I have to confess that I didn’t tell her that the house was supposed to be haunted. Friya, who was about nine then, was very brave for a girl, but I thought she might find the possibility of ghosts a little discouraging. What I did tell her was that the old house might still have Imperial treasures in it, and if it did she could have her pick of any jewelry we found.
Just to be on the safe side we slipped a couple of holy images into our pockets—Apollo for her, to cast light on us as we went through the dark woods, and Woden for me, since he was my father’s special god. (My grandmother always wanted him to pray to Jupiter Teutonicus, but he never would, saying that Jupiter Teutonicus was a god that the Romans invented to pacify our ancestors. This made my grandmother angry, naturally. “But we are Romans,” she would say. “Yes, we are,” my father would tell her, “but we’re Teutons also, or at least I am, and I don’t intend to forget it.”)
It was a fine Saturday morning in spring when we set out, Friya and I, right after breakfast, saying nothing to anybody about where we were going. The first part of the forest path was a familiar one: we had traveled it often. We went past Agrippina’s Spring, which in medieval times was thought to have magical powers, and then the three battered and weatherbeaten statues of the pretty young boy who was supposed to be the first Emperor Hadrianus’s lover two thousand years ago, and after that we came to Baldur’s Tree, which my father said was sacred, though he died before I was old enough to attend the midnight rituals that he and some of his friends used to hold there. (I think my father’s generation was the last one that took the old Teutonic religion seriously.)
Then we got into deeper, darker territory. The paths were nothing more than sketchy trails here. Marcus Aurelius had told me that we were supposed to turn left at a huge old oak tree with unusual glossy leaves. I was still looking for it when Friya said, “We turn here,” and there was the shiny-leaved oak. I hadn’t mentioned it to her. So perhaps the girls of our village told each other tales about the haunted house too; but I never found out how she knew which way to go.
Onward and onward we went, until even the trails gave out, and we were wandering through sheer wilderness. The trees were ancient here, all right, and their boughs were interlaced high above us so that almost no sunlight reached the forest floor. But we didn’t see any houses, haunted or otherwise, or anything else that indicated that human beings had ever been here. We’d been hiking for hours, now. I kept one hand on the idol of Woden in my pocket and I stared hard at every unusual-looking tree or rock we saw, trying to engrave it on my brain for use as a trail marker on the way back.
It seemed pointless to continue, and dangerous besides. I would have turned back long before, if Friya hadn’t been with me; but I didn’t want to look like a coward in front of her. And she was forging on in a tireless way, inflamed, I guess, by the prospect of finding a fine brooch or necklace for herself in the old house, and showing not the slightest trace of fear or uneasiness. But finally I had had enough.
“If we don’t come across anything in the next five minutes—” I said.
“There,” said Friya. “Look.”
I followed her pointing hand. At first all I saw was more forest. But then I noticed, barely visible behind a curtain of leafy branches, what could have been the sloping wooden roof of a rustic hunting lodge. Yes! Yes, it was! I saw the scalloped gables, I saw the boldly carved roof-posts.
So it was really there, the secret forest lodge, the old haunted house. In frantic excitement I began to run toward it, Friya chugging valiantly along behind me, struggling to catch up.
And then I saw the ghost.
He was old—ancient—a frail, gaunt figure, white-bearded, his long white hair a tangle of knots and snarls. His clothing hung in rags. He was walking slowly toward the house, shuffling, really, a bent and stooped and trembling figure clutching a huge stack of kindling to his breast. I was practically on top of him before I knew he was there.
For a long moment we stared at each other, and I can’t say which of us was the more terrified. Then he made a little sighing sound and let his bundle of firewood fall to the ground, and fell down beside it, and lay there like one dead.
“Marcus Aurelius was right!” I murmured. “There really is a ghost here!”
Friya shot me a glance that must have been a mixture of scorn and derision and real anger besides, for this was the first she had heard of the ghost story that I had obviously taken pains to conceal from her. But all she said was, “Ghosts don’t fall down and faint, silly. He’s nothing but a scared old man.” And went to him unhesitatingly.
