Roald Dahl
Switch Bitch
Penguin Books
Contents
The Visitor
The Great Switcheroo
The Last Act
Bitch
PENGUIN BOOKS
Switch Bitch
Roald Dahl's parents were Norwegian, but he was born in Llandaff, Glamorgan, in 1916 and educated at Repton School. On the outbreak of the Second World War, he enlisted in the RAF at Nairobi. He was severely wounded after joining a fighter squadron in Libya, but later saw service as a fighter pilot in Greece and Syria. In 1942 he went to Washington as Assistant Air Attache, which was where he started to write, and then was transferred to Intelligence, ending the war as a wing commander. His first twelve short stories, based on his wartime experiences, were originally published in leading American magazines and afterwards as a book, Over to You. All of his highly acclaimed stories have been widely translated and have become bestsellers all over the world. Anglia Television dramatized a selection of his short stories under the title Tales of the Unexpected. Among his other publications are two volumes of autobiography, Boy and Going Solo, his much-praised novel, My Uncle Oswald, and Roald Dahl's Book of Ghost Stories, of which he was editor. During the last year of his life he compiled a book of anecdotes and recipes with his wife, Felicity, which was published by Penguin in 1996 as Roald Dahl's Cookbook. He is one of the most successful and well known of all children's writers, and his books are read by children all over the world. These include James and the Giant Peach, Charlie and the Chocolate Factory, The Magic Finger, Charlie and the Great Glass Elevator, Fantastic Mr Fox, The Twits, The Witches, winner of the 1983 Whitbread Award, The BFG and Matilda.
Roald Dahl died in November 1990. The Times described him as 'one of the most widely read and influential writers of our generation' and wrote in its obituary: 'Children loved his stories and made him their favourite... They will be classics of the future.' In 2000 Roald Dahl was voted the nation's favourite author in the World Book Day poll.
For more information on Roald Dahl go to www.roalddahl.com
Roald Dahl In Penguin
Fiction
Over to You Someone Like You
Kiss Kiss Switch Bitch
Tales of the Unexpected My Uncle Oswald
More Tales of the Unexpected
The Wonderful Story of Henry Sugar
The Best of Roald Dahl
Roald Dahl's Book of Ghost Stories (editor)
Completely Unexpected Tales
Ah, Sweet Mystery of Life
The Collected Short Stories of Roald Dahl Non-Fiction
Boy Going Solo
(also published together in one volume)
Roald Dahl's Cookbook
(with Felicity Dahl)
The Visitor
Not long ago, a large wooden case was deposited at the door of my house by the railway delivery service. It was an unusually strong and well-constructed object, and made of some kind of dark-red hardwood, not unlike mahogany. I lifted it with great difficulty on to a table in the garden, and examined it carefully. The stencilling on one side said that it had been shipped from Haifa by the m/v Waverley Star, but I could find no sender's name or address. I tried to think of somebody living in Haifa or thereabouts who might be wanting to send me a magnificent present. I could think of no one. I walked slowly to the toolshed, still pondering the matter deeply, and returned with a hammer and screwdriver. Then I began gently to prise open the top of the case.
Behold, it was filled with books! Extraordinary books! One by one, I lifted them all out (not yet looking inside any of them) and stacked them in three tall piles on the table. There were twenty-eight volumes altogether, and very beautiful they were indeed. Each of them was identically and superbly bound in rich green morocco, with the initials O.H.C. and a Roman numeral (I to XXVIII) tooled in gold upon the spine.
I took up the nearest volume, number XVI, and opened it. The unlined white pages were filled with a neat small handwriting in black ink. On the title page was written '1934'. Nothing else. I took up another volume, number XXI. It contained more manuscript in the same handwriting, but on the title page it said '1939'. I put it down and pulled out volume I, hoping to find a preface of some kind there, or perhaps the author's name. Instead, I found an envelope inside the cover. The envelope was addressed to me. I took out the letter it contained and glanced quickly at the signature. Oswald Hendryks Cornelius, it said.
It was Uncle Oswald!
No member of the family had heard from Uncle Oswald for over thirty years. This letter was dated 10 March 1964, and until its arrival, we could only assume that he still existed. Nothing was really known about him except that he lived in France, that he travelled a great deal, that he was a wealthy bachelor with unsavoury but glamorous habits who steadfastly refused to have anything to do with his own relatives. The rest was all rumour and hearsay, but the rumours were so splendid and the hearsay so exotic that Oswald had long since become a shining hero and a legend to us all.
