Mrs Quest was told that her daughter had pink eye. Then she got a letter from Martha, a very hysterical letter; then another, this time flat and laconic. Mrs. Quest went into town, and took her daughter to an oculist, who tested her and said there was nothing wrong with the eyes. Mrs Quest was very angry and took her to another oculist; the anger was the same as that she directed towards those doctors who did not immediately accept her diagnoses of her husband’s condition. The second oculist was patient and ironical and agreed to everything Mrs Quest said.
Curious that Mrs Quest, whose will for years had been directed towards Martha distinguishing herself—curious that she should accept those damaged eyes so easily, even insist that they were permanently injured when Martha began to vacillate. For as soon as Mrs Quest arrived in town and took the situation in hand, Martha found herself swept along in a way she had not foreseen. If one can use the word ‘see’ in connection with anything so confused and contradictory. The end of it was that Martha went back to the farm—‘to rest her eyes,’ as Mrs Quest explained to the neighbours, with a queer pride in the thing that made Martha uneasy.
So here was Martha at home, ‘resting her eyes’ but reading as much as ever. And how curious were the arguments between the two women over this illogical behaviour. For Mrs Quest did not say, ‘You are supposed to have strained your eyes, why are you reading?’ She made such remarks as ‘You do it on purpose to upset me!’ Or ‘Why do you have to read that kind of book?’ Or ‘You are ruining your whole life, and you won’t take my advice.’ Martha maintained a stubborn but ironical silence, and continued to read.
So here was Martha, at sixteen, idle and bored, and sometimes secretly wondering (though only for a moment, the thought always vanished at once) why she had not sat that examination, which she could have passed with such ease. For she had gone up the school head of her class, without even having to work. But these thoughts could not be clearly faced, so she shut them out. But why was she condemning herself to live on this farm, which more than anything in the world she wanted to leave? The matric was a simple passport to the outside world, while without it escape seemed so difficult she was having terrible nightmares of being tied hand and foot under the wheels of a locomotive, or struggling waist-deep in quicksands, or eternally climbing a staircase that moved backwards under her. She felt as if some kind of spell had been put on her.
Then Mrs Quest began saying that Marnie had just passed the matric, and she said it unpleasantly: Look, if she can pass it, why not you?
Martha did not want to see Marnie, and it was easy to avoid doing so, for the Van Rensbergs and the Quests were drifting apart. It was more than one of those inexplicable changes of feeling between neighbours; there was a good reason for it. Mr Van Rensberg was becoming violently nationalist, and Mrs Van Rensberg had an apologetic look on her face when she saw Mrs Quest at the station. And so, by a natural reaction, the Quests began saying, ‘These damned Afrikaners,’ although the two families had been friends, shelving the question of nationality for so many years.
Martha did not want to think of these things, she was turned in on herself, in a heavy trancelike state. Afterwards she was to think of this time as the worst in her life. What was so frightening was this feeling of being dragged, being weighted. She did not understand why she was acting against her will, her intellect, everything she believed. It was as if her body and brain were numbed.
There was nothing to do. The farm lay about her like a loved country which refused her citizenship. She repeated the incantatory names of childhood like a spell which had lost its force. The Twenty Acres, the Big Tobacco Land, the Field on the Ridge, the Hundred Acres, the Kaffir Patch, the Bush by the Fence, the Pumpkin Patch—these words became words; and, walking by herself across the Twenty Acres, which was bounded on three sides by a straggle of gum trees (a memory of her father’s afforestation phase), a patch of sloping land tinted pink and yellow, full of quartz reefs and loose white pebbles, she said to herself scornfully, Why Twenty Acres? It’s about twelve acres. Why the Hundred Acres, when it is only seventy-six? Why has the family always given large-sounding names to things ordinary and even shabby? For everything had shrunk for her. The house showed as if an unkind light had been shone on it. It was not only shabby, it was sordid. Everything decayed and declined, and leaned inwards.
And, worse, far worse, she was watching her father with horror, for he was coming to have, for her, a fatal lethargy of a dream-locked figure. He had the look of a person half claimed by sleep. He was middle-aged, she told herself, neither young nor old; he was in the long middle period of life when people do not change, but his changelessness was imposed, not by a resisting vigour but by—what? He was rising late in the morning, he dreamed over his breakfast, wandered off into the bedroom to test himself for his real disease and for various imaginary ones; returned early from the farm work to lunch, slept after it, and for a longer time every day, and then sat immobile in his deck-chair, waiting for the sunset. After it, supper—a calculatedly healthy meal—and an early bed. Sleep, sleep, the house was saturated by it; and Mrs Quest’s voice murmured like the spells of a witch, ‘You must be tired, darling; don’t overtire yourself, dear.’ And when these remarks were directed at Martha, she felt herself claimed by the nightmare, as if she were standing beside her father; and, in fact, at the word ‘tired’ she felt herself tired and had to shake herself.
‘I will not be tired,’ she snapped to her mother, ‘it’s no good trying to make me tired’: extraordinary words; and even more extraordinary that Mrs Quest did not question them. Her face fell in patient and sorrowful lines, the eternal mother, holding sleep and death in her twin hands like a sweet and poisonous cloud of forgetfulness—that was how Martha saw her, like a baneful figure in the nightmare in which she herself was caught.
