also, at least two different kinds of disaster may be portrayed as having

  occurred simultaneously (most frequently floods and earthquakes, but

  sometimes fire and a terrifying darkness).

  All this contributes to the creation of a confused and jumbled picture.

  The myths of the Hopi, however, stand out for their straightforwardness

  and simplicity. What they tell us is this:

  The first world was destroyed, as a punishment for human misdemeanours, by an

  all-consuming fire that came from above and below. The second world ended

  when the terrestrial globe toppled from its axis and everything was covered with

  46 2 Peter 3:3-10.

  47 See H. Murray, J. Crawford et al., An Historical and Descriptive Account of China, 2nd

  edition, 1836, volume I, p. 40. See also G. Schlegel, Uranographie chinoise, 1875, p.

  740.

  48 Warren, Buddhism in Translations, p. 322.

  49 Ibid.

  50 Dixon, Oceanic Mythology, p. 178.

  51 Worlds in Collision, p. 35.

  52 Encyclopaedia Britannica, 6:53.

  195

  Graham Hancock – FINGERPRINTS OF THE GODS

  ice. The third world ended in a universal flood. The present world is the fourth. Its

  fate will depend on whether or not its inhabitants behave in accordance with the

  Creator’s plans.53

  We are on the trail of a mystery here. And while we may never hope to

  fathom the plans of the Creator we should be able to reach a judgement

  concerning the riddle of our converging myths of global destruction.

  Through these myths the voices of the ancients speak to us directly.

  What are they trying to say?

  53 World Mythology, p. 26. Details of the Hopi world destruction myths are in Frank

  Waters, The Book of the Hopi, Penguin, London, 1977.

  196

  Graham Hancock – FINGERPRINTS OF THE GODS

  Chapter 25

  The Many Masks of the Apocalypse

  Like the Hopi Indians of North America, the Avestic Aryans of pre-Islamic

  Iran believed that there were three epochs of creation prior to our own. In

  the first epoch men were pure and sinless, tall and long lived, but at its

  close the Evil One declared war against Ahura Mazda, the holy god, and a

  tumultuous cataclysm ensued. During the second epoch the Evil One was

  unsuccessful. In the third good and evil were exactly balanced. In the

  fourth epoch (the present age of the world), evil triumphed at the outset

  and has maintained its supremacy ever since.1

  The end of the fourth epoch is predicted soon, but it is the cataclysm at

  the end of the first epoch that interests us here. It is not a flood, and yet

  it converges in so many ways with so many global flood traditions that

  some connection is strongly suggested.

  The Avestic scriptures take us back to a time of paradise on earth, when

  the remote ancestors of the ancient Iranian people lived in the fabled

  Airyana Vaejo, the first good and happy creation of Ahura Mazda that

  flourished in the first age of the world: the mythical birthplace and

  original home of the Aryan race.

  In those days Airyana Vaejo enjoyed a mild and productive climate with

  seven months of summer and five of winter. Rich in wildlife and in crops,

  its meadows flowing with streams, this garden of delights was converted

  into an uninhabitable wasteland of ten months’ winter and only two

  months summer as a result of the onslaught of Angra Mainyu, the Evil

  One:

  The first of the good lands and countries which I, Ahura Mazda, created was the

  Airyana Vaejo ... Then Angra Mainyu, who is full of death, created an opposition to

  the same, a mighty serpent and snow. Ten months of winter are there now, two

  months of summer, and these are cold as to the water, cold as to the earth, cold

  as to the trees ... There all around falls deep snow; that is the direst of plagues ...’2

  The reader will agree that a sudden and drastic change in the climate of

  Airyana Vaejo is indicated. The Avestic scriptures leave us in no doubt

  about this. Earlier they describe a meeting of the celestial gods called by

  Ahura Mazda, and tell us that ‘the fair Yima, the good shepherd of high

  renown in the Airyana Vaejo’, attended this meeting with all his excellent

  mortals.

