dy.
Derby's son would survive the war. Derby wouldn't. That good body of his would be filled with holes by a firing squad in Dresden in sixty-eight days. So it goes.
The worst American body wasn't Billy's. The worst body belonged to a car thief from Cicero, Illinois. His name was Paul Lazzaro. He was tiny, and not only were his bones and teeth rotten, but his skin was disgusting. Lazzaro was polka-dotted all over with dime-sized scars. He had had many plagues of boils.
Lazzaro, too, had been on Roland Weary's boxcar, and had given his word of honor to Weary that he would find some way to make Billy Pilgrim pay for Weary's death. He was looking around now, wondering which naked human being was Billy.
The naked Americans took their places under many showerheads along a white-tiled wall. There were no faucets they could control. They could only wait for whatever was coming. Their penises were shriveled and their balls were retracted. Reproduction was not the main business of the evening.
An unseen hand turned a master valve. Out of the showerheads gushed scalding rain. The rain was a blowtorch that did not warm. It jazzed and jangled Billy's skin without thawing the ice in the marrow of his long bones.
The Americans' clothes were meanwhile passing through poison gas. Body lice and bacteria and fleas were dying by the billions. So it goes.
And Billy zoomed back in time to his infancy. He was a baby who had just been bathed by his mother. Now his mother wrapped him in a towel, carried him into a rosy room that was filled with sunshine. She unwrapped him, laid him on the tickling towel, powdered him between his legs, joked with him, patted his little jelly belly. Her palm on his little jelly belly made potching sounds.
Billy gurgled and cooed.
*
And then Billy was a middle-aged optometrist again, playing hacker's golf this time--on a blazing summer Sunday morning. Billy never went to church any more. He was hacking with three other optometrists. Billy was on the green in seven strokes, and it was his turn to putt.
It was an eight-foot putt and he made it. He bent over to take the ball out of the cup, and the sun went behind a cloud. Billy was momentarily dizzy. When he recovered, he wasn't on the golf course any more. He was strapped to a yellow contour chair in a white chamber aboard a flying saucer, which was bound for Tralfamadore.
"Where am I?" said Billy Pilgrim.
"Trapped in another blob of amber, Mr. Pilgrim. We are where we have to be just now--three hundred million miles from Earth, bound for a time warp which will get us to Tralfamadore in hours rather than centuries."
"How--how did I get here?"
"It would take another Earthling to explain it to you. Earthlings are the great explainers, explaining why this event is structured as it is, telling how other events may be achieved or avoided. I am a Tralfamadorian, seeing all time as you might see a stretch of the Rocky Mountains. All time is all time. It does not change. It does not lend itself to warnings or explanations. It simply is. Take it moment by moment, and you will find that we are all, as I've said before, bugs in amber."
"You sound to me as though you don't believe in free will," said Billy Pilgrim.
"If I hadn't spent so much time studying Earthlings," said the Tralfamadorian, "I wouldn't have any idea what was meant by 'free will.' I've visited thirty-one inhabited planets in the universe, and I have studied reports on one hundred more. Only on Earth is there any talk of free will."
5
BILLY PILGRIM says that the Universe does not look like a lot of bright little dots to the creatures from Tralfamadore. The creatures can see where each star has been and where it is going, so that the heavens are filled with rarefied, luminous spaghetti. And Tralfamadorians don't see human beings as two-legged creatures, either. They see them as great millepedes--"with babies' legs at one end and old people's legs at the other," says Billy Pilgrim.
Billy asked for something to read on the trip to Tralfamadore. His captors had five million Earthling books on microfilm, but no way to project them in Billy's cabin. They had only one actual book in English which would be placed in a Tralfamadorian museum. It was Valley of the Dolls, by Jacqueline Susann.
Billy read it, thought it was pretty good in spots. The people in it certainly had their ups and downs, ups and downs. But Billy didn't want to read about the same ups and downs over and over again. He asked if there wasn't, please, some other reading matter around.
"Only Tralfamadorian novels, which I'm afraid you couldn't begin to understand," said the speaker on the wall.
"Let me look at one anyway."
So they sent him in several. They were little things. A dozen of them might have had the bulk of Valley of the Dolls--with all its ups and downs, ups and downs.
Billy couldn't read Tralfamadorian, of course, but he could at least see how the books were laid out--in brief clumps of symbols separated by stars. Billy commented that the clumps might be telegrams.
"Exactly," said the voice.
"They are telegrams?"
"There are no telegrams on Tralfamadore. But you're right: each clump of symbols is a brief, urgent message--describing a situation, a scene. We Tralfamadorians read them all at once, not one after the other. There isn't any particular relationship between all the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time."
Moments after that, the saucer entered a time warp, and Billy was flung back into his childhood. He was twelve years old, quaking as he stood with his mother and father on Bright Angel Point, at the rim of the Grand Canyon. The little human family was staring at the floor of the canyon, one mile straight down.
"Well--" said Billy's father, manfully kicking a pebble into space, "there it is." They had come to this famous place by automobile. They had had seven blowouts on the way.
"It was worth the trip," said Billy's mother raptly. "Oh, God--was it ever worth it."
