Page 20 of The Lovely Bones

of what the man in New Hampshire had said, how he had spent one whole year scraping the mold out of the giant casks that held wine. He had lain flat on his back and had to use a knife to peel back the layers of mold. The mold had the color and consistency of liver, and no matter how hard he bathed he would still attract fruit flies for hours afterward.

She sipped champagne from a plastic cup and looked at herself in the mirror. She forced herself to look.

She remembered sitting in our living room then, with me and my sister, my brother and father, on the first New Year's Eve that all five of us had stayed up. She had shaped the day around making sure Buckley got enough sleep.

When he woke up after dark he was sure that someone better than Santa would come that night. In his mind he held a big bang image of the ultimate holiday, when he would be transported to toyland.

Hours later, as he yawned and leaned into my mother's lap and she finger-combed his hair, my father ducked into the kitchen to make cocoa and my sister and I served German chocolate cake. When the clock struck twelve and there was only distant screaming and a few guns shot into the air in our neighborhood, my brother was unbelieving. Disappointment so swiftly and thoroughly overtook him that my mother was at a loss for what to do. She thought of it as sort of an infant Peggy Lee's "Is that all there is?" and then bawling.

She remembered my father had lifted Buckley up into his arms and started singing. The rest of us joined in. "Let ole acquaintance be forgot and never brought to mind, should ole acquaintance be forgot and days of auld lang syne!"

And Buckley had stared at us. He captured the foreign words like bubbles floating above him in the air. "Lang syne?" he said with a look of wonder.

"What does that mean?" I asked my parents.

"The old days," my father said.

"Days long past," my mother said. But then, suddenly, she had started pinching the crumbs of her cake together on her plate.

"Hey, Ocean Eyes," my father said. "Where'd you go on us?"

And she remembered that she had met his question with a closing off, as though her spirit had a tap--twist to the right and she was up on her feet asking me to help her clean up.

In the fall of 1976, when she reached California, she drove directly to the beach and stopped her car. She felt like she had driven through nothing but families for four days--squabbling families, bawling families, screaming families, families under the miraculous strain of the day by day--and she was relieved to see the waves from the windshield of her car. She couldn't help thinking of the books she had read in college. The Awakening. And what had happened to one writer, Virginia Woolf. It all seemed so wonderful back then--filmy and romantic--stones in the pocket, walk into the waves.

She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was careful, but I watched her feet more than the view she saw--I worried about her slipping.

My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of--the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her feet navigate the rocks, and when we heard her we did so together--looking up in shock.

It was a baby on the beach.

In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy--my mother thought a lamb.

With their backs to my mother as she descended were a group of adults--very official and frantic-looking--wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket.

My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something, I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines.

She saw the waves behind the girl child and how both beautiful and intoxicating they were--they could sweep up so softly and remove this girl from the beach. All the stylish people could chase after her, but she would drown in a moment--no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.

That same week she found work at the Krusoe Winery, in a valley above the bay. She wrote my sister and brother postcards filled with the bright fragments of her life, hoping in a postcard's limited space she would sound cheery.

On her days off, she would walk down the streets of Sausalito or Santa Rosa--tiny upscale towns where everyone was a stranger--and, no matter how hard she tried to focus on the hopeful unfamiliar, when she walked inside a gift shop or cafe the four walls around her would begin to breathe like a lung. She would feel it then, creeping up the side of her calves and into her gut, the onslaught, the grief coming, the tears like a small relentless army approaching the front lines of her eyes, and she would breathe in, taking a large gulp of air to try to stop herself from crying in a public place. She asked for coffee and toast in a restaurant and buttered it with tears. She went into a flower shop and asked for daffodils, and when there were none she felt robbed. It was such a small wish--a bright yellow flower.


The first impromptu memorial in the cornfield opened in my father the need for more. Yearly now, he organized a memorial, to which fewer and fewer neighbors and friends came. There were the regulars, like Ruth, and the Gilberts, but more and more the group was filled out by kids from the high school who, as time went by, knew only my name and even that only as a large dark rumor invoked as a warning to any student that might prove too much a loner. Especially girls.

Each time my name was said by these strangers it felt like a pinprick. It was not the pleasant sensation that it could be when my father said it or when Ruth wrote it in her journal. It was the sensation of being simultaneously resurrected and buried within the same breath. As if in an economics class I had been ushered over into a column of transmutable commodities: the Murdered. A few teachers, like Mr. Botte, remembered me as a real girl. Sometimes on his lunch hour he would go and sit in his red Fiat and think about the daughter he had lost to leukemia. In the distance, out past his window, the cornfield loomed. Often, he would say a prayer for me.


