A PLACE CALLED
ARMAGEDDON
Constantinople 1453
C.C. HUMPHREYS
CONTENTS
Cover
Title
Dedication
Praise for C.C. Humphreys
Also by C.C. Humphreys
Dramatis Personae
To the Reader
Map of the City Walls
Map of Constantinople
Prologus
Part One: Alpha
One: Prophecy
Two: Prayers
Three: Rhinometus
Four: Beloved Of Muhammad
Five: Masks
Six: The Rescue
Seven: Rendezvous
Eight: Yaya
Nine: Persuasion
Ten: City Of Ghosts
Eleven: Walls
Twelve: Old Friends
Thirteen: The Love Of Two Brothers
Fourteen: Gone
Fifteen: The Laughing Dove
Part Two: Kappa
Sixteen: Shipwreck
Seventeen: The Standard
Eighteen: Exile’S Return
Nineteen: Before A Dying Wind
Twenty: God’S Breath
Twenty-One: Consequences
Twenty-Two: Ultimatum
Twenty-Three: Reunions
Twenty-Four: Into The Dark
Twenty-Five: ‘Give Me Mine’
Twenty-Six: Hades
Twenty-Seven: The Tower
Part Three: Omega
Twenty-Eight: Messages
Twenty-Nine: Thunder
Thirty: Signs And Portents
Thirty-One: The Cursed City
Thirty-Two: ‘It Is Written’
Thirty-Three: Forgiveness
Twenty-Four: A Place Called Armageddon
Thirty-Five: Aftermath
Thirty-Six: The Sack Of Constantinople
Thirty-Seven: Inshallah
Thirty-Eight: Faith
Epilogus: ‘A Surer Possession Than Virtue’
Historical Note
Glossary
Author’s Note
Bibliography
Copyright
To Allan Eastman
Praise for C.C. Humphreys
Vlad: The Last Confession
‘C.C. Humphreys is one of the very best historical novelists around. This is a great tale, finely woven with action, romance, palpably real characters and terrific twists of fate’
Simon Scarrow, Sunday Times bestselling author of Centurion
‘A fast-paced, intriguing and beautifully-constructed thriller’
Daily Express
‘… an uncompromising, extraordinary journey into the brutal times and tortured soul of an oft-misunderstood ruler whose reign became synonymous with terror’
Historical Novels Review
‘An accessible, fast-paced, narrative-driven … historical thriller.’
Globe and Mail Canada
The Jack Absolute Series
‘… brilliantly combines meticulous research with a breakneck pace and a terrific sense of humour’
Historical Novels Review
‘Vigorously imagined, dashingly done espionage adventure … thoroughly gripping, intensely readable’
Literary Review
‘As swash-buckling as a young Errol Flynn, languidly escaping death with the ease of a teenage James Bond, this is a roaring adventure whose pages are remorselessly consumed’
Good Book Guide
ALSO BY C.C. HUMPHREYS
Novels
The French Executioner
Blood Ties
Jack Absolute
The Blooding of Jack Absolute
Absolute Honour
Vlad: The Last Confession
Writing as Chris Humphreys
The Fetch
Vendetta
Possession
Plays
A Cage Without Bars
Glimpses of the Moon
Touching Wood
Screenplay
The French Executioner
And he gathered them together into a place called,
in the Hebrew tongue, Armageddon.
Revelation 16:16
DRAMATIS PERSONAE
The Greeks
Gregoras Lascaris (also known as ‘Zoran the Ragusan’ and ‘Rhinometus’)
Theon Lascaris
Sofia Lascaris
Thakos Lascaris
Minerva Lascaris
Constantine Palaiologos, emperor
Theophilus Palaiologos, cousin to Constantine
George Sphrantzes, historian
Theodore of Karystenos, imperial archer
Flatenelas, naval captain
Loukas Notaras, megas doux
Athene, maid
The Turks
Leilah, sorceress
Mehmet ‘Fatih’, sultan of the Turks
Hamza Bey, adviser
Achmed, farmer
Abal, Achmed’s daughter
Zaganos Pasha
Candarli Halil, grand vizier
Baltaoglu Bey, admiral
Raschid, bashibazouk
Farouk, bolukbasi
Aksemseddin, imam
Ishak Pasha
Karaca Pasha
The Genoans
Giovanni (or Gian) Giustiniani Longo, ‘the Commander’, leader of defence
Enzo the Sicilian
Amir the Syrian
Bastoni, naval captain
Bartolomeo
The Venetians
Girolamo Minotto, baillie (leader) of Venetians in city
Coco, naval commander
Bocciardi brothers
Trevisiano, naval commander
Others
John Grant (also known as Johannes), engineer
Farat, Achmed’s wife
Mounir and Mustaq, Achmed’s children
Isaac the Alchemist
Urban, Transylvanian cannon maker
Abdul-Matin, bodyguard
Stanko, Omis pirate
Don Francisco de Toledo, Castilian soldier
John of Dalmata, imperial councillor
Archbishop Leonard
Cardinal Isidore
Radu Dracula
The Man with Long Sight
Ulvikul, cat
To the Reader …
A city’s fall is rarely as sudden as Pompeii’s. Like an old man tottering on a precipice, it is a long decline that has brought him to the edge.
