As the house began to take shape, Enid came up often in her car, to watch its growth, to show Claude samples of wallpapers and draperies, or a design for a window-seat she had cut from some magazine. There could be no question of her pride in every detail. The disappointing thing was that she seemed more interested in the house than in him. These months when they could be together as much as they pleased, she treated merely as a period of time in which they were building a house.
Everything would be all right when they were married, Claude told himself. He believed in the transforming power of marriage, as his mother believed in the miraculous effects of conversion. Marriage reduced all women to a common denominator; changed a cool, self-satisfied girl into a loving and generous one. It was quite right that Enid should be unconscious now of everything that she was to be when she was his wife. He told himself he wouldn't want it otherwise.
But he was lonely, all the same. He lavished upon the little house the solicitude and cherishing care that Enid seemed not to need. He stood over the carpenters urging the greatest nicety in the finish of closets and cupboards, the convenient placing of shelves, the exact joining of sills and casings. Often he stayed late in the evening, after the workmen with their noisy boots had gone home to supper. He sat down on a rafter or on the skeleton of the upper porch and quite lost himself in brooding, in anticipation of things that seemed as far away as ever. The dying light, the quiet stars coming out, were friendly and sympathetic. One night a bird flew in and fluttered wildly about among the partitions, shrieking with fright before it darted out into the dusk through one of the upper windows and found its way to freedom.
When the carpenters were ready to put in the staircase, Claude telephoned Enid and asked her to come and show them just what height she wanted the steps made. His mother had always had to climb stairs that were too steep. Enid stopped her car at the Frankfort High School at four o'clock and persuaded Gladys Farmer to drive out with her.
When they arrived they found Claude working on the lattice enclosure of the back porch. "Claude is like Jonah," Enid laughed. "He wants to plant gourd vines here, so they will run over the lattice and make shade. I can think of other vines that might be more ornamental."
Claude put down his hammer and said coaxingly: "Have you ever seen a gourd vine when it had something to climb on, Enid? You wouldn't believe how pretty they are; big green leaves, and gourds and yellow blossoms hanging all over them at the same time. An old German woman who keeps a lunch counter at one of those stations on the road to Lincoln has them running up her back porch, and I've wanted to plant some ever since I first saw hers."
Enid smiled indulgently. "Well, I suppose you'll let me have clematis for the front porch, anyway? The men are getting ready to leave, so we'd better see about the steps."
After the workmen had gone, Claude took the girls upstairs by the ladder. They emerged from a little entry into a large room which extended over both the front and back parlours. The carpenters called it "the pool hall". There were two long windows, like doors, opening upon the porch roof, and in the sloping ceiling were two dormer windows, one looking north to the timber claim and the other south toward Lovely Creek. Gladys at once felt a singular pleasantness about this chamber, empty and unplastered as it was. "What a lovely room!" she exclaimed.
Claude took her up eagerly. "Don't you think so? You see it's my idea to have the second floor for ourselves, instead of cutting it up into little boxes as people usually do. We can come up here and forget the farm and the kitchen and all our troubles. I've made a big closet for each of us, and got everything just right. And now Enid wants to keep this room for preachers!"
Enid laughed. "Not only for preachers, Claude. For Gladys, when she comes to visit us--you see she likes it--and for your mother when she comes to spend a week and rest. I don't think we ought to take the best room for ourselves."
"Why not?" Claude argued hotly. "I'm building the whole house for ourselves. Come out on the porch roof, Gladys. Isn't this fine for hot nights? I want to put a railing round and make this into a balcony, where we can have chairs and a hammock."
Gladys sat down on the low window-sill. "Enid, you'd be foolish to keep this for a guest room. Nobody would ever enjoy it as much as you would. You can see the whole country from here."
Enid smiled, but showed no sign of relenting. "Let's wait and watch the sun go down. Be careful, Claude. It makes me nervous to see you lying there."
He was stretched out on the edge of the roof, one leg hanging over, and his head pillowed on his arm. The flat fields turned red, the distant windmills flashed white, and little rosy clouds appeared in the sky above them.
"If I make this into a balcony," Claude murmured, "the peak of the roof will always throw a shadow over it in the afternoon, and at night the stars will be right overhead. It will be a fine place to sleep in harvest time."
"Oh, you could always come up here to sleep on a hot night," Enid said quickly.
"It wouldn't be the same."
They sat watching the light die out of the sky, and Enid and Gladys drew close together as the coolness of the autumn evening came on. The three friends were thinking about the same thing; and yet, if by some sorcery each had begun to speak his thoughts aloud, amazement and bitterness would have fallen upon all. Enid's reflections were the most blameless. The discussion about the guest room had reminded her of Brother Weldon. In September, on her way to Michigan with Mrs. Royce, she had stopped for a day in Lincoln to take counsel with Arthur Weldon as to whether she ought to marry one whom she described to him as "an unsaved man." Young Mr. Weldon approached this subject with a cautious tread, but when he learned that the man in question was Claude Wheeler, he became more partisan than was his wont. He seemed to think that her marrying Claude was the one way to reclaim him, and did not hesitate to say that the most important service devout girls could perform for the church was to bring promising young men to its support. Enid had been almost certain that Mr. Weldon would approve her course before she consulted him, but his concurrence always gratified her pride. She told him that when she had a home of her own she would expect him to spend a part of his summer vacation there, and he blushingly expressed his willingness to do so.