In just a few short years, Ray Singh grew so handsome that a spell radiated from him when he walked into a crowd. His adult face had still not settled on him, but, now that he was seventeen, it was just around the corner. He exuded a dreamy asexuality that made him attractive to both men and women, with his long lashes and hooded eyelids, his thick black hair, and the same delicate features that were still a boy's.

I would watch Ray with a longing different from that which I had for anyone else. A longing to touch and hold him, to understand the very body that he examined with the coldest of eyes. He would sit at his desk and read his favorite book--Gray's Anatomy--and depending on what he was reading about he would use his fingers to palpate his carotid artery or his thumb to press down and follow the longest muscle in his body--the sartorius, which ran from the outside of his hip to the inside of his knee. His thinness was a boon to him then, the bones and muscles clearly distinguished beneath the skin.

By the time he packed his bags for Penn, he had committed so many words and their definitions to memory that I grew worried. With all that, how could his mind contain anything else? Ruth's friendship, his mother's love, my memory would be pushed to the back as he made way for the eye's crystalline lens and its capsule, the semicircular canals of the ear, or my favorite, the qualities of the sympathetic nervous system.

I need not have worried. Ruana cast about the house for something, anything, that her son might bring with him that was equal in heft and weight to Gray's and that would, she hoped, keep the flower-gathering side of him alive. Without his knowing, she tucked the book of Indian poetry into his luggage. Inside was the long-forgotten photo of me. When he unpacked inside Hill House dormitory, my picture fell on the floor by his bed. Despite how he could dissect it--the vessels of the globe of my eye, the surgical anatomy of my nasal fossae, the light tincture of my epidermis--he could not avoid them, the lips he had once kissed.


In June 1977, on the day of what would have been my graduation, Ruth and Ray were already gone. The day classes ended at Fairfax, Ruth moved to New York City with her mother's old red suitcase full of new black clothes. Having graduated early, Ray was already at the end of his freshman year at Penn.

In our kitchen that same day, Grandma Lynn gave Buckley a book on gardening. She told him about how plants came from seeds. That radishes, which he hated, grew fastest, but that flowers, which he loved, could grow from seeds as well. And she began to teach him the names: zinnias and marigolds, pansies and lilacs, carnations and petunias, and morning glory vines.

*


Occasionally my mother called from California. My parents had hurried and difficult conversations. She asked after Buckley and Lindsey and Holiday. She asked how the house was holding up and whether there was anything he needed to tell her.

"We still miss you," he said in December 1977, when the leaves had all fallen and been blown or raked away but even still, with the ground waiting to receive it, there had been no snow.

"I know that," she said.

"What about teaching? I thought that was your plan."

"It was," she conceded. She was on the phone in the office of the winery. Things had slowed up after the lunch crowd, but five limos of old ladies, three sheets to the wind, were soon due in. She was silent and then she said something that no one, least of all my father, could have argued with. "Plans change."


In New York, Ruth was living in an old woman's walk-in closet on the Lower East Side. It was the only thing she could afford, and she had no intention of spending much time there anyway. Daily she rolled her twin-sized futon into the corner so she could have a little floor space in which to dress. She visited the closet only once a day, and she never spent any time there if she could help it. The closet was for sleeping and having an address, a solid if tiny perch in the city.

She worked service bar and walked every inch of Manhattan on her off hours. I watched her pound the cement in her defiant boots, sure that women were being murdered wherever she went. Down in stairwells and up inside beautiful highrises. She would linger at streetlights and scan the facing street. She wrote small prayers in her journal at the cafes and the bars, where she stopped to use the bathroom after ordering the cheapest thing on the menu.

She had become convinced that she had a second sight that no one else had. She didn't know what she would do with it, save taking copious notes for the future, but she had grown unafraid. The world she saw of dead women and children had become as real to her as the world in which she lived.


In the library at Penn, Ray read about the elderly under the boldface heading "The Conditions of Death." It described a study done in nursing homes in which a large percentage of patients reported to the doctors and nurses that they saw someone standing at the end of their bed at night. Often this person tried to talk to them or call their name. Sometimes the patients were in such a high state of agitation during these delusions that they had to be given a sedative or strapped to their beds.

The text went on to explain that these visions were a result of small strokes that often preceded death. "What is commonly thought of by the layman as the Angel of Death, when discussed at all with the patient's family, should be presented to them as a small series of strokes compounding an already precipitous state of decline."

For a moment, with his finger marking the place in the book, Ray imagined what it would be like if, standing over the bed of an elderly patient, remaining as open as he could to possibility, he might feel something brush past him as Ruth had so many years ago in the parking lot.