'My dear boy,' the letter began,
I believe that you and your three sisters are my closest surviving blood relations. You are therefore my rightful heirs, and because I have made no will, all that I leave behind me when I die will be yours. Alas, I have nothing to leave. I used to have quite a lot, and the fact that I have recently disposed of it all in my own way is none of your business. As consolation, though, I am sending you my private diaries. These, I think, ought to remain in the family. They cover all the best years of my life, and it will do you no harm to read them. But if you show them around or lend them to strangers, you do so at your own great peril. If you publish them, then that, I should imagine, would be the end of both you and your publisher simultaneously. For you must understand that thousands of the heroines whom I mention in the diaries are still only half dead, and if you were foolish enough to splash their lilywhite reputation with scarlet print, they would have your head on a salver in two seconds flat, and probably roast it in the oven for good measure. So you'd better be careful. I only met you once. That was years ago, in 1921, when your family was living in that large ugly house in South Wales. I was your big uncle and you were a very small boy, about five years old. I don't suppose you remember the young Norwegian nursemaid you had then. A remarkably clean, well-built girl she was, and exquisitely shaped even in her uniform with its ridiculously starchy white shield concealing her lovely bosom. The afternoon I was there, she was taking you for a walk in the woods to pick bluebells, and I asked if I might come along. And when we got well into the middle of the woods, I told you I'd give you a bar of chocolate if you could find your own way home. And you did (see Vol. III). You were a sensible child. Farewell - Oswald Hendryks Cornelius.
The sudden arrival of the diaries caused much excitement in the family, and there was a rush to read them. We were not disappointed. It was astonishing stuff - hilarious, witty, exciting, and often quite touching as well. The man's vitality was unbelievable. He was always on the move, from city to city, from country to country, from woman to woman, and in between the women, he would be searching for spiders in Kashmir or tracking down a blue porcelain vase in Nanking. But the women always came first. Wherever he went, he left an endless trail of females in his wake, females ruffled and ravished beyond words, but purring like cats.
Twenty-eight volumes with exactly three hundred pages to each volume takes a deal of reading, and there are precious few writers who could hold an audience over a distance like that. But Oswald did it. The narrative never seemed to lose its flavour, the pace seldom slackened, and almost without exception, every single entry, whether it was long or short, and whatever the subject, became a marvellous little individual story that was complete in itself. And at the end of it all, whe
n the last page of the last volume had been read, one was left with the rather breathless feeling that this might just possibly be one of the major autobiographical works of our time.
If it were regarded solely as a chronicle of a man's amorous adventures, then without a doubt there was nothing to touch it. Casanova's Memoirs read like a Parish Magazine in comparison, and the famous lover himself, beside Oswald, appears positively undersexed.
There was social dynamite on every page; Oswald was right about that. But he was surely wrong in thinking that the explosions would all come from the women. What about their husbands, the humiliated cock-sparrows, the cuckolds? The cuckold, when aroused, is a very fierce bird indeed, and there would be thousands upon thousands of them rising up out of the bushes if The Cornelius Diaries, unabridged, saw the light of day while they were still alive. Publication, therefore, was right out of the question.
A pity, this. Such a pity, in fact, that I thought something ought to be done about it. So I sat down and re-read the diaries from beginning to end in the hope that I might discover at least one complete passage which could be printed and published without involving both the publisher and myself in serious litigation. To my joy, I found no less than six. I showed them to a lawyer. He said he thought they might be 'safe', but he wouldn't guarantee it. One of them - The Sinai Desert Episode - seemed 'safer' than the other five, he added.
So I have decided to start with that one and to offer it for publication right away, at the end of this short preface. If it is accepted and all goes well, then perhaps I shall release one or two more.
The Sinai entry is from the last volume of all, Vol. XXVIII, and is dated 24 August 1946. In point of fact, it is the very last entry of the last volume of all, the last thing Oswald ever wrote, and we have no record of where he went or what he did after that date. One can only guess. You shall have the entry verbatim in a moment, but first of all, and so that you may more easily understand some of the things Oswald says and does in his story, let me try to tell you a little about the man himself. Out of the mass of confession and opinion contained in those twenty-eight volumes, there emerges a fairly clear picture of his character.
At the time of the Sinai episode, Oswald Hendryks Cornelius was fifty-one years old, and he had, of course, never been married. 'I am afraid,' he was in the habit of saying, 'that I have been blessed or should I call it burdened, with an uncommonly fastidious nature.'
In some ways, this was true, but in others, and especially in so far as marriage was concerned, the statement was the exact opposite of the truth.
The real reason Oswald had refused to get married was simply that he had never in his life been able to confine his attentions to one particular woman for longer than the time it took to conquer her. When that was done, he lost interest and looked around for another victim.
A normal man would hardly consider this a valid reason for remaining single, but Oswald was not a normal man. He was not even a normal polygamous man. He was, to be honest, such a wanton and incorrigible philanderer that no bride on earth would have put up with him for more than a few days, let alone for the duration of a honeymoon - although heaven knows there were enough who would have been willing to give it a try.
He was a tall, narrow person with a fragile and faintly aesthetic air. His voice was soft, his manner was courteous, and at first sight he seemed more like a gentleman-in-waiting to the queen than a celebrated rapscallion. He never discussed his amorous affairs with other men, and a stranger, though he sit and talk with him all evening, would be unable to observe the slightest sign of deceit in Oswald's clear blue eyes. He was, in fact, precisely the sort of man that an anxious father would be likely to choose to escort his daughter safely home.
But sit Oswald beside a woman, a woman who interested him, and instantaneously his eyes would change, and as he looked at her, a small dangerous spark would begin dancing slowly in the very centre of each pupil; and then he would set about her with his conversation, talking to her rapidly and cleverly and almost certainly more wittily than anyone else had ever done before. This was a gift he had, a most singular talent, and when he put his mind to it, he could make his words coil themselves around and around the listener until they held her in some sort of a mild hypnotic spell.
