"They say the family's been sendin' him money for years to keep him away from Clanton."
"I thought they'd gone through all of Isaac's money."
Whereupon a digression was begun on the topic of Isaac's money, and his estate, his assets and liabilities, his wives and children and relatives, the mysterious circumstances surrounding his death, and it was concluded with the general agreement that Isaac had died just in time because the family he left behind was nothing but a bunch of idiots.
"What's the boy sick from?"
Rasco, one of the bigger talkers in town and known to embelish, said, "They say it's that queer disease. No way to cure it."
Bickers, at forty the youngest present that morning, said, "You're not talkin' about AIDS, are you?"
"That's what they say."
"The boy's got AIDS and he's comin' to Clanton."
"That's what they say."
"This can't be."
The rumor was confirmed minutes later at the coffee, shop on the east side of the square, where a sassy waitress named Dell had been serving breakfast for many years. The early-morning crowd was the usual collection of off-duty deputies and factory workers, with a white collar or two mixed in. One of them said, "Say, Dell, you heard anythang about that youngest Keane boy movin' back home?"
Dell, who often started benign rumors out of boredom but generally maintained good sources, said, "He's already here."
"And he's got AIDS?"
"He's got something. All pale, wasted away, looks like death already."
"When did you see him?"
"Didn't. But his aunt's housekeeper told me all about it yesterday afternoon." Dell was behind the counter, waiting on more food from the cook, and every customer in her cafe was listening. "He's a sick boy, all right. There's no cure, nothin' nobody can do. Won't nobody take care of him in San Francisco, so he's come home to die. Very sad."
"Where's he livin' ?"
"Well, he won't be livin' in the big house, that's for sure. The family got together and decided he couldn't stay there. What he's got is contagious as hell, and deadly, and so they're puttin' him in one of Isaac's old houses in Lowtown."
"He's livin' with the coloreds?"
"That's what they say."
This took a while to sink in, but it began to make sense. The thought of a Keane living across the railroad tracks in the black section was hard to accept, but then it seemed logical that anyone with AIDS should not be allowed on the white side of town.
Dell continued, "God knows how many shacks and houses old man Keane bought and built in Lowtown. I think he still owns a few dozen."
"Reckon who the boy'll live with?"
"I don't really care. I just don't want him comin' in here."
"Now, Dell. What would you do if he walked in right now and wanted breakfast?"
She wiped her hands on a dishcloth, stared at the man who asked the question, tightened her jaws, and said, "Look, I can refuse service to anyone. Believe me, with my customers, I think about this all the time. But if he comes in here, I'll ask him to leave. You gotta remember, this boy is highly contagious, and we're not talkin' about the common cold. If I serve him, then one of you might get his plate or glass next time around. Think about that."
They thought about it for a long time.
Finally, someone said, "Reckon how long he'll live?"
That question was being discussed across the street on the second floor of the courthouse in the offices of the chancery clerk, where the early-morning coffee crowd was nibbling on pastries and catching up with the latest news. Myra, who was in charge of filing land deeds, had finished high school one year before Adrian Keane, and of course they knew even back then that he was different. She had the floor.
Ten years after graduation, Myra and her husband were vacationing in California when she gave Adrian a call. They met for lunch at Fisherman's Wharf and, with Alcatraz, and the Golden Gate Bridge in the background, had a delightful time talking about their Clanton days. Myra assured Adrian nothing had changed in their hometown. Adrian talked freely about his lifestyle. The year was 1984, he was happily out of the closet, though not attached to anyone in particular. He was worried about AIDS, a disease Myra had never heard of in 1984. The first wave of the epidemic had roared through the gay community out there, and the casualties were heartbreaking, and frightening. Changes in lifestyles were being advocated. Some die within six months, Adrian had explained to Myra and her husband. Others hang on for years. He had already lost some friends.
Myra described the lunch again in great detail before a rapt audience of a dozen other clerks. The fact that she'd actually been to San Francisco and driven across that bridge made her special. They had seen the photographs, and more than once.
"They say he's already here," another clerk said.
"How long's he got?"
But Myra didn't know. Since the lunch five years earlier, she'd had no contact with Adrian, and it was obvious she wanted none now.
The first sighting was confirmed minutes later when a Mr. Rutledge entered the barbershop for his weekly trim. His nephew threw the Tupelo daily each morning at sunrise, and every house in downtown Clanton received one. The nephew had heard the rumors and was on the lookout. He rode his bike slowly down Harrison Street, even slower when he approached the old Keane place, and sure enough, that very morning, not two hours earlier, he came face-to-face with a stranger he would not soon forget.
