“The full moon—damn ye—ye . . . ye yelping dog—ye called ’em, and they’ve come for me! Moccasined feet—dead men—Gad sink ye, ye red devils, but I poisoned no rum o’ yours—han’t I kept your pox-rotted magic safe?—ye swilled yourselves sick, curse ye, and ye must needs blame the squire—let go, you! Unhand that latch—I’ve naught for ye here—”
At this point three slow and very deliberate raps shook the panels of the door, and a white foam gathered at the mouth of the frantic magician. His fright, turning to steely despair, left room for a resurgence of his rage against me; and he staggered a step toward the table on whose edge I was steadying myself. The curtains, still clutched in his right hand as his left clawed out at me, grew taut and finally crashed down from their lofty fastenings; admitting to the room a flood of that full moonlight which the brightening of the sky had presaged. In those greenish beams the candles paled, and a new semblance of decay spread over the musk-reeking[51] room with its wormy panelling,[52] sagging floor, battered mantel, rickety furniture, and ragged draperies. It spread over the old man, too, whether from the same source or because of his fear and vehemence, and I saw him shrivel and blacken as he lurched near and strove to rend me with vulturine talons. Only his eyes stayed whole, and they glared with a propulsive, dilated incandescence which grew as the face around them charred and dwindled.
The rapping was now repeated with greater insistence, and this time bore a hint of metal. The black thing facing me had become only a head with eyes, impotently trying to wriggle across the sinking floor in my direction, and occasionally emitting feeble little spits of immortal malice. Now swift and splintering blows assailed the sickly panels, and I saw the gleam of a tomahawk as it cleft the rending wood. I did not move, for I could not; but watched dazedly as the door fell in pieces to admit a colossal, shapeless influx of inky substance starred with shining, malevolent eyes. It poured thickly, like a flood of oil bursting a rotten bulkhead, overturned a chair as it spread, and finally flowed under the table and across the room to where the blackened head with the eyes still glared at me. Around that head it closed, totally swallowing it up, and in another moment it had begun to recede; bearing away its invisible burden without touching me, and flowing again out of[53] that black doorway and down the unseen stairs, which creaked as before, though in reverse order.
Then the floor gave way at last, and I slid gaspingly down into the nighted chamber below, choking with cobwebs and half swooning[54] with terror. The green moon, shining through broken windows, shewed[55] me the hall door half open; and as I rose from the plaster-strown[56] floor and twisted myself free from the sagged ceiling, I saw sweep past it an awful torrent of blackness, with scores of baleful eyes glowing in it. It was seeking the door to the cellar, and when it found it, it vanished therein. I now felt the floor of this lower room giving as that of the upper chamber had done, and once a crashing above had been followed by the fall past the west window of something which must have been the cupola. Now liberated for the instant from the wreckage, I rushed through the hall to the front door; and finding myself unable to open it, seized a chair and broke a window, climbing frenziedly out upon the unkempt lawn where moonlight danced over yard-high grass and weeds. The wall was high, and all the gates were locked; but moving a pile of boxes in a corner I managed to gain the top and cling to the great stone urn set there.
About me in my exhaustion I could see only strange walls and windows and old gambrel roofs. The steep street of my approach was nowhere visible, and the little I did see succumbed rapidly to a mist that rolled in from the river despite the glaring moonlight. Suddenly the urn to which I clung began to tremble, as if sharing my own lethal dizziness; and in another instant my body was plunging downward to I knew not what fate.
The man who found me said that I must have crawled a long way despite my broken bones, for a trail of blood stretched off as far as he dared look. The gathering rain soon effaced this link with the scene of my ordeal, and reports could state no more than that I had appeared from a place unknown, at the entrance of[57] a little black court off Perry Street.
I never sought to return to those tenebrous labyrinths, nor would I direct any sane man thither if I could. Of who or what that ancient creature was, I have no idea; but I repeat that the city is dead and full of unsuspected horrors. Whither he has gone, I do not know; but I have gone home to the pure New England lanes up which fragrant sea-winds sweep at evening.
