He nodded curtly at this memory and lowered his head stiffly back on to the firmly plumped up pillows and ran the back of his finely freckled hand over the folded-back linen sheet. Quite simply he was in love with linen. Clean, lightly starched, white Irish linen, pressed, folded, tucked--the words themselves were almost a litany of desire for him. In centuries nothing had obsessed him or moved him so much as linen now did. He could not for the life of him understand how he could ever have cared for anything else.

  Linen.

  And sleep. Sleep and linen. Sleep in linen. Sleep.

  Sister Bailey regarded him with a sort of proprietary fondness. She did not know that he was a god as such, in fact she thought he was probably an old film producer or Nazi war criminal. Certainly he had an accent she couldn't quite place and his careless civility, his natural selfishness and his obsession with personal hygiene spoke of a past that was rich with horrors.

  If she could have been transported to where she might see her secretive patient enthroned, warrior father of the warrior Gods of Asgard, she would not have been surprised. That is not quite true, in fact. She would have been startled quite out of her wits. But she would at least have recognised that it was consistent with the qualities she perceived in him, once she had recovered from the shock of discovering that virtually everything the human race had ever chosen to believe in was true. Or that it continued to be true long after the human race particularly needed it to be true any more.

  Odin dismissed his medical attendants with a gesture, having first asked for his personal assistant to be found and sent to him once more.

  This caused Sister Bailey to tighten her lips just a very little. She did not like Mr Odwin's personal assistant, general factotum, manservant, call him what you will. His eyes were malevolent, he made her jump, and she strongly suspected him of making unspeakable suggestions to her nurses during their tea breaks.

  He had what Sister Bailey supposed was what people meant by an olive complexion, in that it was extraordinarily close to being green. Sister Bailey was convinced that it was not right at all.

  She was of course the last person to judge somebody by the colour of their skin--or if not absolutely the last, she had at least done it as recently as yesterday afternoon when an African diplomat had been brought in to have some gallstones removed and she had conceived an instant resentment of him. She didn't like him. She couldn't say exactly what it was she didn't like about him, because she was a nurse, not a taxi-driver, and she wouldn't let her personal feelings show for an instant. She was much too professional, much too good at her job, and treated everyone with a more or less equal efficient and cheerful courtesy, even, she thought--and a profound iciness settled on her at this point--even Mr Rag.

  "Mr Rag" was the name of Mr Odwin's personal assistant. There was nothing she could do about it. It was not her place to criticise Mr Odwin's personal arrangements. But if it had been her business, which it wasn't, then she would greatly have preferred it, and not just for herself, but for Mr Odwin's own well-being as well, which was the important thing, if he could have employed someone who didn't give her the absolute heebie-jeebies, that was all.

  She thought no more about it, merely went to look for him. She had been relieved to discover when she came on duty this morning that Mr Rag had left the premises the previous night, but had then, with a keen sense of disappointment, spotted him returning about an hour or so ago.

  She found him exactly where he was not supposed to be. He was squatting on one of the seats in the visitors' waiting-room wearing what looked horribly like a soiled and discarded doctor's gown that was much too big for him. Not only that, but he was playing a thinly unmusical tune on a sort of pipe that he had obviously carved out of a large disposable hypodermic syringe which he absolutely should not have had.

  He glanced up at her with his quick, dancing eyes, grinned and continued to tootle and squeak, only significantly louder.

  Sister Bailey ran through in her mind all the things that it was completely pointless to say about either the coat or the syringe, or about him being in the visitors' room frightening, or preparing to frighten, the visitors. She knew she wouldn't be able to stand the air of injured innocence with which he would reply, or the preposterous absurdity of his answers. Her only course was simply to let it pass and just get him away from the room and out of the way as quickly as possible.

  "Mr Odwin would like to see you," she said. She tried to jam some of her normal lilting quality into her voice, but it just wouldn't go. She wished his eyes would stop dancing like that. Apart from finding it highly disturbing from both a medical and aesthetic point of view she also could not help but be piqued by the impression it conveyed that there were at least thirty-seven things in the room more interesting than her.

  He gazed at her in this disconcerting manner for a few seconds then, muttering that there was no peace for the wicked, not even the extremely wicked, he pushed past Sister Bailey and skedaddled up the corridor to receive instructions from his lord and master, quickly, before his lord and master fell asleep.

  8

  * * *

  By the end of the morning Kate had discharged herself from hospital. There were some initial difficulties involved in this because first the ward sister and then the doctor in charge of Kate's case were adamant that she was in no fit state to leave. She had only just emerged from a minor coma and she needed care, she needed--

  "Pizza-" insisted Kate.

  --rest, she needed--

  "--my own home, and fresh air. The air in here is horrible. It smells like a vacuum cleaner's armpit."

  --further medication, and should definitely remain under observation for another day or so until they were satisfied that she had made a full recovery.

