Meanwhile, I did not accept the invitation to stay at Muoth's house, and he did not press me. I went there every day and it gladdened me to see that Gertrude liked me to come and enjoyed chatting and making music with me, so that the pleasure was not only mine.
It was now definite that my opera would be performed in December. I stayed in Munich two weeks, was present at all the orchestral rehearsals, made alterations and adjustments here and there, but saw the work in good hands. It seemed strange to see the singers, the violinists and flautists, the conductor and the chorus occupied with my work, which had now become alien to me and had life and breath that were no longer mine.
"Just wait," said Heinrich Muoth. "You will soon have to breathe the accursed air of publicity. I almost wish for your sake that the opera will not be a success, for you will then have the mob after you. Then you will have to deal with locks of hair and autographs, and taste the approbation and kindness of the admiring public. Everyone is already talking about your crippled leg. Anything like that makes one popular!"
After the necessary rehearsals I took my departure, arranging to come back a few days before the performance. Teiser asked me endless questions about the rehearsals. He thought of numerous orchestral details that I had scarcely considered and he was more excited and anxious about the whole affair than I was. When I invited him and his sister to come with me to the performance, he jumped for joy. On the other hand, my mother did not welcome the winter journey and all the excitement, and I agreed that she should stay behind. Gradually, I began to feel more excited and had to take a glass of port at night to help me sleep.
Winter came early, and our little house and garden lay deep in snow when, one morning, the Teisers called for me in a cab. My mother waved goodbye to us from the window, the cab drove off, and Teiser, with a thick scarf round his neck, sang a traveling song. During the whole long journey he was like a boy going home for the Christmas holidays, and pretty Brigitte was glowing, expressing her pleasure more quietly. I was glad of their company, for I was no longer calm, and awaited the events of the next few days like one under sentence.
Muoth, who was waiting for me at the railway station, noticed it immediately. "You are suffering from stage fright, young man," he said and laughed with pleasure. "Thank goodness for that! After all, you are a musician and not a philosopher."
He seemed to be right, for my excitement lasted until the performance took place, and I did not sleep during those nights. Muoth was the only calm person among us all. Teiser burned with excitement; he came to every rehearsal and made endless criticisms. Huddled up and attentive, he sat beside me during rehearsals, beat time with his clenched hand during difficult passages, and alternately praised or shook his head.
"There's a flute missing!" he cried out at the first orchestral rehearsal he attended, so loudly that the conductor looked across at us with annoyance.
"We have had to omit it," I said, smiling.
"Omit a flute? Why? What a crazy thing to do! Be careful, or they will ruin the whole overture."
I had to laugh and hold him back forcibly because he was so critical. But during his favorite part, where the violas and cellos came in, he leaned back with closed eyes, pressed my hand from time to time, and afterward whispered to me, abashed: "That almost brought tears to my eyes. It is beautiful!"
I had not yet heard the soprano part sung. It now seemed strange and sad to hear it sung for the first time by another singer. She sang it well, and I thanked her as soon as she had finished, but inwardly I thought of the afternoons when Gertrude had sung those words, and I had a feeling of unadmitted discontent, as when one gives a precious possession away and sees it in strange hands for the first time.
I saw little of Gertrude during those days. She observed my excitement with a smile and let me alone. I had visited her with the Teisers. She received Brigitte very warmly, and the girl was full of admiration for the beautiful, gracious woman. From that time she was most enthusiastic about Gertrude and praised her volubly, and her brother did likewise.
I can no longer remember the details of the two days preceding the performance; everything is confused in my mind. There were additional reasons for excitement: one singer became hoarse, another was annoyed at not having a larger part and behaved very badly during the last rehearsals. The conductor became cooler and more formal as a result of my directions. Muoth came to my aid at opportune moments, smiled calmly at all the tumult, and during this time was of more value to me than Teiser, who ran here and there like a demon, making criticisms everywhere. Brigitte looked at me with reverence but also with some sympathy when, during quieter periods, we sat together in the hotel, weary and rather silent.
The days passed and the evening of the performance arrived. While the audience was entering the theater, I stood backstage without having anything more to do or to suggest. Finally, I stayed with Muoth, who was already in his costume and in a small room away from all the noise was slowly emptying half a bottle of champagne.
"Will you have a glass?" he asked sympathetically.
"No," I said. "Doesn't it overexcite you?"
"What? All the activity outside? It is always like that."
"I mean the champagne."
"Oh no, it soothes me. I always have to have a glass or two before I want to do anything. But go now, it is nearly time."
I was led by an attendant into a private box, where I found Gertrude and both the Teisers, as well as an important personage from the management of the theater, who greeted me with a smile.
Directly afterward we heard the second bell. Gertrude gave me a friendly look and nodded to me. Teiser, who sat behind me, seized my arm and pinched it with excitement. The theater became dark, and the sounds of my overture solemnly rose to me from below. I now became calmer.
