undauntedly retrod that road seeking its starting point. A fresh view, leading

  further backward, unfolded at every stage; the mellowed centuries blended into

  millennia, and they into tens of thousands of years, as those tireless inquirers

  explored deeper and still deeper into the eternity of the past. On a stela at Quiriga

  in Guatemala a date over 90 million years ago is computed; on another a date over

  300 million years before that is given. These are actual computations, stating

  correctly day and month positions, and are comparable to calculations in our

  calendar giving the month positions on which Easter would have fallen at

  equivalent distances in the past. The brain reels at such astronomical figures ...26

  Isn’t all this a bit avant-garde for a civilization that didn’t otherwise

  distinguish itself in many ways? It’s true that Mayan architecture was

  good within its limits. But there was precious little else that these jungledwelling Indians did which suggested they might have had the capacity

  (or the need) to conceive of really long periods of time.

  It’s been a good deal less than two centuries since the majority of

  24 Ibid., pp. g, 275.

  25 José Arguelles, The Mayan Factor: Path Beyond Technology, Bear and Co., Santa Fe,

  New Mexico, 1987, pp. 26; The Gods and Symbols of Ancient Mexico and the Maya, p.

  50.

  26 The Rise and Fall of Maya Civilization, pp. 13-14, 165.

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  Western intellectuals abandoned Bishop Usher’s opinion that the world

  was created in 4004 BC and accepted that it must be infinitely older than

  that.27 In plain English this means that the ancient Maya had a far more

  accurate understanding of the true immensity of geological time, and of

  the vast antiquity of our planet, than did anyone in Britain, Europe or

  North America until Darwin propounded the theory of evolution.

  So how come the Maya got handy with big periods like hundreds of

  millions of years? Was it a freak of cultural development? Or did they

  inherit the calendrical and mathematical tools which facilitated, and

  enabled them to develop, this sophisticated understanding? If an

  inheritance was involved, it is legitimate to ask what the original

  inventors of the Mayan calendar’s computer-like circuitry had intended it

  to do. What had they designed it for? Had they simply conceived of all its

  complexities to concoct ‘a challenge to the intellect, a sort of tremendous

  anagram’, as one authority claimed?28 Or could they have had a more

  pragmatic and important objective in mind?

  We have seen that the obsessive concern of Mayan society, and indeed

  of all the ancient cultures of Central America, was with calculating—and if

  possible postponing—the end of the world. Could this be the purpose the

  mysterious calendar was designed to fulfill? Could it have been a

  mechanism for predicting some terrible cosmic or geological catastrophe?

  27 Encyclopaedia Britannica, 12:214.

  28 The Rise and Fall of Maya Civilization, p. 168.

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  Chapter 22

  City of the Gods

  The overwhelming message of a large number of Central American

  legends is that the Fourth Age of the world ended very badly. A

  catastrophic deluge was followed by a long period during which the light

  of the sun vanished from the sky and the air was filled with a tenebrous

  darkness. Then:

  The gods gathered together at Teotihuacan [‘the place of the gods’] and wondered

  anxiously who was to be the next Sun. Only the sacred fire [the material

  representation of Huehueteotl, the god who gave life its beginning] could be seen

  in the darkness, still quaking following the recent chaos. ‘Someone will have to

  sacrifice himself, throw himself into the fire,’ they cried, ‘only then will there be a

  Sun.’1

  A drama ensued in which two deities (Nanahuatzin and Tecciztecatl)

  immolated themselves for the common good. One burned quickly in the

  centre of the sacred fire; the other roasted slowly on the embers at its

  edge ‘The gods waited for a long time until eventually the sky started to

  glow red as at dawn. In the east appeared the great sphere of the sun,

  life-giving and incandescent ...’2

  It was at this moment of cosmic rebirth that Quetzalcoatl manifested

  himself. His mission was with humanity of the Fifth Age. He therefore

  took the form of a human being—a bearded white man, just like

  Viracocha.

  In the Andes, Viracocha’s capital was Tiahuanaco. In Central America,

  Quetzalcoatl’s was the supposed birth-place of the Fifth Sun,

  Teotihuacan, the city of the gods.3

  1 Pre-Hispanic Gods of Mexico, pp. 25-6.

  2 Ibid., pp. 26-7.

  3 Ancient America, Time-Life International, 1970, p. 45; Aztecs: Reign of Blood and

  Splendour, p. 54; Pre-Hispanic Gods of Mexico, p. 24.

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  Teotihuacan.

  The Citadel, the Temple and the Map of Heaven

  Teotihuacan, 50 kilometres north-east of Mexico City

  I stood in the airy enclosure of the Citadel and looked north across the

  morning haze towards the Pyramids of the Sun and the Moon. Set amid

  grey-green scrub country, and ringed by distant mountains, these two

  great monuments played their parts in a symphony of ruins strung out

  along the axis of the so-called ‘Street of the Dead’. The Citadel lay at the

  approximate mid point of this wide avenue which ran perfectly straight

  for more than four kilometres. The Pyramid of the Moon was at its

  northern extreme, the Pyramid of the Sun offset somewhat to its east.

