"You mean," said Gordon, swiveling his eyes toward
Avalon, "that he's after the most beautiful one and aims to kill her?"
Avalon shrugged. "What's beauty? He may be after the one he thinks is most beautiful, but what are his standards? It might not even be beauty in the most literal sense. It might be that one of them reminds him of his dead mother, his childhood sweetheart, or some teacher he once had. How can we tell?"
"All right," said Gordon. "You may be quite correct in all you say, but it doesn't matter. Tell me who he's after; tell me who Rahab is; and we can worry about motives afterward."
Avalon shook his head. "I don't know that we can dismiss motive quite that easily, but, in any case, we won't get anywhere if we head down the wrong path. Despite what Manny says, I don't think there's any parallelism between Jezebel and Rahab."
"There certainly is," said Rubin, his jaw lifting at once.
"Where is it? To begin with, Jezebel wasn't a harlot. She was the Queen of Israel and there is no hint in the Bible that she was in any way sexually immoral. It's just that she was an idolator and opposed the Yahvists; that is, those who worshipped Yahveh-or Jehovah, to use the more common but less accurate name."
Rubin said, "I'll explain it to you, if you want. Jezebel was the daughter of the King of Tyre, who was also a priest of Astarte. She was probably a priestess herself. As for Rahab, she was probably not a common harlot, but a priestess who participated in fertility rites. To the Israelites that was being a harlot."
Halsted said, "Not everybody has gone into the Bible the way you have, Manny. The Bible calls Jezebel a queen and Rahab a harlot, and the average reader wouldn't go past that."
"But that's not the point I'm trying to make," said Avalon. "Jezebel, whatever her status, came to a bad end. She died in a palace coup and was eaten by dogs. Rahab, however, came to a good end. She was saved alive after the fall of Jericho, because she had kept the spies hidden and safe. One can assume she was converted to the worship of the God of Israel and was no longer a harlot or a pagan priestess. In fact . . . Manny, let me have the Bible."
Avalon took it and turned its pages rapidly. "It's just at the opening of the Book of Matthew. Here it is: And Salmon begat Booz of Rachab; and Booz begat Obed of Ruth; and Obed begat Jesse; and Jesse begat David the king. There, that's the fifth and sixth verse of the first chapter of the Gospel of St. Matthew. According to that, Rahab married a prominent Israelite and was the great-great-grandmother of David and therefore a distant ancestress of Jesus himself. Having helped the Israelites take Jericho, having married an Israelite, and being the ancestress of David and Jesus, Rahab couldn't possibly be used as a symbol of immorality by any Fundamentalist."
The Bible passed from hand to hand, and Halsted said, "The name isn't spelled the same. It's 'Rachab' in Matthew."
Avalon said, "The New Testament is translated into English from the Greek; the Old Testament from the Hebrew. The transliterations aren't consistent. 'Booz' in the passage I just read is 'Boaz' in the Old Testament Book of Ruth."
"Besides," said Rubin, "in this case 'Rachab' is more nearly the correct spelling. The Hebrew letter that occurs in the middle of the name is correctly pronounced like the guttural German 'ch.'"
"So if we are going to associate Rahab with one of the Miss Earth contestants," said Avalon, "we had better forget about the parallelism with Jezebel and look for something else."
"But what?" asked Drake.
"Don't worry." Avalon lifted an admonitory finger. "I have something in mind. Manny, isn't 'Rahab' used in the Bible as the poetic equivalent of Egypt?"
Rubin said excitedly, "Yes, you're right. It's not the same word in Hebrew. There the middle letter is an 'h.' Still, it's the same word in English. Usually it's translated into 'pride' or 'might' or something like that, but it's left untranslated in at least one place. . . . Somewhere in the Psalms, I think."
He turned the pages and muttered, "I wish we had a Bible dictionary. That's something the club ought to buy and add to the reference shelf." Then, with his voice rising to a shout, he said, "Here it is, by God! Fourth verse of the 87th Psalm: / will make mention of Rahab and Babylon to them that know me: behold Philistia, and Tyre, with Ethiopia."
"How do you know that 'Rahab' means Egypt there?" asked Gonzalo.
