This had nothing to do with me. I mention it merely because it happened. I stepped around the blood spots and crossed into the park.
To the right of the path, behind the winter lilacs, the crust of the snow was broken. In the dead black night Stephanie and I had necked there, petted, my hands under her raccoon coat, under her sweater, under her skirt, adolescents kissing without restraint. Her coonskin cap had slipped to the back of her head. She opened the musky coat to me to have me closer.
I had to run to reach the school doors before the last bell. I was on notice from the family—no trouble with teachers, no summons from the principal at a time like this. And I did observe the rules, although I despised classwork. But I spent all the money I could lay hands on at Hammersmark's Bookstore. I read Manhattan Transfer, The Enormous Room, and A Portrait of the Artist. I belonged to the Cercle Français and the Senior Discussion Club. The club's topic for this afternoon was Von Hindenburg's choice of Hitler to form a new government. But I couldn't go to meetings now, I had an after-school job. My father had insisted that I find one.
After classes, on my way to work, I stopped at home to cut myself a slice of bread and a wedge of Wisconsin cheese, and to see whether my mother might be awake. During her last days she was heavily sedated and rarely said anything. The tall, square-shouldered bottle at her bedside was filled with clear red Nembutal. The color of this fluid was always the same, as if it could tolerate no shadow. Now that she could no longer sit up to have it washed, my mother's hair was cut short. This made her face more slender, and her lips were sober. Her breathing was dry and hard, obstructed. The window shade was halfway up. It was scalloped at the bottom and had white fringes. The street ice was dark gray. Snow was piled against the trees. Their trunks had a mineral-black look. Waiting out the winter in their alligator armor they gathered coal soot.
Even when she was awake, my mother couldn't find the breath to speak. She sometimes made signs. Except for the nurse, there was nobody in the house. My father was at business, my sister had a downtown job, my brothers hustled. The eldest, Albert, clerked for a lawyer in the Loop. My brother Len had put me onto a job on the Northwestern commuter trains, and for a while I was a candy butcher, selling chocolate bars and evening papers. When my mother put a stop to this because it kept me too late, I found other work. Just now I was delivering flowers for a shop on North Avenue and riding the streetcars carrying wreaths and bouquets to all parts of the city. Behrens the florist paid me fifty cents for an afternoon; with tips I could earn as much as a dollar. That gave me time to prepare my trigonometry lesson, and, very late at night, after I had seen Stephanie, to read my books. I sat in the kitchen when everyone was sleeping, in deep silence, snowdrifts under the windows and below, the janitor's shovel rasping on the cement and clanging on the furnace door. I read banned books circulated by my classmates, political pamphlets, read Prufrock and Mauberley. I also studied arcane books too far-out to discuss with anyone.
I read on the streetcars (called trolleys elsewhere). Reading shut out the sights. In fact there were no sights—more of the same and then more of the same. Shop fronts, garages, warehouses, narrow brick bungalows.
The city was laid out on a colossal grid, eight blocks to the mile, every fourth street a car line. The days shorts, the streetlights weak, the soiled snowbanks toward evening became a source of light. I carried my carfare in my mitten, where the coins mixed with lint worn away from the lining. Today I was delivering lilies to an uptown address. They were wrapped and pinned in heavy paper. Behrens, spelling out my errand for me, was pale, a narrow-faced man who wore nose glasses. Amid the flowers, he alone had no color—something like the price he paid for being human. He wasted no words: "This delivery will take an hour each way in this traffic, so it'll be your only one. I carry these people on the books, but make sure you get a signature on the bill."
I couldn't say why it was such a relief to get out of the shop, the damp, warm-earth smell, the dense mosses, the prickling cactuses, the glass iceboxes with orchids, gardenias, and sickbed roses. I preferred the brick boredom of the street, the paving stones and steel rails. I drew down the three peaks of my racing-skater's cap and hauled the clumsy package to Robey Street. When the car came panting up there was room for me on the long seat next to the door. Passengers didn't undo their buttons. They were chilled, guarded, muffled, miserable. I had reading matter with me—the remains of a book, the cover gone, the pages held together by binder's thread and flakes of glue. I carried these fifty or sixty pages in the pocket of my short sheepskin. With the one hand I had free I couldn't manage this mutilated book. And on the Broadway-Clark car, reading was out of the question. I had to protect my lilies from the balancing straphangers and people pushing toward the front.