Gladys, too, was lost in her own thoughts, sitting with that ease which made her seem rather indolent, her head resting against the empty window frame, facing the setting sun. The rosy light made her brown eyes gleam like old copper, and there was a moody look in them, as if in her mind she were defying something. When he happened to glance at her, it occurred to Claude that it was a hard destiny to be the exceptional person in a community, to be more gifted or more intelligent than the rest. For a girl it must be doubly hard. He sat up suddenly and broke the long silence.
"I forgot, Enid, I have a secret to tell you. Over in the timber claim the other day I started up a flock of quail. They must be the only ones left in all this neighbourhood, and I doubt if they ever come out of the timber. The bluegrass hasn't been mowed in there for years,--not since I first went away to school, and maybe they live on the grass seeds. In summer, of course, there are mulberries."
Enid wondered whether the birds could have learned enough about the world to stay hidden in the timber lot. Claude was sure they had.
"Nobody ever goes near the place except Father; he stops there sometimes. Maybe he has seen them and never said a word. It would be just like him." He told them he had scattered shelled corn in the grass, so that the birds would not be tempted to fly over into Leonard Dawson's cornfield. "If Leonard saw them, he'd likely take a shot at them."
"Why don't you ask him not to?" Enid suggested.
Claude laughed. "That would be asking a good deal. When a bunch of quail rise out of a cornfield they're a mighty tempting sight, if a man likes hunting. We'll have a picnic for you when you come out next summer, Gladys. There are some pretty places over there in the timber."
Gladys started up. "Why, it's night already! It's lovely here, but you must ge
t me home, Enid."
They found it dark inside. Claude took Enid down the ladder and out to her car, and then went back for Gladys. She was sitting on the floor at the top of the ladder. Giving her his hand he helped her to rise.
"So you like my little house," he said gratefully.
"Yes. Oh, yes!" Her voice was full of feeling, but she did not exert herself to say more. Claude descended in front of her to keep her from slipping. She hung back while he led her through confusing doorways and helped her over the piles of laths that littered the floors. At the edge of the gaping cellar entrance she stopped and leaned wearily on his arm for a moment. She did not speak, but he understood that his new house made her sad; that she, too, had come to the place where she must turn out of the old path. He longed to whisper to her and beg her not to marry his brother. He lingered and hesitated, fumbling in the dark. She had his own cursed kind of sensibility; she would expect too much from life and be disappointed. He was reluctant to lead her out into the chilly evening without some word of entreaty. He would willingly have prolonged their passage,-- through many rooms and corridors. Perhaps, had that been possible, the strength in him would have found what it was seeking; even in this short interval it had stirred and made itself felt, had uttered a confused appeal. Claude was greatly surprised at himself.
* * *
XI
Enid decided that she would be married in the first week of June. Early in May the plasterers and painters began to be busy in the new house. The walls began to shine, and Claude went about all day, oiling and polishing the hard-pine floors and wainscoting. He hated to have anybody step on his floors. He planted gourd vines about the back porch, set out clematis and lilac bushes, and put in a kitchen garden. He and Enid were going to Denver and Colorado Springs for their wedding trip, but Ralph would be at home then, and he had promised to come over and water the flowers and shrubs if the weather was dry.
Enid often brought her work and sat sewing on the front porch while Claude was rubbing the woodwork inside the house, or digging and planting outside. This was the best part of his courtship. It seemed to him that he had never spent such happy days before. If Enid did not come, he kept looking down the road and listening, went from one thing to another and made no progress. He felt full of energy, so long as she sat there on the porch, with lace and ribbons and muslin in her lap. When he passed by, going in or out, and stopped to be near her for a moment, she seemed glad to have him tarry. She liked him to admire her needlework, and did not hesitate to show him the featherstitching and embroidery she was putting on her new underclothes. He could see, from the glances they exchanged, that the painters thought this very bold behaviour in one so soon to be a bride. He thought it very charming behaviour himself, though he would never have expected it of Enid. His heart beat hard when he realized how far she confided in him, how little she was afraid of him! She would let him linger there, standing over her and looking down at her quick fingers, or sitting on the ground at her feet, gazing at the muslin pinned to her knee, until his own sense of propriety told him to get about his work and spare the feelings of the painters.
"When are you going over to the timber claim with me?" he asked, dropping on the ground beside her one warm, windy afternoon. Enid was sitting on the porch floor, her back against a pillar, and her feet on one of those round mats of pursley that grow over hard-beaten earth. "I've found my flock of quail again. They live in the deep grass, over by a ditch that holds water most of the year. I'm going to plant a few rows of peas in there, so they'll have a feeding ground at home. I consider Leonard's cornfield a great danger. I don't know whether to take him into my confidence or not."
"You've told Ernest Havel, I suppose?"
