Watched by the hostile eyes of the other girls, Anna went to work.
Upstairs, Heslop was en grande tenue. The great hall blazed with lights, tubs of poinsettias and camellias glowed like captive fireworks against the rich darkness of the tapestries. In the ballroom with its triple row of chandeliers, Minna, remembering that she was welcoming a bride, had kept the flowers to white: delphiniums, madonna lilies, roses and the quivering, dancing Mexican poppies that she loved so much. Garlands of white ribbons and acanthus leaves wreathed the long mirrors, and the end windows, on this lovely summer evening, stood open to the terrace with its fountains of rampaging gods, its lily ponds . . .
Minna had dressed early and now walked quietly from room to room checking details; the French chalk spread evenly over the dance floor; the clustered grapes arranged in a suitably dying fall over the chased silver bowls; velvet cushions placed on the chairs put out for Mr Bartorolli’s orchestra . . . She wore the dress her Puritan great-grandmother had worn for her Quaker wedding: dove grey silk with a wide, white collar. Like her husband, Minna did not care for fancy dress, but she was glad now of the dignity lent by the old-fashioned dress. If she was to welcome Muriel Hardwicke as she should be welcomed, she had need of every aid to mannerliness and poise. Now, pausing for a moment at the door of the state dining room, where two whispering footmen were putting the finishing touches to a dazzling cold collation on the sideboard, she nodded, well pleased. There had been disasters and clashes below stairs, the chef had given notice no less than seven times, but now, like a prima donna who forgets her rehearsal tantrums, Heslop was ready to go on stage.
Minna went upstairs, smiling as she passed her husband’s dressing room and heard the choleric expletives which attended the efforts of his lordship’s valet to button him into the dress uniform of an eighteenth-century hussar, and hurrying quickly past the suite she had allocated to the Nettlefords, she entered Ollie’s room.
‘Look, Mummy, look at Hugh and Peter, aren’t they smart!’ Ollie’s eyes shone with pride as she pointed to her brother and the schoolfriend he had brought down from Craigston – and indeed the two boys sitting side by side on the window-sill in their cadet uniforms were quite spectacularly scrubbed and brushed. ‘Peter says he’ll stay up in the minstrel’s gallery with me at the beginning to watch the guests arrive and afterwards he’s going to creep up and bring me things to eat. I can stay up long enough for that, can’t I?’
Minna nodded and smiled affectionately at Hugh’s new friend who, in the space of two days, had become the object of Ollie’s hero worship. Not only the boy’s nationality but his temperament had been a surprise and delight to Minna. Peter was a first class boxer, Hugh said, and had won the Junior Fencing Cup within a few weeks of arriving at school. And yesterday, when the boys had gone out riding, Tom, with whom horses were almost a religion, had offered Peter his own hunter to ride whenever he wished. Yet he was interested in matters which most English boys would have considered effete or embarrassing: textures and fabrics, even flowers. It was to Peter that Ollie, slowly recovering from the wound that Muriel had inflicted, showed her bridesmaid’s dress and his unfeigned interest, his support during the wedding rehearsal on the previous day, had enabled Ollie to hold her head high and to aquit herself with distinction. If Ollie was once again looking forward to Muriel’s wedding, it was largely due to the Russian boy.
Back in her room, Minna sat for a few moments, absently dabbing scent behind her ears. If only things had been different she might have hoped, in years to come, of a marriage between Ollie and just such a boy as Hugh’s new friend. Whereas the way things were . . .
Then there was a knock at the door and Peter’s blond head appeared round it. ‘There has been a disaster with the head of John the Baptist,’ he said, grinning. ‘Lady Hermione has sat on it and wishes to know if—’ He broke off, came into the room. ‘You are sad?’
‘No . . .’ Minna shook her head, then remembered that the ‘nothing-is-the-matter’ technique had never gone down well with the Russians of her acquaintance. ‘But it won’t be easy for Ollie later . . . at dances . . . at balls . . .’
The boy closed the door and came to stand beside her chair. ‘We have a proverb in Russia,’ he said. ‘It goes: “The fox knows many things but the hedgehog only knows one thing”. Ollie, I think, is a hedgehog – like her Alexander.’
‘And what is the one thing that she knows?’
‘How to make people love her,’ said Peter quietly.
