"Go on," I said, rising. "Out. Get out now. Before I put you out."
"You and whose fucking army?"
"I'm ordering you to go, Geoffrey. You can spend the night at a hotel and have the bill sent here. You can pack your bags tomorrow. I shall not be around. A check will be waiting for you on the hall table. Three months' salary and enough for your air fare to London. Now get out." I had to sit down again.
"Ten thousand nicker here and now and I'll be on my merry way. Didn't you write some fearful shitty nonsense called On Our Merry Way or was it that bloody twerp Beverley? Never mind." He grimaced and painfully belched. "Christ, that bloody muck. Alum and cat piss. Cheeseparing sods."
"Out of my house, go on."
"I've got a fair amount done already, dear. You always said that my letters showed I could have flair if I got down to it. That business at Rabat makes quite a nice paragraph--you know, when pocky little Mahmud literally shat on you."
"Go on, go." Then I collapsed into sniveling. "To think of all I've done for you--the faith--the trust--"
"Ah, here we go: faith and duty and the rest of the boxroom junk. Boo hoo hoo. Tears idle tears. You do really, you know, cry most bee-ootah-flah. England, home and duty. Jesus Christ on the fucking cross. Owwwwwwww."
"Out of my house--" I was on my feet again, hands blindly seeking something to hold on to. He lay there comfortably, admiring the shaking ineffectual pathetic shrunken trembling mannikin. "There's a police station across the street. I can have you thrown out."
"I'll scream bloody blue murder, dear. I'll tell them you were trying to bugger me. It's the death penalty here, I believe."
There was no time for me to see clearly what Geoffrey's real intention could be. The rage was too fierce a tenant. I felt collapse impending but held it off. "You want me to die," I gasped. "That's it. Easier that way."
"Very neat, to do that on your birthday. Like Shakespeare, if he really did. And then that Maltese sod can write a sonetto about it. A homo generoso. He gave me his birthday, cake and all."
"Don't. Can't."
"Do control yourself, dear. You've gone all blue around the lips." And then, in a deliberately bad parody of my dictating: "Geoffrey lay unperturbed on the ah settee while his aged friend exhibited all the symptoms of an approaching ah cardiac ah spasm. In impeccable cockney he remarked: 'Yer've gawn owe bleeoo abaht ye--'" And then, getting up in concern: "Oh God, no."
"Get me the... can't... it's the..." An obscene shaft of indigestion followed by mild toothache followed by agony that shot from clavicle to wrist, all on the left side, the right serenely aloof. I went down to the rugs as neatly as in a stage fall but without syncope.
"All right, dear, the white ones, I know--" He was into the bedroom to the bathroom, I heard the click of the medicine cupboard door. Then I passed out, as it were, volitionally. I came to, it seemed, no more than a second later, but I was in pajamas and bed and Dr. Borg or Grima, it had to be one or the other, was taking my pulse. When I opened my eyes I saw Geoffrey standing there. He gave me a sweet and loving smile. Dr. Borg or Grima was also wearing pajamas but an egg-stained dressing gown as well. He was severely unshaven and had a cigarette in his mouth. I had once seen an Andalusian priest conducting a burial service unshaven with a cigarette in his mouth. It took the seriousness out of things.
He dropped my wrist and his own, which had a wristwatch on it. He said, "No excitement. Eighty-one is a good age, but my father is ninety-five. I tell him no excitement but the television programs sometimes excite him. The Italian ones, not the Maltese. It is the girls who make the announcements even that excite him. I give him," he said, "simple sedatives," taking out and dousing his cigarette, a presumable sign that the examination was over.
"He did get excited," Geoffrey said. "It was what you might call literary excitement. But I'll make quite sure there's no more of that."
"Yes, and next time please telephone me. You woke up the family with the knocking."
"I can't telephone," Geoffrey said with his dangerous sweetness, "because we have no telephone. They tell us there is a long waiting list for the telephone. They say we have to wait at least eighteen months for a telephone. Or even longer, for a telephone. During the day, if I wish to telephone, I go to the shop at the corner, which has a telephone and allows me to use the telephone. But when that shop is shut I cannot telephone. That is why I did not telephone."
"There is always the police station."