Notes
Editor’s Note: The surviving T.Ms. was prepared by HPL and sent to Weird Tales, where it appeared in the September 1926 issue with the customary editorial alterations. The Arkham House editions made the mistake of following the Weird Tales appearance, making additional errors in the process.
Texts: A = T.Ms. (JHL); B = Weird Tales 8, No. 3 (September 1926): 373–80; C = Dagon and Other Macabre Tales (Arkham House, 1965), 230–39. Copy-text: A.
1. paralyse,] paralyze, B, C
2. flower-like] flowerlike A, B, C
3. golden] om. C
4. and] and had B, C
5. panelled] paneled B, C
6. realisation] realization B, C
7. shewed] showed A, B, C
8. flume-like] flumelike B, C
9. blankness] blackness C
10. wraith-like] wraithlike A, B, C
11. two] 2 B, C
12. rumour,] rumor, B, C
13. realised] realized B, C
14. practices] practises B, C
15. slight,] slight; C
16. practiced] practised B, C
17. favour] favor B, C
18. marvellous,] marvelous, B, C
19. flaring-lintelled] flaring-linteled B, C
20. street-lights] street-/lights B; streetlights C
21. lead] lead me B
22. wooden] wooded C
23. colonial] Colonial A, B, C
24. I] I had B
25. shewed] showed A, B, C
26. well-furnished,] well-furnished A, B, C
27. panelled] paneled B, C
28. eighteenth century,] Eighteenth Century, B, C
29. original] om. C
30. Sir,”] Sir”, A
31. practiced] practised B, C
32. good-fortune] good fortune B, C
33. New-York,] New York, B, C
34. shew] show A, B, C
35. judgment] judgement C
36. ancestor—”] ancestor,” B, C
37. univarsal] universal C
38. time,] time B, C
39. shewed] showed A, B, C
40. plaguy] plaguey B, C
41. salvages] savages C
42. shew.] show. A, B, C
43. whispered,] whispered; B, C
44. far?” ] far?” C
45. “Far? ] “Far? C
46. lack-wit!”] lackwit!” C
47. pandaemoniac] pandemoniac A, B, C
48. aërial] aerial A, B, C
49. half blotting] half-blotting A, B, C
50. mouldy] moldy B, C
51. musk-reeking] must-reeking B
52. panelling,] paneling, B, C
53. of] om. C
54. half swooning] half-swooning A, B, C
55. shewed] showed A, B, C
56. plaster-strown] plaster-strewn C
57. of] to C
In the Vault[1]
There is nothing more absurd, as I view it, than that conventional association of the homely and the wholesome which seems to pervade the psychology of the multitude. Mention a bucolic[2] Yankee setting, a bungling and thick-fibred[3] village[4] undertaker, and a careless mishap in a tomb, and no average reader can be brought to expect more than a hearty albeit grotesque phase of comedy.[5] God knows, though, that the prosy tale which George Birch’s death permits me to tell has in it aspects beside which some of our darkest tragedies[6] are light.
Birch acquired a limitation and changed his business in 1881, yet never discussed the case when he could avoid it. Neither did his old physicia
n Dr.[7] Davis,[8] who died years ago. It was generally stated that the affliction[9] and shock were results of an unlucky slip whereby Birch had locked himself for nine hours in the receiving tomb[10] of Peck Valley Cemetery, escaping only by crude and disastrous mechanical means; but while this much was undoubtedly true, there were other and blacker things which[11] the man used to whisper[12] to me in his drunken delirium toward the last. He confided in me because I was his doctor, and because he probably felt the need of confiding in someone[13] else after Davis died. He was a bachelor, wholly without relatives.
Birch, before 1881, had been the village undertaker of Peck Valley;[14] and was a very calloused and primitive specimen even as such specimens go. The practices[15] I heard attributed to him would be unbelievable[16] today, at least[17] in a city; and even Peck Valley would have shuddered a bit had it known[18] the easy ethics of its mortuary artist in such debatable[19] matters as the ownership of costly “laying-out”[20] apparel invisible beneath the casket’s lid, and the degree[21] of dignity to be maintained in posing and adapting the unseen members of lifeless tenants to containers not always calculated with sublimest accuracy. Most distinctly Birch was lax, insensitive, and professionally undesirable; yet I still think he was not an[22] evil man. He was merely crass of fibre[23] and function—thoughtless, careless, and liquorish,[24] as his easily avoidable accident proves, and without that modicum of imagination which holds the average citizen within certain limits fixed by taste.
