n the length of the exhibit, her black clothes making only her face and hands visible in the room. The penguins tottered and clucked and dived, slipping off the habitat rocks like amiable hams but living under water like tuxedoed muscles. Children shouted and screamed and pressed their faces against the glass. Ruth counted the living just as much as she counted the dead, and in the close confines of the penguin house the joyous screams of the children echoed off the walls with such vibrancy that, for a little while, she could drown out the other kinds of screams.
That weekend my brother woke early, as he always did. He was in the seventh grade and bought his lunch at school and was on the debate team and, like Ruth had been, was always picked either last or second to last in gym. He had not taken to athletics as Lindsey had. He practiced instead what Grandma Lynn called his "air of dignification." His favorite teacher was not really a teacher at all but the school librarian, a tall, frail woman with wiry hair who drank tea from her thermos and talked about having lived in England when she was young. After this he had affected an English accent for a few months and shown a heightened interest when my sister watched Masterpiece Theatre.
When he had asked my father that year if he could reclaim the garden my mother had once kept, my father had said, "Sure, Buck, go crazy."
And he had. He had gone extraordinarily, insanely crazy, reading old Burpee catalogs at night when he was unable to sleep and scanning the few books on gardening that the school library kept. Where my grandmother had suggested respectful rows of parsley and basil and Hal had suggested "some plants that really matter"--eggplants, cantaloupes, cucumbers, carrots, and beans--my brother had thought they were both right.
He didn't like what he read in books. He saw no reason to keep flowers separated from tomatoes and herbs segregated in a corner. He had slowly planted the whole garden with a spade, daily begging my father to bring him seeds and taking trips to the grocery with Grandma Lynn, where the price of his extreme helpfulness in fetching things would be a quick stop at the greenhouse for a small flowering plant. He was now awaiting his tomatoes, his blue daisies, his petunias, and pansies and salvias of all kinds. He had made his fort a sort of work shed for the garden, where he kept his tools and supplies.
But my grandmother was preparing for the moment when he realized that they couldn't grow all together and that some seeds would not come up at certain times, that the fine downy tendrils of cucumber might be abruptly stopped by the thickening underground bosses of carrot and potato, that the parsley might be camouflaged by the more recalcitrant weeds, and bugs that hopped about could blight the tender flowers. But she was waiting patiently. She no longer believed in talk. It never rescued anything. At seventy she had come to believe in time alone.
Buckley was hauling up a box of clothes from the basement and into the kitchen when my father came down for his coffee.
"What ya got there, Farmer Buck?" my father said. He had always been at his best in the morning.
"I'm making stakes for my tomato plants," my brother said.
"Are they even above ground yet?"
My father stood in the kitchen in his blue terry-cloth robe and bare feet. He poured his coffee from the coffee maker that Grandma Lynn set up each morning, and sipped at it as he looked at his son.
"I just saw them this morning," my brother said, beaming. "They curl up like a hand unfolding."
It wasn't until my father was repeating this description to Grandma Lynn as he stood at the counter that he saw, through the back window, what Buckley had taken from the box. They were my clothes. My clothes, which Lindsey had picked through for anything she might save. My clothes, which my grandmother, when she had moved into my room, had quietly boxed while my father was at work. She had put them down in the basement with a small label that said, simply, SAVE.
My father put down his coffee. He walked out through the screened-in porch and strode forward, calling Buckley's name.
"What is it, Dad?" He was alert to my father's tone.
"Those clothes are Susie's," my father said calmly when he reached him.
Buckley looked down at my blackwatch dress that he held in his hand.
My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked.
I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red.
"Why can't I use them?" he asked.
It landed in my father's back like a fist.
"Why can't I use those clothes to stake my tomatoes?"
My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. "How can you ask me that question?"
"You have to choose. It's not fair," my brother said.
"Buck?" My father held my clothes against his chest.
I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death.
"I'm tired of it!" Buckley blared. "Keesha's dad died and she's okay!"
"Is Keesha a girl at school?"
"Yes!"
My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility.
"I'm sorry. When did this happen?"
"That's not the point, Dad! You don't get it." Buckley turned around on his heel and started stomping the tender tomato shoots with his foot.
"Buck, stop!" my father cried.
My brother turned.