Then my work appeared before me, so familiar and yet so alien, which no longer needed me and had a life of its own. The pleasures and troubles of past days, the hopes and sleepless nights, the passion and longing of that period confronted me, detached and transformed. Emotions experienced in secret were transmitted clearly and movingly to a thousand unknown people in the theater. Muoth appeared and began singing with some reserve. Then his voice grew stronger; he let himself go and sang in his deeply passionate manner; the soprano responded in a high, sweet voice. Then came a part which I could so well remember hearing Gertrude sing, which expressed my admiration for her and was a quiet confession of my love. I averted my glance and looked into her bright eyes, which acknowledged me and greeted me warmly, and for a moment the memory of my whole youth was like the sweet fragrance of a ripe fruit.
From that moment I felt more calm and listened like any other member of the audience. There was a burst of applause. The singers appeared before the curtain and bowed. Muoth was recalled a number of times and smiled calmly down into the now illuminated theater. I was also pressed to appear, but I was far too overcome by emotion and had no desire to limp out of my pleasant retreat.
Teiser, on the other hand, laughed with a face like the rising sun, put his arm through mine and also impetuously shook both hands of the important personage from the theater management.
The banquet was ready and would have been held even if the opera had been a failure. We traveled to the banquet in cabs, Gertrude with her husband, and the Teisers and I together. During the short journey Brigitte, who had not yet said a word, suddenly began to weep. At first she tried to restrain herself, but she soon covered her face with her hands and let the tears flow. I did not like to say anything and was surprised that Teiser was likewise silent and asked no questions. He just put his arm around her and murmured a few kind, comforting words as one would to a child.
Later, during the shaking of hands, the good wishes and toasts, Muoth winked at me sarcastically. People inquired with interest about my next work and were disappointed when I said that it would be an oratorio. Then they drank to my next opera, which has never been written to this day.
Only much later in
the evening, when we had departed and were on our way to bed, was I able to ask Teiser what was the matter with his sister, why she had wept. She herself had long since gone to bed. My friend looked at me searchingly and with some surprise, shook his head and whistled, until I repeated my question.
"You are as blind as a bat," he then said reproachfully. "Have you not noticed anything then?"
"No," I said with a growing suspicion of the truth.
"Well, I will tell you. The girl has been fond of you for a long time. Naturally she has never told me so, any more than she has you, but I have noticed it, and to tell the truth, I should be very happy if something came of it."
"Oh dear!" I said with real sadness. "But what was the matter this evening?"
"You mean, why did she weep? You are a child! Do you think we did not see?"
"See what?"
"Good heavens! You don't need to tell me anything, and you were right to be silent about it in the past; but then you should not have looked at Mrs. Muoth like that. Now we understand quite clearly."
I did not ask him to keep my secret. I knew I could trust him. He gently placed his hand on my shoulder.
"I can now well imagine, my dear friend, all that you have gone through during these years without telling us anything. I once had a similar experience myself. Let us stay together now and make good music, shall we? And also see that the girl is consoled. Give me your hand! It has been wonderful! Well, goodbye until I see you again at home. I am traveling back with Brigitte tomorrow morning."
We then parted, but he came running back a few moments later and said with great seriousness: "The flute must be included again in the next performance. Don't forget!"
That was how the day of rejoicing ended, and we all lay awake for a long time thinking about it. I thought about Brigitte, too. I had seen a great deal of her all this time and I was a good friend of hers, which was all I desired, just as Gertrude had been a good friend of mine, and when Brigitte had guessed my love for another, it was the same for her as it was for me when I had discovered the letter at Muoth's house and had later loaded my revolver. Although this made me feel sad, I could not help but smile.
I spent most of the remainder of my days in Munich with the Muoths. It was no longer like those afternoons in the past when the three of us first used to sing and play together, but in the afterglow of the performance of the opera there was an unspoken mutual remembrance of that time, and also an occasional rekindling of former feelings between Muoth and Gertrude. When I finally said goodbye to them, I gazed back for a while at the peaceful-looking house among the bare trees. I hoped to return there some day and would gladly have given my little success and happiness away in order to help those two inside to draw close to each other again and for always.
Chapter Eight
ON MY RETURN HOME I was greeted, as Heinrich had predicted, with the notoriety of my success and many of its unpleasant but, in part, slightly ridiculous consequences. It was easy to dispose of the burden of commercial matters; I simply put the opera in the hands of an agent. But there were visitors, newspaper people, publishers and foolish letters, and it took time to grow accustomed to the smaller burdens of sudden fame and to recover from initial disillusionment. People have a peculiar way of claiming a hold on a well-known name, with no distinction made among infant prodigies, composers, poets, thieves and murderers. One person wants a photograph, another an autograph, a third begs for money; every young colleague submits his work, asks for an opinion and is extremely flattering, but if one does not reply, or really tells him what one thinks, the admirer suddenly turns bitter, uncivil and vengeful. Magazines want the famous man's picture, newspapers describe his life, origins and appearance; school friends remind him of their existence, and distant relatives declare they said years ago their cousin would become famous one day.
Among the harassing letters of this kind, there was one from Miss Schniebel that amused me. There was also one from someone I had not thought about for a long time: the fair Liddy, who wrote without mentioning our toboggan ride, and in the tone of an old faithful friend. She had married a music teacher in her home town and gave me her address so that I could soon send all my compositions with a flattering dedication to her. She enclosed a photograph, however, that showed the well-known features grown older and coarsened. I replied to her in very cordial terms.