  1 The Bundahish Chapters I, XXXI, XXXIV, cited in William F. Warren, Paradise Found: The

  Cradle of the Human Race at the North Pole, Houghton, Mifflin and Co., Boston, 1885, p.

  282.

  2 Vendidad, Fargard I, cited in Lokamanya Bal Gangadhar Tilak, The Arctic Home in the

  Vedas, Tilak Publishers, Poona, 1956, pp. 340-1.

  197

  Graham Hancock – FINGERPRINTS OF THE GODS

  It is at this point that the strange parallels with the traditions of the

  biblical flood begin to crop up, for Ahura Mazda takes advantage of the

  meeting to warn Yima of what is about to happen as a result of the

  powers of the Evil One:

  And Ahura Mazda spake unto Yima saying: ‘Yima the fair ... Upon the material

  world a fatal winter is about to descend, that shall bring a vehement, destroying

  frost. Upon the corporeal world will the evil of winter come, wherefore snow will

  fall in great abundance. ...

  ‘And all three sorts of beasts shall perish, those that live in the wilderness, and

  those that live on the tops of the mountains, and those that live in the depths of

  the valleys under the shelter of stables.

  ‘Therefore make thee a var [a hypogeum or underground enclosure] the length of

  a riding ground to all four corners. Thither bring thou the representatives of every

  kind of beast, great and small, of the cattle, of the beasts of burden, and of men,

  of dogs, of birds, and of the red burning fires.3

  ‘There shalt thou make water flow. Thou shall put birds in the trees along the

  water’s edge, in verdure which is everlasting. There put specimens of all plants,

  the loveliest and most fragrant, and of all fruits the most succulent. All these

  kinds of things and creatures shall not perish as long as they are in the var. But

  put there no deformed creature, nor impotent, nor mad, neither wicked, nor

  deceitful, nor rancorous, nor jealous; nor a man with irregular teeth, nor a leper

  ...’4

  Apart from the scale of the enterprise there is only one real difference

  between Yima’s divinely inspired var and Noah’s divinely inspired ark: the

  ark is a means of surviving a terrible and devastating flood which will

  destroy every living creature by drowning the world in water; the var is a

  means of surviving a terrible and devastating ‘winter’ which will destroy

  every living creature by covering the earth with a freezing blanket of ice

  and snow.

  In the Bundahish, another of the Zoroastrian scriptures (believed to

  incorporate ancient material from a lost part of the original Avesta), more

  information is provided on the cataclysm of glaciation that overwhelmed

  Airyana Vaejo. When Angra Mainyu sent the ‘vehement destroying frost’,

  he also ‘assaulted and deranged the sky’.5 The Bundahish tells us that

  this assault enabled the Evil One to master ‘one third of the sky and

  overspread it with darkness’ as the encroaching ice sheets tightened their
>
  grip.6

  3 Vendidad, Fargard II, cited in The Arctic Home in the Vedas, pp. 300, 353-4.

  4 New Larousse Encyclopaedia of Mythology, p. 320.

  5 West, Pahlavi Texts Part I, p. 17, London, 1880.

  6 Ibid.; Justi, Der Bundahish, Leipzig, 1868, p. 5.

  198

  Graham Hancock – FINGERPRINTS OF THE GODS

  Indescribable cold, fire, earthquakes and derangement of

  the skies

  The Avestic Aryans of Iran, who are known to have migrated to western

  Asia from some other, distant homeland,7 are not the only possessors of

  archaic traditions which echo the basic setting of the great flood in ways

  unlikely to be coincidental. Indeed, though these are most commonly

  associated with the deluge, the familiar themes of the divine warning,

  and of the salvation of a remnant of mankind from a universal disaster,

  are also found in many different parts of the world in connection with the

  sudden onset of glacial conditions.