  At least, they were fairly adamant. During the course of the morning Kate demanded and got a telephone and started trying to order pizza to be delivered to her ward. She phoned around all of the least co-operative pizza restaurants she knew in London, harangued them, then made some noisily unsuccessful attempts to muster a motorbike to roam around the West End and try and pick up for her an American Hot with a list of additional peppers and mushrooms and cheeses which the controller of the courier service refused even to attempt to remember, and after an hour or so of this sort of behaviour the objections to Kate discharging herself from the hospital gradually fell away like petals from an autumn rose.

  And so, a little after lunchtime, she was standing on a bleak West London street feeling weak and shaky but in charge of herself. She had with her the empty, tattered remains of the garment bag which she had refused to relinquish, and also a small scrap of paper in her purse, which had a single name scribbled on it.

  She hailed a taxi and sat in the back with her eyes closed most of the way back to her home in Primrose Hill. She climbed up the stairs and let herself into her top-floor flat. There were ten messages on her answering machine, which she simply erased without listening to.

  She threw open the window in her bedroom and for a moment or two leaned out of it at the rather dangerous and awkward angle which allowed her to see a patch of the park. It was a small comer patch, with just a couple of plane trees standing in it. The backs of some of the intervening houses framed it, or rather, just failed totally to obscure it, and made it very personal and private to Kate in a way which a vast, sweeping vista would not have been.

  On one occasion she had gone to this corner of the park and walked around the invisible perimeter that marked out the limits of what she could see, and had come very close to feeling that this was her own domain. She had even patted the plane trees in a proprietorial sort of way, and had then sat beneath them watching the sun going down over London--over its badly spoiled skyline and its non-delivering pizza restaurants--and had come away with a profound sense of something or other, though she wasn't quite certain what. Still, she had told herself, these days she should feel grateful for a profound sense of anything at all, however unspecific.

  She hauled herself
in from the window, left it wide open in spite of the chill of the outside air, padded through into the small bathroom and ran the bath. It was a bath of the sprawling Edwardian type which took up a wonderfully disproportionate amount of the space available, and encompassed most of the rest of the room with cream-painted pipes. The taps seethed. As soon as the room was sufficiently full of steam to be warm, Kate undressed and then went and opened the large bathroom cupboard.

  She felt faintly embarrassed by the sheer profusion of things she had for putting in baths, but she was for some reason incapable of passing any chemist or herb shop without going in to be seduced by some glass-stoppered bottle of something blue or green or orange and oily that was supposed to restore the natural balance of some vague substance she didn't even know she was supposed to have in her pores.

  She paused, trying to choose.

  Something pink? Something with extra Vitamin B? Vitamin B12? B13? Just the number of things with different types of Vitamin B in them was an embarrassment of choice in itself. There were powders as well as oils, tubes of gel, even packets of some kind of pungent smelling seed that was meant to be good for some obscure part of you in some arcane way.

  How about some of the green crystals? One day, she had told herself in the past, she would not even bother trying to choose, but would simply put a bit of everything in. When she really felt in need of it. She rather thought that today was the day, and with a sudden reviving rush of pleasure she set about pouring a drop or two of everything in the cupboard into the seething bath until it was confused with mingling, muddying colours and verging on the glutinous to touch.

  She turned off the taps, went to her handbag for a moment, then returned and lowered herself into the bath, where she lay with her eyes closed, breathing slowly for fully three minutes before at last turning her attention to the scrap of paper she had brought with her from the hospital.

  It had one word on it, and it was a word she had dragged out of an oddly reluctant young nurse who had taken her temperature that morning.

  Kate had questioned her about the big man. The big man whom she had encountered at the airport, whose body she had seen in a nearby side ward in the early hours of the night.

  "Oh no," the nurse had said, "he wasn't dead. He was just in some sort of coma."

  Could she see him? Kate had asked. What was his name?

  She had tried to ask idly, in passing as it were, which was a difficult trick to pull off with a thermometer in her mouth, and she wasn't at all certain she had succeeded. The nurse had said that she couldn't really say, she wasn't really meant to talk about other patients. And anyway, the man wasn't there any more, he had been taken somewhere else. They had sent an ambulance to collect him and take him somewhere else.

  This had taken Kate considerably by surprise.

  Where had they taken him? What was this special place? But the nurse had been unwilling to say anything much more, and a second or two later had been summoned away by the Sister. The only word the nurse had said was the one that Kate had then scribbled down on the piece of paper she was now looking at.

  The word was "Woodshead".

  Now that she was more relaxed she had a feeling that the name was familiar to her in some way, though she could not remember where she had heard it.

  The instant she remembered, she could not stay in the bath any longer, but got out and made straight for the telephone, pausing only briefly to shower all the gunk off her.

  9

  * * *

  The big man awoke and tried to look up, but could hardly raise his head. He tried to sit up but couldn't do that either. He felt as if he'd been stuck to the floor with superglue and after a few seconds he discovered the most astounding reason for this.

  He jerked his head up violently, yanking out great tufts of yellow hair which stayed painfully stuck to the floor, and looked around him. He was in what appeared to be a derelict warehouse, probably an upper floor judging by the wintry sky he could see creeping past the grimy, shattered windows.