"Yes," Geoffrey said, "and a right lot of snotty bastards they are." I found that I could not speak. "Well," the doctor said, "this is Malta."
"You're bloody well telling me that it's bloody well bloody Malta." I found that I could speak. "Please, Geoffrey, no."
"No excitement," the doctor ordered. "I'll watch him," Geoffrey said.
CHAPTER 8
This intention went unfulfilled that night, although, despite my avowed purpose of the afternoon, I did not sleep alone. I did not, for that matter, sleep very much. After an hour or so I woke ridiculously refreshed and, as it were, cathartized, and none of the properties of the Maltese night conduced to sleep's resumption. The electric mosquito repellers whirred and clicked and puffed, and public clocks all over the island announced in imperfect unison the full hour or the part hour and, as an exordium to the part hour, the full hour which had already been completed. I watched Geoffrey, instead of he me. He was snoring irregularly, his fat back turned to me, and occasionally forgetting how to breathe, remembering only in a bed-shaking spasm. At one point he started to breathe easily and then he said something in Latin. It sounded like "Solitam...Minotauro...pro caris corpus..." I listened with care and surprise, having believed that he had attended a minor public school that despised the classical tongues and taught in their stead a kind of elementary anthropological linguistics.
I took a cigarette from the silver box, a gift from the Sultan of Kelantan, that stood on the night table, seeing it clearly in the very rich moonlight, and, to my vague astonishment, was able to light it with Ali's flaring gift that lay beside it. I had, I thought, left that below in my study. The big flame seemed to impinge on Geoffrey's sleeping mind, for he flailed as if fighting it and then turned toward me. After a pause he snored out a ghastly odor that was neither vinous nor vomitory, more ferrous in its basic tone, with indefinable harmonics of gross decay. It puzzled more than appalled me: it was remotely familiar.
Moonlight showed a heavy sweat on Geoffrey's nakedness, which was now too close for my comfort. I had not, on my first waking, been sure whether to encourage a certain vague hunger for tea and a sandwich to attain a solidity that demanded satisfaction; now I was quite sure. I got out of bed on firm legs and found my slippers and dressing gown. The bed was all Geoffrey's now. I felt for him none of the bitter resentful loathing I might properly, in spite of his eventual yielding to duty or fear, be expected to feel and, indeed, expected to feel. I felt only the generalized pity one always feels for the defenseless prisoner of sleep, seeing in him the defenseless prisoner of life. Man does not ask for nightmares, he does not ask to be bad. He does not will his own willfulness. If that is contradiction, it is because human language disposes to contradiction. I told myself, untruthfully perhaps, that I knew the world and had learned tolerance. That it was too late for me to take human passions seriously, including my own. But I remembered saying something of that kind publicly at the age of forty-five. Give us peace in our time, whatever the time. Which logically meant throwing Geoffrey out. And then feeling no peace because of a lack of charity, of awareness that I was, all said and done, a dithering nuisance, a hypocrite, a prissy product of a bad period, ludicrous in my senile sensuality, everything that, in blunter language, Geoffrey had termed me. Let him sleep, let it all sleep.
I went down and entered the great white kitchen, its surgicality qualified by the ghosts of spices, softly, very softly. Ali's room was just beyond it and he was, the desert life only three generations behind him, a featherweight sleeper. Very softly I
boiled water, made a sandwich from the remains of the luncheon roast chicken, scalded the Twining creature. Then I softly carried my bever to the study on a tray, helped by moonlight to toe-on the footswitch of the standard lamp. It was not urgency but curiosity, as well as a disquiet that would clarify itself later, that made me want to look again at the story of the priestly miracle. I munched while I searched for the three volumes of my collected shorter fiction, beautifully leather-bound and tooled, my American publisher's ten-year-old Christmas gift. That it was in the second volume I knew, since the first was given over to tales with a European setting, the third to the harvest of my Eastern travels, and the second to the Americas. The event on which the story had been based had taken place in Chicago in the twenties, this I knew, but the title I had totally forgotten. It turned out to be Laying on of Hands and the style more slipshod even than I remembered. A thousand-dollar effort done hastily for a long-dead illustrated monthly. I read with shame, sipping and chewing, trying to reach the tones of a reality under the shabby professionalism.
