Somehow he made it inside. But he can’t remember anything else from that night; when he woke the next day, Willem was asleep on the rug next to his bed, and Andy asleep on the chair they must have dragged into his room from the living room. He was thick-tongued, fogged, nauseated, and he knew that Andy must have given him an injection of pain medication, which he hated: he would feel disoriented and constipated for days.
When he woke again, Willem was gone, but Andy was awake, and staring at him.
“Jude, you’ve got to get the fuck out of this apartment,” he said, quietly.
“I know,” he said.
“Jude, what were you thinking?” Willem asked him later, after he had returned from the grocery store and Andy had helped him into the bathroom—he couldn’t walk: Andy had had to carry him—and then put him back into bed, still in his clothes from the day before, and left. Willem had gone to a party after the show and hadn’t heard his phone ring; when he had finally listened to his messages, he had rushed home and found him convulsing on the floor and had called Andy. “Why didn’t you call Andy? Why didn’t you go to a diner and wait for me? Why didn’t you call Richard? Why didn’t you call Philippa and make her find me? Why didn’t you call Citizen, or Rhodes, or Eli, or Phaedra, or the Henry Youngs, or—”
“I don’t know,” he said, miserably. It was impossible to explain to the healthy the logic of the sick, and he didn’t have the energy to try.
The following week, he contacted Lucien Voigt and finalized the terms of the job with him. And once he had signed the contract, he called Harold, who was silent for a long five seconds before taking a deep breath and beginning.
“I just don’t get this, Jude,” he said. “I don’t. You’ve never struck me as a money-grubber. Are you? I mean, I guess you are. You had—you have—a great career at the U.S. Attorney’s. You’re doing work there that matters. And you’re giving it all up to defend, who? Criminals. People so entitled, so certain they won’t be caught that being caught—that very concern—doesn’t even occur to them. People who think the laws are written for people who make less than nine figures a year. People who think the laws are applicable only by race, or by tax bracket.”
He said nothing, just let Harold become more and more agitated, because he knew Harold was right. They had never explicitly discussed it, but he knew Harold had always assumed that he would make his career in public service. Over the years, Harold would talk with dismay and sorrow about talented former students he admired who had left jobs—at the U.S. Attorney’s, at the Department of Justice, at public defender offices, at legal aid programs—to go to corporate firms. “A society cannot run as it should unless people with excellent legal minds make it their business to make it run,” Harold often said, and he had always agreed with him. And he agreed with him still, which was why he couldn’t defend himself now.
“Don’t you have anything you want to say for yourself?” Harold asked him, finally.
“I’m sorry, Harold,” he said. Harold said nothing. “You’re so angry at me,” he murmured.
“I’m not angry, Jude,” Harold said. “I’m disappointed. Do you know how special you are? Do you know what a difference you could make if you stayed? You could be a judge if you wanted to—you could be a justice someday. But you’re not going to be now. Now you’re going to be another litigator in another corporate firm, and all the good work you could have done you’ll instead be fighting against. It’s just such a waste, Jude, such a waste.”
He was silent again. He repeated Harold’s words to himself: Such a waste, such a waste. Harold sighed. “So what is this about, really?” he asked. “Is it money? Is this what this is about? Why didn’t you tell me you needed money, Jude? I could’ve given you some. Is this all about money? Tell me what you need, Jude, and I’m happy to help you out.”
“Harold,” he began, “that’s so—that’s so kind of you. But—I can’t.”
“Bullshit,” said Harold, “you won’t. I’m offering you a way to let you keep your job, Jude, to not have to take a job you’re going to hate, for work you will hate—and that’s not a maybe, that’s a fact—with no expectations or strings attached. I’m telling you that I’m happy to give you money for this.”
Oh, Harold, he thought. “Harold,” he said, wretchedly, “the kind of money I need isn’t the kind of money you have. I promise you.”
