And he thought of his foot.
“We went away, Vern. We had to. We hoped–” She stopped.
“You hoped I’d be convicted and shot or sent away.”
She said nothing.
He thought of the hooch and the smell.
“Okay, Sis. I understand.”
“I’m sorry, Vernon. I’m really sorry, dear. But why did you do this to us? Why?”
He didn’t answer for a long time, and finally she came to him, and put her arms around him and kissed his neck, and then she slipped away in the darkness and the wall boards creaked, and he was alone.
He sat there in the pew, thinking nothing. He stared at the shadows till his eyes played him tricks and he thought he saw little speckles of light dancing. Then the light glimmers changed and coalesced and turned red and he seemed to be staring first into a mirror, and then into the eyes of some monstrous creature, and his head hurt and his eyes burned…
And the church changed, melted, swam before his eyes and he fought for breath, and pulled at his throat, and the church re-formed and he was in the hooch again; they were questioning him.
He was crawling.
Crawling across a dirt floor, pulling himself forward with his fingers leaving flesh-furrows in the earth, trying to crawl away from them.
“Crawl! Crawl and perhaps we will let you live!”
He crawled and their legs were at his eye level, and he tried to reach up to touch one of them, and they hit him. Again and again. But the pain was not the worst of it. The monkey cage where they kept him boxed for endless days and nights. Too small to stand, too narrow to lie down, open to the rain, open to the insects that came and nested in the raw stump of his leg, and laid their eggs, and the itching that sent lilliputian arrows up into his side, and the light that hung from jerry-rigged wires through the trees, the light that never went out, day or night, and no sleep, and the questions, the endless questions…and he crawled…God how he crawled…if he could have crawled around the world on both bloody hands and one foot, scouring away the knees of his pants, he would have crawled, just to sleep, just to stop the arrows of pain…he would have crawled to the center of the earth and drunk the menstrual blood of the planet…for only a time of quiet, a straightening of his legs, a little sleep…
Why did you do this to us, why?
Because I’m a human being and I’m weak and no one should be expected to be able to take it. Because I’m a man and not a book of rules that says I have to take it. Because I was in a place without sleep and I didn’t want to be there and there was no one to save me. Because I wanted to live.
He heard boards creaking.
He blinked his eyes and sat silently and listened, and there was movement in the church. He reached for his smoked glasses, but they were out of reach, and he reached farther and the crutch slid away from the pew seat and dropped with a crash. Then they were on him.
Whether it was the same bunch he never knew.
They came for him and vaulted the pews and smashed into him before he could use whatever it was he’d used on the kid at the house, the kid who lay on a table in the City Hall, covered with a sheet through which green stains and odd rotting smells oozed.
They jumped him and beat him, and he flailed up through the mass of bodies and was staring directly into a wild-eyed mandrill face, and he looked at him.
Looked at him. As the deathbeast struck.
The man screamed, clawed at his face, and his face came away in handfuls, the rotting flesh dripping off his fingers. He fell back, carrying two others with him, and Lestig suddenly remembered what had happened in the hooch, remembered breathing and looking and here in this house of a God gone away he spun on them, one by one, and he breathed deeply and exhaled in their faces and stared at them across the evil night wasteland of another universe, and they shrieked and died and he was all alone once more. The others, coming through the vestry wall, having followed Neola, having been telephoned by Gary Howard, who had beaten the information from his wife, the others stopped and turned and ran…
So that only Lestig, brother to the basilisk, who was itself the servant of a nameless dark one far away, only Lestig was left standing amid the twisted body shapes of things that had been men.
Stood alone, felt the power and the fury pulsing in him, felt his eyes glowing, felt the death that lay on his tongue, deep in his throat, the wind death in his lungs. And knew night had finally fallen.
