Suddenly a ray of physical light shot through these phantasms,[106] and Malone heard the sound of oars amidst the blasphemies of things that should be dead. A boat with a lantern in its prow darted into sight, made fast to an iron ring in the slimy stone pier, and vomited forth several dark men bearing a long burden swathed in bedding. They took it to the naked phosphorescent thing on the carved golden pedestal, and the thing tittered and pawed at the bedding. Then they unswathed it, and propped upright before the pedestal the gangrenous corpse of a corpulent old man with stubbly beard and unkempt white hair. The phosphorescent thing tittered again, and the men produced bottles from their pockets and anointed its feet with red, whilst they afterward gave the bottles to the thing to drink from.
All at once, from an arcaded avenue leading endlessly away, there came the daemoniac[107] rattle and wheeze of a blasphemous organ, choking and rumbling out[108] the mockeries of hell in a cracked, sardonic bass. In an instant every moving entity was electrified; and forming at once into a ceremonial procession, the nightmare horde slithered away in quest of the sound—goat, satyr, and Ægipan,[109] incubus, succuba,[110] and lemur, twisted toad and shapeless elemental, dog-faced howler and silent strutter in darkness—all led by the abominable naked phosphorescent thing that had squatted on the carved golden throne, and that now strode insolently bearing in its arms the glassy-eyed corpse of the corpulent old man. The strange dark men danced in the rear, and the whole column skipped and leaped with Dionysiac fury. Malone staggered after them a few steps, delirious and hazy, and doubtful of his place in this or in any world. Then he turned, faltered, and sank down on the cold damp stone, gasping and shivering as the daemon[111] organ croaked on, and the howling and drumming and tinkling of the mad procession grew fainter and fainter.
Vaguely he was conscious of chanted horrors and shocking croakings afar off. Now and then a wail or whine of ceremonial devotion would float to him through the black arcade, whilst eventually there rose the dreadful Greek incantation whose text he had read above the pulpit of that dance-hall church.
“O friend and companion of night, thou who rejoicest in the baying of dogs (here a hideous howl burst forth)[112] and spilt blood (here nameless sounds vied with morbid shriekings),[113] who wanderest in the midst of shades among the tombs (here a whistling sigh occurred),[114] who longest for blood and bringest terror to mortals (short, sharp cries from myriad throats),[115] Gorgo (repeated as response),[116] Mormo (repeated with ecstasy),[117] thousand-faced moon (sighs and flute notes),[118] look favourably[119] on our sacrifices!”[120]
As the chant closed, a general shout went up, and hissing sounds nearly drowned the croaking of the cracked bass organ. Then a gasp as from many throats, and a babel of barked and bleated words—“Lilith, Great Lilith, behold the Bridegroom!” More cries, a clamour[121] of rioting, and the sharp, clicking footfalls of a running figure. The footfalls approached, and Malone raised himself to his elbow to look.
The luminosity of the crypt, lately diminished, had now slightly increased; and in that devil-light there appeared the fleeing[122] form of that which should not flee or feel or breathe—the glassy-eyed, gangrenous corpse of the corpulent old man, now needing no support, but animated by some infernal sorcery of the rite just closed. After it raced the naked, tittering, phosphorescent thing that belonged on the carven pedestal, and still farther behind panted the dark men, and all the dread crew of sentient loathsomenesses.[123] The corpse was gaining on its pursuers, and seemed bent on a definite object, straining with every rotting muscle toward the carved golden pedestal, whose necromantic importance was evidently so great. Another moment and it had reached its goal, whilst the trailing throng laboured[124] on with more frantic speed. But they were too late, for in one final spurt of strength which ripped tendon from tendon and sent its noisome bulk floundering to the floor in a state of jellyish dissolution, the staring corpse which had been Robert Suydam achieved its object and its triumph. The push had been tremendous, but the force had held out; and as the pusher collapsed to a muddy blotch of corruption the pedestal he had pushed tottered, tipped, and finally careened from its onyx base into the thick waters below, sending up a parting gleam of carven gold as it sank heavily to undreamable gulfs of lower Tartarus. In that instant, too, the whole scene of horror faded to nothingness before Malone’s eyes; and he fainted amidst a thunderous crash which seemed to blot out all the evil universe.
