Hugh and I were thenceforth joined at the fucking hip and I will not depress myself by remembering the living arrangements in those years when I was half mad with rage and disappointment to find myself reduced to cutting beef for William Angliss in a factory out at Williamstown, and my brother often suffered badly, being abandoned in cars at night, pubs past closing time, in the care of car thieves, junkies, Monash undergraduates. By the time I met the Plaintiff, as she now prefers to be known, he would not tolerate being left with others and there was no choice but that he continue in my so-called care.
I had bought the house in East Ryde when my auction prices were riding high i.e. in 1973 the Art Gallery of New South Wales had finally condescended to give me a retrospective. I cannot tell you how beautiful the street was then, when there was still light industry, before Jean-Paul, before the pool houses, the BMWs. The land sloped towards the north and the garden was a wild and living thing with secret daffodils and cherry tomatoes tangled in the grass, also twisted geriatric apple trees, Ribston Pippin, Laxton’s Fortune, varieties since eliminated by product managers, chain-store buyers, all greater pests than the Codling Moth.
The Plaintiff was tall and as graceful as a cat, and I was as vain and foolish as a twenty-eight-year-old could be, plodding through the popping lights of cameras with a bloody tigress on my arm. Who would not have envied me? She was gorgeous as a movie star, honey-coloured, her genetic history a continual puzzle although people would often say she was a queen. From the first night we met my hop-sour house began spilling such perfumes—cumin, cardamom, basil, leeks softening in my battered frying pan. It was summer and the garden was drunk with fermented fruit and new-cut grass and in a humble corner of my studio she set up a table where she drew very small images of imaginary natural objects, completely original, like no-one else, and these she slowly carved into blocks of wood and printed. I loved their scale, their seeming modesty and would get into an awful fury to see them overlooked in favour of the big bragging bullshit of Sydney art. And yes, I was in love with her, and fought for her, perhaps embarrassingly. Certainly I bullied my gallery into showing her and my friends into buying her. Who could not see the hairline fracture in the pedestal? Me, your honour, not to save my bloody life.
Of course we fought. But if you have grown up in a house where your mother hides twenty-seven knives each night, the bruises of these conflicts would seem more like love bites. We fought violently when she wished to relegate my brother to a garden shed, but she also called him Brother Hugh, Frère Hugh, Brother Bones. She kissed his big fat cheek. She made him blush. She cooked cevapi, just for him, beef, lamb, pork, garlic cayenne pepper, but then again—she found him wandering in his sad immodest underpants and suddenly she was in a dreadful fright, ordering me to lock him in his room at night. I asked her was she mad, without ever once considering that she really was. She claimed to be terrified of kidnappers and I thought, Oh, that’s all, and—please don’t laugh—installed a dirty big padlock inside our bedroom door.
Now I hear that everyone saw the marriage was a disaster, but at the time I was shtupping her stupid three times a day, and this padlock seemed like a tiny pimple, a human imperfection on the cheek of her perfect goddess arse. I did not foresee the Codling Moth, the maggots soon to come.
When Billy Bones was born, she kept the lovely little bugger in our bedroom and I was very moved by her, until I discovered she feared Hugh would break the door down and eat the baby in the night. She was on guard, behind the padlock, and perhaps we would all be together still, me and the Plaintiff, with Billy Bones between us scratching our shins with his dirty boy toenails, had she been able to stomach the wafting perfumes of his dirty nappies. The smell of shit made her gag. So Billy Bones was soon put out to the nursery guarded by a Fisher-Price Alarm. Who bought the alarm? I did.
The suspected cannibal, for his part, kept a wary sort of distance from the baby, rather like a cat watching the arrival of a puppy in the house—he observed closely, he stayed distant, in his corner. The mother, however, remained on guard, wakeful while I snored complacently into her ear. And guess what. Poor old Hugh was immediately caught red-handed. The cunning old wombat had crawled along the passage and removed the two AA batteries from the door alarm, but there is nothing, it seems, that can escape a mother’s ears. I was brought to the crime scene, beneath all the mobiles I had fondly strung up from the nursery ceiling. There in the half light, under this great shadow flock of eagles, cockatoos, galahs, birds whose wooden wings rose and fell dreamily in the balmy Sydney air, was the great hunched form of the Meat Eater, leaning down above our son.