The faceless and nameless narrator (I apologize to those who know the story already) is a British journalist visiting Chicago to write about the Reverend Elmer Williams, publisher of Lightnin', a periodical devoted to the exposure of gangsterism and corrupt politics. In the foyer of the Palmer House Hotel he renews acquaintance with a priest, Father Salvaggiani, whom he knew ten years previously on the Italian front, the priest a chaplain, the journalist an ambulance driver. The priest, a fat undistinguished little man who smells of garlic and speaks comic English, is distressed. He has come all the way from Italy to see his brother, who is dying in a private ward in a hospital from multiple cranial fractures and ice-pick wounds in the stomach. The narrator realizes that the brother, Ed Salvaggiani, is a noted gangster and, scenting material for a little color story, goes along to the hospital with the priest. Father Salvaggiani gives his brother the final comforts of the Church and, knowing that he cannot last much longer, weeps. Passing through a public ward he hears terrible screams from a child dying of tuberculous meningitis. The doctors shake their heads: nothing can be done. But Father Salvaggiani lays his hands on the child and prays. The screaming lessens and eventually ceases and the sufferer falls into a deep sleep. To the surprise of the doctors there is a progressive improvement, recorded each day as the priest comes to weep over his dying brother. The brother dies but the child recovers. The faithful among the hospital staff do not doubt that this was a miracle. But Father Salvaggiani talks, in his comic English, of the terrible unintelligibility of God's will. Why could he do nothing for his brother, whom he loved, and yet be the agent of divine mercy for a total stranger? Perhaps the Lord intends this child to grow into a vessel of his own redemptive purpose and has used this meanest of his priestly servants to defeat nature and initiate the accomplishment of that end. He thinks these thoughts aloud at his brother's funeral, a great affair of flowers and unshaven mourners. The narrator thinks such speculations are idle. Life is a mystery and God probably does not exist.
I fitted a cigarette into my holder and flared Ali's lighter, which, for some reason, I had brought down with me in my dressing-gown pocket. There was hardly a table in the whole house that did not have its own cigarette box and matching heavy Ronson, Queen Anne silver or chunky onyx. Ali ought to be pleased. I thought about the story and could not for the life of me reassemble all the historical facts upon which the fiction was founded. There had certainly been a magazine called Lightnin', and its publisher had been the Reverend Elmer Williams. Father Salvaggiani had really been Monsignor Campanati, at that time a kind of wandering chairman of the Association for the--was it the Propagation of the Faith? His elder brother, Raffaele, had indeed died of gangster violence in Chicago, but as a loud and annoying voice of decency and incorrupt politics. I had been in Chicago, staying at the Palmer House, but not to write about brave crusaders against cruel racketeers. I had come to see the Manet and Monet and Renoir collection of the Chicago grande dame Mrs. Potter Palmer, so much I remembered. To write about it? To buy from it? Sell to it? This had disappeared from my mind. I saw clearly still the agonized face of Raffaele, whom I had, though with certain qualifications, admired but who had never much cared for me. This had everything to do with my homosexuality, which, in the manner of decent Latins, he believed was a matter of free election in brutal sinfulness. Carlo was never so censorious. He never saw my homosexuality in, as it were, action; he was not inclined to be interested in stories retailed about me. The sins of libido he knew of were strictly limited to the heterosexual sphere and were two in number. If men desired little boys or each other, that was because they were deprived of the company of women. Or perhaps, though rarely, they might have been set upon by exorcisable demons of buggery. As for those with a holy vocation who had chosen the celibate way, God's grace sustained them like quinine, and that was that. Of such is the kingdom. I Campanati were a highly moral family, except for the youngest boy, Domenico, whom my sister married. The only daughter, Luigia, became a very martinetish mother superior.