VII.
Malone’s dream, experienced in full before he knew of Suydam’s death and transfer at sea, was curiously supplemented by some odd realities of the case; though that is no reason why anyone should believe it. The three old houses in Parker Place, doubtless long rotten with decay in its most insidious form, collapsed without visible cause while half the raiders and most of the prisoners were inside; and of both the greater number were instantly killed. Only in the basements and cellars was there much saving of life, and Malone was lucky to have been deep below the house of Robert Suydam. For he really was there, as no one is disposed to deny. They found him unconscious by the edge of a[125] night-black pool, with a grotesquely horrible jumble of decay and bone, identifiable through dental work as the body of Suydam, a few feet away. The case was plain, for it was hither that the smugglers’ underground canal led; and the men who took Suydam from the ship had brought him home. They themselves were never found, or at least never identified; and the ship’s doctor is not yet satisfied with the simple certitudes of the police.
Suydam was evidently a leader in extensive man-smuggling operations, for the canal to his house was but one of several subterranean channels and tunnels in the neighbourhood.[126] There was a tunnel from this house to a crypt beneath the dance-hall church; a crypt accessible from the church only through a narrow secret passage in the north wall, and in whose chambers some singular and terrible things were discovered. The croaking organ was there, as well as a vast arched chapel with wooden benches and a strangely figured altar. The walls were lined with small cells, in seventeen of which—hideous to relate—solitary prisoners in a state of complete idiocy were found chained, including four mothers with infants of disturbingly strange appearance. These infants died soon after exposure to the light; a circumstance which the doctors thought rather merciful. Nobody but Malone, among those who inspected them, remembered the sombre[127] question of old Delrio: “An sint unquam daemones incubi et succubae, et an ex tali[128] congressu proles nasci[129] queat?”
Before the canals were filled up they were thoroughly dredged, and yielded forth a sensational array of sawed and split bones of all sizes. The kidnapping epidemic, very clearly, had been traced home; though only two of the surviving prisoners could by any legal thread be connected with it. These men are now in prison, since they failed of conviction as accessories in the actual murders. The carved golden pedestal or throne so often mentioned by Malone as of primary occult importance was never brought to light, though at one place under the Suydam house the canal was observed to sink into a well too deep for dredging. It was choked up at the mouth and cemented over when the cellars of the new houses were made, but Malone often speculates on what lies beneath. The police, satisfied that they had shattered a dangerous gang of maniacs and man-smugglers, turned over to the Federal authorities the unconvicted Kurds, who before their deportation were conclusively found to belong to the Yezidi[130] clan of devil-worshippers.[131] The tramp ship and its crew remain an elusive mystery, though cynical detectives are once more ready to combat its smuggling and rum-running ventures. Malone thinks these detectives shew[132] a sadly limited perspective in their lack of wonder at the myriad unexplainable details, and the suggestive obscurity of the whole case; though he is just as critical of the newspapers, which saw only a morbid sensation and gloated over a minor sadist cult when[133] they might have proclaimed a horror from the universe’s very heart. But he is content to rest silent in Chepachet, calming his nervous system and praying that time may gradually transfer his terrible experience from the realm of pre
sent reality to that of picturesque and semi-mythical remoteness.
Robert Suydam sleeps beside his bride in Greenwood Cemetery. No funeral was held over the strangely released bones, and relatives are grateful for the swift oblivion which overtook the case as a whole. The scholar’s connexion[134] with the Red Hook horrors, indeed, was never emblazoned by legal proof; since his death forestalled the inquiry he would otherwise have faced. His own end is not much mentioned, and the Suydams hope that posterity may recall him only as a gentle recluse who dabbled in harmless magic and folklore.[135]
As for Red Hook—it is always the same. Suydam came and went; a terror gathered and faded; but the evil spirit of darkness and squalor broods on amongst the mongrels in the old brick houses, and prowling bands still parade on unknown errands past windows where lights and twisted faces unaccountably appear and disappear. Age-old horror is a hydra with a thousand heads, and the cults of darkness are rooted in blasphemies deeper than the well of Democritus. The soul of the beast is omnipresent and triumphant, and Red Hook’s legions of blear-eyed, pockmarked youths still chant and curse and howl as they file from abyss to abyss, none knows whence or whither, pushed on by blind laws of biology which they may never understand. As of old,[136] more people enter Red Hook than leave it on the landward side, and there are already rumours[137] of new canals running underground to certain centres[138] of traffic in liquor and less mentionable things.
