THE CHANCELLOR MANUSCRIPT

  “Ludlum piles conspiracy upon counterconspiracy, keeping his hero and the reader dangling right to the end.”

  —Barbara A. Bannon, Publishers Weekly

  “His best yet … A compound of fact and fiction manipulated with masterly skill … We are satiated these days by sensation … What will keep the reader turning the pages is no longer just sensation but style, suspense and skill on the storyteller’s part. Ludlum has all three … A top-flight novel of action and intrigue.”

  —John Barkham Reviews

  “Reads as though Ludlum has his very own ‘Deep Throat’… Contains details about the secret workings of intelligence agencies that seem frighteningly accurate.”

  —Christian Science Monitor

  “An even better novel than The Rhinemann Exchange—a rousing adventure with no dull moments.”

  —Cincinnati Enquirer

  “Ludlum’s best yet!”

  —San Francisco Examiner

  This edition contains the complete text of the original hardcover edition.

  NOT ONE WORD HAS BEEN OMITTED.

  THE CHANCELLOR MANUSCRIPT

  A Bantam Book / published by arrangement with

  The Dial Press

  PUBLISHING HISTORY

  Dial edition published March 1977

  Literary Guild edition published May 1977

  Bantam edition / February 1978

  Lyrics from “Let It Snow, Let It Snow, Let It Snow,” by Sammy Cahn and Jules Stein, used by permission of Edward Traubner.

  Lines From “Buffalo Bill’s” by e. e. cummings from Complete Poems 1913—1962 by e. e. cummings, published by Harcourt Brace Jovanovich, Inc.

  All rights reserved.

  Copyright © 1977 by Robert Ludlum.

  No part of this book may be reproduced or transmitted

  in any form or by any means, electronic or mechanical,

  including photocopying, recording, or by any information

  storage and retrieval system, without permission in

  writing from the publisher.

  For information address: Bantam Books.

  eISBN: 978-0-307-81381-7

  Bantam Books are published by Bantam Books, a division of Bantam Doubleday Dell Publishing Group, Inc. Its trademark, consisting of the words “Bantam Books” and the portrayal of a rooster, is Registered in U.S. Patent and Trademark Office and in other countries. Marca Registrada. Bantam Books, 1540 Broadway. New York, New York 10036.

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  Contents

  Cover

  Title Page

  Copyright

  Prologue

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Epilogue

  Dedication

  Excerpt from The Bourne Identity

  Other Books by This Author

  About the Author

  Prologue

  June, 3, 1968

  The dark-haired man stared at the wall in front of him. His chair, like the rest of the furniture, was pleasing to the eye but not made for comfort. The style was Early American, the theme Spartan, as if those about to be granted an audience with the occupant of the inner office should reflect on their awesome opportunity in stern surroundings.

  The man was in his late twenties, his face angular, the features sharp, each pronounced and definite as if carved by a craftsman more aware of details than of the whole. It was a face in quiet conflict with itself, striking and yet unsettled. The eyes were engaging, deep set and very light blue, with an open, even questioning quality about them. They seemed at the moment to be the eyes of a blue-eyed animal, swift to level in any direction, steady, apprehensive.

  The young man’s name was Peter Chancellor, and the expression on his face was as rigid as his posture in the chair. His eyes were angry.

  There was one other person in the outer office: a middle-aged secretary whose thin, colorless lips were set in constant tension, her gray hair stretched and spun into a bun that took on the appearance of a faded flaxen helmet. She was the Praetorian Guard, the attack dog who protected the sanctuary of the man behind the oak door beyond her desk.

  Chancellor looked at his watch; the secretary glanced at him disapprovingly. Any indication of impatience was out of place in this office; the audience itself was everything.

  It was quarter to six; all the other offices were closed. The small Midwest campus of Park Forest University was preparing for another late-spring evening, the controlled revelry heightened by the proximity of graduation day.

  Park Forest strove to remain outside the unrest that had swept across the university campuses. In an ocean of turbulence it was an undisturbed sandbar. Insular, rich, at peace with itself, essentially without disruption. Or brilliance.

  It was this fundamental lack of external concerns, so the story went, that brought the man behind the oak door to Park Forest. He sought inaccessibility, if not anonymity, which of course could never be granted. Munro St. Claire had been undersecretary of state for Roosevelt and Truman; ambassador-extraordinary for Eisenhower, Kennedy, and Johnson. He had flown about the globe with an open portfolio, bringing his Presidents’ concerns and his own expertise to the world’s troubled areas. That he had elected to spend a spring semester at Park Forest as visiting professor of government—while organizing the data that would form the basis of his memoirs—was a coup that had stunned the trustees of this wealthy but minor university. They had swallowed their disbelief and guaranteed St. Claire the isolation he could never have found in Cambridge, New Haven, or Berkeley.

  So the story went.

