FIRST VINTAGE INTERNATIONAL EDITION, JANUARY 1997
Copyright © 1996 by Graham Swift
All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Vintage Books, a division of Random House, Inc., New York. Originally published in hardcover in Great Britain by Picador, Ltd., and subsequently in the United States by Alfred A. Knopf, Inc.,
New York, in 1996.
Permissions acknowledgements appear on this page.
Library of Congress Cataloging-in-Publication Data
Swift, Graham.
Last orders/Graham Swift.—1st Vintage International ed.
p. cm.
eISBN: 978-0-307-82984-9
1. Aged men—England—Psychology—Fiction. 2. Working class—England—Fiction. 3. Friendship—England—Fiction. 4. Death—England—Fiction. I.
Title
[PR6069.W47L3 1997b]
823′.914—dc21 96-46858
Author photograph © Mark Douet
Random House Web address: http//www.randomhouse.com/
v3.1
for Al
Contents
Cover
Title Page
Copyright
Dedication
Epigraph
Bermondsey
Ray
Bermondsey
Ray
Old Kent Road
Amy
New Cross
Vince
Ray
Blackheath
Vince
Ray
Lenny
Dartford
Ray
Vince
Lenny
Vince
Gravesend
Vic
Ray
Vince
Ray
Vince
Rochester
Ray
Chatham
Vic
Ray
Vince
Lenny
Ray
Vince
Lenny
Chatham
Vic
Wick’s Farm
Ray
Mandy
Vince
Ray
Lenny
Wick’s Farm
Ray
Vince
Ray
Canterbury
Lenny
Vic
Vince
Ray
Ray’s Rules
Lenny
Vic
Ray
Lenny
Vic
Ray
Canterbury
Vic
Amy
Ray
Amy
Vic
Ray
Amy
Ray
Margate
Vince
Amy
Margate
Amy
Ray
Jack
Margate
Permissions Acknowledgements
Other Books by This Author
A Note About the Author
But man is a Noble Animal, splendid in ashes, and pompous in the grave.
Sir Thomas Browne: Urn Burial
I do like to be beside the seaside.
John A. Glover-Kind
BERMONDSEY
It aint like your regular sort of day.
Bernie pulls me a pint and puts it in front of me. He looks at me, puzzled, with his loose, doggy face but he can tell I don’t want no chit-chat. That’s why I’m here, five minutes after opening, for a little silent pow-wow with a pint glass. He can see the black tie, though it’s four days since the funeral. I hand him a fiver and he takes it to the till and brings back my change. He puts the coins, extra gently, eyeing me, on the bar beside my pint.
‘Won’t be the same, will it?’ he says, shaking his head and looking a little way along the bar, like at unoccupied space. ‘Won’t be the same.’
I say, ‘You aint seen the last of him yet.’
He says, ‘You what?’
I sip the froth off my beer. ‘I said you aint seen the last of him yet.’
He frowns, scratching his cheek, looking at me. ‘Course, Ray,’ he says and moves off down the bar.
I never meant to make no joke of it.
I suck an inch off my pint and light up a snout. There’s maybe three or four other early-birds apart from me, and the place don’t look its best. Chilly, a whiff of disinfectant, too much empty space. There’s a shaft of sunlight coming through the window, full of specks. Makes you think of a church.
I sit there, watching the old clock, up behind the bar. Thos. Slattery, Clockmaker, Southwark. The bottles racked up like organ pipes.
Lenny’s next to arrive. He’s not wearing a black tie, he’s not wearing a tie at all. He takes a quick shufty at what I’m wearing and we both feel we gauged it wrong.
‘Let me, Lenny,’ I say. ‘Pint?’
He says, ‘This is a turn-up.’
Bernie comes over. He says, ‘New timetable, is it?’
‘Morning,’ Lenny says.
‘Pint for Lenny,’ I say.
‘Retired now, have we, Lenny?’ Bernie says.
‘Past the age for it, aint I, Bern? I aint like Raysy here, man of leisure. Fruit and veg trade needs me.’
‘But not today, eh?’ Bernie says.
Bernie draws the pint and moves off to the till.