Harold was silent, and when he spoke next, his tone was different. “Jude, are you in any kind of trouble? You can tell me, you know. Whatever it is, I’ll help you.”
“No,” he said, but he wanted to cry. “No, Harold, I’m fine.” He wrapped his right hand around his bandaged calf, with its steady, constant ache.
“Well,” said Harold. “That’s a relief. But Jude, what could you possibly need so much money for, besides an apartment, which Julia and I will help you buy, do you hear me?”
He sometimes found himself both frustrated and fascinated by Harold’s lack of imagination: in Harold’s mind, people had parents who were proud of them, and saved money only for apartments and vacations, and asked for things when they wanted them; he seemed to be curiously unaware of a universe in which those things might not be givens, in which not everyone shared the same past and future. But this was a highly ungenerous way to think, and it was rare—most of the time, he admired Harold’s steadfast optimism, his inability or unwillingness to be cynical, to look for unhappiness or misery in every situation. He loved Harold’s innocence, which was made more remarkable considering what he taught and what he had lost. And so how could he tell Harold that he had to consider wheelchairs, which needed to be replaced every few years, and which insurance didn’t wholly cover? How could he tell him that Andy, who didn’t take insurance, never charged him, had never charged him, but might want to someday, and if he did, he certainly wasn’t not going to pay him? How could he tell him that this most recent time his wound had opened, Andy had mentioned hospitalization and, maybe, someday in the future, amputation? How could he tell him that if his leg was amputated, it would mean a hospital stay, and physical therapy, and prostheses? How could he tell him about the surgery he wanted on his back, the laser burning his carapace of scars down to nothing? How could he tell Harold of his deepest fears: his loneliness, of becoming the old man with a catheter and a bony, bare chest? How could he tell Harold that he dreamed not of marriage, or children, but that he would someday have enough money to pay someone to take care of him if he needed it, someone who would be kind to him and allow him privacy and dignity? And then, yes, there were the things he wanted: He wanted to live somewhere where the elevator worked. He wanted to take cabs when he wanted to. He wanted to find somewhere private to swim, because the motion stilled his back and because he wasn’t able to take his walks any longer.
But he couldn’t tell Harold any of this. He didn’t want Harold to know just how flawed he was, what a piece of junk he’d acquired. And so he said nothing, and told Harold he had to go, and that he would talk to him later.
Even before he had talked to Harold, he had prepared himself to be resigned to his new job, nothing more, but to first his unease, and then his surprise, and then his delight, and then his slight disgust, he found that he enjoyed it. He’d had experience with pharmaceutical companies when he was a prosecutor, and so much of his initial caseload concerned that industry: he worked with a company that was opening an Asia-based subsidiary to develop an anticorruption policy, traveling back and forth to Tokyo with the senior partner on the case—this was a small, tidy, solvable job, and therefore unusual. The other cases were more complicated, and longer, at times infinitely long: he mostly worked on compiling a defense for another of the firm’s clients, this a massive pharmaceutical conglomerate, against a False Claims Act charge. And three years into his life at Rosen Pritchard and Klein, when the investment management company Rhodes worked for was investigated for securities fraud, they came to him, and secured his partnership: he had trial experience, which most of the other associates di
dn’t, but he had known he would need to bring in a client eventually, and the first client was always the hardest to find.
He would never have admitted it to Harold, but he actually liked directing investigations prompted by whistle-blowers, liked pressing up against the boundaries of the Foreign Corrupt Practices Act, liked being able to stretch the law, like a strip of elastic, just past its natural tension point, just to the point where it would snap back at you with a sting. By day he told himself it was an intellectual engagement, that his work was an expression of the plasticity of the law itself. But at night he would sometimes think of what Harold would say if he was honest with him about what he was doing, and would hear his words again: Such a waste, such a waste. What was he doing?, he would think in those moments. Had the job made him venal, or had he always been so and had just fancied himself otherwise?
It’s all within the law, he would argue with the Harold-in-his-head.