Somehow we got him inside the house, though he tottered and lurched all the way and nearly fell half a dozen times. The place wasn’t quite a ruin, but close: dust everywhere, furniture that looked as if it’d collapse into splinters if you touched it, draperies hanging in shreds. Behind all the filth we could see how beautiful it all once had been, though. There were faded paintings on the walls, some sculptures, a collection of arms and armor worth a fortune.
He was terrified of us. “Are you from the quaestors?” he kept asking. Latin was what he spoke. “Are you here to arrest me? I’m only the caretaker, you know. I’m not any kind of a danger. I’m only the caretaker.” His lips quavered. “Long live the First Consul!” he cried, in a thin, hoarse, ragged croak of a voice.
“We were just wandering in the woods,” I told him. “You don’t have to be afraid of us.”
“I’m only the caretaker,” he said again and again.
We laid him out on a couch. There was a spring just outside the house, and Friya brought water from it and sponged his cheeks and brow. He looked half starved, so we prowled around for something to feed him, but there was hardly anything: some nuts and berries in a bowl, a few scraps of smoked meat that looked like they were a hundred years old, a piece of fish that was in better shape, but not much. We fixed a meal for him, and he ate slowly, very slowly, as if he were unused to food. Then he closed his eyes without a word. I thought for a moment that he had died, but no, no, he had simply dozed off. We stared at each other, not knowing what to do.
“Let him be,” Friya whispered, and we wandered around the house while we waited for him to awaken. Cautiously we touched the sculptures, we blew dust away from the paintings. No doubt of it, there had been Imperial grandeur here. In one of the upstairs cupboards I found some coins, old ones, the kind with the Emperor’s head on them that weren’t allowed to be used any more. I saw trinkets, too, a couple of necklaces and a jewel-handled dagger. Friya’s eyes gleamed at the sight of the necklaces, and mine at the dagger, but we let everything stay where it was. Stealing from a ghost is one thing, stealing from a live old man is another. And we hadn’t been raised to be thieves.
When we went back downstairs to see how he was doing, we found him sitting up, looking weak and dazed, but not quite so frightened. Friya offered him some more of the smoked meat, but he smiled and shook his head.
“From the village, are you? How old are you? What are your names?”
“This is Friya,” I said. “I’m Tyr. She’s nine and I’m twelve.”
“Friya. Tyr.” He laughed. “Time was when such names wouldn’t have been permitted, eh? But times have changed.” There was a flash of sudden vitality in his eyes, though only for an instant. He gave us a confidential, intimate smile. “Do you know whose place this was, you two? The Emperor Maxentius, that’s who! This was his hunting lodge. Caesar himself! He’d stay here when the stags were running, and hunt his fill, and then he’d go on into Venia, to Trajan’s palace, and there’d be such feasts as you can’t imagine, rivers of wine, and the haunches of venison turning on the spit—ah, what a time that was, what a time!”
He began to cough and sputter. Friya put her arm around his thin shoulders.
“You shouldn’t talk so much, sir. You don’t have the strength.”
“You’re right. You’re right.” He patted her hand. His was like a skeleton’s. “How long ago it all was.
But here I stay, trying to keep the place up—in case Caesar ever wanted to hunt here again—in case—in case—” A look of torment, of sorrow. “There isn’t any Caesar, is there? First Consul! Hail! Hail Junius Scaevola!” His voice cracked as he raised it.
“The Consul Junius is dead, sir,” I told him. “Marcellus Turritus is First Consul now.”