I got down at Ainslie Street holding high the package, which had the shape of a padded kite. The apartment house I was looking for had a courtyard with iron palings. The usual lobby: a floor sinking in the middle, kernels of tile, gaps stuffed with dirt, and a panel of brass mailboxes with earpiece-mouthpieces. No voice came down when I pushed the button; instead, the lock buzzed, jarred, rattled, and I went from the cold of the outer lobby to the overheated mustiness of the inner one. On the second floor one of the two doors on the landing was open, and overshoes and galoshes and rubbers were heaped along the wall. At once I found myself in a crowd of drinkers. All the lights in the house were on, although it was a good hour before dark. Coats were piled on chairs and sofas. All whiskey in those days was bootleg, of course. Holding the flowers high, I parted the mourners. I was quasiofficial. The message went out, "Let the kid through. Go right on, buddy."
The long passageway was full, too, but the dining room was entirely empty. There, a dead girl lay in her coffin. Over her a cut-glass luster was hanging from a taped, deformed artery of wire pulled through the broken plaster. I hadn't expected to find myself looking down into a coffin.
You saw her as she was, without undertaker's makeup, a girl older than Stephanie, not so plump, thin, fair, her straight hair arranged on her dead shoulders. All buoyancy gone, a weight that counted totally on support, not so much lying as sunk in this gray rectangle. I saw what I took to be the pressure mark of fingers on her cheek. Whether she had been pretty or not was no consideration.
A stout woman (certainly the mother), wearing black, opened the swing door from the kitchen and saw me standing over the corpse. I thought she was displeased when she made a fist signal to come forward. As I passed her she drew both fists against her bosom. She said to put the flowers on the sink, and then she pulled the pins and crackled the paper. Big arms, thick calves, a bun of hair, her short nose thin and red. It was Behrens's practice to tie the stalks to slender green sticks. There was never any damage.
On the drainboard of the sink was a baked ham with sliced bread around the platter, a jar of French's mustard and wooden tongue depressors to spread it. I saw and I saw and I saw.
I was on my most discreet and polite behavior with the woman. I looked at the floor to spare her my commiserating face. But why should she care at all about my discreetness; how did I come into this except as a messenger and menial? If she wouldn't observe my behavior, whom was I behaving for? All she wanted was to settle the bill and send me on my way. She picked up her purse, holding it to her body as she had held her fists. "What do I owe Behrens?" she asked me.
"He said you could sign for this."
However, she wasn't going to deal in kindnesses. She said, "No." She said, "I don't want debts following me later on." She gave me a five-dollar bill, she added a tip of fifty cents, and it was I who signed the receipt, as well as I could on the enameled grooves of the sink. I folded the bill small and felt under the sheepskin coat for my watch pocket, ashamed to take money from her within sight of her dead daughter. I wasn't the object of the woman's severity, but her face somewhat frightened me. She leveled the same look at the walls, the door. I didn't figure here, however; this was no death of mine.
As if to
take another reading of the girl's plain face, I looked again into the coffin on my way out. And then on the staircase I began to extract the pages from my sheepskin pocket, and in the lobby I hunted for the sentences I had read last night. Yes, here they were:
Nature cannot suffer the human form within her system of laws. When given to her charge, the human being before us is reduced to dust. Ours is the most perfect form to be found on earth. The visible world sustains us until life leaves, and then it must utterly destroy us. Where, then, is the world from which the human form comes?
If you swallowed some food and then died, that morsel of food that would have nourished you in life would hasten your disintegration in death.
This meant that nature didn't make life, it only housed it.