They had roadblocked the only two roads out of town. Then they took eight-cell battery flashlights and Coleman lanterns and cave-crawling lamps, and some of them who had worked the zinc mine years before, they donned their miner’s helmets with the lights on them, and they even wound rags around clubs and dipped them in kerosene and lit them, and they went out searching for the filthy traitor who had killed their sons and husbands and brothers, and not one of them laughed at the scene of crowd lights moving through the town, like something from an old film. A film of hunting the monster. They did not draw the parallel, for had they drawn the parallel, they would still never have laughed.
And they searched through the night, but did not find him. And when the dawn came up and they doused their lamps, and the parking lights replaced headlights on the caravans of cars that ringed the town, they still had not found him. And finally they gathered in the mall, to decide what to do.
And he was there.
He stood on the Soldiers and Sailors Monument high above them, where he had huddled all through the night, at the feet of a World War I doughboy with his arm upraised and a Springfield in his fist. He was there, and the symbolism did not escape him.
“Pull him down!” someone shouted. And they surged toward the marble-and-bronze monument.
Vernon Lestig stood watching them come toward him, and seemed unconcerned at the rifles and clubs and war-souvenir Lugers coming toward him.
The first man to scale the plinth was Gary Howard, with the broken-field cheers of the crowd smile on his face. Lestig’s eyes widened behind the smoked glasses, and very casually he removed them, and he looked at the big, many-toothed car salesman.
The crowd screamed in one voice and the forward rush was halted as the still-smoking body of Teresa’s husband fell back on them, arms flung out wide, torso twisted.
In the rear, they tried to run. He cut them down. The crowd stopped. One man tried to raise a revolver to kill him, but he dropped, his face burned away, smoking pustules of ruined flesh where his eyes had been.
They stopped. Frozen in a world of muscles that trembled, of running energy with no place to go.
“I’ll show you!” he yelled. “I’ll show you what it’s like! You want to know, so I’ll show you!”
Then he breathed, and men died. Then he looked and others fell. Then he said, very quietly, so they would hear him: “It’s easy, till it happens. You never know, patriots! You live all the time and you say one thing or another, all your rules about what it takes to be brave, but you never know, till that one time when you find out. I found out, it’s not so easy. Now you’ll find out.”
He pointed to the ground.
“Get down on your knees and crawl, patriots! Crawl to me and maybe I’ll let you live. Get down like animals and crawl on your bellies to me.”
There was a shout from the crowd; and the man died.
“Crawl, I said! Crawl to me!”
Here and there in the crowd people dropped from sight. At the rear a woman tried to run away and he burned her out and the husk fell, and all around her, within sight of the wisps of smoke from her face, people fell to their knees. Then entire groups dropped; then one whole side of the mob went down. Then they were all on their knees.
“Crawl! Crawl, brave ones, crawl nice my people! Crawl and learn it’s better to live, any way at all, to stay alive, because you’re human! Crawl and you’ll understand your slogans are shit, your rul
es are for others! Crawl for your goddamned lives and you’ll understand! Crawl!”
And they crawled. They crept forward on hands and knees, across the grass, across cement and mud and the branches of small bushes, across the dirt. They crawled toward him.
And far away, through mists of darkness. the Helmet-Headed One sat on his throne, high above all, with the basilisk at his feet, and he smiled.
“Crawl, God damn you!”
But he did not know the name of the God he served.
“Crawl!”
And in the middle of the mob, a woman who had hung a gold star in her front window, crawled across a .32 Police Positive, and her hand touched it, and she folded her fingers around it, and suddenly she raised up and screamed, “For Kennyyyyy…!” and she fired.
The bullet smashed Lestig’s collarbone and he spun sidewise, up against the Yank’s puttees, and he tried to regain his stance but the crutch had fallen, and now the crowd was on its feet and firing…and firing…
They buried the body in an unmarked grave, and no one talked of it. And far away, on a high throne, tickling the sleek hide of the basilisk that reclined at his feet like a faithful mastiff, even the Armed One did not speak of it. There was no need to speak of it. Lestig was gone, but that was to have been expected.
The weapon had been deactivated, but Mars, the Eternal One, the God Who Never Dies, the Lord of Futures, Warden of the Dark Places, Ever-Potent Scion of Conflict, Master of Men, Mars sat content.