“Dead? Scaevola? Is it so?” He shrugged. “I hear so little news. I’m only the caretaker, you know. I never leave the place. Keeping it up, in case—in case—”
But of course he wasn’t the caretaker. Friya never thought he was: she had seen, right away, the resemblance between that shriveled old man and the magnificent figure of Caesar Maxentius in the painting behind him on the wall. You had to ignore the difference in age—the Emperor couldn’t have been much more than thirty when his portrait was painted—and the fact that the Emperor was in resplendent bemedaled formal uniform and the old man was wearing rags. But they had the same long chin, the same sharp, hawklike nose, the same penetrating icy-blue eyes. It was the royal face, all right. I hadn’t noticed; but girls have a quicker eye for such things. The Emperor Maxentius’s youngest brother was who this gaunt old man was, Quintus Fabius Caesar, the last survivor of the old Imperial house, and, therefore, the true Emperor himself. Who had been living in hiding ever since the downfall of the Empire at the end of the Second War of Reunification.
He didn’t tell us any of that, though, until our third or fourth visit. He went on pretending he was nothing but a simple old man who had happened to be stranded here when the old regime was overthrown, and was simply trying to do his job, despite the difficulties of age, on the chance that the royal family might some day be restored and would want to use its hunting lodge again.
But he began to give us little gifts, and that eventually led to his admitting his true identity.
For Friya he had a delicate necklace made of long slender bluish beads. “It comes from Aegyptus,” he said. “It’s thousands of years old. You’ve studied Aegyptus in school, haven’t you? You know that it was a great empire long before Roma ever was?” And with his own trembling hands he put it around her neck.
That same day he gave me a leather pouch in which I found four or five triangular arrowheads made of a pink stone that had been carefully chipped sharp around the edges. I looked at them, mystified. “From Nova Roma,” he explained. “Where the redskinned people live. The Emperor Maxentius loved Nova Roma, especially the far west, where the bison herds are. He went there almost every year to hunt. Do you see the trophies?” And, indeed, the dark musty room was lined with animal heads, great massive bison with thick curling brown wool, glowering down out of the gallery high above.
We brought him food, sausages and black bread that we brought from home, and fresh fruit, and beer. He didn’t care for the beer and asked rather timidly if we could bring him wine instead. “I am Roman, you know,” he reminded us. Getting wine for him wasn’t so easy, since we never used it at home, and a twelve-year-old boy could hardly go around to the wineshop to buy some without starting tongues wagging. In the end I stole some from the Temple while I was helping out my grandmother. It was thick sweet wine, the kind used for offerings, and I don’t know how much he liked it. But he was grateful. Apparently an old couple who lived on the far side of the woods had looked after him for some years, bringing him food and wine, but in recent weeks they hadn’t been around and he had had to forage for himself, with little luck: that was why he was so gaunt. He was afraid they were ill or dead, but when I asked where they lived, so I could find out whether they were all right, he grew uneasy and refused to tell me. I wondered about that. If I had realized then who he was, and that the old couple must have been Empire loyalists, I’d have understood. But I still hadn’t figured out the truth.
Friya broke it to me that afternoon, as we were on our way home. “Do you think he’s the Emperor’s brother, Tyr? Or the Emperor himself?”
“What?”
“He’s got to be one or the other. It’s the same face.”
“I don’t know what you’re talking about, sister.”
“The big portrait on the wall, silly. Of the Emperor. Haven’t you noticed that it looks just like him?”
I thought she was out of her mind. But when we went back the following week, I gave the painting a long close look, and looked at him, and then at the painting again, and I thought, yes, yes, it might just be so.
What clinched it were the coins he gave us that day. “I can’t pay you in money of the Republic for all you’ve brought me,” he said. “But you can have these. You won’t be able to spend them, but they’re still valuable to some people, I understand. As relics of history.” His voice was bitter. From a worn old velvet pouch he drew out half a dozen coins, some copper, some silver. “These are coins of Maxentius,” he said. They were like the ones we had seen while snooping in the upstairs cupboards on our first visit, showing the same face as on the painting, that of a young, vigorous bearded man. “And these are older ones, coins of Emperor Laureolus, who was Caesar when I was a boy.”
“Why, he looks just like you!” I blurted.