But it wasn't only his fine talk and the look in his eyes that fascinated the women. It was also his nose. (In Vol. XIV, Oswald includes, with obvious relish, a note written to him by a certain lady in which she describes such things as this in great detail.) It appears that when Oswald was aroused, something odd would begin to happen around the edges of his nostrils, a tightening of the rims, a visible flaring which enlarged the nostril holes and revealed whole areas of the bright red skin inside. This created a queer, wild, animalistic impression, and although it may not sound particularly attractive when described on paper, its effect upon the ladies was electric.
Almost without exception, women were drawn toward Oswald. In the first place, he was a man who refused to be owned at any price, and this automatically made him desirable. Add to this the unusual combination of a first-rate intellect, an abundance of charm, and a reputation for excessive promiscuity, and you have a potent recipe.
Then again, and forgetting for a moment the disreputable and licentious angle, it should be noted that there were a number of other surprising facets to Oswald's character that in themselves made him a rather intriguing person. There was, for example, very little that he did not know about nineteenth-century Italian opera, and he had written a curious little manual upon the three composers Donizetti, Verdi, and Ponchielli. In it, he listed by name all the important mistresses that these men had had during their lives, and he went on to examine, in a most serious vein, the relationship between creative passion and carnal passion, and the influence of the one upon the other, particularly as it affected the works of these composers.
Chinese porcelain was another of Oswald's interests, and he was acknowledged as something of an international authority in this field. The blue vases of the Tchin-Hoa period were his special love, and he had a small but exquisite collection of these pieces.
He also collected spiders and walking sticks.
His collection of spiders, or more accurately his collection of Arachnida, because it included scorpions and pedipalps, was possibly as comprehensive as any outside a museum, and his knowledge of the hundreds of genera and species was impressive. He maintained, incidentally (and probably correctly), that the spider's silk was superior in quality to the ordinary stuff spun by silkworms, and he never wore a tie that was made of any other material. He possessed about forty of these ties altogether, and in order to acquire them in the first place, and in order also to be able to add two new ties a year to his wardrobe, he had to keep thousands and thousands of Arana and Epeira diademata (the common English garden spiders) in an old conservatory in the garden of his country house outside Paris, where they bred and multiplied at approximately the same rate as they ate one another. From them, he collected the raw thread himself - no one else would enter that ghastly glasshouse - and sent it to Avignon, where it was reeled and thrown and scoured and dyed and made into cloth. From Avignon, the cloth was delivered directly to Sulka, who were enchanted by the whole business, and only too glad to fashion ties out of such a rare and wonderful material.
'But you can't really like spiders?' the women visitors would say to Oswald as he displayed his collection.
'Oh, but I adore them,' he would answer. 'Especially the females. They remind me so much of certain human females that I know. They remind me of my very favourite human females.'
'What nonsense, darling.'
'Nonsense? I think not.'
'It's rather insulting.'
'On the contrary, my dear, it is the greatest compliment I could pay. Did you not know, for instance, that the female spider is so savage in her lovemaking that the male is very lucky indeed if he escapes with his life at the end of it all. Only if he is exceedingly agile and marvellously ingenio
us will he get away in one piece.'
'Now, Oswald!'
'And the crab spider, my beloved, the teeny-weeny little crab spider is so dangerously passionate that her lover has to tie her down with intricate loops and knots of his own thread before he dares to embrace her...'
'Oh, stop it, Oswald, this minute!' the women would cry, their eyes shining.
Oswald's collection of walking sticks was something else again. Every one of them had belonged either to a distinguished or a disgusting person, and he kept them all in his Paris apartment, where they were displayed in two long racks standing against the walls of the passage (or should one call it the highway?) which led from the living-room to the bedroom. Each stick had its own ivory label above it, saying Sibelius, Milton, King Farouk, Dickens, Robespierre, Puccini, Oscar Wilde, Franklin Roosevelt, Goebbels, Queen Victoria, Toulouse-Lautrec, Hindenburg, Tolstoy, Laval, Sarah Bernhardt, Goethe, Voroshiloff, Cezanne, Toho... There must have been over a hundred of them in all, some very beautiful, some very plain, some with gold or silver tops, and some with curly handles.
'Take down the Tolstoy,' Oswald would say to a pretty visitor. 'Go on, take it down... that's right... and now... now rub your own palm gently over the knob that has been worn to a shine by the great man himself. Is it not rather wonderful, the mere contact of your skin with that spot?'
'It is, rather, isn't it.'
'And now take the Goebbels and do the same thing. Do it properly, though. Allow your palm to fold tightly over the handle... good... and now... now lean your weight on it, lean hard, exactly as the little deformed doctor used to do... there... that's it... now stay like that for a minute or so and then tell me if you do not feel a thin finger of ice creeping all the way up your arm and into your chest?'
'It's terrifying!'
'Of course it is. Some people pass out completely. They keel right over.'
Nobody ever found it dull to be in Oswald's company, and perhaps that, more than anything else, was the reason for his success.