“Hugh!”
He jerked wildly, holding the baby in his arms, and it was clear, in the glare of the emergency flashlight, that more than the Fisher-Price Alarm had taken his attention. The shitty nappy had been changed and young Bill Bones had been transformed into a clean tight perfect bundle, like a pound of chops and sausages. There you are Missus. Will there be anything else today?
The Plaintiff, to her credit, laughed.
And thus did Frère Bones, immediately, without delay, and for a period of almost seven years, become the beloved Uncle Bones, wrestler, babysitter. And when, later at Bellingen, I saw him with his puppy, all wrapped up inside his coat, it nearly broke my heart because the silly old bugger held that dog, alive and dead, as once he held my son.
My son loved my brother, why wouldn’t he? He grew up chasing after him through the grass, eating aniseed-flavoured apples, sailing wooden boats in the little green pond. They loved to wrestle, both of them. Even when Bill was six months old it was the thing that made him happiest, to roll him back and forward almost violently. From the minute he could walk he was a charging bull running at our manly legs and there was not a day when he would not demand a wrestle the moment that he saw me. It is hard to credit now, but Slow Bones was happy. He was like a big dog with puppies always playful permitting all sorts of nips and barks and scraps. So I cannot explain what happened when it finally did. Perhaps it was only that Bill would not let go, or he had grabbed a private part by accident, because Hugh then did to Bill what I had always done to him, the move I made when I could not beat him by other means.
I was in the studio when I heard the howls, Hugh’s deep-chested bellow, Billy’s shivering metal sheet of pain. I can see them now. I wish I couldn’t. My brother holding my son out to me as if he wished to push him away, or thrust him back through a cobweb veil of time. At first I did not know what I was seeing: the little boy’s little finger dangling, swinging by a flap of skin, a tiny chicken neck.
For more of this, I would refer you to the Plaintiff’s affidavit, but I was always totally determined that I would not abandon either my brother or my son although in this I had an inflated idea of my rights. For apparently, it was not for me to choose, but rather a judge with a Pierre Cardin tie who made the Brothers Bones the subject of a restraining order and I finally saw that padlock in a clearer light.
So you will now perhaps understand that, when the gorgeous Marlene Leibovitz said she would get me a show in Tokyo, my first thought was not of her moral character—not a quality you can ever look for in a dealer—but of Hugh. There is always Hugh, and what to do with him.
18
I would not mind a quid for every time the Butcher judged it time for me to piss off to my bed but in the case of Marlene Leibovitz no words were needed, their BUSINESS DISCUSSION being so urgent that I said cheerio before I got embarrassed for them both. God save them. When I stood to go she kissed me on the cheek and said something in a foreign language it must have been good night. I had no reason to get myself excited in spite of how I felt.
Having left them to their NEGOTIATIONS I sat on the stairs between the first and second floors but then Butcher came bursting out like a BAND-DOG who has broke his chain. What did I think I was doing? I could have punched him in the nose but our father had correctly taught us the folly of fighting on a staircase and so I descended until I heard him clo
se the upstairs door and slide his bolt, wad, load, what did I care?
From the time I was cast out of State School No. 28 THROUGH NO FAULT OF MY OWN I occupied a grey steel chair purchased from AR-BEE Supply Company, and on Sunday evenings in the summer I would sit and watch the line of traffic that descended on us from Ballarat and the Pentland Hills, vehicles made of steel but for all the world like flesh and blood, dogs on heat, each one sniffing the tail of the one in front, an unbroken chain of men and women, boyfriends, girlfriends, the females with their heads on the shoulders of the males, sometimes a slender arm stretched out along the top of the backseat. One after the other they traveled in their mating myriads, their red behind-lights stringing a glowing necklace through the gloaming and depresh. Afterwards I went to the sleep-out which was what we called the part of the verandah Blue Bones walled in with asbestos sheets now generally against the law. Nothing much there after my brother ran away—steel bunks, old brown sticky tape the only evidence of the missing HOLY PICTURES by Mark Rothko the one who passed away.