The dance-hall church is now mostly a dance hall,[139] and queer faces have appeared at night at the windows. Lately a policeman expressed the belief that the filled-up crypt has been dug out again, and for no simply[140] explainable purpose. Who are we to combat poisons older than history and mankind? Apes danced in Asia to those horrors, and the cancer lurks secure and spreading where furtiveness hides in rows of decaying brick.
Malone does not shudder without cause—for only the other day an officer overheard a swarthy squinting hag teaching a small child some whispered[141] patois in the shadow of an areaway. He listened, and thought it very strange when he heard her repeat over and over again,[142]
“O friend and companion of night, thou who rejoicest in the baying of dogs and spilt blood, who wanderest in the midst of shades among the tombs, who longest for blood and bringest terror to mortals, Gorgo, Mormo, thousand-faced moon, look favourably[143] on our sacrifices!”[144]
Notes
Editor’s Note: The A.Ms. survives in the New York Public Library, but it has not been examined in detail, as HPL himself prepared the surviving T.Ms. This was followed with the usual editorial alterations by Weird Tales (January 1927). The other appearances in HPL’s lifetime—Christine Campbell Thomson’s You’ll Need a Night Light (London: Selwyn & Blount, 1927) and Herbert Asbury’s Not at Night! (New York: Macy-Macius/The Vanguard Press, 1928)—are not relevant to the tale’s textual history. The Arkham House editions also follow the T.Ms., with some errors.
Texts: A = T.Ms. (JHL); B = Weird Tales 9, No. 1 (January 1927): 59–73. C = Dagon and Other Macabre Tales (Arkham House, 1965), 240–59. Copy-text: A.
1. “There . . . dead.”] There . . . dead. B; There . . . dead. C
2. —Arthur Machen.] Arthur Machen. A, B; —ARTHUR MACHEN C
3. I.] om. A, B, C
4. behaviour.] behavior. B
5. recognised] recognized B
6. colonial] Colonial A, B, C
7. much,] much C
8. er lasst ] er lässt B; es lasst C
9. lesen—it . . . read.”] lesen”—it . . . read. B
10. phantasmagoria] fantasmagoria B
11. in] in Aubrey B
12. humour] humor B
13. nineteenth century,] Nineteenth Century, B
14. flavour] flavor B
15. “Dickensian”.] “Dickensian.” B, C
16. harbour] harbor B
17. or] of C
18. a] an A, B, C
19. neighbourhood’s] neighborhood’s B
20. landward side] landward-/side C
21. cryptical,] cryptical A, B, C
22. shewed] showed A, B, C
23. “Witch-Cult . . . Europe”;] “Witch Cult . . . Europe”; A; Witch Cult . . . Europe; B, C
24. colonial] Colonial A, B, C
25. his] this B
26. Old World] old world A, C
27. library] library, C
28. clothes,] clothes A, B, C
29. mediaeval] medieval B
30. neighbourhoods.] neighborhoods. B
31. “Sephiroth”,] “Sephiroth,” B, C
32. “Ashmodai”,] “Ashmodai” A, B, C
33. “Samaël”.] “Samaël.” B, C
34. demeanour] demeanor B
35. shewed] showed A, B, C
36. organised] organized B
37. tumbledown] tumble-down A, B, C
38. Thibet.] Tibet. B
39. Yezidis,] Yezidees, B
40. devil-worshippers.] devil-worshipers. B
41. unauthorised] unauthorized B
42. harbour] harbor B
43. number,] numbers, C
44. arch-fiend] arch-/fiend A; archfiend B
45. dock-hands] dockhands C
46. unlicenced pedlars,] unlicensed pedlars, A, C; unlicensed pedlers, B
47. “bootlegging”] bootlegging B
48. canal,] canal A, B, C
49. reasons] reason B
50. accommodate] accomodate A
51. harbouring] harboring B
52. brusquely] bruskly B
53. folklore] folk-lore B