In those days I read many such books. But the one I had read the night before went deeper than the rest. You, my only child, are only too familiar with my lifelong absorption in or craze for further worlds. I used to bore you when I spoke of spirit, or pneuma, and of a continuum of spirit and nature. You were too well educated, respectably rational, to take stock in such terms. I might add, citing a famous scholar, that what is plausible can do without proof. I am not about to pursue this. However, there would be a gap in what I have to tell if I were to leave out my significant book, and this after all is a narrative, not an argument.
Anyway, I returned my pages to the pocket of my sheepskin, and then I didn't know quite what to do. At 4:00, with no more errands, I was somehow not ready to go home. So I walked through the snow to Argyle Street, where my brother-in-law practiced dentistry, thinking that we might travel home together. I prepared an explanation for turning up at his office. "I was on the North Side delivering flowers, saw a dead girl laid out, realized how close I was, and came here." Why did I need to account for my innocent behavior when it was innocent? Perhaps because I was always contemplating illicit things. Because I was always being accused. Because I ran a little truck farm of deceits—but self-examination, once so fascinating to me, has become tiresome.
My brother-in-law's office was a high, second-floor walk-up: philip haddis D.D.S. Three bay windows at the rounded corner of the building gave you a full view of the street and of the lake, due east—the jagged flats of ice floating. The office door was open, and when I came through the tiny blind (windowless) waiting room and didn't see Philip at the big, back-tilted dentist's chair, I thought that he might have stepped into his lab. He was a good technician and did most of his own work, which was a big saving. Philip wasn't tall, but he was very big, a burly man. The sleeves of his white coat fitted tightly on his bare, thick forearms. The strength of his arms counted when it came to pulling teeth. Lots of patients were referred to him for extractions.
When he had nothing in particular to do he would sit in the chair himself, studying the Racing Form between the bent mantis leg of the drill, the gas flame, and the water spurting round and round in the green glass spit-sink. The cigar smell was always thick. Standing in the center of the dental cabinet was a clock under a glass bell. Four gilt weights rotated at its base. This was a gift from my mother. The view from the middle window was divided by a chain that couldn't have been much smaller than the one that stopped the British fleet on the Hudson. This held the weight of the druggist's sign—a mortar and pestle outlined in electric bulbs. There wasn't much daylight left. At noon it was poured out; by 4:00 it had drained away. From one side the banked snow was growing blue, from the other the shops were shining warmth on it.
The dentist's lab was in a cupboard. Easygoing Philip peed in the sink sometimes. It was a long trek to the toilet at the far end of the building, and the hallway was nothing but two walls—a plaster tunnel and a carpet runner edged with brass tape. Philip hated going to the end of the hall.
There was nobody in the lab, either. Philip might have been taking a cup of coffee at the soda fountain in the drugstore below. It was possible also that he was passing the time with Marchek, the doctor with whom he shared the suite of offices. The connecting door was never locked, and I had occasionally sat in Marchek's swivel chair with a gynecology book, studying the colored illustrations and storing up the Latin names.
Marchek's starred glass pane was dark, and I assumed his office to be empty, but when I went in I saw a naked woman lying on the examining table. She wasn't asleep, she seemed to be resting. Becoming aware that I was there, she stirred, and then without haste, disturbing herself as little as possible, she reached for her clothing heaped on Dr. Marchek's desk. Picking out her slip, she put it on her belly—she didn't spread it. Was she dazed, drugged? No, she simply took her sweet time about everything, she behaved with exciting lassitude. Wires connected her nice wrists to a piece of medical apparatus on a wheeled stand.
The right thing would have been to withdraw, but it was already too late for that. Besides, the woman gave no sign that she cared one way or another. She didn't draw the slip over her breasts, she didn't even bring her thighs together. The covering hairs were parted. There was salt, acid, dark, sweet odors. These were immediately effective; I was strongly excited. There was a gloss on her forehead, an exhausted look about the eyes. I believed that I had guessed what she had been doing, but then the room was half dark, and I preferred to avoid any definite thought. Doubt seemed much better, or equivocation.
I remembered that Philip, in his offhand, lazy way, had mentioned a "research project" going on next door. Dr. Marchek was measuring the reactions of partners in the sexual act. "He takes people from the street, he hooks them up and pretends he's collecting graphs. This is for kicks, the science part is horseshit."