Minna looked up, tears in her eyes. She had never known a boy of thirteen who could speak like that – who could use, so unaffectedly, a word which even her own boys shied away from – and the suspicion she had entertained from the moment she met him hardened into near certainty. But she only brushed his cheek lightly with her fingers and said: ‘You know, Peter, I think I shall change my plans and get you to take Honoria Nettleford into supper!’
Anna had been in the pantry for an hour, bent over a sink of near-boiling water. After an exchange of giggles, the spiteful girls who worked with her had made a point of tipping a treble load of soda into the water every time she changed it and her hands, already chapped and raw, hurt so much that it was all she could do not to cry out. But she kept on and at last even Hawkins could not postpone her journey upstairs any longer.
The main entrance at Heslop led into a domed vestibule from which the grand staircase swept upwards and the original Elizabethan hall, raftered and galleried, opened on the right. It was in the hall that the guests would be greeted and assemble for conversation and light refreshment before ascending to the ballroom, a later addition reached by a flight of shallow stairs at the far end.
Anna, following Hawkins up the service stair, received a spate of instructions over his shoulder. ‘There’ll be two footmen at the entrance and two at the foot of the stairs and I’ll be doing the announcing. You’re to stand out of the way in the great hall beside the service table. Mr Briggs is in charge there,’ he said, referring to the tyrannical and sour-faced Charles. ‘He’ll tell you when you’re to take up a tray and offer drinks. There’s to be no putting yourself forward – and no slacking either. And remember, the ballroom’s out of bounds – you’ve no call whatever to—’
He stopped with an exclamation of annoyance, aware that Anna was no longer following closely. She had suddenly stumbled, had put out a hand to the wall of the corridor, trying to steady herself.
‘What on earth are you doing?’ he asked sharply, but he was anxious too. What if the wretched girl should faint on him? Perhaps he should have let her have some tea?
But it was no longer hunger or exhaustion that had made Anna stumble, though she was tired enough. It was a fragment, a haunting, insiduous snatch of melody carried across the well of the servants’ courtyard by a suddenly opened door. A tune known and loved from childhood which came, now, as only music can, to break down her defences and flood her with such longing, such an agony of homesickness for the world that was lost to her for ever, that she thought she would die of it.
‘What on earth did you bring that for?’ said the first violinist, putting down his bow. ‘It’s as old as the hills, that.’
‘Oh, I dunno,’ said Mr Bartorolli, alias Bert Phipps of Bermondsey. ‘I just put it in at the last minute.’ He shrugged and put the yellowing sheets of the ‘Valse des Fleurs’ back on the piano. Then he continued to hand out freshly bound copies of the latest hits: two-steps and tangos, to the musicians now arranging their places on the dais.
‘The Earl of Westerholme, The Lady Lavinia Nettleford, The Dowager Countess of Westerholme, Miss Muriel Hardwicke, Miss Cynthia Smythe, Dr Ronald Lightbody,’ announced Hawkins, and the party from Mersham moved through into the hall and towards the great fireplace, where Lord and Lady Byrne, with Tom, were waiting to greet their guests.
Minna embraced the dowager, who was becomingly and, she herself considered, aptly dressed as Mary Queen of Scots Ascending the Scaffold, and turned to welcome what appear
ed to be an outsize codfish or perhaps a trout.
‘You’ve met Lavinia, of course,’ prompted the dowager. ‘And this is Cynthia Smythe, Muriel’s other bridesmaid.’
Cynthia, who to no one’s surprise was dressed as Little Bo Peep, gushed her way towards her hostess and was followed by a man with knees like carriage lamps, who bent obsequiously over Minna’s hand, clouting her as he did so with his lyre.
But now the Earl of Westerholme came forward, escorting his fiancée. Rupert’s instructions to his butler to ‘for heaven’s sake find him something to wear’ had yielded a perfect replica, used in theatricals years ago, of the costume that his disreputable ancestor, Sir Montague Frayne, had worn to be painted in by Romney. The velvet breeches, the ruffled shirt and high stock suited him to perfection and Minna, seeing him approach, thought she had never seen him look as handsome – or as tired.