  In the context of such a geometric site, an exact north-south or eastwest orientation might have been expected. It was therefore surprising

  that the architects who had planned Teotihuacan had deliberately chosen

  to incline the Street of the Dead 15° 30’ east of north. There were several

  theories as to why this eccentric orientation had been selected, but none

  was especially convincing. Growing numbers of scholars, however, were

  beginning to wonder whether astronomical alignments might have been

  involved. One, for example, had proposed that the Street of the Dead

  might have been ‘built to face the setting of the Pleiades at the time when

  it was constructed’.4 Another, Professor Gerald Hawkins, had suggested

  4 The Ancient Kingdoms of Mexico, p. 67.

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  that a ‘Sirius-Pleides axis’ could also have played a part.5 And Stansbury

  Hagar (secretary of the Department of Ethnology at the Brooklyn Institute

  of the Arts and Sciences), had suggested that the street might represent

  the Milky Way.6

  Indeed Hagar went further than this, seeing the portrayal of specific

  planets and stars in many of the pyramids, mounds and other structures

  that hovered like fixed satellites around the axis of the Street of the

  Dead. His complete thesis was that Teotihuacan had been designed as a

  kind of ‘map of heaven’: ‘It reproduced on earth a supposed celestial pl
an

  of the sky-world where dwelt the deities and spirits of the dead.’7

  During the 1960s and 1970s Hagar’s intuitions were tested in the field

  by Hugh Harleston Jr., an American engineer resident in Mexico, who

  carried out a comprehensive mathematical survey at Teotihuacan.

  Harleston reported his findings in October 1974 at the International

  Congress of Americanists.8 His paper, which was full of daring and

  innovative ideas, contained some particularly curious information about

  the Citadel and about the Temple of Quetzalcoatl located at the eastern

  extreme of this great square compound.

  The Temple was regarded by scholars as one of the best-preserved

  archaeological monuments in Central America.9 This was because the

  original, prehistoric structure had been partially buried beneath another

  much later mound immediately in front of it to the west. Excavation of

  that mound had revealed the elegant six-stage pyramid that now

  confronted me. It stood 72 feet high and its base covered an area of

  82,000 square feet.

  Still bearing traces of the original multicoloured paints which had

  coated it in antiquity, the exposed Temple was a beautiful and strange

  sight. The predominant sculptural motif was a series of huge serpent

  heads protruding three-dimensionally out of the facing blocks and lining

  the sides of the massive central stairway. The elongated jaws of these

  oddly humanoid reptiles were heavily endowed with fangs, and the upper

  lips with a sort of handlebar moustache. Each serpent’s thick neck was

  ringed by an elaborate plume of feathers—the unmistakable symbol of

  Quetzalcoatl.10

  What Harleston’s investigations had shown was that a complex

  mathematical relationship appeared to exist among the principal

  structures lined up along the Street of the Dead (and indeed beyond it).

  This relationship suggested something extraordinary, namely that

  Teotihuacan might originally have been designed as a precise scale

  5 Beyond Stonehenge, pp. 187-8.

  6 Cited in Mysteries of the Mexican Pyramids, pp. 220-1.

  7 Ibid.

  8 Hugh Harleston Jr., ‘A Mathematical Analysis of Teotihuacan’, XLI International

  Congress of Americanists, 3 October 1974.

  9 Richard Bloomgarden, The Pyramids of Teotihuacan, Editur S. A. Mexico, 1993, p. 14.

  10 Mysteries of the Mexican Pyramids, p. 215.

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  model of the solar system. At any rate, if the centre line of the Temple of

  Quetzalcoatl were taken as denoting the position of the sun, markers laid

  out northwards from it along the axis of the Street of the Dead seemed to

  indicate the correct orbital distances of the inner planets, the asteroid

  belt, Jupiter, Saturn (represented by the so-called ‘Sun’ Pyramid), Uranus

  (by the ‘Moon’ Pyramid), and Neptune and Pluto by as yet unexcavated

  mounds some kilometres farther north.11

  If these correlations were more than coincidental, then, at the very

  least, they indicated the presence at Teotihuacan of an advanced

  observational astronomy, one not surpassed by modern science until a

  relatively late date. Uranus remained unknown to our own astronomers

  until 1787, Neptune until 1846 and Pluto until 1930. Even the most

  conservative estimate of Teotihuacan’s antiquity, by contrast, suggested

  that the principal ingredients of the site-plan (including the Citadel, the

  Street of the Dead and the Pyramids of the Sun and the Moon) must date

  back at least to the time of Christ.12 No known civilization of that epoch,

  either in the Old World or in the New, is supposed to have had any

  knowledge at all of the outer planets—let alone to have possessed

  accurate information concerning their orbital distances from each other

  and from the sun.

  Egypt and Mexico—more coincidences?