But sometimes their arguments were more sensible. ‘You are terribly unfair to your father,’ Mrs Quest complained. ‘He’s ill, he’s really ill.’
‘I know he’s ill,’ said Martha, miserably, feeling guilty. Then she roused herself to say, ‘Look at Mr Blank, he’s got it, too, he’s quite different.’ Mr Blank, over the other side of the district, had the same disease, and much more seriously than Mr Quest, and led an active life, as if this business of injecting oneself with substitute gland juices once a day was on the same level as cleaning one’s teeth or making a point of eating fruit for breakfast. But Mr Quest was completely absorbed in the ritual of being ill, he talked of nothing else—his illness and the war, the war and illness; it was as if a twin channel drove across his brain, and if his thoughts switched from one subject, they must enter the other, like a double track leading to the same destination.
It even seemed to Martha that her father was pleased that the Van Rensbergs no longer visited them, because with Mr Van Rensberg he talked about the farm, while with Mr McDougall, who took his place, he shared memories of the trenches.
Martha, coming down the veranda, a silent and critical figure, would see her father at one end, leaning back in his deck-chair like a contemplative philosopher, and hear his voice: ‘We were out in no man’s land, six of us, when the star shells went up, and we saw we weren’t three paces from the Boche trenches and…’
At the other end of the veranda, Mrs Quest was talking to Mrs McDougall. ‘That’s when we got the wounded in from Gallipoli and…’
Martha listened, absorbed in these twin litanies of suffering in spite of herself, for they had been murmuring down her childhood as far back as she could remember, and were twined with her deepest self. She was watching, fearfully, the effect on herself of the poetry of suffering; the words ‘no man’s land’, ‘star shells’, ‘Boche’, touched off in her images like those of poetry; no man’s land was the black and wasted desert between the living forces; star shells exploded in coloured light, like fireworks, across her brain, drenched in reminiscence; Boche was fearful and gigantic, nothing human, a night figure; the tripping word ‘Gallipoli’ was like a heroic dance. She wa
s afraid because of the power of these words, which affected her so strongly, who had nothing to do with what they stood for.
On one such afternoon, when she was standing on the steps, listening, her father called out to her, ‘Matty, did I ever tell you about—’ and she said ungraciously, but with discomfort, ‘Quite a thousand times, I should think.’
He jerked up his head and stared at her, and on to his face came that look of baffled anger. ‘It’s all very well for you,’ he said. ‘We came out of the trenches, and then suddenly the war was bad form. The Great Unmentionable, that’s what you called it.’
‘I didn’t call it anything,’ she remarked at last, sullenly humorous.
She moved away, but he called after her, ‘All you pacifists, there were pacifists before the last war, but when it started, you all fought. You’ll fight, too, you’ll see.’
Martha had never thought of herself as a pacifist, but it seemed she was one: she played this part against her father’s need, just as, for him, she was that group of people in the Twenties who refused to honour the war, although the Twenties were the first decade of her life, and she could hardly remember them. She was creating them, however, for herself, through reading, and because of this, the mere sound of the word ‘young,’ which had apparently been some sort of symbol or talisman during that decade, sprung in her a feeling of defiance and recklessness.
Similarly, when Mr Quest complained about the international ring of Jews who controlled the world (which he had taken to doing lately, after reading some pamphlet sent to him through the post), Martha argued against him, in the most reasonable and logical manner; for one does not learn so young that against some things reason is powerless. And when Mrs Quest said that all the kaffirs were dirty and lazy and inherently stupid, she defended them. And when both parents said that Hitler was no gentleman, an upstart without principles, Martha found herself defending Hitler too; it was this which made her think a little and question her feeling of being used, her conviction that when her parents raised their voices and argued at her, on a complaining and irritable note, insisting that there was going to be another war with Germany and Russia soon (this was at a time when everyone was saying another war was impossible, because whom would it benefit?), this new war was in some way necessary to punish her, Martha, who talked of the last one so critically.
Jonathan Quest, the younger brother, came home for the holidays from his expensive school, like a visitor from a more prosperous world. For the first time, Martha found herself consciously resenting him. Why, she asked herself, was it that he, with half her brains, should be sent to a ‘good school’, why was it he should inevitably be given the advantages? There was something uneasy in this criticism, for she had been telling her mother fiercely that nothing would induce her to go to a snob school, even if her eyes did get better. She was becoming aware of several disconnected strands of her thinking. And this was brought to a climax by Jonathan himself. He was a simple, good-natured boy, very like his father to look at, who spent his holidays visiting the neighbouring farmers, riding in to the station to visit Socrates the Greek, and the Cohen family at the little kaffir store. He was on the best of terms with everyone. But it struck Martha as unjust that this brother of hers who despised the Afrikaners (or rather, who took up the orthodox British attitude towards them, which was the same thing) should spend the day at the Van Rensbergs’ house like a second son, and drop in for a chat with the Cohen brothers as if it was the most natural thing in the world.
