uty had wanted to do and they would roll around naked in the mud of the courtyard, and one afternoon they almost drowned as they made love in the cistern. In a short time they did more damage than the red ants: they destroyed the furniture in the parlor, in their madness they tore to shreds the hammock that had resisted the sad bivouac loves of Colonel Aureliano Buendia, and they disemboweled the mattresses and emptied them on the floor as they suffocated in storms of cotton. Although Aureliano was just as ferocious a lover as his rival, it was Amaranta Ursula who ruled in that paradise of disaster with her mad genius and her lyrical voracity, as if she had concentrated in her love the unconquerable energy that her great-great-grandmother had given to the making of little candy animals. And yet, while she was singing with pleasure and dying with laughter over her own inventions, Aureliano was becoming more and more absorbed and silent, for his passion was self-centered and burning. Nevertheless, they both reached such extremes of virtuosity that when they became exhausted from excitement, they would take advantage of their fatigue. They would give themselves over to the worship of their bodies, discovering that the rest periods in love had unexplored possibilities, much richer than those of desire. While he would rub Amaranta Ursula's erect breasts with egg whites or smooth her elastic thighs and peachlike stomach with cocoa butter, she would play with Aureliano's portentous creature as if it were a doll and would paint clown's eyes on it with her lipstick and give it a Turk's mustache with her eyebrow pencil, and would put on organza bow ties and little tinfoil hats. One night they daubed themselves from head to toe with peach jam and licked each other like dogs and made mad love on the floor of the porch, and they were awakened by a torrent of carnivorous ants who were ready to eat them alive.
During the pauses in their delirium, Amaranta Ursula would answer Gaston's letters. She felt him to be so far away and busy that his return seemed impossible to her. In one of his first letters he told her that his partners had actually sent the airplane, but that a shipping agent in Brussels had sent it by mistake to Tanganyika, where it was delivered to the scattered tribe of the Makondos. That mixup brought on so many difficulties that just to get the plane back might take two years. So Amaranta Ursula dismissed the possibility of an inopportune return. Aureliano, for his part, had no other contact with the world except for the letters from the wise Catalonian and the news he had of Gabriel through Mercedes, the silent pharmacist. At first they were real contacts. Gabriel had turned in his return ticket in order to stay in Paris, selling the old newspapers and empty bottles that the chambermaids threw out of a gloomy hotel on the Rue Dauphine. Aureliano could visualize him then in a turtle-neck sweater which he took off only when the sidewalk cafes of Montparnasse filled with springtime lovers, and sleeping by day and writing by night in order to confuse hunger in the room that smelled of boiled cauliflower where Rocamadour was to die. Nevertheless, news about him was slowly becoming so uncertain, and the letters from the wise man so sporadic and melancholy, that Aureliano grew to think about them as Amaranta Ursula thought about her husband, and both of them remained floating in an empty universe where the only everyday and eternal reality was love.
Suddenly, like a stampede in that world of happy unawareness, came the news of Gaston's return. Aureliano and Amaranta Ursula opened their eyes, dug deep into their souls, looked at the letter with their hands on their hearts, and understood that they were so close to each other that they preferred death to separation. Then she wrote her husband a letter of contradictory truths in which she repeated her love and said how anxious she was to see him again, but at the same time she admitted as a design of fate the impossibility of living without Aureliano. Contrary to what they had expected, Gaston sent them a calm, almost paternal reply, with two whole pages devoted to a warning against the fickleness of passion and a final paragraph with unmistakable wishes for them to be as happy as he had been during his brief conjugal experience. It was such an unforeseen attitude that Amaranta Ursula felt humiliated by the idea that she had given her husband the pretext that he had wanted in order to abandon her to her fate. The rancor was aggravated six months later when Gaston wrote again from Leopoldville, where he had finally recovered the airplane, simply to ask them to ship him the velocipede, which of all that he had left behind in Macondo was the only thing that had any sentimental value for him. Aureliano bore Amaranta Ursula's spite patiently and made an effort to show her that he could be as good a husband in adversity as in prosperity, and the daily needs that besieged them when Gaston's last money ran out created a bond of solidarity between them that was not as dazzling and heady as passion, but that let them make love as much and be as happy as during their uproarious and salacious days. At the time Pilar Ternera died they were expecting a child.