But these little things concerned minor issues that left no important trace behind. Even the good and refreshing fruits of my success, such as making the acquaintance of cultured and distinguished people who had music in their souls and did not just talk about it, did not belong to my real life, which later, as in the past, remained detached and has changed very little since then. All that remains is for me to tell you of the turn of events in the lives of my closest friends.
Old Mr. Imthor did not entertain as much as when Gertrude had been there, but every three weeks, among the numerous pictures at his house, he held a musical evening with selected chamber music, which I regularly attended. I sometimes brought Teiser along with me, but Imthor pressed me to come and see him apart from these visits. So I sometimes went there in the evening, which was his favorite time, and kept him company in his simply furnished study, where there was a portrait of Gertrude on one of the walls. The old gentleman and I, although outwardly reserved with each other, gradually came to a good understanding and felt the need to talk to each other, and it was therefore not rare for us to talk about what occupied our minds most. I had to tell him about Munich and I did not conceal the impression I had received of the relationship between the couple. He nodded understandingly.
"Everything may yet turn out all right," he said, sighing, "but we can't do anything. I am looking forward to the summer, when I shall have my child with me for two months. I rarely visit her in Munich and do not care to go there. Besides, she behaves so bravely that I do not want to disturb her and make her weaken."
Gertrude's letters did not bring anything new. But when she visited her father round Easter, and also came to our little house, she looked thin and tense, and although she tried to be natural with us and to cover things up, we often saw an expression of unaccustomed hopelessness on her face, which had become serious. I played my latest music to her, but when I asked her to sing something for us, she gently shook her head and refused.
"Another time," she said uncertainly.
We could all see that she was unhappy, and her father confessed to me later that he had suggested she remain with him for good, but she had refused.
"She loves him," I said.
He shrugged his shoulders and looked at me with distress. "I don't know. Who can analyze this misery? But she said she was staying with him for his sake. He is so bewildered and unhappy and needs her more than he thinks. He does not say anything to her, but it is written on his face."
Then the old man lowered his voice and said quite softly and with shame: "She means he drinks."
"He has always done that a little," I said, trying to comfort him, "but I have never seen him drunk. He keeps himself under control in that way. He is a nervous type of person who is not used to self-discipline, but perhaps causes himself more suffering than he does other people."
None of us knew how terribly these two fine people suffered in secret. I do not think that they ever stopped loving each other, but deep down in their natures they did not belong to one another; they only drew closer through passion and in the intoxication of exalted hours. A calm acceptance of life and a tacit understanding of his own nature were things that Muoth had never known and Gertrude could only be patient with and regret his outbursts and depressions, his swift change of moods, his continual desire for self-forgetfulness and intoxication; but she could not change or live with them. So they loved each other and yet were never quite close to each other, and while he saw himself cheated of all his hopes of finding peace and happiness through her, Gertrude realized, and suffered in this knowledge, that all her good intentions and efforts were in vain, and that
she could not comfort him and save him from himself. Thus they both had their secret dream and dearest wish shattered. They could only remain together by making sacrifices and showing forbearance, and it was brave of them to do this.
I saw Heinrich again in the summer when he brought Gertrude to her father. He was more gentle and attentive to her and to me than I had ever seen him before. I perceived how much he feared to lose her, and I also felt that he would never to able to bear such a loss. But she was weary and desired nothing but rest and quiet in order to compose herself and recover her strength and tranquillity. We spent one mild evening together in our garden. Gertrude sat between Brigitte and my mother, whose hand she held. Heinrich walked quietly to and fro among the roses, and I played a violin sonata with Teiser on the terrace. The way Gertrude rested there and enjoyed the peace of those hours, how Brigitte affectionately pressed close to the sad, beautiful woman, and how Muoth walked about quietly in the shadows with his head bowed and listened for us, are things that are indelibly stamped on my mind. Afterwards Heinrich said somewhat jokingly but with sad eyes: "Just look at the three women sitting there together; the only one among them who looks happy is your mother. We should also try to grow old like her."
After this, we all parted ways. Muoth traveled alone to Bayreuth, Gertrude went with her father into the mountains, the Teisers to Steiermark, and my mother and I went to the coast of the North Sea again. There I often walked along the shore, listened to the sea, and thought as I had done in my youth, with amazement and horror, about the sad and senseless confusion of life, that one could love in vain, that people who meant well toward each other should work out their destinies separately, each one going his own inexplicable way, and how each would like to help and draw close to the other and yet was unable to do so, as in troubled meaningless dreams. I often thought of Muoth's remarks about youth and old age, and I was curious whether life would ever seem simple and clear to me. My mother smiled when I mentioned this during conversation and looked really peaceful. She made me feel ashamed by reminding me of my friend Teiser, who was not yet old but was old enough to have had his share of experiences, and yet went on living in a carefree way like a child, with a Mozart melody on his lips. It had nothing to do with age, I saw that clearly, and perhaps our suffering and ignorance was only the sickness about which Mr. Lohe had talked to me. Or was that wise man another child like Teiser?