorance and deprivation. Mostly, though, she was surprised that the boy had even asked the question. "You like Mr. Boling?" she ventured.
"No . . . I mean, he's okay."
Maggie contradicted, "You said you liked him! You said he was neat. As neat as Michael."
"I did not."
"Yes, you did!"
"Maggie, you are so wrong!"
"All right," Dance commanded. But her tone was amused. In fact, there was something about the sibling bickering that she found comforting, a bit of normalcy in this turbulent time.
They arrived at the inn, and Dance was relieved to see that the protesters still had not found the location where her parents were hiding out. She walked Wes and Maggie to the front door. Her father greeted her. She hugged him hard and looked inside. Her mother was on the phone, focusing on what was apparently a serious conversation.
Dance wondered if she was talking to her sister, Betsey.
"Any word from Sheedy, Dad?"
"Nothing more, no. The arraignment's tomorrow afternoon." He brushed absently at his thick hair. "I heard you got the fellow, that killer. And the boy was innocent?"
"We're looking for him right now." Her voice lowered so the children couldn't hear. "Frankly, the odds are he's dead, but I'm hoping for the best." She hugged the man. "I've got to get back to the search now."
"Good luck, honey."
As she turned to leave she waved once more to her mother. Edie reciprocated with a distant smile and nod, then, still on the phone, gestured her grandchildren to her and gave them big hugs.
TEN MINUTES LATER Dance walked into her office, where a message awaited her.
A curt note from Charles Overby:
Could you send me the report on disposition of the Chilton blog case. All the details, sufficient for a meaningful announcement to the press. Will need within the hour. Thank you.
And you're welcome for a case solved, a perp dead and no more victims.
Overby was pissy, she supposed, because she'd refused to kowtow to Hamilton Royce, the fixer.
Who was about as far from George Clooney as one could be.
Meaningful announcement . . .
Dance composed a lengthy memo, giving the details of Greg Schaeffer's plan, how they'd learned of his identity and his death. She included information about the murder of Miguel Herrera, the deputy with the MCSO guarding the Chilton house, and the update on the all-out search for Travis.
She sent the memo off via email, hitting the mouse harder than usual.
TJ stuck his head in the door of her office. "You hear, boss?"
"About what in particular?"
"Kelley Morgan's regained consciousness. She'll live."
"Oh, that's so good to hear."
"Be a week or so in therapy, the deputy over there said. That stuff screwed up her lungs pretty bad, but she'll be okay, eventually. Looks like there won't be any brain damage."
"And what'd she say about ID'ing Travis?"
"He got her from behind, half strangled her. He whispered something about why'd she posted things about him? And then she passed out, woke up in the basement. Assumed it was Travis."
"So Schaeffer didn't want her to die. He set it up to make her think it was Travis but never let her see him."
"Makes sense, boss."
"And Crime Scene--at Schaeffer's and Chilton's? Any leads to where the boy might be?"
"Nothing yet. And no witnesses around the Cyprus Grove."
She sighed. "Keep at it."
The time was now after 6:00 p.m. She realized she hadn't eaten since breakfast. She rose and made for the lunchroom. She needed coffee and wanted something indulgent: homemade cookies or doughnuts. Maryellen's well in the Gals' Wing had run dry. At the least she could enter a negotiation with the temperamental vending machine: a rumpled dollar in exchange for a packet of toasted peanut butter crackers or Oreos.
As she stepped into the cafeteria she blinked. Ah, luck.
On a paper plate full of crumbs sat two oatmeal raisin cookies.
More of a miracle, the coffee was relatively fresh.
She poured a cup, added 2 percent milk and snagged a cookie. Exhausted, she plunked herself down at a table. She stretched and fished her iPo
d out of her pocket, mounting the ear buds and scrolling through the screen to find solace in more of Badi Assad's arresting Brazilian guitar.
She hit "Play," took a bite of cookie and was reaching for the coffee when a shadow hovered.
Hamilton Royce was looking down at her. His temporary ID was pinned to his shirt. The big man's arms hung at his sides.
Just what I need. If thoughts could sigh, hers would have been clearly audible.
"Agent Dance. Can I join you?"
She gestured to an empty chair, trying not to look too invitational. But she did pull out the ear buds.