In the lethargy of her pregnancy, Amaranta Ursula tried to set up a business in necklaces made out of the backbones of fish. But except for Mercedes, who bought a dozen, she could not find any customers. Aureliano was aware for the first time that his gift for languages, his encyclopedic knowledge, his rare faculty for remembering the details of remote deeds and places without having been there, were as useless as the box of genuine jewelry that his wife owned, which must have been worth as much as all the money that the last inhabitants of Macondo could have put together. They survived miraculously. Although Amaranta Ursula did not lose her good humor or her genius for erotic mischief, she acquired the habit of sitting on the porch after lunch in a kind of wakeful and thoughtful siesta. Aureliano would accompany her. Sometimes they would remain there in silence until nightfall, opposite each other, looking into each other's eyes, loving each other as much as in their scandalous days. The uncertainty of the future made them turn their hearts toward the past. They saw themselves in the lost paradise of the deluge, splashing in the puddles in the courtyard, killing lizards to hang on Ursula, pretending that they were going to bury her alive, and those memories revealed to them the truth that they had been happy together ever since they had had memory. Going deeper into the past, Amaranta Ursula remembered the afternoon on which she had gone into the silver shop and her mother told her that little Aureliano was nobody's child because he had been found floating in a basket. Although the version seemed unlikely to them, they did not have any information enabling them to replace it with the true one. All that they were sure of after examining all the possibilities was that Fernanda was not Aureliano's mother. Amaranta Ursula was inclined to believe that he was the son of Petra Cotes, of whom she remembered only tales of infamy, and that supposition produced a twinge of horror in her heart.
Tormented by the certainty that he was his wife's brother, Aureliano ran out to the parish house to search through the moldy and moth-eaten archives for some clue to his parentage. The oldest baptismal certificate that he found was that of Amaranta Buendia, baptized in adolescence by Father Nicanor Reyna during the time when he was trying to prove the existence of God by means of tricks with chocolate. He began to have that feeling that he was one of the seventeen Aurelianos, whose birth certificates he tracked down as he went through four volumes, but the baptism dates were too far back for his age. Seeing him lost in the labyrinths of kinship, trembling with uncertainty, the arthritic priest, who was watching him from his hammock, asked him compassionately what his name was.
"Aureliano Buendia," he said.
"Then don't wear yourself out searching," the priest exclaimed with final conviction. "Many years ago there used to be a street here with that name and in those days people had the custom of naming their children after streets."
Aureliano trembled with rage.
"So!" he said. "You don't believe it either."
"Believe what?"
"That Colonel Aureliano Buendia fought thirty-two civil wars and lost them all," Aureliano answered. "That the army hemmed in and machine-gunned three thousand workers and that their bodies were carried off to be thrown into the sea on a train with two hundred cars."
The priest measured him with a pitying look.
"Oh, my son," he sighed. "It's enough for me to be sure that you and I exist at this moment."