"You don't get it, Dad," he said.
"I'm sorry," my father said. "These are Susie's clothes and I just... It may not make sense, but they're hers--something she wore."
"You took the shoe, didn't you?" my brother said. He had stopped crying now.
"What?"
"You took the shoe. You took it from my room."
"Buckley, I don't know what you're talking about."
"I saved the Monopoly shoe and then it was gone. You took it! You act like she was yours only!"
"Tell me what you want to say. What's this about your friend Keesha's dad?"
"Put the clothes down."
My father laid them gently on the ground.
"It isn't about Keesha's dad."
"Tell me what it is about." My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, "Peek-a-boo, Daddy."
"She's dead."
It never ceased to hurt. "I know that."
"But you don't act that way. Keesha's dad died when she was six. Keesha said she barely even thinks of him."
"She will," my father said.
"But what about us?"
"Who?"
"Us, Dad. Me and Lindsey. Mom left because she couldn't take it."
"Calm down, Buck," my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. "What?" my father said.
"I didn't say anything."
Let go. Let go. Let go.
"I'm sorry," my father said. "I'm not feeling very well." His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go.
My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him.
"Dad?"
"Son." There was a quaver in his voice and a grasping outward toward my brother.
"I'll get Grandma." And Buckley ran.
My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: "You can never choose. I've loved all three of you."
That night my father lay in a hospital bed, attached to monitors that beeped and hummed. Time to circle around my father's feet and along his spine. Time to hush and usher him. But where?
Above his bed the clock ticked off the minutes and I thought of the game Lindsey and I had played in the yard together: "he loves me/he loves me not" picked out on a daisy's petals. I could hear the clock casting my own two greatest wishes back to me in this same rhythm: "Die for me/don't die for me, die for me/don't die for me." I could not help myself, it seemed, as I tore at his weakening heart. If he died, I would have him forever. Was this so wrong to want?
At home, Buckley lay in bed in the dark and pulled the sheet up to his chin. He had not been allowed past the emergency room where Lindsey had driven them, following the shrieking ambulance inside which lay our father. My brother had felt a huge burden of guilt descend in the silences from Lindsey. In her two repeated questions: "What were you talking about? Why was he so upset?"
My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him.
We stood--the dead child and the living--on either side of my father, both wanting the same thing. To have him to ourselves forever. To please us both was an impossibility.
My father had only missed nighttimes twice in Buckley's life. Once after he had gone into the cornfield at night looking for Mr. Harvey and now as he lay in the hospital and they monitored him in case of a second heart attack.
Buckley knew he should be too old for it to matter, but I sympathized with him. The good-night kiss was something at which my father excelled. As my father stood at the end of the bed after closing the venetian blinds and running his hands down them to make sure they were all down at the same slant--no rebel venetian stuck to let the sunlight in on his son before he came to wake him--my brother would often get goose bumps on his arms and legs. The anticipation was so sweet.
"Ready, Buck?" my father would say, and sometimes Buckley said "Roger," or sometimes he said "Takeoff," but when he was most frightened and giddy and waiting for peace he just said "Yes!" And my father would take the thin cotton top sheet and bunch it up in his hands while being careful to keep the two corners between his thumb and forefinger. Then he would snap it out so the pale blue (if they were using Buckley's) or lavender (if they were using mine) sheet would spread out like a parachute above him and gently, what felt wonderfully slowly, it would waft down and touch along his exposed skin--his knees, his forearms, his cheeks and chin. Both air and cover somehow there in the same space at the same time--it felt like the ultimate freedom and protection. It was lovely, left him vulnerable and quivering on some edge and all he could hope was that if he begged him, my father would oblige and do it again. Air and cover, air and cover--sustaining the unspoken connection between them: little boy, wounded man.
That night his head lay on the pillow while his body was curled in the fetal position. He had not thought to close the blinds himself, and the lights from the nearby houses spotted the hill. He stared across his room at the louvered doors of his closet, out of which he had once imagined evil witches would escape to join the dragons beneath his bed. He no longer feared these things.
"Please don't let Daddy die, Susie," he whispered. "I need him."
When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced.
I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles and miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky turn a dark, sweet blue as it had on the night of my death, I saw someone walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so desperately?
"Susie," the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me.