"Because throughout Old Testament history the rival great powers were those in the Tigris-Euphrates Valley and on the Nile. Babylon clearly typifies the former, so Rahab must typify the latter. There's no dispute there. Biblical scholars agree that 'Rahab' stands for Egypt there."
"In that case," said Avalon, "I don't think we have to fall back on Henry. I suspect that it's Miss Egypt that our mysterious friend is after. And that makes sense, too. There are a couple of million Jewish people in this city and considering the present situation between Israel and Egypt, one of them, with a little derangement, might feel called upon to threaten Miss Egypt."
Gordon said, "An interesting thought. There's only one trouble."
"What's that, sir?"
"There isn't any Miss Egypt. You see, the Miss Earth contest isn't as cut-and-dried as the Miss America contest. In the Miss America you have one contestant from each of the fifty states because foreign policy doesn't enter into it. In the Miss Earth contest, nations hostile to the United States, or those which look down on beauty contests as decadent, don't enter. This year, no Arab state is represented. On the other hand, some nations are represented by more than one entry, each with a different name. Some years ago, I understand, there were two German beauties. The top winner went as Miss Germany and the second went as Miss Bavaria."
Avalon looked distinctly annoyed. "If there's no Miss Egypt, then I don't know what 'Rahab' can mean."
"What does it mean in the Bible?" asked Gonzalo. "Why do they give that name to Egypt? There has to be some reason."
Rubin said, "Oh, well. Egypt was a river kingdom and Rahab was associated with the waters. In fact, it was a mythological remnant of a pre-Israelite creation myth. The land was viewed by the Sumerians as having been created from the sea. They visualized the sea as an enormous monster called Tiamat that had to be split in two so that the land emerged from between the halves. In Babylonian mythology, it was Marduk who killed Tiamat.
"The priestly writers of the first book of Genesis cleaned up the Babylonian myths and removed the polytheism, but they left traces. In the beginning, before the first day of creation, according to Chapter 1, Verse 2 of Genesis, And the earth was without form and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters. Well, the Hebrew word translated as 'the deep' is 'tehom' and some commentators think that is a version of Tiamat and that this verse is all that is left of the cosmic struggle."
"That's pretty farfetched," said Drake.
"I don't know. There are occasional verses in the Bible which seem to refer to the earlier and less sophisticated creation myth. There's one toward the end of Isaiah, if I can find it. ... I used to know where all these references are."
He turned pages back and forth feverishly, ignoring the small glass of brandy Henry had placed before him. Gordon sipped at his own brandy and watched calmly. He made no attempt to stop Rubin or to attempt to bring the discussion back to the point.
It was Trumbull who said, "Is this getting us anywhere?"
But Rubin waved excitedly. "I've got it. I've got it. Listen to this: Isaiah, Chapter 51, Verse 9: Awake, awake, put on strength, O arm of the Lord; awake, as in the ancient days, in the generations of old. Art thou not it
that hath cut Rahab and wounded the dragon? You see, 'cut Rahab' and 'wounded the dragon' is another example of parallelism. Rahab and the dragon are alternate expressions that symbolize the raging ocean that has to be defeated and split before dry land can be formed. Some commentators maintain this refers to Egypt and the division of the Red Sea, but in my opinion it is certainly a version of the fight with Tiamat."
There was perspiration on Ru
bin's forehead and he kept waving his left hand for silence, even while his right hand continued to turn pages. "There are references to it in the Psalms, too. I can find them if you'll give me a minute. Ah! Psalm 89, Verses 9 and 10: Thou rulest the raging of the sea: when the waves thereof arise, thou stillest them. Thou hast broken Rahab in pieces, as one that is slain. And then another one, Psalm 74, Verses 13 and 14: Thou didst divide the sea by thy strength: thou bra-kest the heads of the dragons in the waters. Thou brakest the heads of leviathan in pieces. Leviathan was another name for the primeval ocean."
Trumbull shouted, "God damn it, Manny. You're not a revivalist preacher any more. Where's this all getting us?"
Rubin looked up indignantly and closed the Bible. "If you'll let me talk, Tom," he said, with exaggerated dignity, "and curb your impulse to bellow, I'll tell you."