On Bathurst Street I carried my JERRY-BUILT chair to the bottom of the stairs all the time feeling the great BLAME of the Butcher settling on my neck and that got my engine churning, pumping, and all the muscles in my forearms began to ELECTRIFY and then I must take a little stroll. I do not like the dark but had no choice. I pushed through the boys and girls, the drunk men shouting suck my dick. Cast-out angels, imps and demons of the bottle dark. Did I make them? Was it my fault they were there?
On another subject—I know not what the Butcher did to his missus but who could blame her for tiring of him in the end? She was not like anyone you might meet if you were a Bones. She was always kind to me, or was until I gave her reason not to be. Also she delivered up a magnificous little boy a MUCH-IMPROVED MODEL of anything the Butcher could have done of his own accord. And I was promoted to be the MAJORDOMO, the factotum, the dogsbody, the nurse, the doorman, the butler, the waiter, the chief bottle washer, and my SIBLING often got it in his head that this was an insult to me to be a servant but he had no idea of who I was, bless me, I was now busy, from dawn to night, continually occupied in useful labour until suddenly GODDAMN ME. That’s enough.
In any case.
Was never so busy as when I was Uncle Hugh.
That’s enough, although I wish they had cut my throat and buried me that’s it.
Not being a brave man I was alive and so I fled from the fornicators on Bathurst Street and I pushed down through the WINE-DARK crowds towards the Quay and soon the footpaths were lonelier and I liked it much better though keeping an eye skinned, as instructed, for THE HOMOS. If I had half a brain I would have returned to the safety of our Development Site but I can be a COMPLETE BLOODY MORON and headed into the criminal shadow of the Cahill Expressway and then the tomato sauce and stink-water of Circular Quay where the deckhand was about to withdraw the gangplank from the Woolwich Ferry. I arrived on board so urgently the plank sprung up in the air, crashed down like a clown-stick on the wharf. The deckhand was thin and ugly with a tattoo on his nose but he shook his head like he was SOMEONE OF IMPORTANCE. Thank Jesus the Butcher was not here to take offense.
I could not go home. All that was lost to me 600 miles away. Even before we were round the corner of Dawes Point I could smell the bilgy oily air blowing from the container ships moored behind Goat Island, and the seagulls were like a white-ant hatch swarming around the pylons of the bridge, also the angry traffic locked in noisy upset above my head. Thus—the ferry—calm and clear, and the North-East wind lifted the shirt clear off my skin as if I was a human clothesline, no other burden on my soul. For a moment I was happy and then, suddenly, that’s enough.
That’s enough.
I folded up my chair and walked to the lower deck the big diesel engines never ceased beneath my feet, sending me back to places known to Bill Bones and me, into our OLD HAUNTS.
Best not thought of.
Having rashly jumped aboard I had no more choice than dishwater down the giddy drain. The first ferry stop was the Darling Street Wharf at Balmain East and here the WELL-KNOWN CRIMINAL had always had his waterfront mansion with canvas blinds. Before the COURT ORDER I often came here with Butcher’s little boy and lifted him up to spy across the wall although we never saw a living soul certainly not the criminal himself. From here we might walk to the market up on Darling Street or return to the wharf and catch a SILVER BREAM or board a later ferry to LONG NOSE POINT and there visit STOREY AND KEERS the shipyard and if there were no COMPANY DIRECTORS in the office our mate would permit us aboard the FOREIGN SHIPS or onto the low brown WORK BOATS and we were once smuggled out to Cockatoo Island, Billy Bones and I, where we could have been gaoled for TRESPASS. Here we illegally visited the island power station which was like the inside of a valve radio, purple light, sparks, and also a TOP SECRET tunnel, cut by men from one side of the island to another. Billy had the Bones constitution he never tired. If I was a servant I was happy. Every day was something new. We might take the ferry to Greenwich and go swimming in the baths—BELLY WHACKERS and JELLYFISH and the bloody wonders of the good old DOG PADDLE. It does no good to remember. Better not. Stupid for me to have gone to Circular Quay.