The naked woman, then, was an experimental subject.
I had prepared myself to tell Philip about the dead girl on Ainslie Street, but the coffin, the kitchen, the ham, the flowers were as distant from me now as the ice floes on the lake and the killing cold of the water.
"Where did you come from?" the woman said to me.
"From next door—the dentist's office."
"The doctor was about to unstrap me, and I need to get loose. Maybe you can figure out these wires."
If Marchek should be in the inner room, he wouldn't come in now that he heard voices. As the woman raised both her arms so that I could undo the buckles, her breasts swayed, and when I bent over her the odor of her upper body made me think of the frilled brown papers in a box after the chocolates had been eaten— a sweet aftersmell and acrid cardboard mixed. Although I tried hard to stop it, my mother's chest mutilated by cancer surgery passed through my mind. Its gnarled scar tissue. I also called in Stephanie's closed eyes and kissing face—anything to spoil the attraction of this naked young woman. It occurred to me as I undid the clasps that instead of disconnecting her I was hooking myself. We were alone in the darkening office, and I wanted her to reach under the sheepskin and undo my belt for me.
But when her hands were free she wiped the jelly from her wrists and began to dress. She started with her bra, several times lowering her breasts into the cups, and when her arms went backward to fasten the snaps she bent far forward, as if she were passing under a low bough. The cells of my body were like bees, drunker and drunker on sexual honey (I expect that this will change the figure of Grandfather Louie, the old man remembered as this or that but never as a hive of erotic bees).
But I couldn't be blind to the woman's behavior even now. It was very broad, she laid it on. I saw her face in profile, and although it was turned downward there was no mistaking her smile. To use an expression from the Thirties, she was giving me the works. She knew I was about to fall on my face. She buttoned every small button with deliberate slowness, and her blouse had at least twenty such buttons, yet she was still bare from the waist down. Though we were so minor, she and I, a schoolboy and a floozy, we had such major instruments to play. And if we were to go further, whatever happened would never get beyond this room. It would be between the two of us and nobody would ever hear of it. Still, Marchek, that pseudoexperimenter, was probably biding
his time in the next room. An old family doctor, he must have been embarrassed and angry. And at any moment, moreover, my brother-in-law Philip might come back.
When the woman slipped down from the leather table she gripped her leg and said she had pulled a muscle. She lifted one heel onto a chair and rubbed her calf, swearing under her breath and looking everywhere with swimming eyes. And then, after she had put on her skirt and fastened her stockings to the garter belt, she pushed her feet into her pumps and limped around the chair, holding it by the arm. She said, "Will you please reach me my coat? Just put it over my shoulders."
She, too, wore a raccoon. As I took it from the hook I wished it had been something else. But Stephanie's coat was newer than this one and twice as heavy. These pelts had dried out, and the fur was thin. The woman was already on her way out, and stooped as I laid the raccoon over her back. Marchek's office had its own exit to the corridor.
At the top of the staircase, the woman asked me to help her down. I said that I would, of course, but I wanted to look once more for my brother-in-law. As she tied the woolen scarf under her chin she smiled at me, with an Oriental wrinkling of her eyes.
Not to check in with Philip wouldn't have been right. My hope was that he would be returning, coming down the narrow corridor in his burly, sauntering, careless way. You won't remember your Uncle Philip. He had played college football, and he still had the look of a tackle, with his swelling, compact forearms. (At Soldier Field today he'd be physically insignificant; in his time, however, he was something of a strong man.)
But there was the long strip of carpet down the middle of the wall-valley, and no one was coming to rescue me. I turned back to his office. If only a patient were sitting in the chair and I could see Philip looking into his mouth, I'd be on track again, excused from taking the woman's challenge. One alternative was to say that I couldn't go with her, that Philip expected me to ride back with him to the Northwest Side. In the empty office I considered this lie, bending my head so that I wouldn't confront the clock with its soundless measured weights revolving. Then I wrote on Philip's memo pad: "Louie, passing by." I left it on the seat of the chair.