‘You haven’t told him?’ Lenny says, looking at Bernie.
‘No,’ I say, looking at my beer, then at Lenny.
Lenny lifts his eyebrows. His face looks raw and flushed. It always does, like it’s going to come out in a bruise. He tugs at his collar where his tie isn’t.
‘It’s a turn-up,’ he says. ‘And Amy aint coming? I mean, she aint changed her mind?’
‘No,’ I say. ‘Down to us, I reckon. The inner circle.’
‘Her own husband,’ he says.
He takes hold of his pint but he’s slow to start drinking, as if there’s different rules today even for drinking a pint of beer.
‘We going to Vic’s?’ he says.
‘No, Vic’s coming here,’ I say.
He nods, lifts his glass, then checks it, sudden, half-way to his mouth. His eyebrows go even higher.
I say, ‘Vic’s coming here. With Jack. Drink up, Lenny.’
Vic arrives about five minutes later. He’s wearing a black tie but you’d expect that, seeing as he’s an undertaker, seeing as he’s just come from his premises. But he’s not wearing his full rig. He’s wearing a fawn raincoat, with a flat cap poking out of one of the pockets, as if he’s aimed to pitch it right: he’s just one of us, it aint official business, it’s different.
‘Morning,’ he says.
I’ve been wondering what he’ll have with him. So’s Lenny, I dare say. Like I’ve had this picture of Vic opening the pub door and marching in, all solemn, with a little oak casket with brass fittings. But all he’s carrying, under one arm, is a plain brown cardboard box, about a foot high and six inches square. He looks like a man who’s been down the shops and bought a set of bathroom tiles.
He parks himself on the stool next to Lenny, putting the box on the bar, unbuttoning his raincoat.
‘Fresh out,’ he says.
‘Is that it then?’ Lenny says, looking. ‘Is that him?’
‘Yes,’ Vic says. ‘What are we drinking?’
‘What’s inside?’ Lenny says.
‘What do you think?’ Vic says.
He twists the box round so we can see there’s a white card sellotaped to one side. There’s a date and a number and a name: JACK ARTHUR DODDS.
Lenny says, ‘I mean, he aint just in a box, is he?’
By way of answering Vic picks up the box and flips open the flaps a
t the top with his thumb. ‘Mine’s a whisky,’ he says, ‘I think it’s a whisky day.’
He feels inside the box and slowly pulls out a plastic container. It looks like a large instant-coffee jar, it’s got the same kind of screw-on cap. But it’s not glass, it’s a bronzy-coloured, faintly shiny plastic. There’s another label on the cap.
‘Here,’ Vic says and hands the jar to Lenny.
Lenny takes it, uncertain, as if he’s not ready to take it but he can’t not take it, as if he ought to have washed his hands first. He don’t seem prepared for the weight. He sits on his bar-stool, holding it, not knowing what to say, but I reckon he’s thinking the same things I’m thinking. Whether it’s all Jack in there or Jack mixed up with bits of others, the ones who were done before and the ones who were done after. So Lenny could be holding some of Jack and some of some other feller’s wife, for example. And if it is Jack, whether it’s really all of him or only what they could fit in the jar, him being a big bloke.
He says, ‘Don’t seem possible, does it?’ Then he hands me the jar, all sort of getting-in-the-mood, like it’s a party game. Guess the weight.
‘Heavy,’ I say.
‘Packed solid,’ Vic says.
I reckon I wouldn’t fill it, being on the small side. I suppose it wouldn’t do to unscrew the cap.
I pass it back to Lenny. Lenny passes it back to Vic.
Vic says, ‘Where’s Bern got to?’
Vic’s a square-set, ready-and-steady sort of a bloke, the sort of bloke who rubs his hands together at the start of something. His hands are always clean. He looks at me holding the jar like he’s just given me a present. It’s a comfort to know your undertaker’s your mate. It must have been a comfort to Jack. It’s a comfort to know your own mate will lay you out and box you up and do the necessary. So Vic better last out.