Mr. Rutledge described the encounter. "Joey said he's never seen a sicker man, frail and gaunt, skin pale as a corpse, with splotches on his arm, sunken cheekbones, thin hair. Said it was like lookin' at a cadaver." Rutledge seldom encountered a fact he couldn't improve upon, and this was well-known to the others. But he had their attention. No one dared to question whether Joey, a limited thirteen-year-old, would use a word like "cadaver."
"What'd he say?"
"Joey said, 'Good morning,' and this fella said, 'Good morning,' and Joey handed over the newspaper, but he was careful to keep his distance."
"Smart boy."
"And then he got on his bike and hurried off. You can't catch that stuff just from the air, can you?"
No one ventured a guess.
By 8:30 Dell had heard of the sighting, and there was already some speculation about Joey's health. By 8:45, Myra and the clerks were chattering excitedly about the ghostlike figure who'd frightened the paperboy in front of the old Keane place.
An hour later, a police car made a run down Harrison Street, the two officers in it straining mightily to catch a glimpse of the ghost. By noon, all of Clanton knew that a man dying of AIDS was now in their midst.
*
The deal was cut with little negotiation. Bickering back and forth was futile under the circumstances. The parties were not on level ground, and so it was no surprise that the white woman got what she wanted.
The white woman was Leona Keane, Aunt Leona to some, Leona the Lion to the rest, the ancient matriarch of a family long in decline. The black woman was Miss Emporia, one of only two black spinsters in Lowtown. Emporia was up in years too, about seventy-five, she thought, though there had never been a record of her birth. The Keane family owned the house Emporia had been renting forever, and it was because of the privilege of ownership that the deal was done so quickly.
Emporia would care for the nephew, and upon his death she would be given a full warranty deed. The little pink house on Roosevelt Street would become hers, free and clear. The transfer would mean little to the Keane family since they had been depleting Isaac's assets for many years. But to Emporia, the transfer meant everything. The thought of owning her beloved home far outweighed her reservations about taking care of a dying white boy.
Since Aunt Leona would never think of being seen on the other side of the tracks, she arranged for her gardener to drive the boy over and deliver him to his final destination. When Aunt Leona's old Buick stopped in front of Miss Emporia's, Adrian Keane looked at the pink house with its white p
orch, its hanging ferns, its flower boxes brimming with pansies and geraniums, its tiny front lawn lined with a picket fence, and he looked next door to a small house, painted a pale yellow and just as neat and pretty. He looked farther down the street, to a row of narrow, happy homes adorned with flowers and rocking chairs and welcoming doors. Then he looked back at the pink house, and he decided that he'd rather die there than in the miserable mansion he'd just left, less than a mile away.
The gardener, still wearing pruning gloves to ward off any chance of infection, quickly unloaded the two expensive leather suitcases that held all of Adrian's things and hurried away without a farewell and without a handshake. He was under strict orders from Miss Leona to bring the Buick home and scrub the interior with a disinfectant.
Adrian looked up and down the street, noticed a few porch sitters hiding from the sun, then picked up his luggage and walked through the front yard, along the brick "walkway to the steps. The front door opened and Miss Emporia presented herself, with a smile. "Welcome, Mr. Keane," she said.
Adrian said, "Please, none of this 'Mister' stuff. Nice to meet you." At this point in the pleasantries a handshake was in order, but Adrian understood the problem. He quickly added, "Look, it's safe to shake hands, but let's just skip it."
That was fine with Emporia. She'd been warned by Leona that his appearance was startling. She quickly took in the hollow cheeks and eyes and the whitest skin she'd ever seen, and she pretended to ignore the bony frame draped with clothing much too large now. Without hesitation, she waved at a small table on the porch and asked, "Would you like some sweet tea?"
"That "would be nice, thank you."
His words were crisp, his southern accent abandoned years ago. Emporia "wondered what else the young man had lost along the way. They settled around the wicker table, and she poured the sugary tea. There was a saucer with gingersnaps. She took one; he did not.
"How's your appetite?" she asked.
"It's gone. When I left here years ago, I lost a lot of weight. Got away from all the fried stuff and never really became much of an eater. Now, with this, there's not much of an appetite."
"So I won't be cookin' much?"
"I guess not. Are you okay with this, this arrangement here? I mean, it seems like my family forced this down your throat, which is exactly what they do. If you're not happy, I can find another place."
"The arrangement is fine, Mr. Keane."
"Please call me Adrian. And what should I call you?"
"Emporia. Let's just go with the first names."
"Deal."
"Where would you find another place?" she asked.
"I don't know. It's all so temporary now." His voice was hoarse, and his words were slow, as if talking required exertion. He wore a blue cotton shirt, jeans, and sandals.