  After completing his studies of the pyramids and avenues of Teotihuacan,

  Stansbury Hagar concluded: ‘We have not yet realized either the

  importance or the refinement, or the widespread distribution throughout

  ancient America, of the astronomical cult of which the celestial plan was a

  feature, and of which Teotihuacan was one of the principal centres.’13

  But was this just an astronomical ‘cult’? Or was it something

  approximating more closely to what we might call a science? And whether

  cult or science, was it realistic to suppose that it had enjoyed ‘widespread

  distribution’ only in the Americas when there was so much evidence

  linking it to other parts of the ancient world?

  For example, archaeo-astronomers making use of the latest starmapping computer programmes had recently demonstrated that the

  three world-famous pyramids on Egypt’s Giza plateau formed an exact

  terrestrial diagram of the three belt stars in the constellation of Orion.14

  Nor was this the limit of the celestial map the Ancient Egyptian priests

  had created in the sands on the west bank of the Nile. Included in their

  overall vision, as we shall see in Parts VI and VII, there was a natural

  11 Ibid., pp. 266-9.

  12 The Ancient Kingdoms of Mexico, p. 67.

  13 Mysteries of the Mexican Pyramids, p. 221.

  14 The Orion Mystery.

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  feature—the river Nile—which was exactly where it should be had it been

  designed to represent the Milky Way.15

  The incorporation of a ‘celestial plan’ into key sites in Egypt and Mexico

  did not by any means exclude religious functions. On the contrary,

  whatever else they may have been intended for it is certain that the

  monuments of Teotihuacan, like those of the Giza plateau, played

  important religious roles in the lives of the communities they served.

  Thus Central American traditions collected in the sixteenth century by

  Father Bernardino de Sahagun gave eloquent expression to a widespread

  belief that Teotihuacan had fulfilled at least one specific and important

  religious function in ancient times. According to these legends the City of

  the Gods was so known because ‘the Lords therein buried, after their

  deaths, did not perish but turned into gods ...’16 In other words, it was

  ‘the place where men became gods’.17 It was additionally known as ‘the

  place of those who had the road of the gods’,18 and ‘the place where gods

  were made’.19

  Was it a coincidence, I wondered, that this seemed to have been the

  religious purpose of the three pyramids at Giza? The archaic hieroglyphs

  of the Pyramid Texts, the oldest coherent body of writing in the world,

  left little room for doubt that the ultimate objective of the rituals carried

  out within those colossal structures was to bring about the deceased

  pharaoh’s transfiguration—to ‘throw open the doors of the firmament

  and to make a road’ so that he might ‘ascend into the company of the

  gods’.20

  The notion of pyramids as devices designed (presumably in some

  metaphysical sense) ‘to turn men into gods’ was, it seemed to me, too

  idiosyncratic and peculiar to have been arrived at independently in both

  Ancient
Egypt and Mexico. So, too, was the idea of using the layout of

  sacred sites to incorporate a celestial plan.

  Moreover, there were other strange similarities that deserved to be

  considered.

  Just as at Giza, three principal pyramids had been built at Teotihuacan:

  the Pyramid/Temple of Quetzalcoatl, the Pyramid of the Sun and the

  Pyramid of the Moon. Just as at Giza, the site plan was not symmetrical,

  as one might have expected, but involved two structures in direct

  alignment with each other while the third appeared to have been

  deliberately offset to one side. Finally, at Giza, the summits of the Great

  Pyramid and the Pyramid of Khafre were level, even though the former

  was a taller building than the latter. Likewise, at Teotihuacan, the

  15 Ibid.

  16 Bernardino de Sahagun, cited in Mysteries of the Mexican Pyramids, p. 23.

  17 Mexico: Rough Guide, p. 216.

  18 The Atlas of Mysterious Places, p. 158.

  19 Pre-Hispanic Gods of Mexico, p. 24.

  20 The Ancient Egyptian Pyramid Texts, Utt. 667A, p. 281.

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  summits of the Pyramids of the Sun and the Moon were level even though

  the former was taller. The reason was the same in both cases: the Great

  Pyramid was built on lower ground than the Pyramid of Cephren, and the

  Pyramid of the Sun on lower ground than the Pyramid of the Moon.21

  Could all this be coincidence? Was it not more logical to conclude that

  there was an ancient connection between Mexico and Egypt?

  For reasons I have outlined in Chapters Eighteen and Nineteen I

  doubted whether any direct, causal link was involved—at any rate within

  historic times. Once again, however, as with the Mayan calendar, and as

  with the early maps of Antarctica, was it not worth keeping an open mind

  to the possibility that we might be dealing with a legacy: that the

  pyramids of Egypt and the ruins of Teotihuacan might express the

  technology, the geographical knowledge, the observational astronomy

  (and perhaps also the religion) of a forgotten civilization of the past

  which had once, as the Popul Vuh claimed, ‘examined the four corners,

  the four points of the arch of the sky, and the round face of the earth’?

  There was widespread agreement among academics concerning the

  antiquity of the Giza pyramids, thought to be about 4500 years old.22 No