Martha asked him sarcastically. ‘How do you reconcile the Jews ruining the world with going to see Solly and Joss?’
Jonathan looked uncomfortable and said, ‘But we’ve known them all our lives.’
When she looked pointedly quizzical, he said, ‘But you never go and see them at all.’
‘That’s not because I feel the way you do.’
Jonathan was embarrassed, because he would not have said he felt any way rather than another; he merely repeated what his parents said, and what he had heard at school. ‘Well, if you think Hitler all right, how do you reconcile that?’
‘But I never said he was all right, all I said was—’ She stopped and blushed; and it was his turn to look quizzical. It was true that all she had said was that Hitler’s being an upstart was no criticism of his capabilities, but in this household it was as good as a defence.
She began a long rational argument; he refused to argue, merely teasing her, ‘Matty’s lost her temper, Matty’s lost her temper,’ singing it like a child.
‘You’re nothing but a baby,’ she concluded scornfully, which was how their arguments always ended, and she turned away. Now, that act of turning away implies something one turns towards—and she picked up a book, at random, from the bookcase. This was also a familiar act. How many times had she not simply reached for the nearest book, as if to remark, ‘I have authority for what I say’?
It occurred to her that the phrase ‘Martha is a great reader’ was being used by herself exactly as her mother used it, and with as little reason. For what was she reading? She read the same books over and over again, in between intervals of distracted daydreaming, in a trance of recognition, and in always the same place, under the big tree that was her refuge, through which the heat pumped like a narcotic. She read poetry, not for the sense of the words, but for the melodies which confirmed the rhythm of the moving grasses and the swaying of the leaves over her head, or that ideal landscape of white cities and noble people which lay over the actual vistas of harsh grass and stunted trees like a golden mirage.
She went through the house searching for something different. It was full of books. Her own room had shelves packed with fairy stories from her childhood, and with poetry. In the living room, her parents’ bookcases were filled with the classics, Dickens and Scott and Thackeray and the rest, inherited from prosperous Victorian households. These she had read years before, and she now read them again, and with a feeling of being starved. One might equate the small black child with Oliver Twist—but what then? There were also, lying everywhere, books on ‘politics’ in her parents’ sense of the word, such as the memoirs of Lloyd George, or histories of the Great War. None of these seemed to have any reference to the farm, to the gangs of native labour, to what was described in the newspapers, or even to Mein Kampf, which had started this restless condition of mind.
But one day, slipped behind the rows of dusty books, she found a volume of H G Wells, and, as she held it in her hand, was very conscious of a dull feeling of resistance, a disinclination. It was so strong that she nearly put it down and reached as usual for Shelley or for Whitman; then she became conscious of what she was doing and stood wondering at herself. For she had felt this before. She looked at the book again. It was the Concise History of the World, and the name on the flyleaf was ‘Joshua Cohen’. Now, she had dropped her childish friendship with the Cohen boys from the moment Marnie had said, ‘Joss Cohen is sweet on you.’ She missed them. And yet she could not face them. At first it was because the relief of escaping the barrage of criticism was so great: there was no longer any necessity to read their books, examine her own ideas. Recently it had been because of some obscure and unadmitted shame about her strained eyes. She took the book to her refuge, the tree, and read it through; and wondered why it was that she could read the most obscure and complicated poetry with ease, while she could not read the simplest sort of book on what she called ‘facts’ without the greatest effort to concentration. She brought herself to decide she would make an effort to renew that friendship with the Cohens, for there was no one else who could help her. She wanted them to tell her what she must read. For there are two ways of reading: one of them deepens and intensifies what one already knows; from the other, one takes new facts, new views to weave into one’s life. She was saturated with the first, and needed the second. All those books she had borrowed, two years before—she had read them, oh yes; but she had not been ready to receive them.
And now what was she to
do? For she had behaved very badly to the Cohen boys. She saw them at the station sometimes. Now, to avoid seeing people one has known for years is something of a feat, and Martha achieved it by the simple device of saying to herself, They wouldn’t think that of me—‘that’ being anti-Semitism—and smiling at them constrainedly, like an acquaintance. They nodded back, and left her alone, as she apparently desired.
The village held about fifty souls, and had sprung up untidily around the first store, owned by Socrates the Greek, who was known to the farmers as Sock. There was a garage, run by a Welshman; a farmer’s hall; the station beside the railway, a long tin-roofed shack on wooden piles; a ganger’s cottage; and a hotel, also owned by Socrates, in which there was a bar, which was the real social centre of the district. These buildings were scattered over a few acres of red dust; and along the railway line was a stretch of brownish water, where ducks swam until Mrs Socrates came out to catch one for the hotel dinner, and where the oxen from the farmers’ wagons were unyoked while the wagons were loaded, and stood knee-deep in green scum, raising their eyes tranquilly as the train thundered past over their heads. There were two trains a week, and twenty miles away was the end of the line, for beyond was the long ascent to the great escarpment at the verge of the Zambesi Valley. But there was a great deal of road traffic, and all day the cars stood in the dust outside the bar.