, all these deformities beset Quasimodo. It seemed as if some other church had sent its gorgons, its medieval animals, its dragons, its demons, and its most fantastic carvings, to lay siege to Notre-Dame. A stratum of living monsters seemed to cover the stone monsters of the cathedral front.
Meantime, the square was starred with a thousand torches. The scene of confusion, hitherto lost in darkness, was suddenly ablaze with light. The square shone resplendent, and cast a red glow upon the heavens; the bonfire kindled upon the high platform still burned, and lighted up the city in the distance. The huge silhouette of the two towers, outlined afar upon the housetops of Paris, formed a vast patch of shadow amid the radiance. The city seemed to be aroused. Distant alarm-bells sounded. The Vagrants howled, panted, swore, climbed higher and higher; and Quasimodo, powerless against so many foes, shuddering for the gipsy girl, seeing those furious faces approach nearer and nearer to his gallery, implored Heaven to grant a miracle, and wrung his hands in despair.
CHAPTER V
The Retreat Where Louis of France Says His Prayers
The reader may remember that a moment before he caught sight of the nocturnal band of Vagrants, Quasimodo, while inspecting Paris from the top of his belfry, saw but one light still burning, and that gleamed from a window in the highest story of a tall dark structure close beside the Porte Saint-Antoine. This building was the Bastille; that starry light was the candle of Louis XI.
King Louis XI had actually been in Paris for two days. He was to set out again two days later for his fortress of Montilz-les-Tours. His visits to his good city of Paris were rare and brief; for he never felt that he had enough trapdoors, gibbets, and Scotch archers about him there.
He had that day come to sleep at the Bastille. The great chamber, five fathoms square, which he had at the Louvre, with its huge chimney-piece adorned with twelve great beasts and thirteen great prophets, and his great bed eleven feet by twelve, were not to his taste. He was lost amid all these grandeurs. This good, homely king preferred the Bastille, with a tiny chamber and a simple bed. And then, the Bastille was stronger than the Louvre.
This tiny room, which the king reserved to his own use in the famous state-prison, was spacious enough, after all, and occupied the topmost floor of a turret adjoining the keep. It was a circular chamber, carpeted with mats of lustrous straw, ceiled with beams enriched with fleurs-de-lis of gilded metal, with colored interjoists wainscotted with rich woods studded with rosettes of white metal painted a fine bright green, compounded of orpiment and wood.
There was but one window,--a long arched opening latticed with brass wire and iron bars, and still further darkened by beautiful stained glass emblazoned with the arms of the king and queen, each pane of which was worth twenty-two pence.
There was but one entrance,--a modern door, with surbased arch, hung with tapestry on the inside, and on the outside decorated with a porch of bogwood, a frail structure of curiously wrought cabinet-work, such as was very common in old houses some hundred and fifty years ago. "Although they are disfiguring and cumbersome," says Sauval, in despair, "still, our old folk will not do away with them, and retain them in spite of everything."
The room contained none of the furniture ordinarily found in such an apartment,--neither benches, nor trestles, nor common box stools, nor more elegant stools mounted on posts and counter-posts, at four pence each. There was only one chair,--a folding-chair with arms,--and a very superb one it was: the wood was painted with roses on a red ground, the seat was of scarlet Spanish leather, trimmed with heavy silk fringe and studded with countless golden nails. The solitary chair showed that but one person had a right to be seated in that room. Besides the chair, and very near the window there was a table covered with a cloth embroidered with figures of birds.
Upon this table were a standish spotted with ink, sundry parchments, a few pens, and a chased silver goblet. Farther away stood a stove, and a prayer-desk of crimson velvet embossed with gold. Lastly, at the back of the room there was a simple bed of yellow and carnation-colored damask, without tinsel or lace,--merely a plain fringe. This bed, famous for having borne the sleep,--or sleeplessness,--of Louis XI, might still be seen two hundred years ago, at the house of a councillor of state, where it was viewed by old Madame Pilou, celebrated in "Cyrus," under the name of "Ar ricidia" and of "Morality Embodied."
Such was the room known as "the retreat where Louis of France says his prayers."