So Aureliano and Amaranta Ursula accepted the version of the basket, not because they believed it, but because it spared them their terror. As the pregnancy advanced they were becoming a single being, they were becoming more and more integrated in the solitude of a house that needed only one last breath to be knocked down. They restricted themselves to an essential area, from Fernanda's bedroom, where the charms of sedentary love were visible, to the beginning of the porch, where Amaranta Ursula would sit to sew bootees and bonnets for the newborn baby and Aureliano would answer the occasional letters from the wise Catalonian. The rest of the house was given over to the tenacious assault of destruction. The silver shop, Melquiades' room, the primitive and silent realm of Santa Sofia de la Piedad remained in the depths of a domestic jungle that no one would have had the courage to penetrate. Surrounded by the voracity of nature, Aureliano and Amaranta Ursula continued cultivating the oregano and the begonias and defended their world with demarcations of quicklime, building the last trenches in the age-old war between man and ant. Her long and neglected hair, the splotches that were beginning to appear on her face, the swelling of her legs, the deformation of her former love-making weasel's body had changed Amaranta Ursula from the youthful creature she had been when she arrived at the house with the cage of luckless canaries and her captive husband, but it did not change the vivacity of her spirit. "Shit," she would say, laughing. "Who would have thought that we really would end up living like cannibals!" The last threat that joined them to the world was broken on the sixth month of pregnancy when they received a letter that obviously was not from the wise Catalonian. It had been mailed in Barcelona, but the envelope was addressed in conventional blue ink by an official hand and it had the innocent and impersonal look of hostile messages. Aureliano snatched it out of Amaranta Ursula's hands as she was about to open it.
"Not this one," he told her. "I don't want to know what it says."
Just as he had sensed, the wise Catalonian did not write again. The stranger's letter, which no one read, was left to the mercy of the moths on the shelf where Fernanda had forgotten her wedding ring on occasion and there it remained, consuming itself in the inner fire of its bad news as the solitary lovers sailed against the tide of those days of the last stages, those impenitent and illfated times which were squandered on the useless effort of making them drift toward the desert of disenchantment and oblivion. Aware of that menace, Aureliano and Amaranta Ursula spent the last months holding hands, ending with the love of loyalty for the child who had his beginning in the madness of fornication. At night, holding each other in bed, they were not frightened by the sublunary explosions of the ants or the noise of the moths or the constant and clean whistle of the growth of the weeds in the neighboring rooms. Many times they were awakened by the traffic of the dead. They could hear Ursula fighting against the laws of creation to maintain the line, and Jose Arcadio Buendia searching for the mythical truth of the great inventions, and Fernanda praying, and Colonel Aureliano Buendia stupefying himself with the deception of war and the little gold fishes, and Aureliano Segundo dying of solitude in the turmoil of his debauches, and then they learned that dominant obsessions can prevail against death and they were happy again with the certainty that they would go on loving each other in their shape as apparitions long after other species of future animals would steal from the insects the paradise of misery that the insects were finally stealing from man.
One Sunday, at six in the afternoon, Amaranta Ursula felt the pangs of childbirth. The smiling mistress of the little girls who went to bed because of hunger had her get onto the dining-room table, straddled her stomach, and mistreated her with wild gallops until her cries were drowned out by the bellows of a formidable male child. Through her tears Amaanta Ursula could see that he was one of those great Buendias, strong and willful like the Jose Arcadios, with the open and clairvoyant eyes of the Aurelianos, and predisposed to begin the race again from the beginning and cleanse it of its pernicious vices and solitary calling, for he was the only one in a century who had been engendered with love.
"He's a real cannibal," she said. "We'll name him Rodrigo."
"No," her husband countered. "We'll name him Aureliano and he'll win thirty-two wars."
After cutting the umbilical cord, the midwife began to use a cloth to take off the blue grease that covered his body as Aureliano held up a lamp. Only when they turned him on his stomach did they see that he had something more than other men, and they leaned over to examine him. It was the tail of a pig.
They were not alarmed. Aureliano and Amaranta Ursula were not aware of the family precedent, nor did they remember Ursula's frightening admonitions, and the midwife pacified them with the idea that the tail could be cut off when the child got his second teeth. Then they had no time to think about it again, because Amaranta Ursula was bleeding in an uncontainable torrent. They tried to help her with applications of spiderwebs and balls of ash, but it was like trying to hold back a spring with one's hands. During the first hours she tried to maintain her good humor. She took the frightened Aureliano by the hand and begged him not to worry, because people like her were not made to die against their will, and she exploded with laughter at the ferocious remedies of the midwife. But as Aureliano's hope abandoned him, she was becoming less visible, as if the light on her were fading away, until she sank into drowsiness. At dawn on Monday they brought a woman who recited cauterizing prayers that were infallible for man and beast beside her bed, but Amaranta Ursula's passionate blood was insensible to any artifice that did not come from love. In the afternoon, after twenty-four hours of desperation, they knew that she was dead because the flow had stopped without remedies and her profile became sharp and the blotches on her face evaporated in a halo of alabaster and she smiled again.