Which hospital had it been? Had the miracle, if it was a miracle, been after all so spectacular? Was the disease in my story the same as the disease in fact? Might it not have been some disease not quite so lethal, its course reversible under the influence of a powerful benign will united to the wavering will of the sufferer? I had, of course, no real need to puzzle all this business out; I was under no obligation at all to help turn Carlo Campanati, a good but greedy man, into a saint. But there was this niggling matter of the truth. The term truth did not flood my eyes as did faith and duty and sometimes home, but a man who serves language, however imperfectly, should always serve truth, and, though my days in the service of language were over, I could not deny the other, timeless, allegiance. But I was less concerned now with that deeper truth, the traditional attribute of God, which literature can best serve by telling lies, than with the shallower truth we call factuality. What had happened in Chicago? I was not sure.
There were records. There had been witnesses. They could be found, consulted, though with trouble. But the real question for me was: how far could I claim a true knowledge of the factuality of my own past, as opposed to pointing to an artistic enhancing of it, meaning a crafty falsification? In two ways my memory was not to be trusted: I was an old man, I was a writer. Writers in time transfer the mendacity of their craft to the other areas of their lives. In that trivial area of barroom biographical anecdotage, it is so much easier and so much more gratifying to shape, reorder, impose climax and denouement, augment here, diminish there, play for applause and laughter than to recount the bald treadmill facts as they happened. Ernest Hemingway, as I remembered well (but what do I mean by remembering well?), reached a stage where, even though he had virtually ceased to produce fiction, he was totally in thrall to its contrivances. He told me, and he was only in his fifties at the time, some years my junior, that he had slept with the beautiful spy Mata Hari and that she had been "good though a little heavy in the thigh." I knew, and records could confirm, that Hemingway had not yet even paid his first visit to Europe at the time when Mata Hari was executed.
I had, it is true, been in the habit of keeping certain records, especially in my first twenty years as a professional writer of fiction. The little notebook in the waistcoat pocket, Samuel Butler said, betokens the true writer. And so I had jotted down mots, ideas for stories, descriptions of leaves, the flue on women's arms, dogmerds, the play of light on gin bottles, slang, technical terms, naked factualities of time and place (the better to fix some extraordinary, to use Jim Joyce's term, epiphany), and these notebooks survived, though not in my possession. The notebooks of Kenneth Marchal Toomey were lodged in the archives of some American university, to be published--probably with all the trimmings of scholarship--after my death. I did not object to the opening up of the junkshop of my brain when that brain had ceased to be mine and had become merely part of the economy of the soil; for the present, considerations of res
erve and privacy prevailed. Now which was the university? There were letters to and from that university on file, also details of the few thousand dollars paid for the dubious treasure, but my files, thanks to the hurried move from Tangier but also, and mainly, to Geoffrey's inefficiency, were in total disorder. I did not want to bring on another heart attack by insisting on at least a minimal sorting-out, though Geoffrey could be reminded of his grudging promise of the afternoon. What afternoon? What day? Did I? Geoffrey lived entirely in the present; he had shed, perhaps wisely in his case, the burden of being burdened by memory. No, not strictly true: he remembered, far more clearly than I, what it suited him to remember. I trembled again as I remembered what things he had decided to remember about me.
Best let Carlo achieve sainthood through other miracles, better attested. But then faith and duty trumpeted a muted two-part invention in a chamber of my brain. Saint Gregory, enthroned to some extent by grace of the attestations of K. M. Toomey, Companion of Honor, pray for us. Pray for me, hypocrite, lecher, waster of seed in sterile embraces. Not just faith (lacking now, long volitionally discarded, but, because of a new and final sterility, contemplating return). Not just duty (servant of faith and hence disregarded, but reread that last sentence). Fear then, a kind of fear.
I knew what I would find in Geoffrey's office. A ghastly mess of toppling files, a snow of unopened letters, corded bundles of the same, books, periodicals, press cuttings, earnest theses with titles like K. M. Toomey and the Thanatic Snydrome, filing cabinets lying on their sides like dead square dogs (K. M. Toomey and Figurative Ineptitude), empty bottles, heel-ground cigarette ends, a desk covered with "gay" periodicals showing naked simpering boys and frank scenes of predication, a chair sticky as with semen. Nevertheless, I took several deep breaths, and then some Peveril of the Peak watered from the tap in my adjoining washroom. Then I softfooted into the hallway, passed the bar, and entered Geoffrey's office. I switched on the light, whose rawness flooded the foul leer of chaos. I expected to be appalled but not so appalled as I was.