People came to their front windows to look out as the sleigh dashed jingling up and down the village streets. When they left town, Bayliss suggested that they drive out past the Trevor place. The girls began to talk about the two young New Englanders, Trevor and Brewster, who had lived there when Frankfort was still a tough little frontier settlement. Every one was talking about them now, for a few days ago word had come that one of the partners, Amos Brewster, had dropped dead in his law office in Hartford. It was thirty years since he and his friend, Bruce Trevor, had tried to be great cattle men in Frankfort county, and had built the house on the round hill east of the town, where they wasted a great deal of money very joyously. Claude's father always declared that the amount they squandered in carousing was negligible compared to their losses in commendable industrial endeavour. The country, Mr. Wheeler said, had never been the same since those boys left it. He delighted to tell about the time when Trevor and Brewster went into sheep. They imported a breeding ram from Scotland at a great expense, and when he arrived were so impatient to get the good of him that they turned him in with the ewes as soon as he was out of his crate. Consequently all the lambs were born at the wrong season; came at the beginning of March, in a blinding blizzard, and the mothers died from exposure. The gallant Trevor took horse and spurred all over the county, from one little settlement to another, buying up nursing bottles and nipples to feed the orphan lambs.
The rich bottom land about the Trevor place had been rented out to a truck gardener for years now; the comfortable house with its billiard-room annex--a wonder for that part of the country in its day--remained closed, its windows boarded up. It sat on the top of a round knoll, a fine cottonwood grove behind it. Tonight, as Claude drove toward it, the hill with its tall straight trees looked like a big fur cap put down on the snow.
"Why hasn't some one bought that house long ago and fixed it up?" Enid remarked. "There is no building site around here to compare with it. It looks like the place where the leading citizen of the town ought to live."
"I'm glad you like it, Enid," said Bayliss in a guarded voice. "I've always had a sneaking fancy for the place myself. Those fellows back there never wanted to sell it. But now the estate's got to be settled up. I bought it yesterday. The deed is on its way to Hartford for signature."
Enid turned round in her seat. "Why Bayliss, are you in earnest? Think of just buying the Trevor place off-hand, as if it were any ordinary piece of real estate! Will you make over the house, and live there some day?"
"I don't know about living there. It's too far to walk to my business, and the road across this bottom gets pretty muddy for a car in the spring."
"But it's not far, less than a mile. If I once owned that spot, I'd surely never let anybody else live there. Even Carrie remembers it. She often asks in her letters whether any one has bought the Trevor place yet."
Carrie Royce, Enid's older sister, was a missionary in China.
"Well," Bayliss admitted, "I didn't buy it for an investment, exactly. I paid all it was worth."
Enid turned to Gladys, who was apparently not listening. "You'd be the one who could plan a mansion for Trevor Hill, Gladys. You always have such original ideas about houses."
"Yes, people who have no houses of their own often seem to have ideas about building," said Gladys quietly. "But I like the Trevor place as it is. I hate to think that one of them is dead. People say they did have such good times up there."
Bayliss grunted. "Call it good times if you like. The kids were still grubbing whiskey bottles out of the cellar when I first came to town. Of course, if I decide to live there, I'll pull down that old trap and put up something modern." He often took this gruff tone with Gladys in public.
Enid tried to draw the driver into the conversation. "There seems to be a difference of opinion here, Claude."
"Oh," said Gladys carelessly, "it's Bayliss' property, or soon will be. He will build what he likes. I've always known somebody would get that place away from me, so I'm prepared."
"Get it away from you?" muttered Bayliss, amazed.
"Yes. As long as no one bought it and spoiled it, it was mine as much as it was anybody's."
"Claude," said Enid banteringly, "now both your brothers have houses. Where are you going to have yours?"
"I don't know that I'll ever have one. I think I'll run about the world a little before I draw my plans," he replied sarcastically.
"Take me with you, Claude!" said Gladys in a tone of sudden weariness. From that spiritless murmur Enid suspected that Bayliss had captured Gladys' hand under the buffalo robe.