He looked about impressively. "I now suspect that to the fellow who wrote this note, Rahab meant the raging power of the sea. Now what is the raging power of the sea today? Who controls the sea? The United States does. With our aircraft carriers, our nuclear submarines, our Polaris missiles, we have the power of Rahab. I think maybe he's after Miss United States."
"Is that so?" said Halsted. "The United States has been the predominant sea power only since World War II. It hasn't had time to enter legend. It's Great Britain that's the ruler of the sea in song and story. 'Britannia rules the waves.' I vote for Miss Great Britain."
Gordon interposed. "There's no Miss Great Britain. There's a Miss England, though."
"All right. I vote for Miss England."
Drake said, "There's no way of getting into this nut's head. Maybe he was just using the name to indicate his method of operation. Rubin said 'brakest the head' and 'broken in pieces' when he read those verses. Maybe the writer meant he was going to use a blunt instrument."
Rubin shook his head. "In one of the verses it was 'cut Rahab.' "
Gonzalo said, "If Rahab is an arch opponent of God, the writer might be thinking of the Nazis. Jeff said the writer might be Jewish and after Miss Egypt; why not after Miss Germany?"
Trumbull said, "Why does the writer have to be Jewish? Most Fundamentalists are Protestants and they've had some neat terms in their time for the Pope. He was the 'Whore of Babylon' to some of them and Rahab was a harlot. I don't suppose there's a Miss Vatican City, but how about Miss Italy?"
Henry said, "I beg your pardon, gentlemen."
Gordon looked up. "Ah, you have a suggestion, Henry?"
"Yes, I have, sir. Whether it's useful or not, I don't know. . . . You said, Mr. Gordon, that the rules are rather flexible in the Miss Earth contest as far as the nations represented are concerned. Some nations have no representatives, some have two or more under different names. You mentioned a Miss Germany and a Miss Bavaria, for instance."
"That's right," said Gordon.
"And you said there was no Miss Great Britain, but that there was a Miss England."
"Right again," said Gordon.
"Does the Miss England imply the presence of a Miss Scotland as well?"
"It does, as a matter of fact." Gordon's eyes narrowed. "And a Miss Ireland and Miss Northern Ireland as well."
Gonzalo brought both hands before him down on the table. "I'll bet I know what Henry is driving at. If the writer of the note is Irish, he may be after Miss Northern Ireland. He would consider her as representing a political division that's a puppet of England, and England rules the waves and is Rahab."
Henry shook his head. "It's not as complicated as that, I think. I have always thought that all things being equal, the simplest explanation is best."
"Occam's razor," muttered Avalon.
"I must admit," said Henry, "I never heard of Rahab before, but Mr. Rubin's explanation was quite enlightening. If Rahab is a monster representing the sea, and if the monster is also called leviathan, and if leviathan is sometimes used as a name for an actual sea monster, and the largest that lives, why might not the writer be referring to Miss Wales?"
"Ah," said Gordon.
Henry turned to him. "Was that the answer, Mr. Gordon?"
Gordon said gravely, "It's a possibility."
"No, Mr. Gordon," said Henry. "You know better than that. You came here to test me. How can you test me with a puzzle to which you don't know the answer?"
Gordon broke into a laugh. "You win again, Henry," he said. "Everything I told you is true enough, but it happened last year. The person in question was caught. He had a knife in his hand, but he wasn't really dangerous. He surrendered quietly and he's in a mental hospital now. He was quite incoherent. We could never be sure what his motive was except that he was sure his victim was particularly wicked.
"The trouble was," Gordon went on, "we had to stake out a lot of men and we never did find out what Rahab meant. . . . But when we caught him he was making his way into the dressing room of Miss Wales. We should have had you last year, Henry. You're a remarkable detective."
"The Black Widowers are. They explore the problem; I only pick up what's left," said Henry.
Afterword
This story first appeared in the September 1973 issue of Ellery Queen's Mystery Magazine, under the title "A Warning to Miss Earth," which I simply don't like. Back to "Miss What?"
I don't always remember the exact genesis of a particular story, but I remember this one. Mrs. Anita Summer, who works with the Leonard Lyons column on the New York Post, and who is a science fiction reader, invited me to come with her to a cocktail party being given for the contestants for the Miss Universe award.