In 1453, such a city is Constantinople.
Blessed by geography, straddling the continents of Europe and Asia and the most important trade routes on earth, Constantinople and its Byzantine Empire had thrived, at one time controlling two-thirds of the civilised world.
Yet a thousand years of wars – foreign, civil, religious – has sapped its strength. Other Christians plundered it. The great powers of Venice and Genoa colonised it. By the mid-fifteenth century, the empire consists of little more than the impoverished city itself. Now, with doom approaching, those fellow Christians will only send help for an unthinkable price – the city has to give up its Orthodox Christianity and unite as Catholics under the Pope.
While the people riot, the emperor has no choice but to agree. Because he accepts what they do not.
The Turks are coming.
The Prophet foretold Constantinople’s fall to jihad. Yet for eight centuries, the armies of Allah have broken themselves on the city’s unbreachable walls. Even Eyoub, Muhammad’s own standard-bearer, died before them.
Then a young man picks up the banner. Determined to be the new Alexander, the new Caesar, Mehmet, sultan of all the Turks, is just twenty-one years old.
The old man totters on the
precipice … and prays that he has not given up his faith in vain. Prays for a miracle.
PROLOGUS
6 April 1453
We are coming, Greek.
Climb your highest tower, along those magnificent walls. They have kept you safe for a thousand years. Resisted every one of our attacks. Before them, where your fields and vineyards once stood, are trenches and emplacements. Empty, for now. Do you expect them to be filled with another doomed army of Islam, like all the martyrs that came and failed here before?
No. For we are different this time. There are more of us, yes. But there is something else. We have brought something else.
Close your eyes. You will hear us before you see us. We always arrive with a fanfare. We are people who like a noise. And that deep thumping, the one that starts from beyond the ridge and runs over our trenches, through the ghosts of your vineyards, rising through stone to tickle your feet? That is a drum, a kos drum, a giant belly to the giant man who beats it. There is another … no, not just one. Not fifty. More. These come with the shriek of the pipe, the sevennote sevre, seven to each drum.
The mehter bands come marching over the ridge line, sunlight sparkling on instruments inlaid with silver, off swaying brocade tassels. You blink, and then you wonder: there are thousands of them. Thousands. And these do not even carry weapons.
Those with weapons come next.
First the Rumelian division. Years ago, when you were already too weak to stop us, we bypassed your walls, conquered the lands beyond them to the north. Their peoples are our soldiers now – Vlachs, Serbs, Bulgars, Albanians. You squint against the light, wishing you did not see, hoping the blur does not conceal – but it does! – the thousands that are there, the men on horseback followed by many more on foot. Many, many more.
The men of Rumelia pass over the ridge and swing north towards the Golden Horn. When the first of them reach its waters, they halt, turn, settle. Rank on rank on the ridgeline, numberless as ants. Their mehter bands sound a last peal of notes, a last volley of drumbeats. Then all is silent.
Only for a moment. Drums again, louder if that were possible, even more trumpets. Because the Anatolian division is larger. Can you believe it? That as many men pass over the hilltop again and then just keep coming? They head to the other sea, south towards Marmara, warriors from the heartland of Turkey. The sipahi, knights mailed from neck to knee, with metal turban helms, commanding their mounts with a squeeze of thigh and a grunt, leaving hands free to hoist their war lances high, lift their great curving bows. Eventually they pass, and then behind them march the yayas, the peasant soldiers, armoured by the lords they follow, trained by them, hefting their spears, their great shields.
When at last the vast body reaches the water, they turn to face you, double-ranked. Music ceases. A breeze snaps the pennants. Horses toss their heads and snort. No man speaks. Yet there is still a space between the vast divisions of Rumelia and Anatolia. The gap concerns you – for you know it is to be filled.