54. investigations] investigation B
55. clean-shaved] clean-shaven C
56. demeanour] demeanor B
57. shewed] showed A, B, C
58. few] new C
59. translated,] translated: B
60. favourably] favorably B
61. “O . . . sacrifices!”] “O . . . sacrifices!” C [not printed as set-off quotation]
62. When] ¶ When B, C
63. organ notes] organ-notes B
64. neighbourhood.] neighborhood. B
65. clamoured] clamored B; clam-/moured C
66. cannot] can not B
67. cabbalistic] cabalistic A, B, C
68. Hebraised] Hebraized B
69. daemon-evocations] daemon evocations B, C
70. ADONAI . SADAY] ADONAL. SADY. B
71. Circles] ¶ Circles B
72. protégés] proteges A, B, C
73. clamour.] clamor. B
74. escorted] escorted the A, C [the crossed out in A by HPL]
75. Pier] pier B
76. five] 5 B
77. Old World] old world A, C
78. harbour] harbor B
79. “LILITH”.] “LILITH.” B, C
80. IT.] IT. C
81. “In case . . . now.] In case . . . now. B; In case . . . now. C
82. ROBERT SUYDAM.”] ROBERT SUYDAM. B; ROBERT SUYDAM C
83. it.] it. ¶ B
84. odour] odor B
85. shewed] showed A, B, C
86. apprised] apprized B
87. blue-eyed] blue eyed C
88. rumours] rumors B
89. Vikings] vikings B
90. mitres,] miters, B
91. melee,] mêlée, B
92. hastily] hestily A
93. odours] odors B
94. centre] center B
95. odour,] odor, B
96. a] om. C
97. side;] side; C
98. paralysed] paralyzed B
99. Odours] Odors B
100. foetor] fetor B
101. moon-calves] moon-/calves A; mooncalves B
102. Ægipans] Ægypans C
103. mould.] mold. B
104. Nature] nature B
105. daemon-lore.] demon-lore. B
106. phantasms,] fantasms, B
107. daemoniac] demoniac B
108. out] out of B
109. Ægipan,] Ægypan, C
110. succuba,] succubus, C
1
11. daemon] demon B
112. “O . . . dogs (here . . . forth)] “O . . . dogs [here . . . forth] B; “O . . . dogs (here . . . forth) C
113. and . . . blood (here . . . shriekings),] and . . . blood, (here . . . shriekings) A; and . . . blood, [here . . . shriekings] B; and . . . blood (here . . . shriekings) C
114. who . . . tombs (here . . . occurred),] who . . . tombs, (here . . . occurred) A; who . . . tombs, [here . . . occurred] B; who . . . tombs, (here . . . occurred) C
115. who . . . mortals (short, . . . throats),] who . . . mortals, (short, . . . throats) A; who . . . mortals, [short, . . . throats] B; who . . . mortals, (short, . . . throats) C
116. Gorgo (repeated as response),] Gorgo, (repeated as response) A; Gorgo, [repeated as response] B; Gorgo, (repeated as response) C
117. Mormo (repeated with ecstasy),] Mormo, (repeated with ecstasy) A; Mormo, [repeated with ecstasy] B; Mormo, (repeated with ecstasy) C
118. thousand-faced moon (sighs . . . notes),] thousand-faced moon, (sighs . . . notes) A; thousand-faced moon, [sighs . . . notes] B; thousand-faced moon, (sighs . . . notes) C
119. favourably] favorably B
120. look . . . sacrifices!”] look . . . sacrifices!” C
121. clamour] clamor B
122. fleeing] fleeting C
123. loathsomenesses.] loathsomeness. C
124. laboured] labored B
125. a] the B
126. neighbourhood.] neighborhood. B
127. sombre] somber B
128. tali] tali, B
129. nasci] nascia C
130. Yezidi] Yezidee B
131. devil-worshippers.] devil-worshipers. B
132. shew] show A, B, C
133. when] which C
134. connexion] connection B, C
135. folklore.] folk-lore. B
136. old,] old B
137. rumours] rumors B
138. centres] centers B
139. dance hall,] dance-hall, B
140. simply] simple C
141. whispered] whispering B
142. again,] again: B
143. favourably] favorably B