Well, of course, I was delighted to go and I wandered from contestant to contestant in a happy daze. Anita, pleased at my artless delight, said, "Are you going to write a story about this, Isaac?"
And I said, "All right." And I did. So this story, "Miss What?", is dedicated to Anita Summer.
9
The Lullaby of Broadway
For the first time in the history of the Black Widowers, the monthly banquet was being given in a private apartment. Emmanuel Rubin had insisted and his straggly straw-colored beard had waggled strenuously as he argued it out in parliamentary fashion.
He was going to be the next host, he said, and the host was an absolute monarch within the wording of the bylaws and nowhere in the bylaws was the place of meeting specifically fixed.
"According to tradition," began Geoffrey Avalon with the kind of solemnity that befitted his profession as patent lawyer, "we have always met right here."
"If tradition is the master," said Rubin, "why the bylaws?"
And in the end he had had his way, carrying it finally when he pointed out that he was a gourmet cook and Mario Gonzalo had grinned and said, "Let's go and smell him burn the hamburgers."
"I do not serve hamburgers," said Rubin body, but by that time everyone had conceded the point.
So Avalon and James Drake, who had both come in from across the Hudson on the same train, stood in the lobby of Rubin's West Side apartment house and waited for the doorman to pay attention to them. It was quite clear that they could not get in without the doorman's permission by anything short' of violence.
Avalon muttered, "It's the fortress mentality. It's all over New York. You can't go anywhere without having to pass the gimlet eye and being frisked for weapons."
"I don't blame them," said Drake in his soft, hoarse voice. He lit a cigarette. "It's better than being mugged in the elevator."
"I suppose so," said Avalon gloomily.
The doorman turned to them. He was short, round-faced, and bald-headed, with a gray fringe of hair that was repeated in his mustache, which was as short and bristly as Drake's but which occupied a more generous space of upper lip. He did not look in the least formidable but his gray uniform lent him the cachet of authority and, presumably, that was enough to quell the intruder.
"Yes?" he said.
Avalon cleared his throat, and spoke in his most impressively rich baritone in order to conceal the shyness that no one could believe an
yone as tall, straight, and impressive as he could have. "We are Dr. Drake and Mr. Avalon calling on Mr. Emmanuel Rubin in 14-AA."
"Drake and Avalon," repeated the doorman. "One minute." He moved to the bank of apartment bells and spoke into the intercom.
The squawking sound of Rubin's voice came clearly. "Send them up. Send them up."
The doorman held the door open for them, but Avalon hesitated on the threshold. "Do you have many incidents here, by the way?"
The doorman nodded importantly. "Sometimes, sir. No matter what you do, things happen! Apartment on the twentieth floor was robbed last year. There was a lady got hurt in the laundry room not too long ago. Things like that happen."
A voice said gently, "May I join you, gentlemen?"
Drake and Avalon both turned to look at the newcomer. There was a perceptible moment in which neither recognized him. And then Drake chuckled briefly, and said, "Henry, when you're not waiting on us at the restaurant, you're beautiful."
Avalon said, considerably more explosively, "Henry! What are you doing . . . ?" He choked it off and looked uncomfortable.
"Mr. Rubin invited me, sir. He said that as long as the dinner was not to be held in the restaurant and I could not have the privilege of waiting on you, then I would be his guest. I believe that was his purpose in insisting the dinner be held here. One would not think it, but Mr. Rubin is a sentimental gentleman."
"Splendid," said Avalon with great enthusiasm, as though to make up for his previous surprise. "Doorman, this gentleman is with us."
Henry hung back. "Would you like to inquire of Mr. Rubin, sir?"
The doorman, having held the door patiently through this, said, "No, that's all right. You go right ahead."
Henry nodded, and all three advanced through the large blue lobby to the bank of elevators.
Drake said, "Henry, I haven't seen an outfit like yours in years. They'll mob you in New York if you go around dressed like that."
Henry looked down upon himself briefly. His suit was a charcoal brown and cut so conservatively that Drake was clearly wondering where the establishment could be found that would have such garments for sale. The shoes were a sober black, the shirt a gleaming white, and the tie, a narrow and somber gray held with a neat tie clip.