"Oh, yes!" Claude replied, trying not to be aware of the little note of acrimony in her voice. "He's perfectly safe. That place is a paradise for birds. The trees are full of nests. You can stand over there in the morning and hear the young robins squawking for their breakfast. Come up early tomorrow morning and go over with me, won't you? But wear heavy shoes; it's wet in the long grass."
While they were talking a sudden whirlwind swept round the corner of the house, caught up the little mound of folded lace corset-covers and strewed them over the dusty yard. Claude ran after them with Enid's flowered workbag and thrust them into it as he came upon one after another, fluttering in the weeds. When he returned, Enid had folded her needle-case and was putting on her hat. "Thank you," she said with a smile. "Did you find everything?"
"I think so." He hurried toward the car to hide his guilty face. One little lace thing he had not put into the bag, but had thrust into his pocket.
The next morning Enid came up early to hear the birds in the timber.
* * *
XII
On the night before his wedding Claude went to bed early. He had been dashing about with Ralph all day in the car, making final preparations, and was worn out. He fell asleep almost at once. The women of the household could not so easily forget the great event of tomorrow. After the supper dishes were washed, Mahailey clambered up to the attic to get the quilt she had so long been saving for a wedding present for Claude. She took it out of the chest, unfolded it, and counted the stars in the pattern--counting was an accomplishment she was proud of--before she wrapped it up. It was to go down to the mill house with the other presents tomorrow. Mrs. Wheeler went to bed many times that night. She kept thinking of things that ought to be looked after; getting up and going to make sure that Claude's heavy underwear had been put into his trunk, against the chance of cold in the mountains; or creeping downstairs to see that the six roasted chickens which were to help out at the wedding supper were securely covered from the cats. As she went about these tasks, she prayed constantly. She had not prayed so long and fervently since the battle of the Marne.
Early the next morning Ralph loaded the big car with the presents and baskets of food and ran down to the Royces'. Two motors from town were already standing in the mill yard; they had brought a company of girls who came with all the June roses in Frankfort to trim the house for the wedding. When Ralph tooted his horn, half-a-dozen of them ran out to greet him, reproaching him because he had not brought his brother along. Ralph was immediately pressed into service. He carried the step-ladder wherever he was told, drove nails, and wound thorny sprays of rambler roses around the pillars between the front and back parlours, making the arch under which the ceremony was to take place.
Gladys Farmer had not been able to leave her classes at the High School to help in this friendly work, but at eleven o'clock a livery automobile drove up, laden with white and pink peonies from her front yard, and bringing a box of hothouse flowers she had ordered for Enid from Hastings. The girls admired them, but declared that Gladys was extravagant, as usual; the flowers from her own yard would really have been enough. The car was driven by a lank, ragged boy who worked about the town garage, and who was called "Silent Irv," because nobody could ever get a word out of him. He had almost no voice at all,--a thin little squeak in the top of his throat, like the gasping whisper of a medium in her trance state. When he came to the front door, both arms full of peonies, he managed to wheeze out:
"These are from Miss Farmer. There are some more down there."
The girls went back to his car with him, and he took out a square box, tied up with white ribbons and little silver bells, containing the bridal bouquet.
"How did you happen to get these?" Ralph asked the thin boy. "I was to go to town for them."
The messenger swallowed. "Miss Farmer told me if there were any other flowers at the station marked for here, I should bring them along."
"That was nice of her." Ralph thrust his hand into his trousers pocket. "How much? I'll settle with you before I forget."
A pink flush swept over the boy's pale face,--a delicate face under ragged hair, contracted by a kind of shrinking unhappiness. His eyes were always half-closed, as if he did not want to see the world around him, or to be seen by it. He wen
t about like somebody in a dream. "Miss Farmer," he whispered, "has paid me."
"Well, she thinks of everything!" exclaimed one of the girls. "You used to go to school to Gladys, didn't you, Irv?"
"Yes, mam." He got into his car without opening the door, slipping like an eel round the steering-rod, and drove off.
The girls followed Ralph up the gravel walk toward the house. One whispered to the others: "Do you suppose Gladys will come out tonight with Bayliss Wheeler? I always thought she had a pretty warm spot in her heart for Claude, myself."
Some one changed the subject. "I can't get over hearing Irv talk so much. Gladys must have put a spell on him."
"She was always kind to him in school," said the girl who had questioned the silent boy. "She said he was good in his studies, but he was so frightened he could never recite. She let him write out the answers at his desk."
Ralph stayed for lunch, playing about with the girls until his mother telephoned for him. "Now I'll have to go home and look after my brother, or he'll turn up tonight in a striped shirt."
"Give him our love," the girls called after him, "and tell him not to be late."
As he drove toward the farm, Ralph met Dan, taking Claude's trunk into town. He slowed his car. "Any message?" he called.
Dan grinned. "Naw. I left him doin' as well as could be expected."
Mrs. Wheeler met Ralph on the stairs. "He's up in his room. He complains his new shoes are too tight. I think it's nervousness. Perhaps he'll let you shave him; I'm sure he'll cut himself. And I wish the barber hadn't cut his hair so short, Ralph. I hate this new fashion of shearing men behind the ears. The back of his neck is the ugliest part of a man." She spoke with such resentment that Ralph broke into a laugh.