Grimness had settled down over the sleighing party. Even Enid, who was not highly sensitive to unuttered feelings, saw that there was an uncomfortable constraint. A sharp wind had come up. Bayliss twice suggested turning back, but his brother answered, "Pretty soon," and drove on. He meant that Bayliss should have enough of it. Not until Enid whispered reproachfully, "I really think you ought to turn; we're all getting cold," did he realize that he had made his sleighing party into a punishment! There was certainly nothing to punish Enid for; she had done her best, and had tried to make his own bad manners less conspicuous. He muttered a blundering apology to her when he lifted her from the sleigh at the mill house. On his long drive home he had bitter thoughts for company.
He was so angry with Gladys that he hadn't been able to bid her good-night. Everything she said on the ride had nettled him. If she meant to marry Bayliss, then she ought to throw off this affectation of freedom and independence. If she did not mean to, why did she accept favours from him and let him get into the habit of walking into her house and putting his box of candy on the table, as all Frankfort fellows did when they were courting? Certainly she couldn't make herself believe that she liked his society!
When they were classmates at the Frankfort High School, Gladys was Claude's aesthetic proxy. It wasn't the proper thing for a boy to be too clean, or too careful about his dress and manners. But if he selected a girl who was irreproachable in these respects, got his Latin and did his laboratory work with her, then all her personal attractions redounded to his credit. Gladys had seemed to appreciate the honour Claude did her, and it was not all on her own account that she wore such beautifully ironed muslin dresses when they went on botanical expeditions.
Driving home after that miserable sleigh-ride, Claude told himself that in so far as Gladys was concerned he could make up his mind to the fact that he had been "stung" all along. He had believed in her fine feelings; believed implicitly. Now he knew she had none so fine that she couldn't pocket them when there was enough to be gained by it. Even while he said these things over and over, his old conception of Gladys, down at the bottom of his mind, remained persistently unchanged. But that only made his state of feeling the more painful. He was deeply hurt,--and for some reason, youth, when it is hurt, likes to feel itself betrayed.
Book Two: Enid
I
One afternoon that spring Claude was sitting on the long flight of granite steps that leads up to the State House in Denver. He had been looking at the collection of Cliff Dweller remains in the Capitol, and when he came out into the sunlight the faint smell of fresh-cut grass struck his nostrils and persuaded him to linger. The gardeners were giving the grounds their first light mowing. All the lawns on the hill were bright with daffodils and hyacinths. A sweet, warm wind blew over the grass, drying the waterdrops. There had been showers in the afternoon, and the sky was still a tender, rainy blue, where it showed through the masses of swiftly moving clouds.
Claude had been away from home for nearly a month. His father had sent him out to see Ralph and the new ranch, and from there he went on to Colorado Springs and Trinidad. He had enjoyed travelling, but now that he was back in Denver he had that feeling of loneliness which often overtakes country boys in a city; the feeling of being unrelated to anything, of not mattering to anybody. He had wandered about Colorado Springs wishing he knew some of the people who were going in and out of the houses; wishing that
he could talk to some of those pretty girls he saw driving their own cars about the streets, if only to say a few words. One morning when he was walking out in the hills a girl passed him, then slowed her car to ask if she could give him a lift. Claude would have said that she was just the sort who would never stop to pick him up, yet she did, and she talked to him pleasantly all the way back to town. It was only twenty minutes or so, but it was worth everything else that happened on his trip. When she asked him where she should put him down, he said at the Antlers, and blushed so furiously that she must have known at once he wasn't staying there.
He wondered this afternoon how many discouraged young men had sat here on the State House steps and watched the sun go down behind the mountains. Every one was always saying it was a fine thing to be young; but it was a painful thing, too. He didn't believe older people were ever so wretched. Over there, in the golden light, the mass of mountains was splitting up into four distinct ranges, and as the sun dropped lower the peaks emerged in perspective, one behind the other. It was a lonely splendour that only made the ache in his breast the stronger. What was the matter with him, he asked himself entreatingly. He must answer that question before he went home again.