He sat, the chair squeaking, plastic and metal in tension under his frame, and leaned forward, elbows on the table, hands clasped in front of him. This position generally signifies directness. She noted his suit again. The blue didn't work. Not dark enough. Or, alternatively, she thought unkindly, he should be wearing a sailor's hat with a shiny brim.
"I heard. The case is over, correct?"
"We've got the perp. We're still searching for the boy."
"For Travis?" Royce asked, surprised.
"That's right."
"But he's dead, don't you think?"
"No."
"Oh." A pause. "That's the one thing I regret," Royce said. "That's the worst of it all. That innocent boy."
Dance noted that this reaction, at least, was honest.
She said nothing more.
Royce offered, "I'll be headed back to Sacramento in a day or two. Look, I know we had some problems earlier. . . . Well, disagreements. I wanted to apologize."
Decent of him, though she remained skeptical. She said, "We saw things differently. I didn't take any offense. Not personally."
But, professionally, she thought, I was totally pissed you tried to flank me.
"There was a lot of pressure from Sacramento. I mean, a lot. I got carried away in the heat of the moment." He looked away, partly embarrassed. And partly deceptive too; he didn't feel that bad, Dance noticed. But she gave him credit for trying to make nice. He continued, "Not often that you're in a situation like this, is it? Where you have to protect somebody as unpopular as Chilton." He didn't seem to expect an answer. He gave a hollow laugh. "You know something? In a funny way I've come to admire him."
"Chilton?"
A nod. "I don't agree with much of what he says. But he's got moral character. And not a lot of people do nowadays. Even in the face of a murder threat, he stayed the course. And he'll probably keep right on going. Don't you think?"
"I assume so." She said nothing about the possible termination of The Chilton Report.
That wasn't her business, or Royce's.
"You know what I'd like to do? Apologize to him too."
"Would you?"
"I tried his house. Nobody was answering. Do you know where he is?"
"He and his family're going to their vacation home in Hollister tomorrow. Tonight, they're staying at a hotel. I don't know where. Their house is a crime scene."
"Well, I suppose I could email him at his blog."
She was wondering if this would ever happen.
Then, silence. Time for my exit, Dance thought. She snagged the last cookie, wrapped it in a napkin and headed for the lunchroom door. "Have a safe drive, Mr. Royce."
"Again, I'm truly sorry, Agent Dance. I look forward to working with you in the future."
Her kinesic skills easily fired off a message that his comment had contained two lies.
Chapter 38
JONATHAN BOLING, LOOKING pleased, was walking up to Dance in the lobby of the CBI. She handed him a temporary pass.
"Thanks for coming in."
"I was beginning to miss the place. I thought I'd been fired."
She smiled. When she'd called him in Santa Cruz she'd interrupted a paper-grading session for one of his summer school courses (she'd wondered if she would catch him prepping for a date) and Boling had been delighted to abandon the job and drive back to Monterey.
In her office, she handed him his last assignment: Greg Schaeffer's laptop. "I'm really desperate to find Travis, or his body. Can you go through it, look for any references to local locations, driving directions, maps . . . anything like that?"
"Sure." He indicated the Toshiba. "Passworded?"
"Not this time."
"Good."
He opened the lid and began to type. "I'll search for everything with a file access or creation date in the past two weeks. Does that sound good?"
"Sure."
Dance tried not to smile once more, watching him lean forward enthusiastically. His fingers played over the keys like a concert pianist's. After a few moments he sat back. "Well, it doesn't look like he used it for much of his mission here, other than to research for blogs and RSS feeds, and emails to friends and business associates--and none of them have anything to do with his plot to kill Chilton. But those are just the undeleted records. He's been deleting files and websites regularly for the past week. Those, I'd guess, might be more what you're interested in."
"Yep. Can you reconstruct them?"
"I'll go online and download one of Irv's bots. That'll roam the free space on his C: drive and put back together anything he's deleted recently. Some of it will be only partial and some will be distorted. But most of the files should be ninety percent readable."
"That'd be great, Jon."
Five minutes later Irv's bot was silently roaming through Schaeffer's computer, looking for fragments of deleted files, reassembling them and storing them in a new folder that Boling had created.
"How long?" she asked.