The recruiting had gone well. Power to the people.
The god of the slot machine:
new religions, new souls, new limbos.
Pretty Maggie Moneyeyes
With an eight hole-card and a queen showing, with the dealer showing a four up, Kostner decided to let the house do the work. So he stood, and the dealer turned up. Six.
The dealer looked like something out of a 1935 George Raft film: Arctic diamond-chip eyes, manicured fingers long as a brain surgeon’s, straight black hair slicked flat away from the pale forehead. He did not look up as he peeled them off. A three. Another three. Bam. A five. Bam. Twenty-one, and Kostner saw his last thirty dollars–six five-dollar chips–scraped on the edge of the cards, into the dealer’s chip racks. Busted. Flat. Down and out in Las Vegas, Nevada. Playground of the Western World.
He slid off the comfortable stool-chair and turned his back on the blackjack table. The action was already starting again, like waves closing over a drowned man. He had been there, was gone, and no one had noticed. No one had seen a man blow the last tie with salvation. Kostner now had his choice: he could bum his way into Los Angeles and try to find something that resembled a new life…or he could go blow his brains out through the back of his head.
Neither choice showed much light or sense.
He thrust his hands deep into the pockets of his worn and dirty chinos, and started away down the line of slot machines clanging and rattling on the other side of the aisle between blackjack tables.
He stopped. He felt something in his pocket. Beside him, but all-engrossed, a fiftyish matron in electric lavender capris, high heels and Ship ‘n’ Shore blouse was working two slots, loading and pulling one while waiting for the other to clock down. She was dumping quarters in a seemingly inexhaustible supply from a Dixie cup held in her left hand. There was a surrealistic presence to the woman. She was almost automated, not a flicker of expression on her face, the eyes fixed and unwavering. Only when the gong rang, someone down the line had pulled a jackpot, did she look up. And at that moment Kostner knew what was wrong and immoral and deadly about Vegas, about legalized gambling, about setting the traps all baited and open in front of the average human. The woman’s face was gray with hatred, envy, lust and dedication to the game–in that timeless instant when she heard another drugged soul down the line winning a minuscule jackpot. A jackpot that would only lull the player with words like luck and ahead of the game. The jackpot lure; the sparkling, bobbling, many-colored wiggler in a sea of poor fish.
The thing in Kostner’s pocket was a silver dollar.
He brought it out and looked at it.
The eagle was hysterical.
But Kostner pulled to an abrupt halt, only one half-footstep from the sign indicating the limits of Tap City. He was still with it. What the high-rollers called the edge, the vigerish, the fine hole-card. One buck. One cartwheel. Pulled out of the pocket not half as deep as the pit into which Kostner had just been about to plunge.
What the hell, he thought, and turned to the row of slot machines.
He had thought they’d all been pulled out of service, the silver dollar slots. A shortage of coinage, said the United States Mint. But right there, side by side with the nickel and quarter bandits, was one cartwheel machine. Two thousand dollar jackpot. Kostner grinned foolishly. If you’re gonna go out, go out like a champ.
He thumbed the silver dollar into the coin slot and grabbed the heavy, oiled handle. Shining cast aluminum and pressed steel. Big black plastic ball, angled for arm ease, pull it all day and you won’t get weary.
Without a prayer in the universe, Kostner pulled the handle.
She had been born in Tucson, mother full-blooded Cherokee, father a bindlestiff on his way through. Mother had been working a truckers’ stop, father had popped for spencer steak and sides. Mother had just gotten over a bad scene, indeterminate origins, unsatisfactory culminations. Mother had popped for bed. And sides. Margaret Annie Jessie had come nine months later; black of hair, fair of face, and born into a life of poverty. Twenty-three years later, a determined product of Miss Clairol and Berlitz, a dream-image formed by Vogue and intimate association with the rat race, Margaret Annie Jessie had become a contraction.
Maggie.