Indeed he did. Not nearly so gaunt, and his hair and beard were better trimmed; but otherwise the face of the regal old man on those coins might easily have been that of our friend the caretaker. I stared at him, and at the coins in my hand, and again at him. He began to tremble. I looked at the painting on the wall behind us again. “No,” he said faintly. “No, no, you’re mistaken—I’m nothing like him, nothing at all—” And his shoulders shook and he began to cry. Friya brought him some wine, which steadied him a little. He took the coins from me and looked at them in silence a long while, shaking his head sadly, and finally handed them back. “Can I trust you with a secret?” he asked. And his tale came pouring out of him. The truth. The truth that he had held locked up in his bosom all those long years.
He spoke of a glittering boyhood, almost sixty years earlier, in that wondrous time between the two Wars of Reunification: a magical life, endlessly traveling from palace to palace, from Roma to Venia, from Venia to Constantinopolis, from Constantinopolis to Nishapur. He was the youngest and most pampered of five royal princes; his father had died young, drowned in a foolish swimming exploit, and when his grandfather Laureolus Augustus died the Imperial throne would go to his brother Maxentius. He himself, Quintus Fabius, would be a provincial governor somewhere when he grew up, perhaps in Syria or Persia, but for now there was nothing for him to do but enjoy his gilded existence.
Then death came at last to old Emperor Laureolus, and Maxentius succeeded him; and almost at once there began the four-year horror of the Second War of Reunification, when somber and harsh colonels who despised the lazy old Empire smashed it to pieces, rebuilt it as a Republic, and drove the Caesars from power. We knew the story, of course; but to us it was a tale of the triumph of virtue and honor over corruption and tyranny. To Quintus Fabius, weeping as he told it to us from his own point of view, the fall of the Empire had been not only a harrowing personal tragedy but a terrible disaster for the entire world.
Good little Republicans though we were, our hearts were wrung by the things he told us, the scenes of his family’s agony: the young Emperor Maxentius trapped in his own palace, gunned down with his wife and children at the entrance to the Imperial baths. Camillus, the second brother, who had been Prince of Constantinopolis, pursued through the streets of Roma at dawn and slaughtered by revolutionaries on the steps of the Temple of Castor and Pollux. Prince Flavius, the third brother, escaping from the capital in a peasant’s wagon, hidden under huge bunches of grapes, and setting up a government-in-exile in Neapolis, only to be taken and executed before he had been Emperor a full week. Which brought the succession down to sixteen-year-old Prince Augustus, who had been at the university in Parisi. Well named, he was: for the first of all the Emperors was an Augustus, and another one two thousand years later was the last, reigning all of three days before the men of the Second Republic f
ound him and put him before the firing squad.
Of the royal princes, only Quintus Fabius remained. But in the confusion he was overlooked. He was hardly more than a boy; and, although technically he was now Caesar, it never occurred to him to claim the throne. Loyalist supporters dressed him in peasant clothes and smuggled him out of Roma while the capital was still in flames, and he set out on what was to become a lifetime of exile.
“There were always places for me to stay,” he told us. “In out-of-the-way towns where the Republic had never really taken hold, in backwater provinces, in places you’ve never heard of. The Republic searched for me for a time, but never very well, and then the story began to circulate that I was dead. The skeleton of some boy found in the ruins of the palace in Roma was said to be mine. After that I could move around more or less freely, though always in poverty, always in secrecy.”
“And when did you come here?” I asked.
“Almost twenty years ago. Friends told me that this hunting lodge was here, still more or less intact as it had been at the time of the Revolution, and that no one ever went near it, that I could live here undisturbed. And so I have. And so I will, for however much time is left.” He reached for the wine, but his hands were shaking so badly that Friya took it from him and poured him a glass. He drank it in a single gulp. “Ah, children, children, what a world you’ve lost! What madness it was, to destroy the Empire! What greatness existed then!”
“Our father says things have never been so good for ordinary folk as they are under the Republic,” Friya said.