The statue of Kit Carson on horseback, down in the Square, pointed Westward; but there was no West, in that sense, any more. There was still South America; perhaps he could find something below the Isthmus. Here the sky was like a lid shut down over the world; his mother could see saints and martyrs behind it.
Well, in time he would get over all this, he supposed. Even his father had been restless as a young man, and had run away into a new country. It was a storm that died down at last,--but what a pity not to do anything with it! A waste of power--for it was a kind of power; he sprang to his feet and stood frowning against the ruddy light, so deep in his struggling thoughts that he did not notice a man, mounting from the lower terraces, who stopped to look at him.
The stranger scrutinized Claude with interest. He saw a young man standing bareheaded on the long flight of steps, his fists clenched in an attitude of arrested action,--his sandy hair, his tanned face, his tense figure copper-coloured in the oblique rays. Claude would have been astonished if he could have known how he seemed to this stranger.
II
The next morning Claude stepped off the train at Frankfort and had his breakfast at the station before the town was awake. His family were not expecting him, so he thought he would walk home and stop at the mill to see Enid Royce. After all, old friends were best.
He left town by the low road that wound along the creek. The willows were all out in new yellow leaves, and the sticky cotton-wood buds were on the point of bursting. Birds were calling everywhere, and now and then, through the studded willow wands, flashed the dazzling wing of a cardinal.
All over the dusty, tan-coloured wheatfields there was a tender mist of green,--millions of little fingers reaching up and waving lightly in the sun. To the north and south Claude could see the corn-planters, moving in straight lines over the brown acres where the earth had been harrowed so fine that it blew off in clouds of dust to the roadside. When a gust of wind rose, gay little twisters came across the open fields, corkscrews of powdered earth that whirled through the air and suddenly fell again. It seemed as if there were a lark on every fence post, singing for everything that was dumb; for the great ploughed lands, and the heavy horses in the rows, and the men guiding the horses.
Along the roadsides, from under the dead weeds and wisps of dried bluestem, the dandelions thrust up their clean, bright faces. If Claude happened to step on one, the acrid smell made him think of Mahailey, who had probably been out this very morning, gouging the sod with her broken butcher knife and stuffing dandelion greens into her apron. She always went for greens with an air of secrecy, very early, and sneaked along the roadsides stooping close to the ground, as if she might be detected and driven away, or as if the dandelions were wild things and had to be caught sleeping.
Claude was thinking, as he walked, of how he used to like to come to mill with his father. The whole process of milling was mysterious to him then; and the mill house and the miller's wife were mysterious; even Enid was, a little--until he got her down in the bright sun among the cat-tails. They used to play in the bins of clean wheat, watch the flour coming out of the hopper and get themselves covered with white dust.
Best of all he liked going in where the water-wheel hung dripping in its dark cave, and quivering streaks of sunlight came in through the cracks to play on the green slime and the spotted jewel-weed growing in the shale. The mill was a place of sharp contrasts; bright sun and deep shade, roaring sound and heavy, dripping silence. He remembered how astonished he was one day, when he found Mr. Royce in gloves and goggles, cleaning the millstones, and discovered what harmless looking things they were. The miller picked away at them with a sharp hammer until the sparks flew, and Claude still had on his hand a blue spot where a chip of flint went under the skin when he got too near.
Jason Royce must have kept his mill going out of sentiment, for there was not much money in it now. But milling had been his first business, and he had not found many things in life to be sentimental about. Sometimes one still came upon him in dusty miller's clothes, giving his man a day off. He had long ago ceased to depend on the risings and fallings of Lovely Creek for his power, and had put in a gasoline engine. The old dam now lay "like a holler tooth," as one of his men said, grown up with weeds and willow-brush.