Long legs, trim and coltish; hips a trifle large, the kind that promote that specific thought in men, about getting their hands around it; belly flat, isometrics; waist cut to the bone, a waist that works in any style from dirndl to disco-slacks; no breasts–all nipple, but no breast, like an expensive whore (the way O’Hara pinned it)–and no padding…forget the cans, baby, there’s other, more important action; smooth, Michelangelo-sculpted neck, a pillar, proud; and all that face.
Outthrust chin, perhaps a tot too much belligerence, but if you’d walloped as many gropers, you too, sweetheart; narrow mouth, petulant lower lip, nice to chew on, a lower lip as though filled with honey, bursting, ready for things to happen; a nose that threw the right sort of shadow, flaring nostrils, the acceptable words–aquiline, patrician, classic, allathat; cheekbones as stark and promontory as a spit of land after ten years of open ocean; cheekbones holding darkness like narrow shadows, sooty beneath the taut-fleshed bone-structure; amazing cheek-bones, the whole face, really; an ancient kingdom’s uptilted eyes, the touch of the Cherokee, eyes that looked out at you, as you looked in at them, like someone peering out of the keyhole as you peered in; actually, dirty eyes, they said you can get it.
Blonde hair, a great deal of it, wound and rolled and smoothed and flowing, in the old style, the pageboy thing men always admire; no tight little cap of slicked plastic; no ratted and teased Annapurna of bizarre coiffure; no ironed-flat discothèque hair like number 3 flat noodles. Hair, the way a man wants it, so he can dig his hands in at the base of the neck and pull all that face very close.
An operable woman, a working mechanism, a rigged and sudden machinery of softness and motivation.
Twenty-three, and determined as hell never to abide in that vale of poverty her mother had called purgatory for her entire life; snuffed out in a grease fire in the last trailer, somewhere in Arizona, thank God no more pleas for a little money from babygirl Maggie hustling drinks in a Los Angeles topless joint. (There ought to be some remorse in there somewhere, for a Mommy gone where all the good grease-fire victims go. Look around, you’ll find it.)
Maggie.
Genetic freak. Mommy’s Cherokee
uptilted eye-shape, and Polack quickscrewing Daddy WithoutaName’s blue as innocence color.
Blue-eyed Maggie, dyed blonde, alla that face, alla that leg, fifty bucks a night can get it and it sounds like it’s having a climax.
Irish-innocent blue-eyed-innocent French-legged-innocent Maggie. Polack. Cherokee. Irish. All-woman and going on the market for this month’s rent on the stucco pad, eighty bucks’ worth of groceries, a couple months’ worth for a Mustang, three appointments with the specialist in Beverly Hills about that shortness of breath after a night on the hustle bump the sticky thigh the disco lurch the gotcha sweat: woman minutes. Increments under the meat; perspiration purchases, yeah it does.
Maggie, Maggie, Maggie, pretty Maggie Moneyeyes, who came from Tucson and trailers and rheumatic fever and a surge to live that was all kaleidoscope frenzy of clawing scrabbling no-nonsense. If it took lying on one’s back and making sounds like a panther in the desert, then one did it, because nothing, but nothing was as bad as being dirt-poor, itchy-skinned, soiled-underwear, scuff-toed, hairy and ashamed lousy with the no-gots. Nothing!
Maggie. Hooker. Hustler. Grabber. Swinger. If there’s a buck in it, there’s rhythm and the onomatopoeia is Maggie Maggie Maggie.
She who puts out. For a price, whatever that might be.
Maggie was dating Nuncio. He was Sicilian. He had dark eyes and an alligator-grain wallet with slip-in pockets for credit cards. He was a spender, a sport, a high-roller. They went to Vegas.
Maggie and the Sicilian. Her blue eyes and his slip-in pockets. But mostly her blue eyes.
The spinning reels behind the three long glass windows blurred, and Kostner knew there wasn’t a chance. Two thousand dollar jackpot. Round and round, whirring. Three bells or two bells and a jackpot bar, get 18; three plums or two plums and a jackpot bar, get 14; three oranges or two oranges and a jac–