  In South America, for example, Toba Indians of the Gran Chaco region

  that sprawls across the modern borders of Paraguay, Argentina and Chile,

  still repeat an ancient myth concerning the advent of what they call ‘the

  Great Cold’. Forewarning comes from a semi-divine hero figure named

  Asin:

  Asin told a man to gather as much wood as he could and to cover his hut with a

  thick layer of thatch, because a time of great cold was coming. As soon as the hut

  had been prepared Asin and the man shut themselves inside and waited. When the

  great cold set in, shivering people arrived to beg a firebrand from them. Asin was

  hard and gave embers only to those who had been his friends. The people were

  freezing, and they cried the whole night. At midnight they were all dead, young

  and old, men and women ... this period of ice and sleet lasted for a long time and

  all the fires were put out. Frost was as thick as leather.8

  As in the Avestic traditions it seems that the great cold was accompanied

  by great darkness. In the words of one Toba elder, these afflictions were

  sent ‘because when the earth is full of people it has to change. The

  population has to be thinned out to save the world ... In the case of the

  long darkness the sun simply disappeared and the people starved. As

  they ran out of food, they began eating their children. Eventually they all

  died ...9

  The Mayan Popol Vuh associates the flood, with ‘much hail, black rain

  and mist, and indescribable cold’.10 It also says that this was a period

  when ‘it was cloudy and twilight all over the world ... the faces of the sun

  and the moon were covered.’11 Other Maya sources confirm that these

  strange and terrible phenomena were experienced by mankind, ‘in the

  time of the ancients. The earth darkened ... It happened that the sun was

  still bright and clear. Then, at midday, it got dark ...12 Sunlight did not

  return till the twenty-sixth year after the flood.’13

  7 The Arctic Home in the Vedas, p. 390ff.

  8 The Mythology of South America, pp. 143-4

  9 Ibid., p. 144.

  10 Popol Vuh, p. 178.

  11 Ibid., p. 93.

  12 The Mythology of Mexico and Central America, p. 41.

  13 Maya History and Religion, p. 333.

  199

  Graham Hancock – FINGERPRINTS OF THE GODS

  The reader may recall that many deluge and catastrophe myths contain

  references not only to the onset of a great darkness but to other changes

  in the appearance of the heavens. In Tierra del Fuego, for instance, it was

  said that the sun and the moon ‘fell from the sky’14 and in China that ‘the

  planets altered their courses. The sun, moon and stars changed their

  motions.’15 The Incas believed that ‘in ancient times the Andes were split

  apart when the sky made war on the earth.’16 The Tarahumara of northern

  Mexico have preserved world destruction legends based on a change in

  the sun’s path.17 An African myth from the lower Congo states that ‘long

  ago the sun met the moon and threw mud at it, which made it less bright.

  When this meeting happened there was a great flood ...’18 The Cahto

  Indians of California say simply that ‘the sky fell’.19 And ancient GraecoRoman myths tell that the flood of Deucalion was immediately preceded

  by awesome celestial events.20 These events are graphically symbolized in

  the story of how Phaeton, child of the sun, harnessed his father’s chariot

  but was unable to guide it along his father’s course:

  Soon the fiery horses felt how their reins were in an unpractised hand. Rearing and

  swerving aside, they left their wonted way; then all the earth was amazed to see

  that the glorious Sun, instead of holding his stately, beneficent course across the