Billy hated the canyon. He was sure that he was going to fall in. His mother touched him, and he wet his pants.
There were other tourists looking down into the canyon, too, and a ranger was there to answer questions. A Frenchman who had come all the way from France asked the ranger in broken English if many people committed suicide by jumping in.
"Yes, sir," said the ranger. "About three folks a year." So it goes.
And Billy took a very short trip through time, made a peewee jump of only ten days, so he was still twelve, still touring the West with his family. Now they were down in Carlsbad Caverns, and Billy was praying to God to get him out of there before the ceiling fell in.
A ranger was explaining that the Caverns had been discovered by a cowboy who saw a huge cloud of bats come out of a hole in the ground. And then he said that he was going to turn out all the lights, and that it would probably be the first time in the lives of most people there that they had ever been in darkness that was total.
Out went the lights. Billy didn't even know whether he was still alive or not. And then something ghostly floated in air to his left. It had numbers on it. His father had taken out his pocket watch. The watch had a radium dial.
Billy went from total dark to total light, found himself back in the war, back in the delousing station again. The shower was over. An unseen hand had turned the water off.
When Billy got his clothes back, they weren't any cleaner, but all the little animals that had been living in them were dead. So it goes. And his new overcoat was thawed out and limp now. It was much too small for Billy. It had a fur collar and a lining of crimson silk, and had apparently been made for an impresario about as big as an organ-grinder's monkey. It was full of bullet holes.
Billy Pilgrim dressed himself. He put on the little overcoat, too. It split up the back, and, at the shoulders, the sleeves came entirely free. So the coat became a fur-collared vest. It was meant to flare at its owner's waist, but the flaring took place at Billy's armpits. The Germans found him to be one of the most screamingly funny things they had seen in all of World War Two. They laughed and laughed.
And the Germans told everybody else to form in ranks of five, with Billy as their pivot. Then out of doors went the parade, and through gate after gate again. There were more starving Russians with faces like radium dials. The Americans were livelier than before. The jazzing with hot water had cheered them up. And they came to a shed where a corporal with only one arm and one eye wrote the name and serial number of each prisoner in a big, red ledger. Everybody was legally alive now. Before they got their names and numbers in that book, they were missing in action and probably dead.
So it goes.
As the Americans were waiting to move on, an altercation broke out in their rear-most rank. An American had muttered something which a guard did not like. The guard knew English, and he hauled the American out of ranks, knocked him down.
The American was astonished. He stood up shakily, spitting blood. He'd had two teeth knocked out. He had meant no harm by what he'd said, evidently, had no idea that the guard would hear and understand.
"Why me?" he asked the guard.
The guard shoved him back into ranks. "Vy you? Vy anybody?" he said.
When Billy Pilgrim's name was inscribed in the ledger of the prison camp, he was given a number, too, and an iron dogtag in which that number was stamped. A slave laborer from Poland had done the stamping. He was dead now. So it goes.
Billy was told to hang the tag around his neck along with his American dogtags, which he did. The tag was like a salt cracker, perforated down its middle so that a strong man could snap it in two with his bare hands. In case Billy died, which he didn't, half of the tag would mark his body and half would mark his grave.
After poor Edgar Derby, the high school teacher, was shot in Dresden later on, a doctor pronounced him dead and snapped his dogtag in two. So it goes.
Properly enrolled and tagged, the Americans were led through gate after gate again. In two days' time now their families would learn from the International Red Cross that they were alive.
Next to Billy was little Paul Lazzaro, who had promised to avenge Roland Weary. Lazzaro wasn't thinking about vengeance. He was thinking about his terrible bellyache. His stomach had shrunk to the size of a walnut. That dry, shriveled pouch was as sore as a boil.
Next to Lazzaro was poor, doomed old Edgar Derby, with his American and German dogs displayed like a necklace, on the outside of his clothes. He had expected to become a captain, a company commander, because of his wisdom and age. Now here he was on the Czechoslovakian border at midnight.
"Halt," said a guard.
The Americans halted. They stood there quietly in the cold. The sheds they were among were outwardly like thousands of other sheds they had passed. There was this difference, though: the sheds had tin chimneys, and out of the chimneys whirled constellations of sparks.
A guard knocked on a door.
The door was flung open from inside. Light leaped out through the door, escaped from prison at 186,000 miles per second. Out marched fifty middle-aged Englishmen. They were singing "Hail, Hail, the Gang's All Here" from the Pirates of Penzance.
These lusty, ruddy vocalists were among the first English-speaking prisoners to be taken in the Second World War. Now they were singing to nearly the last. They had not seen a woman or a child for four years or more. They hadn't seen any birds, either. Not even sparrows would come into the camp.
The Englishmen were officers. Each of them had attempted to escape from another prison at least once. Now they were here, dead-center in a sea of dying Russians.
They could tunnel all they pleased. They would inevitably surface within a rectangle of barbed wire, would find themselves greeted listlessly by dying Russians who spoke no English, who had no food or useful information or escape plans of their own. They could scheme all they pleased to hide aboard a vehicle or steal one, but no vehicle ever came into their compound. They could feign illness, if they liked, but that wouldn't earn them a trip anywhere, either. The only hospital in the camp was a six-bed affair in the British compound itself.