But it was Muriel, the guest of honour, who rightly drew all eyes. Muriel’s dress was of blue and silver, the colours that the Sun King used above all others for the glory of Versailles. A myriad bows glittered on the satin bodice; the elaborately flounced overskirt was sewn with tiny bunches of gauze roses and forget-menots. Priceless lace edged the sleeves and the low décolleté, diamonds sparkled on the high, white wig and in the heels of her silver slippers – and round her throat, perfectly matching the blue of the dress and of her eyes, she wore the sapphires that were the bridegroom’s present to the bride. If Muriel looked pleased with herself she had every right to do so, for here was a Pompadour to silence all beholders.
‘My dear, what an unbelievable dress!’ said Minna, genuinely impressed. ‘You’ll set everybody by the ears.’ She turned to Rupert. ‘You’ll have to surrender her for the first dance, I’m afraid. Harry will want to open the ball with her, but after that . . .’
Meanwhile, obedient to her instructions, Anna had remained quietly out of sight behind a potted palm which flanked the serving table over which Charles, the first footman, was presiding.
‘What the dickens are you doing, wool-gathering there,’ he hissed now. ‘Can’t you see the party from Mersham’s arrived? Why aren’t you out there offering them drinks?’
Anna took a tray, stepped out into the hall.
‘Ah, here’s Anna come to offer us some refreshment,’ said Minna. ‘That’s orange juice in the tall glasses, Muriel.’
Rupert had been standing a little apart from the others in the shadow of a high, carved screen. Now, hearing Anna’s name, he looked up sharply – and was flooded, suddenly, by a joy as violent as it was absurd.
She had not cut her hair.
He had had time to wince a thousand times at his behaviour in Maidens Over. He had been arrogant and mad and mistaken on all counts, for Anna would, as he had since realized, have looked enchanting with her hair cut short. He had deserved only to be snubbed and disregarded. Instead, she had given him this gift, this undeserved benison. And standing there, bound by the iron fetters of duty to a marriage he knew would bring him nothing but pain, he was nevertheless consumed by happiness because his under-housemaid had not cut her hair.
‘Rupert! Hello!’ The earl turned to see Hugh come down the last of the steps from the minstrel’s gallery with a handsome, fair-haired boy a little taller than himself. A boy who suddenly stood stock-still and then, with a whoop of delight, rushed towards them.
‘Annoushka! It is you! Oh, how lovely! I hoped and hoped you would come. Pinny said you were staying near here and I was going to ask if I could ride over.’ Ignoring the dismay in Anna’s eyes, the gasp of indrawn breath, he leant over the tray to kiss her, then circled her admiringly. ‘You look so good! That dress is most becoming! It’s clever of you to wear something so simple. Do you remember that ball that Mama told us about at the Anchikovs where the Princess Saritsin went as a nun and suddenly everyone else looked overdressed?’
There was a titter from Little Bo Peep, and involuntarily the eyes of all the women went to Muriel Hardwicke. But Petya, unaware of any implications, rushed happily on. ‘Only you’re silly to have a tray, ’Noushka. How can you dance with a tray?’
‘How indeed?’ said an amused voice at Petya’s elbow. ‘I think you’d better introduce your sister,’ continued the Earl of Westerholme. ‘She is not known to everyone present.’
‘No, Petya, please.’ Anna’s hands, with their cracked knuckles, had tightened in desperation around the silver handles of the tray.
But Petya was concerned only at his breach of manners. ‘I’m so sorry.’ He turned with a charming bow to his host and hostess. ‘Permit me to introduce my sister, the Countess Anna Petrovna Grazinsky.’
There was a hiss from Muriel; the codfish mouth of Undine the Water Sprite fell open and Lord Byrne, who had not expected to enjoy himself, beamed on the company.
‘But I thought she was—’ began Cynthia Smythe, and found that the Dowager Countess of Westerholme had stepped heavily on her foot.
‘Petya, I beg of you,’ whispered Anna, and added a few words of entreaty in Russian, imploring him to leave her.
The certainty, the joy, drained visibly from the boy’s face. He looked at the hostile woman in the silver dress, at Anna’s desperate eyes . . . Had he made a mistake? Was it possible . . . but it couldn’t be! Uncle Kolya, he knew, was a doorman at the Ritz. But Anna! Half-remembered fragments of conversation at West Paddington came now to plague him. If she was working as a servant while he was lording it here . . . If . . .