"A couple of hours, I'd guess." Boling looked at his watch and suggested they get a bite of dinner. They climbed into his Audi and headed to a restaurant not far from CBI headquarters, on a rise overlooking the airport and, beyond that, the city of Monterey and the bay. They got a table on the deck, warmed with overhead propane heaters, and sipped a Viognier white wine. The sun was now melting into the Pacific, spreading out and growing violently orange. They watched it in silence as tourists nearby snapped pictures that would have to be Photoshopped to even approximate the grandeur of the real event.
They talked about her children, about their own childhoods. Where they were from originally. Boling commented that he believed only twenty percent of the Central Coast population comprised native Californians.
Silence flowed between them again. Dance sensed his shoulders rising and was expecting what came next.
"Can I ask you something?"
"Sure." She meant it, no reservations.
"When did your husband die?"
"About two years ago."
Two years, two months, three weeks. She could give him the days and hours too.
"I've never lost anybody. Not like that." Though there was a wistfulness in his voice, and his eyelids flickered like venetian blinds troubled by the wind. "What happened, you mind if I ask?"
"Not at all. Bill was an FBI agent, assigned to the local resident agency. But it wasn't work-related. An accident on Highway One. A truck. The driver fell asleep." A wisp of a laugh. "You know, I never thought about it until just now. But his fellow agents and friends put flowers by the roadside for about a year after it happened."
"A cross?"
"No, just flowers." She shook her head. "God, I hated that. The reminder. I'd drive miles out of my way to avoid the place."
"Must've been terrible."
Dance tried not to practice her skills as a kinesics expert when she was out socially. Sometimes she'd read the kids, sometimes she'd read a date. But she remembered when she'd caught Wes in some minor lie and he grumbled, "It's like you're Superman, Mom. You've got X-ray word vision." Now she was aware that, although Boling's face kept its sympathetic smile, his body language had subtly changed. The grip on his wineglass stem tightened. On his free hand, fingers rubbed compulsively. Behaviors she knew he wasn't even aware of.
Dance just needed to prime the pump. "Come on, Jon. Your turn to spill. What's your story? You've
been pretty vague on the bachelor topic."
"Oh, nothing like your situation."
He was minimizing something that hurt, she could see that. She wasn't even a therapist, let alone his. But they'd spent some time under fire and she wanted to know what was troubling him. She touched his arm briefly. "Come on. Remember, I interrogate people for a living. I'll get it out of you sooner or later."
"I never go out with somebody who wants to water board me on the first date. Well, depending."
Jon Boling, Dance had come to realize, was a man who used clever quips as armor.
He continued, "This is the worst soap opera you'll ever hear. . . . The girl I met after leaving Silicon Valley? She ran a bookstore in Santa Cruz. Bay Beach Books?"
"I think I've been there."
"We hit it off real well, Cassie and I. Did a lot of outdoor things together. Had some great times traveling. She even survived some visits to my family--well, actually it's only me who has trouble surviving those." He thought for a minute. "I think the thing is that we laughed a lot. That's a clue. What kind of movies do you like best? We watched comedies mostly. Okay, she was separated, not divorced. Legal separation. Cassie was completely honest about it. I knew it all up front. She was getting the paperwork together."
"Children?"
"She had two, yes. Boy and girl like you. Great kids. Split the time between her and her ex."
You mean, her not-quite-ex, Dance corrected silently, and, of course, knew the arc of the story.
He sipped some more of the cold, crisp wine. A breeze had come up and as the sun melted, the temperature fell. "Her ex was abusive. Not physically; he never hurt her or the kids, but he'd insult her, put her down." He gave an astonished laugh. "This wasn't right, that wasn't right. She was smart, kind, thoughtful. But he just kept dumping on her. I was thinking about this last night." His voice faded at that comment, having just given away a bit of data he wished he hadn't. "He was an emotional serial killer."
"That's a good way to put it."
"And naturally she went back to him." His face was still for a moment as he relived a specific incident, she supposed. Our hearts rarely respond to the abstract; it's the tiny slivers of sharp memory that sting so. Then the facade returned in the form of a tight-lipped smile. "He got transferred to China, and they went with him, Cassie and the kids. She said she was sorry, she'd always love me, but she had to go back to him. . . . Never quite got the obligatory part in relationships. Like, you have to breathe, you have to eat . . . but staying with a jerk? I don't get the necessary. But here I am going on about . . . oh, shall we say an 'epic' bad call on my part, and you had a real tragedy."