The Englishmen were clean and enthusiastic and decent and strong. They sang boomingly well. They had been singing together every night for years.
The Englishmen had also been lifting weights and chinning themselves for years. Their bellies were like washboards. The muscles of their calves and upper arms were like cannonballs. They were all masters of checkers and chess and bridge and cribbage and dominoes and anagrams and charades and Ping-Pong and billiards, as well.
They were among the wealthiest people in Europe, in terms of food. A clerical error early in the war, when food was still getting through to prisoners, had caused the Red Cross to ship them five hundred parcels every month instead of fifty. The Englishmen had hoarded these so cunningly that now, as the war was ending, they had three tons of sugar, one ton of coffee, eleven hundred pounds of chocolate, seven hundred pounds of tobacco, seventeen hundred pounds of tea, two tons of flour, one ton of canned beef, twelve hundred pounds of canned butter, sixteen hundred pounds of canned cheese, eight hundred pounds of powdered milk, and two tons of orange marmalade.
They kept all this in a room without windows. They had ratproofed it by lining it with flattened tin cans.
They were adored by the Germans, who thought they were exactly what Englishmen ought to be. They made war look stylish and reasonable, and fun. So the Germans let them have four sheds, though one shed would have held them all. And, in exchange for coffee or chocolate or tobacco, the Germans gave them paint and lumber and nails and cloth for fixing things up.
The Englishmen had known for twelve hours that American guests were on their way. They had never had guests before, and they went to work like darling elves, sweeping, mopping, cooking, baking--making mattresses of straw and burlap bags, setting tables, putting party favors at each place.
Now they were singing their welcome to their guests in the winter night. Their clothes were aromatic with the feast they had been preparing. They were dressed half for battle, half for tennis or croquet. They were so elated by their own hospitality, and by all the goodies waiting inside, that they did not take a good look at their guests while they sang. And they imagined that they were singing to fellow officers fresh from the fray.
They wrestled the Americans toward the shed door affectionately, filling the night with manly blather and brotherly rodomontades. They called them "Yank," told them "Good show," promised them that "Jerry was on the run," and so on.
Billy Pilgrim wondered dimly who Jerry was.
Now he was indoors, next to an iron cookstove that was glowing cherry red. Dozens of teapots were boiling there. Some of them had whistles. And there was a witches' cauldron full of golden soup. The soup was thick. Primeval bubbles surfaced it with lethargical majesty as Billy Pilgrim stared.
There were long tables set for a banquet. At each place was a bowl made from a can that had once contained powdered milk. A smaller can was a cup. A taller, more slender can was a tumbler. Each tumbler was filled with warm milk.
At each place was a safety razor, a washcloth, a package of razor blades, a chocolate bar, two cigars, a bar of soap, ten cigarettes, a book of matches, a pencil, and a candle.
Only the candles and the soap were of German origin. They had a ghostly, opalescent similarity. The British had no way of knowing it, but the candles and the soap were made from the fat of rendered Jews and Gypsies and fairies and communists, and other enemies of the State.
So it goes.
The banquet hall was illuminated by candlelight. There were heaps of fresh-baked white bread on the tables, gobs of butter, pots of marmalade. There were platters of sliced beef from cans. Soup and scrambled eggs and hot marmalade pie were yet to come.
And, at the far end of the shed, Billy saw pink arches with azure draperies hanging between them, and an enormous clock, and two golden thrones, and a bucket and a mop. It was in this setting that the evening's entertainment would take place, a musical version of Cinderella, the most popular story ever told.
Billy Pilgrim was on fire, having stood too close to the glowing stove. The hem of his little coat was burning. It was a quiet, patient sort of fire--like the burning of punk.
Billy wondered if there was a telephone somewhere. He wanted to call his mother, to tell her he was alive and well.
There was silence now, as the Englishmen looked in astonishment at the frowsy creatures they had so lustily waltzed inside. One of the Englishmen saw that Billy was on fire. "You're on fire, lad!" he said, and he got Billy away from the stove and beat out the sparks with his hands.
When Billy made no comment on this, the Englishman asked him, "Can you talk? Can you hear?"
Billy nodded.
The Englishman touched him exploratorily here and there, filled with pity. "My God--what have they done to you, lad? This isn't a man. It's a broken kite."
"Are you really an American?" said the Englishman.
"Yes," said Billy.
"And your rank?"
"Private."
"What became of your boots, lad?"
"I don't remember."
"Is that coat a joke?"
"Sir?"
"Where did you get such a thing?"
Billy had to think hard about that. "They gave it to me," he said at last.
"Jerry gave it to you?"
"Who?"
"The Germans gave it to you?"
"Yes."
Billy didn't like the questions. They were fatiguing.
"Ohhhh--Yank, Yank, Yank--" said the Englishman, "that coat was an insult."
"Sir?"
"It was a deliberate attempt to humiliate you. You mustn't let Jerry do things like that."
Billy Pilgrim swooned.
Billy came to on a chair facing the stage. He had somehow eaten, and now he was watching Cinderella. Some part of him had evidently