Mr. Royce's family affairs had never gone as well as his business. He had not been blessed with a son, and out of five daughters he had succeeded in bringing up only two. People thought the mill house damp and unwholesome. Until he built a tenant's cottage and got a married man to take charge of the mill, Mr. Royce was never able to keep his millers long. They complained of the gloom of the house, and said they could not get enough to eat. Mrs. Royce went every summer to a vegetarian sanatorium in Michigan, where she learned to live on nuts and toasted cereals. She gave her family nourishment, to be sure, but there was never during the day a meal that a man could look forward to with pleasure, or sit down to with satisfaction. Mr. Royce usually dined at the hotel in town. Nevertheless, his wife was distinguished for certain brilliant culinary accomplishments. Her bread was faultless. When a church supper was toward, she was always called upon for her wonderful mayonnaise dressing, or her angel-food cake,--sure to be the lightest and spongiest in any assemblage of cakes.
A deep preoccupation about her health made Mrs. Royce like a woman who has a hidden grief, or is preyed upon by a consuming regret. It wrapped her in a kind of insensibility. She lived differently from other people, and that fact made her distrustful and reserved. Only when she was at the sanatorium, under the care of her idolized doctors, did she feel that she was understood and surrounded by sympathy.
Her distrust had communicated itself to her daughters and in countless little ways had coloured their feelings about life. They grew up under the shadow of being "different," and formed no close friendships. Gladys Farmer was the only Frankfort girl who had ever gone much to the mill house. Nobody was surprised when Caroline Royce, the older daughter, went out to China to be a missionary, or that her mother let her go without a protest. The Royce women were strange, anyhow, people said; with Carrie gone, they hoped Enid would grow up to be more like other folk. She dressed well, came to town often in her car, and was always ready to work for the church or the public library.
Besides, in Frankfort, Enid was thought very pretty,--in itself a humanizing attribute. She was slender, with a small, well-shaped head, a smooth, pale skin, and large, dark, opaque eyes with heavy lashes. The long line from the lobe of her ear to the tip of her chin gave her face a certain rigidity, but to the old ladies, who are the best critics in such matters, this meant firmness and dignity. She moved quickly and gracefully, just brushing things rather than touching them, so that there was a suggestion of flight about her slim figure, of gliding away from her surroundings. When
the Sunday School gave tableaux vivants, Enid was chosen for Nydia, the blind girl of Pompeii, and for the martyr in "Christ or Diana." The pallor of her skin, the submissive inclination of her forehead, and her dark, unchanging eyes, made one think of something "early Christian."
On this May morning when Claude Wheeler came striding up the mill road, Enid was in the yard, standing by a trellis for vines built near the fence, out from under the heavy shade of the trees. She was raking the earth that had been spaded up the day before, and making furrows in which to drop seeds. From the turn of the road, by the knotty old willows, Claude saw her pink starched dress and little white sun-bonnet. He hurried forward.
"Hello, are you farming?" he called as he came up to the fence.
Enid, who was bending over at that moment, rose quickly, but without a start. "Why, Claude! I thought you were out West somewhere. This is a surprise!" She brushed the earth from her hands and gave him her limp white fingers. Her arms, bare below the elbow, were thin, and looked cold, as if she had put on a summer dress too early.
"I just got back this morning. I'm walking out home. What are you planting?"
"Sweet peas."
"You always have the finest ones in the country. When I see a bunch of yours at church or anywhere, I always know them."
"Yes, I'm quite successful with my sweet peas," she admitted. "The ground is rich down here, and they get plenty of sun."
"It isn't only your sweet peas. Nobody else has such lilacs or rambler roses, and I expect you have the only wistaria vine in Frankfort county."
"Mother planted that a long while ago, when she first moved here. She is very partial to wistaria. I'm afraid we'll lose it, one of these hard winters."
"Oh, that would be a shame! Take good care of it. You must put in a lot of time looking after these things, anyway." He spoke admiringly.
Enid leaned against the fence and pushed back her little bonnet. "Perhaps I take more interest in flowers than I do in people. I often envy you, Claude; you have so many interests."