  sky, seemed to speed crookedly overhead and to rush down in wrath like a

  meteor.’21

  This is not the place to speculate on what may have caused the alarming

  disturbances in the patterns of the heavens that are linked with cataclysm

  legends from all over the world. For our purposes at present, it is

  sufficient to note that such traditions seem to refer to the same

  ‘derangement of the sky’ that accompanied the fatal winter and

  spreading ice sheets described in the Iranian Avesta.22 Other linkages

  occur. Fire, for example, often follows or precedes the flood. In the case

  of Phaeton’s adventure with the Sun, ‘the grass withered; the crops were

  scorched; the woods went up in fire and smoke; then beneath them the

  bare earth cracked and crumbled and the blackened rocks burst asunder

  under the heat.’23

  Volcanism and earthquakes are also mentioned frequently in

  association with the flood, particularly in the Americas. The Araucanians

  14 See Chapter Twenty-four.

  15 Ibid.

  16 National Geographic Magazine, June 1962, p. 87.

  17 The Mythology of Mexico and Central America, p. 79.

  18 New Larousse Encyclopaedia of Mythology, p. 481.

  19 The Mythology of all Races, Cooper Square Publishers Inc., New York, 1964, volume X,

  p. 222.

  20 See particularly the writings of Hyginus, cited in Paradise Found, p. 195. See also The

  Gods of the Greeks, p. 195.

  21 The Illustrated Guide to Classical Mythology, p. 15-17.

  22 The Iranian Bundahish tells us that the planets ran against the sky and created

  confusion in the entire cosmos.

  23 The Illustrated Guide to Classical Mythology, p. 17.

  200

  Graham Hancock – FINGERPRINTS OF THE GODS

  of Chile say quite explicitly that ‘the flood was the result of volcanic

  eruptions accompanied by violent earthquakes.’24 The Mam Maya of

  Santiago Chimaltenango in the western highlands of Guatemala retain

  memories of ‘a flood of burning pitch’ which, they say, was one of the

  instruments of world destruction.25 And in the Gran Chaco of Argentina,

  the Mataco Indians tell of ‘a black cloud that came from the south at the

  time of the flood and covered the whole sky. Lightning struck and

  thunder was heard. Yet the drops that fell were not like rain. They were

  like fire ...’26

  A monster chased the sun

  There is one ancient culture that perhaps preserves more vivid memories
r />
  in its myths than any other; that of the so-called Teutonic tribes of

  Germany and Scandinavia, a culture best remembered through the songs

  of the Norse scalds and sages. The stories those songs retell have their

  roots in a past which may be much older than scholars imagine and

  which combine familiar images with strange symbolic devices and

  allegorical language to recall a cataclysm of awesome magnitude:

  In a distant forest in the east an aged giantess brought into the world a whole

  brood of young wolves whose father was Fenrir. One of these monsters chased the

  sun to take possession of it. The chase was for long in vain, but each season the

  wolf grew in strength, and at last he reached the sun. Its bright rays were one by

  one extinguished. It took on a blood red hue, then entirely disappeared.

  Thereafter the world was enveloped in hideous winter. Snow-storms descended

  from all points of the horizon. War broke out all over the earth. Brother slew

  brother, children no longer respected the ties of blood. It was a time when men

  were no better than wolves, eager to destroy each other. Soon the world was going

  to sink into the abyss of nothingness.

  Meanwhile the wolf Fenrir, whom the gods had long ago so carefully chained up,

  broke his bonds at last and escaped. He shook himself and the world trembled.

  The ash tree Yggdrasil [envisaged as the axis of the earth] was shaken from its

  roots to its topmost branches. Mountains crumbled or split from top to bottom,

  and the dwarfs who had their subterranean dwellings in them sought desperately

  and in vain for entrances so long familiar but now disappeared.

  Abandoned by the gods, men were driven from their hearths and the human race

  was swept from the surface of the earth. The earth itself was beginning to lose its

  shape. Already the stars were coming adrift from the sky and falling into the

  gaping void. They were like swallows, weary from too long a voyage, who drop

  and sink into the waves.

  The giant Surt set the entire earth on fire; the universe was no longer more than

  24 Folklore in the Old Testament, p. 101.

  25 Maya History and Religion, p. 336.

  26 The Mythology of South America, pp. 140-2.

  201

  Graham Hancock – FINGERPRINTS OF THE GODS

  an immense furnace. Flames spurted from fissures in the rocks; everywhere there