Emporia once worked in the hospital, and she had seen many cancer patients in their final days. Her new friend reminded her of those poor folks. Sick as he was, though, there was no doubt that he had once been a fine-looking young man.
"Are you happy with this arrangement?" she asked.
"Why wouldn't I be?"
"A white gentleman from a prominent family living here in Lowtown with an old black spinster."
"Might be fun," he said, and managed his first smile.
"I'm sure we'll get along."
He stirred his tea. His smile vanished as the moment of levity passed. Emporia stirred hers too and thought: This poor man. He has little to smile about.
"I left Clanton for a lot of reasons," he said. "It's a bad place for people like me, homosexuals. And it's not so wonderful for people like you. I loathe the way I was raised. I'm ashamed of the way my family treated blacks. I hated the bigotry in this town. I couldn't wait to get out of here. Plus, I wanted the big city."
"San Francisco?"
"I went to New York first, lived there a few years, then got a job on the West Coast. I eventually moved to San Francisco. Then I got sick."
"Why'd you come back if you have such strong feelings against the town?"
Adrian exhaled as if the answer might take an hour, or as if he really didn't know the answer. He wiped some sweat from his forehead, sweat caused not by the humidity but by the sickness. He sipped from his glass. And he finally said, "I'm not sure. I've seen a lot of death recently, been to more than my share of memorials. I couldn't stand the thought of being buried in a cold mausoleum in a faraway city. Maybe it's just the Southern thing. We all come home eventually."
"That makes sense."
"And, I ran out of money, to be honest. The drugs are very expensive. I needed my family, or at least its resources. There are other reasons. It's complicated. I didn't want to burden my friends with another agonizing death."
"And you planned to stay over there, not here in Lowtown?"
"Believe me, Emporia, I'd much rather be here. They didn't want me back in Clanton. For years they paid me to stay away. They disowned me, cut me out of their wills, refused to speak my name. So, I figured I'd upset their lives one last time. Make them suffer a little. Make them spend some money."
A police car drove slowly down the street. Neither mentioned it. When it was gone, Adrian took another sip and said, "You need some background, some of the basics. I've had AIDS for about three years, and I won't live much longer. I'm basically safe to be around. The only way to catch the disease is through the exchange of body fluids, so let's agree right now that we will not have sex."
Emporia howled with laughter, and she was soon joined by Adrian. They laughed until their eyes were wet, until the porch shook, until they were laughing at themselves for laughing so hard. A few of the neighbors perked up and looked from far away. When things were finally under control, she said, "I haven't had sex in so long I've forgotten about it."
"Well, Miss Emporia, let me assure you that I've had enough for me, you, and half of Clanton. But those days are over."
"Mine too."
"Good. Keep your hands to yourself and I'll do the same. Other than that, it's wise if we take some precautions."
"The nurse lady came out yesterday and explained thangs."
"Good. Laundry, dishes, food, medicine, rules of the bathroom. All that?"
"Yes."
He rolled up his left sleeve and pointed to a dark bruise.
"Sometimes these things open up, and when they do, I'll put on a bandage. I'll tell you when this happens."
"I thought we weren't gonna touch."
"Right, but just in case you can't control yourself."
She laughed again, but briefly.
"Seriously, Emporia, I'm pretty safe."
"I understand."
"I'm sure you do, but I don't want you living in fear of me. I just spent four days with what's left of my family, and they treated me like I'm radioactive. All these folks around here will do the same. I'm grateful that you agreed to care for me, and I don't want you to worry. It won't be pretty from now on. I look like I'm already dead, and things will get worse."
"You've seen it before, haven't you?"
"Oh yes. Many times. I've lost a dozen friends in the last five years. It's horrible."
She had so many questions, about the disease and the lifestyle, about his friends, and so on, but she put them aside for later. He seemed tired all of a sudden. "Let me show you around," she said.
The police car drove by again, slowly. Adrian watched and asked, "So how often do the cops patrol this street?"
Almost never, she wanted to say. There were other sections of Lowtown where the houses were not as nice, the neighbors not as reliable. There were honky-tonks, a pool hall, a liquor store, groups of young unemployed men hanging around the corners, and there you would see a police car several times a day. She said, "Oh, they come by occasionally."
They stepped inside, into the den. "It's a little house," she said, almost in defense. He, after all, had been raised in a fine home on a shady street. Now he was standing in a cottage built by his father and owned by his fa
mily.
"It's twice as large as my apartment in New York was," he said.
"You don't say."
"I'm serious, Emporia. It's lovely. I'll be happy here."
The wooden floors shined with polish. The furniture was