Mr. Harvey had been living wild within the Northeast Corridor from the outlying areas of Boston down to the northern tips of the southern states, where he would go to find easier work and fewer questions and make an occasional attempt to reform. He had always liked Pennsylvania and had crisscrossed the long state, camping sometimes behind the 7-Eleven just down the local highway from our development, where a ridge of woods survived between the all-night store and the railroad tracks, and where he found more and more tin cans and cigarette butts each time he passed through. He still liked to drive close to the old neighborhood when he could. He took these risks early in the morning or late at night, when the wild pheasants that had once been plentiful still traversed the road and his headlights would catch the hollow glowing of their eye sockets as they skittered from one side of the road to the other. There were no longer teenagers and young children sent to pick blackberries just up to the edge of our development, because the old farm fence that had hung so heavily with them had been torn down to make room for more houses. He had learned to pick wild mushrooms over time and gorged on them sometimes when staying overnight in the overgrown fields of Valley Forge Park. On a night like this I saw him come upon two novice campers who had died after eating the mushrooms' poisonous look-alikes. He tenderly stripped their bodies of any valuables and then moved on.


Hal and Nate and Holiday were the only ones Buckley had ever allowed into his fort. The grass died underneath the boulders and when it rained, the insides of the fort were a fetid puddle, but it stayed there, though Buckley went there less and less, and it was Hal who finally begged him to make improvements.

"We need to waterproof it, Buck," Hal said one day. "You're ten--that's old enough to work a caulking gun."

And Grandma Lynn couldn't help herself, she loved men. She encouraged Buck to do what Hal said, and when she knew Hal would be coming to visit, she dressed up.

"What are you doing?" my father said one Saturday morning, lured out of his den by the sweet smell of lemons and butter and golden batter rising in pans.

"Making muffins," Grandma Lynn said.

My father did a sanity check, staring at her. He was still in his robe and it was almost ninety degrees at ten in the morning, but she had pantyhose and makeup on. Then he noticed Hal in an undershirt out in the yard.

"My God, Lynn," he said. "That boy is young enough..."

"But he's de-lec-ta-ble!"

My father shook his head and sat down at the kitchen table. "When will the love muffins be done, Mata Hari?"


In December 1981, Len did not want to get the call he got from Delaware, where a murder in Wilmington had been connected to a girl's body found in 1976 in Connecticut. A detective, working overtime, had painstakingly traced the keystone charm in the Connecticut case back to a list of lost property from my murder.

"It's a dead file," Len told the man on the other end.

"We'd like to see what you have."

"George Harvey," Len said out loud, and the detectives at neighboring desks turned toward him. "The crime was in December 1973. The murder victim was Susie Salmon, fourteen."

"Any body for the Simon girl?"

"Salmon, like the fish. We found an elbow," Len said.

"She have a family?"

"Yes."

"Connecticut has teeth. Do you have her dentals?"

"Yes."

"That may save the family some grief," the man told Len.

Len trekked back to the evidence box he had hoped never to look at again. He would have to make a phone call to my family. But he would wait as long as possible, until he was certain the detective in Delaware had something.

*


For almost eight years after Samuel told Hal about the drawing Lindsey had stolen, Hal had quietly worked through his network of biker friends to track George Harvey down. But he, like Len, had vowed not to report anything until he was sure it might be a lead. And he had never been sure. When late one night a Hell's Angel named Ralph Cichetti, who admitted freely he had spent some time in prison, said that he thought his mother had been killed by a man she rented a room to, Hal began asking his usual questions. Questions that held elements of elimination about height and weight and preoccupations. The man hadn't gone by the name George Harvey, though that didn't mean anything. But the murder itself seemed too different. Sophie Cichetti was forty-nine. She was killed in her home with a blunt object and her body had been found intact nearby. Hal had read enough crime books to know that killers had patterns, peculiar and important ways they did things. So as Hal adjusted the timing chain of Cichetti's cranky Harley, they moved on to other topics, then fell silent. It was only when Cichetti mentioned something else that every hair on Hal's neck stood up.

"The guy built dollhouses," Ralph Cichetti said.

Hal placed a call to Len.


Years passed. The trees in our yard grew taller. I watched my family and my friends and neighbors, the teachers whom I'd had or imagined having, the high school I had dreamed about. As I sat in the gazebo I would pretend instead that I was sitting on the topmost branch of the maple under which my brother had swallowed a stick and still played hide-and-seek with Nate, or I would perch on the railing of a stairwell in New York and wait for Ruth to pass near. I would study with Ray. Drive the Pacific Coast Highway on a warm afternoon of salty air with my mother. But I would end each day with my father in his den.

I would lay these photographs down in my mind, those gathered from my constant watching, and I could trace how one thing--my death--connected these images to a single source. No one could have predicted how my loss would change small moments on Earth. But I held on to those moments, hoarded them. None of them were lost as long as I was there watching.


At Evensong one night, while Holly played her sax and Mrs. Bethel Utemeyer