  And Peter Chancellor thought about the salient points of St. Claire’s story to keep his mind off his own. But not entirely. At the moment, the salient points of his own immediate existence were as discouraging as one could imagine. Twenty-four months lost, thrown away into academic oblivion. Two years of his life!

  His doctoral thesis had been rejected by the vote of eight to one by the honors college of Park Forest The one dissenting vote was, naturally, that of his advisor and, as such, without influence on the others. Chancellor had been accused of frivolousness, of wanton disregard of historical fact, of slovenly research, and ultimately of irresponsibly inserting fiction in lieu of provable data. It was not at all ambiguous. Chancellor had failed; there was no appeal, for the failure was absolute.

  From an exhilarating high he had sunk into a deep depression. Six weeks ago the Foreign Service Journal of Georgetown University had agreed to publish fourteen excerpts from the thesis. A total of some thirty pages. His advisor had managed it, sending a copy to academic friends in Georgetown, who
thought the work was both enlightening and frightening. The Journal was on a par with Foreign Affairs, its readership among the country’s most influential. Something was bound to result; somebody had to offer something.

  But the Journal’s editors made one condition: Due to the nature of the thesis, the doctoral acceptance was mandatory before they would publish the manuscript. Without it they would not.

  Now, of course, publishing any part was out of the question.

  “The Origins of a Global Conflict” was the title. The conflict was World War II, the origins an imaginative interpretation of the men and the forces that collided during the catastrophic years from 1926 to 1939. It did no good to explain to the history committee of the honors college that the thesis was an interpretive analysis, not a legal document. He had committed a cardinal sin: He had attributed invented dialogue to historical figures. Such nonsense was unacceptable to the groves of academe at Park Forest.

  But Chancellor knew there was another more serious flaw in the eyes of the committee. He had written his thesis in outrage and emotion, and outrage and emotion had no place in doctoral dissertations.

  The premise that financial giants stood passively by while a band of psychopaths shaped post-Weimar Germany was ludicrous. As ludicrous as it was patently false. The multinational corporations could not feed the Nazi wolf pack fast enough; the stronger the pack, the more rapacious the appetites of the marketplace.

  The German wolf pack’s objectives and methods were conveniently obscured in the interests of an expanding economy. Obscured, hell! They were tolerated, ultimately accepted, along with the swiftly rising lines on profit-and-loss charts. Diseased Nazi Germany was given an economic clean bill of health by the financiers. And among the colossi of international finance who fed the Wehrmacht eagle were a number of the most honored industrial names in America.

  There was the problem. He could not come out and identify those corporations because his proof was not conclusive. The people who had given him the information, and led him to other sources, would not allow their names to be used. They were frightened, tired old men, living on government and company pensions. Whatever had happened in the past was past; they would not risk losing the largess of their benefactors. Should Chancellor make public their private conversations, they would deny them. It was as simple as that.

  But it wasn’t as simple as that. It had happened. The story had not been told, and Peter wanted very much to tell it. True, he did not want to destroy old men who had merely carried out policies they had not understood, conceived by others so far up the corporate ladders they’d rarely met them. But to walk away from unrecorded history was wrong.

  So Chancellor took the only option open to him: He had changed the names of the corporate giants, but in such a way as to leave no doubt as to their identities. Anyone who read a newspaper would know who they were.

  This was his unforgivable error. He had raised provocative questions few wished to recognize as valid. Park Forest University was looked upon favorably when corporations and corporate foundations issued grants; it was not a dangerous campus. Why should that status be threatened—even remotely—by the work of a single doctoral candidate?

  Christ! Two years. There were alternatives, of course. He could transfer his credits to another university and resubmit “Origins.” But what then? Was it worth it? To face another form of rejection? One that lay in the shadows of his own doubts? For Peter was honest with himself. He had not written so unique or brilliant a work. He had merely found a period in recent history that infuriated him because of its parallels with the present Nothing had changed; the lies of forty years ago still existed. But he did not want to walk away from it; he would not walk away. He would tell it. Somehow.

  However, outrage was not a substitute for qualitative research. Concern for living sources was hardly an alternative for objective investigation. Reluctantly Peter acknowledged the validity of the committee’s position. He was neither academic fish nor fowl; he was part fact, part fantasy.

  Two years! Wasted!

  The secretary’s telephone hummed, it did not ring. The hum reminded Chancellor of the rumor that special communications had been installed so Washington could reach Munro St. Claire at any time of day or night. These installations, so the story went, were St. Claire’s only departure from his self-imposed inaccessibility.

  “Yes, Mr. Ambassador,” said the secretary, “I’ll send him in.… That’s quite all right. If you need me, I can stay.” Apparently she was not needed, and Peter had the impression that she was not happy about it. The Praetorian Guard was being dismissed. “You’re scheduled to be at the dean’s reception at six thirty,” she continued. There was brief silence; then the woman replied. “Yes sir. I’ll telephone your regrets. Good night, Mr. St. Claire.”