Just because you can do it doesn’t mean you should, Harold-in-his-head would shoot back at him.
And indeed, Harold hadn’t been completely wrong, for he missed the U.S. Attorney’s Office. He missed being righteous and surrounded by the passionate, the heated, the crusading. He missed Citizen, who had moved back to London, and Marshall, whom he occasionally met for drinks, and Rhodes, whom he saw more frequently but who was perpetually frazzled, and gray, and whom he had remembered as cheery and effervescent, someone who would play electrotango music and squire an imaginary woman around the room when they were at the office late and feeling punchy, just to get him and Citizen to look up from their computers and laugh. They were getting older, all of them. He liked Rosen Pritchard, he liked the people there, but he never sat with them late at night arguing about cases and talking about books: it wasn’t that sort of office. The associates his age had unhappy girlfriends or boyfriends at home (or were themselves unhappy girlfriends or boyfriends); the ones older than he were getting married. In the rare moments they weren’t discussing the work before them, they made small talk about engagements and pregnancies and real estate. They didn’t discuss the law, not for fun or from fervor.
The firm encouraged its attorneys to do pro bono work, and he began volunteering with a nonprofit group that offered free legal advice to artists. The organization kept what they called “studio hours” every afternoon and evening, when artists could drop by and consult with a lawyer, and every Wednesday night he left work early, at seven, and sat in the group’s creaky-floored SoHo offices on Broome Street for three hours, helping small publishers of radical treatises who wanted to establish themselves as nonprofit entities, and painters with intellectual property disputes, and dance groups, photographers, writers, and filmmakers with contracts that were either so extralegal (he was presented with one written in pencil on a paper towel) that they were meaningless or so needlessly complicated that the artists couldn’t understand them—he could barely understand them—and yet had signed them anyway.
Harold didn’t really approve of his volunteer work, either; he could tell he thought it frivolous. “Are any of these artists any good?” Harold asked. “Probably not,” he said. But it wasn’t for him to judge whether the artists were good or not—other people, plenty of other people, did that already. He was there only to offer the sort of practical help that so few of them had, as so many of them lived in a world that was deaf to practicalities. He knew it was romantic, but he admired them: he admired anyone who could live for year after year on only their fastburning hopes, even as they grew older and more obscure with every day. And, just as romantically, he thought of his time with the organization as his salute to his friends, all of whom were living the sorts of lives he marveled at: he considered them such successes, and he was proud of them. Unlike him, they had had no clear path to follow, and yet they had plowed stubbornly ahead. They spent their days making beautiful things.
His friend Richard was on the board of the organization, and some Wednesdays he’d stop by on his way home—he had recently moved to SoHo—and sit and talk with him if he was between clients, or just give him a wave across the room if he was occupied. One night after studio hours, Richard invited him back to his apartment for a drink, and they walked west on Broome Street, past Centre, and Lafayette, and Crosby, and Broadway, and Mercer, before turning south on Greene. Richard lived in a narrow building, its stone gone the color of soot, with a towering garage door marking its first floor and, to its right, a metal door with a face-size glass window cut into its top. There was no lobby, but rather a gray, tiled-floor hallway lit by a series of three glowing bare bulbs dangling from cords. The hallway turned right and led to a cell-like industrial elevator, the size of their living room and Willem’s bedroom at Lispenard Street combined, with a rattling cage door that shuddered shut at the press of a button, but which glided smoothly up through an exposed cinder-block shaft. At the third floor, it stopped, and Richard opened the cage and turned his key into the set of massive, forbidding steel doors before them, which opened into his apartment.