It must have been a comfort to Jack that there was his shop, Dodds & Son, Family Butcher, and there was Vic’s just across the street, with the wax flowers and the marble slabs and the angel with its head bowed in the window: Tucker & Sons, Funeral Services. A comfort and an incentive, and a sort of fittingness too, seeing as there was dead animals in the one and stiffs in the other.
Maybe that’s why Jack never wanted to budge.
RAY
I’d said to Jack, ‘It aint never gone nowhere,’ and Jack’d said, ‘What’s that, Raysy? Can’t hear you.’ He was leaning over towards Vince.
It was coming up to last orders.
I said, ‘They calls it the Coach and Horses but it aint never gone nowhere.’
He said, ‘What?’
We were perched by the bar, usual spot. Me, Lenny, Jack and Vince. It was young Vince’s birthday, so we were all well oiled, Vince’s fortieth. And it was the Coach’s hundredth, if you could go by the clock. I was staring at it – COACH AND HORSES in brass letters round the top. Slattery. 1884. First time I’d thought of it. And Vince was staring at Bernie Skinner’s new barmaid, Brenda, or was it Glenda? Or rather at the skirt she was squeezed into, like she was sitting down when she was standing up.
I wasn’t just staring at the clock, either.
Jack said, ‘Vince, your eyes’ll pop out.’
Vince said, ‘So will her arse.’
Jack laughed. You could see how we were all wishing we were Vincey’s age again.
I hadn’t seen Jack so chummy with Vince for a long time. Maybe he was having to be, on account of it being Vincey’s big day. That’s if it was his big day, because Lenny says to me, same evening, when we meet up in the pisser, ‘Have you ever wondered how he knows it’s his birthday? Jack and Amy weren’t ever a witness, were they? They never got no certificate. My Joan thinks Amy just picked March the third out the air. April the first might’ve been a better bet, mightn’t it?’
Lenny’s a stirrer.
We stood there piddling and swaying and I said, ‘No, I aint ever wondered that. All these years.’
Lenny said, ‘Still, I forget my own birthday these days. It’s been a while since the rest of us saw forty, aint it, Ray?’
I said, ‘Fair while.’
Lenny said, ‘Mustn’t begrudge the tosser his turn.’ He zipped up and lurched back into the bar and I stood there staring at the porcelain.
I said, ‘Daft name to call a pub.’
Jack said, ‘What’s that?’
I said, ‘The Coach. The Coach. I’m trying to tell you.’
Vince said, looking at Brenda, ‘It’s Ray’s joke.’
‘When it aint ever moved.’
Jack said, ‘Well, you should put that right, Raysy. You’re the one for the horses. You ought to tell old Bernie there to crack his whip.’
Vince said, ‘She can crack my whip any day.’
Jack said, ‘I’ll crack your head. If Mandy don’t.’
And he only said it in the nick of time because half a minute later Mandy herself walks in, come to fetch Vincey home. She’s been round at Jack’s place, nattering with Amy and Joan. Vincey don’t see her, looking at other things, but Jack and me do but we don’t let on, and she comes up behind Vince and spreads her hands over his face and says, ‘Hello, big eyes, guess who?’
She aint built on Brenda’s lines any more but she’s not doing so bad for nearly forty herself, and there’s the clobber, red leather jacket over a black lace top, for a start. She says, ‘Come to get you, birthday boy,’ and Vincey pulls down one of her hands and pretends to bite it. He’s wearing one of his fancy ties, blue and yellow zig-zags, knot pulled loose. He nibbles Mandy’s hand and she takes her other hand from his face and pretends to claw his chest. So when they get up to go and we watch them move to the door, Lenny says, ‘Young love, eh?’, his tongue in the corner of his mouth.
But before they go lack says, ‘Don’t I get a kiss, then?’ and Mandy says, ‘Course you do, Jack,’ smiling, and we all watch while she puts her arms round Jack’s neck, like she means it, and gives him two big wet ones, one on each cheek, and we all see Jack’s hand come round, while she hangs on, to pat her arse. It’s a big hand. We all see one of Mandy’s heels lift out of her shoe. I reckon she took a drop of something with her round to Amy’s. Then Jack says, shaking loose, ‘Go on, get on out of it. And get this clown out of it too,’ pointing at Vince.