  She glanced at Chancellor. “You may go in now,” she said, her eyes questioning.

  “Thank you.” Peter rose from the uncomfortable straight-backed chair. “I don’t know why I’m here either,” he said.

  Inside the oak-paneled office with the cathedral windows, Munro St. Claire got up from behind the antique table that served as his desk. He was an old man, thought Chancellor as he approached the extended right hand held over the table. Much older than he appeared at a distance, walking across the campus with a sure stride. Here in his office his tall slender body and aquiline head with the faded blond hair seemed to struggle to stay erect. Yet erect he stood, as if refusing to give in to infirmities. His eyes were large, but of no discernible color, intense in their steadiness, but not without humor. His thin lips were stretched into a smile beneath his well-groomed white moustache.

  “Come in, come in, Mr. Chancellor. It’s a pleasure to see you again.”

  “I don’t think we’ve met.”

  “Good for you! Don’t let me get away with that.” St. Claire laughed and indicated a chair in front of the table.

  “I didn’t mean to contradict you, I just—” Chancellor stopped, realizing that no matter what he said, it would sound foolish. He sat down.

  “Why not?” asked St. Claire. “Contradicting me would be minor compared to what you’ve done to a legion of contemporary scholars.”

  “I beg your pardon?”

  “Your dissertation. I read it.”

  “I’m flattered.”

  “I was most impressed.”

  “Thank you, sir. Others weren’t.”

  “Yes, I understand that. It was rejected by the honors college, I’m told.”

  “Yes.”

  “A damned shame. A lot of hard work went into it. And some very original thinking.”

  Who are you, Peter Chancellor? Have you any idea what you’ve done? Forgotten men have dredged up memories and whisper in fear. Georgetown is rife with rumor. An explosive document has been received from an obscure university in the Midwest. An insignificant graduate student has suddenly reminded us of that which no one cares to remember. Mr. Chancellor, Inver Brass cannot permit you to go on.

  Peter saw that the old man’s eyes were at once encouraging and yet noncommittal. There was nothing to be lost in being direct. “Are you implying that you might—?”

  “Oh, no,” interrupted St. Claire sharply, raising the palm of his right hand. “No, indeed. I wouldn’t presume to question such a decision; it’s hardly my place. And I suspect the rejection was based on certain applicable criteria. No, I wouldn’t interfere. But I’d like to ask you several questions, perhaps offer some gratuitous advice.”

  Chancellor leaned forward. “What questions?”

  St. Claire settled back in his chair. “First, yourself. I’m merely curious. I’ve spoken with your advisor, but that’s secondhand. Your father’s a newspaperman?”

  Chancellor smiled. “He’d say was. He retires next January.”

  “Your mother’s also a writer, isn’t she?”

  “Of sorts. Magazine articles, women’s-page columns. She wrote short stories years ago.”

  “So the written w
ord holds no terror for you.”

  “What do you mean?”

  “A mechanic’s son approaches a malfunctioning carburetor with less trepidation than the offspring of a ballet master. Generally speaking, of course.”

  “Generally speaking, I’d agree.”

  “Precisely.” St. Claire nodded his head.

  “Are you telling me my dissertation’s a malfunctioning carburetor?”

  St. Claire laughed. “Let’s not get ahead of ourselves. You took your master’s degree in journalism, obviously intending to be a newspaperman.”

  “Some form of communications, at any rate. I wasn’t sure which.”

  “Yet you prevailed upon this university to accept you for a doctorate in history. So you changed your mind.”

  “Not really. It was never made up.” Again Peter smiled, now with embarrassment. “My parents claim I’m a professional student. Not that they mind, particularly. A scholarship saw me through the master’s. I served in Vietnam, so the government’s paying my way here. I do some tutoring. To tell you the truth, I’m nearly thirty and I’m not sure what I want to do. But I don’t suppose that’s unique these days.”

  “Your graduate work would seem to indicate a preference for the academic life.”

  “If it did, it doesn’t anymore.”

  St. Claire glanced at him. “Tell me about the dissertation itself. You make startling insinuations, rather frightening judgments. Essentially, you accuse many of the free world’s leaders—and their institutions—of either closing their eyes to the menace of Hitler forty years ago, or worse: directly and indirectly financing the Third Reich.”

  “Not for ideological reasons. For economic advantage.”

  “Scylla and Charybdis?”

  “I’ll accept that. Right now, today, there’s a repetition—?”

  “Despite the honors college,” interrupted St. Claire quietly, “you must have done a fair amount of research. How much?”

  What started you? That’s what we have to know, be-cause we know you will not let it go. Were you directed by men seeking vengeance after all these years? Or was it—far worse—an accident that primed your outrage? We can control sources; we can countermand them, show them to be false. We cannot control accidents. Or an outrage born of an accident. But you cannot go on, Mr. Chancellor. We must find a way to stop you.