It is – by a horde, as many as each of those who came before. These do not come with music. But they come screaming. They pour down, and run each way along the armoured fronts of Anatolia and Rumelia. They do not march. They have never been shown how. For these are bashibazouks, irregulars recruited from the fields of empire and the slums of cities. They are not armoured, though many have shields and each warrior a blade. Some come for God – but all for gold. Your gold, Greek. They have been told that your city is cobbled with it, and these tens of thousands will hurl themselves again and again against your walls to get it. When they die by the score – as they will – a score replaces them. Another. Each score will kill a few of you. Until it is time for the trained and armoured men to use their sacrificed bodies as bridges and kill the few of you who remain.
The horde runs, yelling, along the ordered ranks, on and on. When at last it halts, even these men fall quiet. Stay so for what seems an age. And that gap is still there, and now you almost yearn for it to be filled. Yearn too for the hush, more dreadful than all those screams, to end. So that this all ends.
And then they come. No drums. No pipes. As silent as the tread of so many can be.
You have heard of them, these warriors. Taken as Christian boys, trained from childhood in arms and in Allah, praise Him. Devoted to their corps, their comrades, their sultan. They march in their ortas, a hundred men to each one.
The janissaries have arrived.
You know their stories, these elite of the elite that have shattered Christendom’s armies again and again. In recent memory alone, at Kossovo Pol, and at Varna. As they swagger down the hill, beneath their tall white felt hats, their bronzed shields, their drawn scimitars, their breastplates dazzle with reflected sunlight.
They turn to face you, joining the whole of our army in an unbroken line from sea to sparkling sea. Again a silence comes. But not for long this time. They are waiting, as you are. Waiting for him.
He comes. Even among so many he is hard to miss, the tall young man on the huge white horse. Yet if you did not recognise him, you will by what follows him. Two poles. What hangs from one is so old, its green has turned black with the years. It looks to you what it is – a tattered piece of cloth.
It is the banner that was carried before the Prophet himself, peace be unto him. You know this, because when it is driven into the ground, a moan goes through the army. And then the second pole is placed and the moan blends with the chime of a thousand tiny bells. The breeze also lifts the horsetails that dangle from its height.
Nine horsetails. As befits a sultan’s tug.
Mehmet. Lord of lords of this world. King of believers and unbelievers. Emperor of East and West. Sultan of Rum. He has many titles more yet he craves only one. He would be ‘Fatih’.
The Conqueror.
He turns and regards all those he has gathered to this spot to do his and Allah’s will. Then his eyes turn to you. To the tower where you stand. He raises a hand, lets it fall. The janissaries part and reveal what you’d almost forgotten – that square of dug earth right opposite you, a medium bowshot away. It was empty when last you looked. But you were distracted by innumerable men. Now it is full.
Remember I told you we were bringing something different? Not only this vast army. Something new? Here it is.
A cannon. No, not a cannon. That is like calling paradise ‘a place’. This cannon is monstrous. And as befits it, it has a monster’s name. The Basilisk. It is the biggest gun that has ever been made. Five tall janissaries could lie along its length. The largest of them could not circle its bronze mouth in his arms.
Breathe, Greek! You have time. It will be days before the monster is ready to fire its ball bigger than a wine barrel. Yet once it begins, it will keep firing until … until that tower you stand on is rubble.
When it is, I will come.
For I am the Turk. I come on the bare feet of the farmer, the armoured boot of the Anatolian. In the mad dash of the serdengecti who craves death and in the measured tread of the janissary who knows a hundred ways to deal it. I clutch scimitar, scythe and spear, my fingers pull back bowstring and trigger, I have a glowing match to lower into a monster’s belly and make it spit out hell.
I am the Turk. There are a hundred thousand of me. And I am here to take your city.
– PART ONE –
Alpha
– ONE –
Prophecy
Edirne, capital of the Ottoman Empire
April 1452: one year earlier
The house looked little different from any other that faced the river. A merchant’s dwelling, its front wall was punctured by two large square openings either side of an oaken door. These had grilles to keep out intruders, while admitting the water-cooled breezes that would temper the summer heat.
Yet this was early April, the openings were shuttered and Hamza shivered. Though it was not truly the chill that caused his skin to stand up in bumps. It was the midnight hour. It was their reason for standing there. It was this
house, especially.
‘Is this the place, lo—’ He cut himself off. Even though the two men were obviously quite alone, they were not to speak their titles aloud. ‘Erol’ his younger companion wished to be called, a name that told of courage and strength. Hamza had submitted to ‘Margrub’. He knew it meant ‘desirable’. The young man had insisted on it with a smile because he did not find Hamza desirable in the least.