‘Your hands,’ he said, his collar suddenly choking him. ‘They’re bleeding.’
Minna, who had seen the boy’s face, moved to his side. But the Earl of Westerholme had stepped out of the shadows. ‘You must blame your Stanislavsky and his Method Acting for that. Anna spent the whole afternoon at Mersham dipping her hands into soda so as to get the feel of the part! I told her it was unfair to her partners but she wouldn’t listen!’
The light voice, the amused tenderness with which he looked at Anna, partly reassured the boy. But Hawkins, waiting to announce the next guests by the double doors, had sent an irate signal to Charles. Now, the first footman approached, his face as purple as his livery. What was the wretched girl doing? She’d been hours serving drinks and now she was actually talking to the guests.
Lord Byrne, with his bluff kindness, prepared to intervene. It was unnecessary. Anna, too, had seen her brother’s face. Her head went up, she turned – and as the bullying footman approached she said with a serene and charming smile: ‘Ah, Charles. How kind! You have come to relieve me of my burden.’
And before he knew what was happening, the footman, responding instinctively to the practised authority in her voice, found himself holding the loaded tray.
‘Well, what are you hanging round for?’ said Lord Byrne to the goggling Charles. ‘You heard what the countess said. Take the thing away.’
‘Ah, that’s better!’ Anna had shaken out her skirt, straightened her apron, tilted her cap – and suddenly it was obvious that she was in fancy dress; no real uniform ever had such grace, such gossamer lightness. ‘How good it will be to dance again!’
‘With me?’ said Petya excitedly. ‘Will you dance with me?’
‘Of course, galubchik.’
‘No,’ said Tom Byrne. ‘First with me.’
‘I’m sorry to disillusion you both,’ said the earl, ‘but as Anna’s host at Mersham I undoubtedly have first claim.’
Petya’s face blazed with pride and happiness. This was like the old days, with men fighting to dance with Anna. What an idiot he’d been! For a moment he’d really thought . . .
‘She’s a marvellous dancer,’ he told the earl, of whom, as a partner for his sister, he thoroughly approved. ‘Especially when she waltzes. Fokine said when you play Anna a waltz you can see her eat the music. She goes round and round and she never gets giddy!’
Rupert smiled enquiringly at his hostess. ‘A waltz could perhaps be arranged?’
‘Very easily, I think,’ said Minna, to whom nothing
that had happened had come as a surprise.
Rupert turned to Anna. ‘May I have the pleasure of the first dance, Countess?’
She lifted her face to his, not even trying to hide her blazing joy. ‘You may, my lord.’
And so they went together into the ballroom to dance for the first and last time in their lives, the ‘Valse des Fleurs’.
13
A great deal had happened to Tchaikovsky’s sumptuously orchestrated showpiece to turn it into a suitable waltz for the ballroom, but Mr Bartorolli was not dismayed.
‘Told you,’ he said to his first violinist when Minna came with her request, ‘I had a sort of hunch,’ – and lifted his baton.
It begins slowly, this well-loved, well-remembered waltz. The preluding is gentle, the phrases soft and pleading, the dancers have time to smile in each other’s arms, to catch their breath. But not for long. Soon the familiar phrases try out their plumes, begin to preen, to gather themselves up until reality is swept away in an intoxicating, irresistible swirl of sound.
To this waltz, born in a distant, snowbound country out of longing for just such a flower-scented summer night as this, Rupert and Anna danced. They were under no illusions. The glittering chandeliers, the gold mirrors with their draped acanthus leaves, the plangent violins might be the stuff of romance, but this was no romance. It was a moment in a lifeboat before it sank beneath the waves; a walk across the sunlit courtyard towards the firing squad. This waltz was all they had.
So they danced and neither of them spoke. As the music began and his arms closed round her, he had felt her shiver. Then the melody caught her and she moved with him, so light, so completely one with him that he could guide her with a finger. Yet as he held her he had no thought of thistledown or snowflake. Here, beneath his hands, was tempered steel, was flame . . .
He checked, reversed, and she followed him perfectly. It seemed to him that she could fold her very bones to lie against his own. And tightening his arms, drinking in the smell of green soap, of cleanliness personified, which emanated from this changeling countess, he allowed his mind, soaring with the music, to encompass their imagined life together.