"Remember?" he said.
I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.
"Grandaddy," I said.
And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry.
"Do you remember?" he asked.
"Barber!"
"Adagio for Strings," he said.
But as we danced and spun--none of the herky-jerky awkwardness of Earth--what I remembered was how I'd found him crying to this music and asked him why.
"Sometimes you cry, Susie, even when someone you love has been gone a long time." He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard.
We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco.
When the music stopped, it could have been forever since we'd begun. My grandfather took a step back, and the light grew yellow at his back.
"I'm going," he said.
"Where?" I asked.
"Don't worry, sweetheart. You're so close."
He turned and walked away, disappearing rapidly into spots and dust. Infinity.
NINETEEN
When she reached Krusoe Winery that morning, my mother found a message waiting for her, scrawled in the imperfect English of the caretaker. The word emergency was clear enough, and my mother bypassed her morning ritual of an early coffee drunk while staring out at the grapevines grafted on row upon row of sturdy white crosses. She opened up the part of the winery reserved for public tastings. Without turning on the overhead, she located the phone behind the wooden bar and dialed the number in Pennsylvania. No answer.
Then she dialed the operator in Pennsylvania and asked for the number of Dr. Akhil Singh.
"Yes," Ruana said, "Ray and I saw an ambulance pull up a few hours ago. I imagine they're all at the hospital."
"Who was it?"
"Your mother, perhaps?"
But she knew from the note that her mother had been the one who called. It was one of the children or it was Jack. She thanked Ruana and hung up. She grabbed the heavy red phone and lifted it up from underneath the bar. A ream of color sheets that they passed out to customers--"Lemon Yellow = Young Chardonnay, Straw-colored = Sauvignon Blanc..."--fell down and around her feet from where they had been kept weighted by the phone. She had habitually arrived early ever since taking the job, and now she gave a quick thanks that this was so. After that, all she could think of were the names of the local hospitals, so she called the ones to which she had rushed her young children with unexplained fevers or possible broken bones from falls. At the same hospital where I had once rushed Buckley: "A Jack Salmon was seen in emergency and is still here."
"Can you tell me what happened?"
"What is your relationship to Mr. Salmon?"
She said the words she had not said in years: "I'm his wife."
"He had a heart attack."
She hung up the phone and sat down on the rubber-and-cork mats that covered the floor on the employee side. She sat there until the shift manager arrived and she repeated the strange words: husband, heart attack.
When she looked up later she was in the caretaker's truck, and he, this quiet man who barely ever left the premises, was barreling toward San Francisco International Airport.
She paid for her ticket and boarded a flight that would connect to another in Chicago and finally land her in Philadelphia. As the plane gained height and they were buried in the clouds, my mother listened distantly to the signature bells of the plane which told the crew what to do or what to prepare for, and she heard the cocktail cart jiggling past, but instead of her fellow passengers she saw the cool stone archway at the winery, behind which the empty oak barrels were stored, and instead of the men who often sat inside there to get out of the sun she imagined my father sitting there, holding the broken Wedgwood cup out toward her.
By the time she landed in Chicago with a two-hour wait, she had steadied herself enough to buy a toothbrush and a pack of cigarettes and place a call to the hospital, this time asking to speak to Grandma Lynn.
"Mother," my mother said. "I'm in Chicago and on my way."
"Abigail, thank God," my grandmother said. "I called Krusoe again and they said you were headed for the airport."
"How is he?"
"He's asking for you."
"Are the kids there?"
"Yes, and Samuel. I was going to call you today and tell you. Samuel has asked Lindsey to marry him."
"That's wonderful," my mother said.
"Abigail?"
"Yes." She could hear her mother's hesitation, which was always rare.
"Jack's asking for Susie, too."
She lit a cigarette as soon as she walked outside the terminal at O'Hare, a school tour flooding past her with small overnight bags and band instruments, each of which had a bright yellow nametag on the side of the case. HOME OF THE PATRIOTS, they read.
It was muggy and humid in Chicago, and the smoky exhaust of double-parked cars made the heavy air noxious.
She burned through the cigarette in record time and lit another, keeping one arm tucked hard across her chest and the other one extended on each exhale. She was wearing her winery outfit: a pair of faded but clean jeans and