At the moment when we introduce our reader to it, this retreat was very dark. The curfew had rung an hour before; it was night, and there was but one flickering wax candle placed on the table to light five persons grouped about the room.
The first upon whom the direct rays of the candle fell was a nobleman, magnificently dressed in scarlet breeches and jerkin striped with silver, and a loose coat with padded shoulders, made of cloth of gold brocaded in black. This splendid costume, upon which the light played, seemed to be frosted with flame at every fold. The man who wore it had his armorial bearings embroidered on his breast in gay colors,--a chevron with a deer passant at the base of the shield. The escutcheon was supported by an olive-branch dexter and a buck's horn sinister. This man wore at his belt a rich dagger, the silver-gilt handle of which was wrought in the shape of a crest, and surmounted by a count's coronet. He had an evil expression, a haughty mien, and a proud bearing. At the first glance his face revealed arrogance, at the second craft.
He stood bare-headed, a long scroll in his hand, behind the arm-chair in which sat, his body awkwardly bent, his knees crossed, his elbow on the table, a most ill-attired person. Imagine, indeed, upon the luxurious Spanish leather seat, a pair of knock knees, a couple of slender shanks meagerly arrayed in black woollen knitted stuff, a body wrapped in a fustian coat edged with fur, which had far more skin than hair; finally, to crown the whole, a greasy old hat, of the poorest quality of black cloth, stuck round with a circlet of small leaden images. This, with a dirty skull-cap, which showed scarce a single hair, was all that could be seen of the seated personage. His head was bent so low upon his breast that nothing could be distinguished of his face, which was wholly in shadow, unless it might be the tip of his nose, upon which a ray of light fell, and which was clearly a long one. By the thinness of his wrinkled hand, he was evidently an old man. This was Louis XI.
Some distance behind them, two men clad in Flemish fashion chatted together in low tones. They were not so entirely in the shadow but that any one who had been present at the performance of Gringoire's play could recognize them as two of the chief Flemish envoys, Guillaume Rym, the wise pensionary of Ghent, and Jacques Coppenole, the popular hosier. It will be remembered that these two men were connected with Louis XI's secret policy.
Lastly, at the farther end of the room, near the door, stood in the gloom, motionless as a statue, a sturdy man with thickset limbs, in military trappings, his doublet embroidered with armorial bearings, whose square face, with its goggle eyes, immense mouth, and ears hidden under two broad pent-houses of straight, lank hair, partook at once of the character of the dog and the tiger.
All were uncovered save the king.
The gentleman nearest to the king was reading a lengthy document, to which his Majesty seemed listening most attentively. The two Flemings whispered together.
"Zounds!" grumbled Coppenole, "I am weary with standing; is there no chair here?"
Rym replied by a shake of the head, accompanied by a prudent smile.
"Zounds!" resumed Coppenole, utterly miserable at being obliged to lower his voice; "I long to sit down on the floor with my legs crossed, in true hosier style, as I do in my own shop at home."
"Beware how you do so, Master Jacques."
"Bless me! Master Guillaume! must we be on our feet forever here?"
"Or on our knees," said Rym.
At this moment the king spoke. They were silent.
"Fifty pence for the coats of our lackeys, and twelve pounds for the cloaks of the clerks of our crown. That's it! Pour out gold by the ton! Are you mad, Olivier?"
So saying, the old man lifted his head. The golden shells of the collar of Saint Michel glistened about his neck. The light of the candle fell full upon his thin, peevish profile. He snatched the paper from his companion's hands.
"You will ruin us!" he cried, running his hollow eye over the scroll. "What is all this? What need have we for so vast an establishment? Two chaplains at ten pounds a month each, and an assistant at one hundred pence! A valet at ninety pounds a year! Four head cooks at six-score pounds a year each; a roaster, a soup-maker, a sauce-maker, an under cook, a keeper of the stores, two stewards' assistants, at ten pounds a month each! Two scullions at eight pounds! A groom and his two helpers at twenty-four pounds a month! A porter, a pastry-cook, a baker, two wagoners, each sixty pounds a year! And the farrier, six-score pounds! And the master of our exchequer chamber, twelve hundred pounds! And the comptroller five hundred! And I know not how many more! 'Tis sheer madness! Our servants' wages plunder France! All the treasures of the Louvre will melt away before such a wasting fire of expense! We will sell our plate! And next year, if God and Our Lady [here he raised his hat] grant us life, we will take our tisanes from a pewter pot!"