“God,” he said, stepping into the space, as Richard flicked on some lights. The floors were whitewashed wood, and the walls were white as well. High above him, the ceiling winked and shone with scores of chandeliers—old, glass, new, steel—that were strung every three feet or so, at irregular heights, so that as they walked deeper into the loft, he could feel glass bugles skimming across the top of his head, and Richard, who was even taller than he was, had to duck so they wouldn’t scrape his forehead. There were no dividing walls, but near the far end of the space was a shallow, freestanding box of glass as tall and wide as the front doors, and as he drew closer, he could see that within it was a gigantic honeycomb shaped like a graceful piece of fan coral. Beyond the glass box was a blanket-covered mattress, and before it was a shaggy white Berber rug, its mirrors twinkling in the lights, and a white woolen sofa and television, an odd island of domesticity in the midst of so much aridity. It was the largest apartment he had ever been in.
“It’s not real,” said Richard, watching him look at the honeycomb. “I made it from wax.”
“It’s spectacular,” he said, and Richard nodded his thanks.
“Come on,” he said, “I’ll give you the tour.”
He handed him a beer and then unbolted a door next to the refrigerator. “Emergency stairs,” he said. “I love them. They’re so—descent-into-hell looking, you know?”
“They are,” he agreed, looking into the doorway, where the stairs seemed to vanish into the gloom. And then he stepped back, suddenly uneasy and yet feeling foolish for being so, and Richard, who hadn’t seemed to notice, shut the door and bolted it.
They went down in the elevator to the second floor and into Richard’s studio, and Richard showed him what he was working on. “I call them misrepresentations,” he said, and let him hold what he had assumed was a white birch branch but was actually made from fired clay, and then a stone, round and smooth and lightweight, that had been whittled from ash and lathe-turned but that gave the suggestion of solidity and heft, and a bird skeleton made of hundreds of small porcelain pieces. Bisecting the space lengthwise was a row of seven glass boxes, smaller than the one upstairs with the wax honeycomb but each still as large as one of the casement windows, and each containing a jagged, crumbling mountain of a sickly dark yellow substance that appeared to be half rubber, half flesh. “These are real honeycombs, or they were,” Richard explained. “I let the bees work on them for a while, and then I released them. Each one is named for how long they were occupied, for how long they were actually a home and a sanctuary.”
They sat on the rolling leather desk chairs that Richard worked from and drank their beers and talked: about Richard’s work, and about his next show, his second, that would open in six months, and about JB’s new paintings.
“You haven’t seen them, right?” Richard asked. “I stopped by his studio two weeks ago, and they’re really beautiful, the best he’s ever done.” He smiled at him. “There’re going to be
a lot of you, you know.”
“I know,” he said, trying not to grimace. “So, Richard,” he said, changing the subject, “how did you find this space? It’s incredible.”
“It’s mine.”
“Really? You own it? I’m impressed; that’s so adult of you.”
Richard laughed. “No, the building—it’s mine.” He explained: his grandparents had an import business, and when his father and his aunt were young, they had bought sixteen buildings downtown, all former factories, to store their wares: six in SoHo, six in TriBeCa, and four in Chinatown. When each of their four grandchildren turned thirty, they got one of the buildings. When they turned thirty-five—as Richard had the previous year—they got another. When they turned forty, they got a third. They would get the last when they turned fifty.
“Did you get to choose?” he asked, feeling that particular mix of giddiness and disbelief he did whenever he heard these kinds of stories: both that such wealth existed and could be discussed so casually, and that someone he had known for such a long time was in possession of it. They were reminders of how naïve and unsophisticated he somehow still was—he could never imagine such riches, he could never imagine people he knew had such riches. Even all these years later, even though his years in New York and, especially, his job had taught him differently, he couldn’t help but imagine the rich not as Ezra or Richard or Malcolm but as they were depicted in cartoons, in satires: older men, stamping out of cars with dark-tinted windows and fat-fingered and plush and shinily bald, with skinny brittle wives and large, polished-floor houses.
“No,” Richard grinned, “they gave us the ones they thought would best suit our personalities. My grouchy cousin got a building on Franklin Street that was used to store vinegar.”
He laughed. “What was this one used for?”
“I’ll show you.”