By the time the ferry was coming into the Darling Street Wharf I did not trust the UNFRIENDLY DECKHAND to permit my escape. I jumped before he got a rope across the bollard, did not even glance at the CRIMINAL HOUSE but instead rushed up the Darling Street hill with my chair under my arm. Doubtless I looked like some kind of lunatic speeding up the hill into Balmain, my goodness, my blood must have been vermilious. The streets were empty of all but DRINKERS spilling from the pubs like innards from a mortal wound. There was not a street that did not hold a memory Bill Bones and I built the biggest Lego house ever constructed just there, in the park by the emergency ward where I took him when he burnt his little hand through no fault of his own.
Outside the Willy Wallace they were drinking their SCHOONERS on the footpath and I did say sorry when I bumped, but then I departed rapidly with the chair held tight a SHIELD AGAINST THINE ENEMIES. I knew exactly where I was, bee-pop, shee-bop—the smell of gas and cat’s piss and oil from Mort Bay all around—when the drinkers confronted me I was close to the site of the 1972 payroll robbery. I had taken young Billy there more than once A HISTORIC SITE where the bagman danced around the bullets RAT-TAT-TAT.
My brother says I draw trouble on myself but how could I attack myself from behind? Being set upon, I was compelled to smite my assailants with my shield. CAN’T STAND THE THINGS THEY DO TO ME. WON’T WAIT FOR JESUS TO PROVE TO ME. The thugs ran limping and howling down the street like curs wombats possums vanquished pudding thieves. As far as I heard later they never lodged complaint or charge and there would have been no trouble but for the actions of that very same unfriendly deckhand—this is not proven but how else were there police waiting for me at the Quay. These officers wished to learn how I got so much blood on my shirt and chair.
All’s well that ends well by midnight I was home in bed. It was Marlene Leibovitz who cleaned my chair with Windex. In Butcher’s version I was his cross to bear, God bless me, I must be an IDIOT SAVANT, a bloody big disaster.
19
I owned not so much as a Band-Aid but there was no shortage of Corio whisky to disinfect my brother’s bleeding chin and on this whiskery site the toilet tissue caught, leaving behind little flowers like sheep’s wool on barbed wire. Watching Marlene gently collect and flick away these blossoms, I could not have cared if she had stolen a painting or robbed the State Bank of Victoria. Of course we had made “love” already, but what was happening here was serious—Hugh was finally no obstacle to happiness, the opposite, and he drew from her everything that was and still is admirable, that is, her passionate sympathy for everyone strange or abandoned or living outside the pale.
That this unexpected tender heart might also benefit the wounded Olivier Leibovitz did not yet occur to me. The truth? I did not think of him at all. I was like a te
enage boy without harness or restraint, never considering where my ignorant heart might carry me, not understanding that this surge of blood might affect what I painted and where I lived or even where I died. Likewise I did not spare a moment to wonder about the consequences of drifting into the poisonous orbit of Le Comité Leibovitz. I was in love.
Jean-Paul would soon decide that my affair with Marlene was “really about” my show in Tokyo. My so-called “mates”—so bloody psychologically acute they would make you want to die—all thought the same, but if they had even glimpsed this lovely Rembrandt woman reaching out to swab Falstaff’s dark abrasions, they would have understood everything she did thereafter, or some of it at least.
Soon all three of us were sleeping on the same floor and I held Marlene against my chest while Hugh, three feet away from us, snored like a half-blocked drain. She fitted against my shoulder all through the night, still, calm, trusting, showing—even in her sleep—a sweet affection which would never jibe with her public reputation. The westerly blew until the early hours, rattling the sashes and causing the clouds to scud across the lovely shivering moon. Next morning the air was still and I saw first water blue, then ultramarine—her clear wide open eyes, the sky of dirty Sydney, all its poisons blown away.
We had no shower available but my lover drenched herself with cold tap water, and then was perfect. She was twenty-eight years old. I had been that age once, the toast of Sydney, long ago.