With these words he cast a glance at the silver goblet which sparkled on the table. He coughed, and continued,--
"Master Olivier, princes who reign over great domains, such as kings and emperors, should never suffer extravagant living in their houses; for thence the fire spreads to the provinces. Therefore, Master Olivier, forget this not. Our expenses increase yearly. The thing displeases us. What, by the Rood! until '79 they never exceeded thirty-six thousand pounds; in '80 they amounted to forty-three thousand six hundred and nineteen pounds,--I have the figures in my head; in '81 they were sixty-six thousand six hundred and eighty pounds; and this year, by my faith! they will come to eighty thousand pounds! Doubled in four years! monstrous!"
He paused for lack of breath; then he went on angrily,--
"I see around me none but people fattening on my leanness! You suck crowns from me at every pore!"
All were silent. His rage must be allowed free vent. He continued: --
"It is like that petition in Latin from the nobles of France, that we would re-establish what they call the charges on the crown! Charges, indeed! crushing charges! Ah, gentlemen! you say that we are not a king to reign dapifero nullo,dv buticulario nullo! We will show you, by the Rood! whether we be a king or no!"
Here he smiled with a sense of his power; his bad humor moderated, and he turned towards the Flemings:
"Mark you, gossip Guillaume, the head baker, the chief cellarer, the lord chamberlain, the lord seneschal, are not worth so much as the meanest lackey; remember that, gossip Coppenole. They are good for nothing. As they thus hang uselessly around the king, they remind me of the four Evangelists about the dial of the great clock on the Palace, which Philippe Brille has just done up as good as new. They are gilded over, but they do not mark the hour, and the hands go on as well without them."
For a moment he seemed lost in thought, and added, shaking his aged head:--
"Ho! ho! by Notre-Dame, I am no Philippe Brille, and I will not re-gild my lordly vassals! Go on, Olivier!"
The person thus addressed took the scroll from his royal master's hands, and began to read again in a loud voice:--
"To Adam Tenon, clerk to the keeper of the seals of the provosty of Paris, for the silver, fashioning, and engraving of said seals, which have been new made by reason of the others preceding being old and worn out, and no longer fit for use, twelve Paris pounds.
"To Guillaume Frere, the sum of four pounds four Paris pence for his labor and cost in nourishing and feeding the pigeons in the two dovecots of the Hotel des Tournelles, for the months of January, February, and March of this present year; for the which he hath expended seven sextaries of barley.
"To a Grey Friar, for confessing a criminal, four Paris pence."
The king listened in silence. From time to time he coughed; then he raised the goblet to his lips, and swallowed a mouthful with a wry face.
"In this year have been made by order of the courts and by sound of trumpet, in the public places of Paris, fifty-six proclamations; the account yet to be made up.
"For quest and search in sundry places, both in Paris and elsewhere, for funds said to be concealed there, but nothing found, forty-five Paris pounds."
"A crown buried to unearth a penny!" said the king.
"For setting six panes of white glass at the Hotel des Tournelles, in the place where the iron cage is, thirteen pence; for making and delivering, by the king's command, on muster-day, four escutcheons with the arms of our said lord wreathed all around with roses, six pounds; for two new sleeves to the king's old doublet, twenty pence; for a box of grease to grease the king's boots, fifteen farthings; for rebuilding a sty to lodge the king's black swine, thirty Paris pounds; sundry partitions, planks, and gratings made for the safe-keeping of the lions at the Hotel Saint-Pol, twenty-two pounds."
"Here be costly beasts," said Louis XI. "Never mind, 't is a luxury which befits a king. There is one big tawny lion that I love for his pretty tricks. Have you seen him, Master Guillaume? Princes needs to keep these rare wild beasts. We kings should have lions for lapdogs, and tigers instead of cats. Grandeur beseems a crown. In the time of Jupiter's pagans, when the people offered an hundred sheep and an hundred oxen to the gods, emperors gave an hundred lions and an hundred eagles. That was fierce and very fine. The kings of France have ever had these roarings round their throne; nevertheless, my subjects must do me the justice to say that I spend far less money in that way than my predecessors, and that I am much more moderate as regards lions, bears, elephants, and leopards. Go on, Master Olivier. We merely wished to say this much to our Flemish friends."