Aureliano did not understand until then how much he loved his friends, how much he missed them, and how much he would have given to be with them at that moment. He put the child in the basket that his mother had prepared for him, covered the face of the corpse with a blanket, and wandered aimlessly through the town, searching for an entrance that went back to the past. He knocked at the door of the pharmacy, where he had not visited lately, and he found a carpenter shop. The old woman who opened the door with a lamp in her hand took pity on his delirium and insisted that, no, there had never been a pharmacy there, nor had she ever known a woman with a thin neck and sleepy eyes named Mercedes. He wept, leaning his brow against the door of the wise Catalonian's former bookstore, conscious that he was paying with his tardy sobs for a death that he had refused to weep for on time so as not to break the spell of love. He smashed his fists against the cement wall of The Golden Child, calling for Pilar Ternera, indifferent to the luminous orange disks that were crossing the sky and that so many times on holiday nights he had contemplated with childish fascination from the courtyard of the curlews. In the last open salon of the tumbledown red-light district an accordion group was playing the songs of Rafael Escalona, the bishop's nephew, heir to the secrets of Francisco the Man. The bartender, who had a withered and somewhat crumpled arm because he had raised it against his mother, invited Aureliano to have a bottle of cane liquor, and Aureliano then bought him one. The bartender spoke to him about the misfortune of his arm. Aureliano spoke to him about the misfortune of his heart, withered and somewhat crumpled for having been raised against his sister. They ended up weeping together and Aureliano felt for a moment that the pain was over. But when he was alone again in the last dawn of Macondo, he opened up his arms in the middle of the square, ready to wake up the whole world, and he shouted with all his might:
"Friends are a bunch of bastards!"
Nigromanta rescued him from a pool of vomit and tears. She took him to her room, cleaned him up, made him drink a cup of broth. Thinking that it would console him, she took a piece of charcoal and erased the innumerable loves that he still owed her for, and she voluntarily brought up her own most solitary sadnesses so as not to leave him alone in his weeping. When he awoke, after a dull and brief sleep, Aureliano recovered the awareness of his headache. He opened his eyes and remembered the child.
He could not find the basket. At first he felt an outburst of joy, thinking that Amaranta Ursula had awakened from death to take care of the child. But her corpse was a pile of stones under the blanket. Aware that when he arrived he had found the door to the bedroom open, Aureliano went across the porch which was saturated with the morning sighs of oregano and looked into the dining room, where the remnants of the birth still lay: the large pot, the bloody sheets, the jars of ashes, and the twisted umbilical cord of the child on an opened diaper on the table next to the shears and the fishline. The idea that the midwife had returned for the child during the night gave him a pause of rest in which to think. He sank into the rocking chair, the same one in which Rebeca had sat during the early days of the house to give embroidery lessons, and in which Amaranta had played Chinese checkers with Colonel Gerineldo Marquez, and in which Amaranta Ursula had sewn the tiny clothing for the child, and in that flash of lucidity he became aware that he was unable to bear in his soul the crushing weight of so much past. Wounded by the fatal lances of his own nostalgia and that of others, he admired the persistence of the spiderwebs on the dead rose bushes, the perseverance of the rye grass, the patience of the air in the radiant February dawn. And then he saw the child. It was a dry and bloated bag of skin that all the ants in the world were dragging toward their holes along the stone path in the garden. Aureliano could not move. Not because he was paralyzed by horror but because at that prodigious instant Melquiades' final keys were revealed to him and he saw the epigraph of the parchments perfectly placed in the order of man's time and space: The first of the line is tied to a tree and the last is being eaten by the ants.
Aureliano had never been more lucid in any act of