  The ceilings were high and hung with cobwebs built by spiders who did not seem to mind that most of what they caught was crumbling plaster and dust. They were supported by pillars made from upright steel joists on which the dirty old cream paint was bubbled and flaking, and these in turn stood on a floor of battered old oak on to which he had clearly been glued. Extending out for a foot or two in a rough oval all around his naked body the floor glistened darkly and dully. Thin, nostril-cleaning fumes rose from it. He could not believe it. He roared with rage, tried to wriggle and shake himself but succeeded only in tugging painfully at his skin where it was stuck fast to the oak planks.

  This had to be the old man's doing.

  He threw his head back hard against the floor in a blow that cracked the boards and made his ears sing. He roared again and took some furious satisfaction in making as much hopeless, stupid noise as he could. He roared until the steel pillars rang and the cracked remains of the windows shattered into finer shards. Then, as he threw his head angrily from one side to the other he caught sight of his sledge-hammer leaning against the wall a few feet from him, heaved it up into the air with a word, and sent it hurtling round the great space, beating and clanging on every pillar until the whole building reverberated like a mad gong.

  Another word and the hammer flew back at him, missed his head by a hand's-width and punched straight down through the floor, shattering the wood and the plaster below.

  In the darker space beneath him the hammer spun, and swung round in a slow heavy parabola as bits of plaster fell about it and rattled on the concrete floor below. Then it gathered a violent momentum and hurtled back up through the ceiling, smacking up a stack of startled splinters as it punched through another oak floorboard a hand's-width from the soles of the big man's feet.

  It soared up into the air, hung there for a moment as if its weight had suddenly vanished, then, deftly flicking its short handle up above its head, it drove hard back down through the floor again--then up again, then down again, punching holes in a splintered ring around its master until, with a long heavy groan, the whole oval section of punctured floor gave way and plunged, twisting, through the air. It shattered itself against the floor below amidst a rain of plaster debris, from which the figure of the big man then emerged, staggering, flapping at the dusty air and coughing. His back, his arms and his legs were still covered with great splintered hunks of oak flooring, but at least he was able to move. He leant the flat of his hands against the wall and violently coughed some of the dust from his lungs.

  As he turned back, his hammer danced out of the air towards him, then suddenly evaded his grasp and skidded joyfully off across the floor striking sparks from the concrete with its great head, flipped up and parked itself against a nearby pillar at a jaunty angle.

  In front of him the shape of a large Coca-Cola vending machine loomed through the settling cloud of dust. He regarded it with the gravest suspicion and worry. It stood there with a sort of glazed, blank look to it, and had a note from his father stuck on the front panel saying whatever he was doing, stop it. It was signed "You-know-who", but this had been crossed out and first the word "Odin" and then in larger letters "Your Father" had been substituted. Odin never ceased to make absolutely clear his view of his son's intellectual accomplishments. The big man tore the note off and stared at it in anger. A postscript added darkly "Remember Wales. You don't want to go through all that again." He screwed the note up and hurled it out of the nearest window, where the wind whipped it up and away. For a moment he thought he heard an odd squeaking noise, but it was probably just the blustering of the wind as it whistled between the nearby derelict buildings.

  He turned and walked to the window and stared out of it in a belligerent sulk. Glued to the floor. At his age. What the devil was that supposed to mean? "Keep your head down," was what he guessed. "If you don't keep it down, I'll have to keep it down for you." That was what it meant. "Stick to the ground."

  He remember
ed now the old man saying exactly that to him at the time of all the unpleasantness with the Phantom fighter jet. "Why can't you just stick to the ground?" he had said. He could imagine the old man in his soft-headed benign malice thinking it very funny to make the lesson so literal.

  Rage began to rumble menacingly inside him but he pushed it down hard. Very worrying things had recently begun happening when he got angry and he had a bad feeling, looking back at the Coca-Cola vending machine, that another of those very worrying things must have just happened. He stared at it and fretted.

  He felt ill.

  He had felt ill a lot of late, and he found it impossible to discharge what were left of his godly duties when he felt he was suffering from a sort of continual low-grade flu. He experienced headaches, dizzy spells, guilt and all the sorts of ailments that were featured so often in television advertisements. He even suffered terrifying blackouts whenever the great rage gripped him.

  He always used to have such a wonderful time getting angry. Great gusts of marvellous anger would hurl him through life. He felt huge. He felt flooded with power and light and energy. He had always been provided with such wonderful things to get angry about--immense acts of provocation or betrayal, people hiding the Atlantic ocean in his helmet, dropping continents on him or getting drunk and pretending to be trees. Stuff you could really work up a rage about and hit things. In short he had felt good about being a Thunder God. Now suddenly it was headaches, nervous tension, nameless anxieties and guilt. These were new experiences for a god, and not pleasant ones.

  "You look ridiculous!"

  The voice screeched out and affected Thor like fingernails scratched across a blackboard lodged in the back of his brain. It was a mean voice, a spiteful, jeering voice, a cheap white nylon shirt of a voice, a shiny-trousered pencil moustache of a voice, a voice, in short, which Thor did not like. He reacted very badly to it at the best of times, and was particularly provoked to have to hear it while standing naked in the middle of a decrepit warehouse with large sections of an oak floor still stuck to his back.