Then Jack and Vince look at each other and Jack says, ‘Happy birthday, son. Good to see you,’ as if he can’t see him any day he chooses. Vince says, ‘Night Jack,’ grabbing his jacket from the hook under the bar, and just for a moment it’s like he’s going to hold out his hand for Jack to shake. Forgive and forget. He puts his hand on Jack’s shoulder instead, like he needs the help-up, but I reckon, by Jack’s face, he gives a quick squeeze.
Jack says, ‘You’ve only got an hour of it left.’
Mandy says, ‘Better make the most of it.’
Lenny says, ‘Promises.’
Vince says, ‘Never know your luck.’
Mandy tugs at Vince’s arm while he picks up his glass and drains off what’s left, not hurrying. He says, ‘Keep ’em hungry, that’s what I say.’ He runs his wrist across his mouth. ‘Needs must.’
Lenny says, ‘You’re an old man now, Big Boy. Home before closing, and you have to be carted.’
I say, ‘Coach is leaving.’
Lenny says, ‘Don’t mind Ray, Mandy. Aint his day. Backed the wrong gee-gee. Sleep tight, won’t you, Mandy.’
That red jacket’s a bad clash with Lenny’s face.
Mandy says, ‘Night boys.’
Jack’s smiling. ‘Night kids.’
And everyone can see, as they slip out, Vincey with his hand just nudging Mandy’s back, that they’re the only ones in this pub with the jam. Nice motor parked outside, perk of the trade. Nice little daughter waiting up for them, fourteen years old. But that’s like eighteen these days.
Lenny says, ‘Turtle doves, eh?’ pawing an empty glass. ‘Who’s in the chair?’ And Jack says, ‘I am,’ looking like it’s his birthday too.
It was coming up to la
st orders, to when Bernie bangs on his bell, like it isn’t a coach, it’s a fire-engine. Even then it don’t move. There was smoke and noise and yak and cackle and Brenda bending and pools of spillage along the bar top. Saturday night. And I said, ‘It’s a hundred this year, aint anyone noticed?’
Jack said, ‘What’s a hundred?’
I said, ‘Pub is, Coach is. Look at the clock.’
Jack said, ‘It’s ten to eleven.’
‘But it aint ever gone nowhere, has it?’
‘The clock?’
‘The Coach, the Coach.’
And Jack said, ‘Where d’you think it should be going, Raysy? Where d’you think we’ve all got to get to that the bleeding coach should be taking us?’
BERMONDSEY
Vic takes the jar and starts to ease it back in the box but it’s a tricky business and the box slides from his lap on to the floor, so he puts the jar on the bar.
It’s about the same size as a pint glass.
He says, ‘Bern!’
Bernie’s at the other end of the bar, usual drying-up towel over his shoulder. He turns and comes towards us. He’s about to say something to Vic, then he sees the jar, by Lenny’s pint. He checks himself and he says, ‘What’s that?’ But as if he’s already worked out the answer.
‘It’s Jack,’ Vic says. ‘It’s Jack’s ashes.’
Bernie looks at the jar, then he looks at Vic, then he gives a quick look round the whole of the bar. He looks like he looks when he’s making up his mind to eject an unwanted customer, which he’s good at. Like he’s building up steam. Then his face goes quiet, it goes almost shy.
‘That’s Jack?’ he says, leaning closer, as if the jar might answer back, it might say, ‘Hello Bernie.’
‘Jesus God,’ Bernie says, ‘what’s he doing here?’
So Vic explains. It’s best that Vic explains, being the professional. Coming from Lenny or me, it might sound like a load of hooey.
Then I say, ‘So we thought he should have a last look-in at the Coach.’
‘I see,’ Bernie says, like he don’t see.
‘It’s a turn-up,’ Lenny says.
Vic says, ‘Get me a large scotch, Bernie. Have one yourself.’
‘I will, thank you, I will, Vic,’ Bernie says, all considered and respectful, like a scotch is appropriate and it don’t do to refuse a drink from an undertaker.