Guillaume Rym bowed low, while Coppenole, with his sullen air, looked like one of those bears to which his Majesty referred.
The king did not notice him. He wet his lips with the liquid in the goblet, and spat the brew out again, saying, "Faugh! what a disagreeable tisane!" The reader continued:--
"For feeding a rascally tramp, kept under lock and key in the little cell at the shambles for six months, until it should be decided what to do with him, six pounds and four pence."
"What's that?" interrupted the king; "feed what should be hanged! By the Rood! I will not pay one penny for his keep! Olivier, settle the matter with Master d'Estouteville, and this very night make me preparations for this gallant's wedding with the gallows. Go on."
Olivier made a mark with his thumb-nail against the item of the rascally tramp, and resumed:--
"To Henriet Cousin, chief executioner of Paris, the sum of sixty Paris pence, to him adjudged and ordered by the lord provost of Paris, for having bought, by order of the said provost, a broadsword for the execution and decapitation of all persons condemned by the courts for their demerits, and having it furnished with a scabbard and all thereunto appertaining; and likewise for having the old sword sharpened and repaired, it having been broken and notched in doing justice upon my lord Louis of Luxembourg, as herein more fully set down--"
The king interrupted. "Enough; I cheerfully order the sum to be paid. These are expenses which I never regard; I have never regretted such moneys. Continue."
"For repairing a great cage--"
"Ah!" said the king, grasping the arms of his chair with both hands, "I knew that I came here to the Bastille for a purpose. Stay, Master Olivier; I desire to see this cage for myself. You may read the costs while I examine it. Gentlemen of Flanders, come and look at it; it is a curious sight."
Then he rose, leaned upon his reader's arm, signed to the mute who stood at the door to go before him, to the two Flemings to follow him, and left the room.
The royal party was increased at the door of the retreat by men-at-arms weighed down with steel, and slender pages bearing torches. It proceeded for some time through the interior of the gloomy keep, perforated with staircases and corridors in the thickness of the walls. The captain of the Bastille walked at the head of the procession, and ordered the gates to be thrown open before the bent and feeble old king, who coughed as he moved along.
At every wicket gate all heads were forced to stoop, except that of the old man bowed by age. "Hum!" he mumbled, for he had lost all his teeth, "we are all ready for the door of the tomb. A low door needs a stooping passenger."
At last, after passing through a final gate so encumbered with locks that it took a quarter of an hour to open it, they entered a lofty, spacious, vaulted hall, in the middle of which they saw, by the light of the torches, a huge and massive cube of masonry, iron, and wood. The interior was hollow. It was one of those famous cages meant for prisoners of state, which were known by the name of "the king's daughters." In its sides were two or three small windows, so closely grated with heavy iron bars that the glass was entirely hidden. The door was a great flat stone slab, such as are used for tombs,--one of those doors used for entrance only. But here, the dead man was a living being.
The king walked slowly around the little structure, carefully examining it, while Master Olivier, who followed him, read aloud:--
"For repairing a great cage of heavy wooden joists, girders, and timbers, being nine feet long by eight in breadth, and seven feet high between the planks, planed, and clamped with strong iron clamps, which has been placed in a room in one of the towers of the Bastille Saint-Antoine, in which cage is put and kept, by command of our lord the king, a prisoner formerly dwelling in a worn-out and crazy old cage. There were used for the said new cage ninety-six horizontal beams and fifty-two uprights, ten girders eighteen feet long. Nineteen carpenters were employed for twenty days, in the court of the Bastille, to square, cut, and fit all the said wood."
"Quite fine heart of oak," said the king, rapping on the timber with his knuckles.
"... There were used in this cage," continued the other, "two hundred and twenty large iron clamps, of eight and nine feet, the rest of medium length, with the screws, roller-bolts, and counter-bands requisite for said clamps, all the aforesa