Just where to begin Birch’s story[25] I can hardly decide, since I am no practiced teller[26] of tales. I suppose one should start in the cold December of 1880, when the ground froze and the cemetery delvers found they could dig no more graves till spring. Fortunately the village was small and the death rate low, so that it was possible to give all of Birch’s inanimate charges a temporary haven in the single antiquated receiving tomb.[27] The undertaker grew doubly lethargic in the bitter[28] weather, and seemed to outdo even himself in carelessness. Never did he knock together flimsier and ungainlier caskets, or[29] disregard more flagrantly the needs of the rusty lock on the tomb door which he slammed open and shut with such nonchalant[30] abandon.
At last the spring thaw came, and graves were laboriously prepared for the nine silent harvests[31] of the grim reaper which waited in the tomb. Birch, though dreading the bother of removal and interment, began his task of transference one disagreeable April morning, but ceased before noon because of a heavy rain that seemed to irritate his horse, after having laid but one mortal tenement[32] to its permanent rest. That was Darius Peck, the nonagenarian, whose grave was not far from the tomb. Birch[33] decided that he would begin the next day with little old Matthew Fenner, whose grave was also near by; but actually postponed the matter for three days, not getting to work till[34] Good Friday, the 15th.[35] Being without superstition, he did not heed the day at all; though ever afterward he refused to do anything of importance on that fateful sixth day of the week. Certainly, the events of that evening greatly changed George Birch.
On the afternoon[36] of Friday, April 15th,[37] then,[38] Birch set out for the tomb with horse and wagon to transfer the body of Matthew Fenner.[39] That he was not perfectly sober, he subsequently[40] admitted; though he had not then taken to the wholesale drinking by which he later tried to forget certain things. He was just dizzy and careless enough to annoy his sensitive horse, which as he drew it viciously up at the tomb neighed and[41] pawed and tossed its head,[42] much as on that former occasion[43] when the rain had[44] vexed it. The day was clear, but a high wind had sprung up; and Birch was glad to get to shelter[45] as he unlocked the iron door and entered the side-hill vault. Another might not have relished the damp, odorous chamber with the eight carelessly placed coffins; but Birch in those days was insensitive, and was concerned only[46] in getting the right coffin for the right grave. He had not forgotten the criticism aroused when Hannah Bixby’s relatives, wishing to transport her body to the cemetery in the city whither they had moved, found the casket of Judge Capwell beneath her headstone.
The light was dim, but Birch’s sight was good,[47] and he did not get Asaph Saywer’s coffin by mistake, although it was very similar. He had, indeed, made that coffin for Matthew Fenner; but had cast it aside at last as too awkward and flimsy, in a fit of curious sentimentality aroused by recalling how kindly and generous the little old man had been to him during his bankruptcy five years before. He gave old Matt the very best his skill could produce, but was thrifty enough to save the rejected specimen, and to use it when Asaph Sawyer died of a malignant fever. Sawyer was not a lovable man, and many stories were told of his almost inhuman vindictiveness and tenacious memory for wrongs real or fancied. To him Birch had felt no compunction in assigning the carelessly[48] made coffin which he now pushed out of the way in his quest for the Fenner casket.
It was just as he had recognised[49] old Matt’s coffin that the door slammed to in the wind, leaving him in a dusk even deeper than before. The narrow transom admitted[50] only the feeblest of[51] rays, and the overhead[52] ventilation funnel virtually none at all; so that he was reduced to a profane fumbling as he made his halting way among the long boxes toward the latch. In this funereal twilight he rattled the[53] rusty handles, pushed at the iron panels, and wondered why the massive portal[54] had grown so suddenly recalcitrant. In this twilight, too, he began to realise[55] the truth and to shout loudly as if his horse outside could do more than neigh an unsympathetic[56] reply. For the long-neglected latch was obviously broken, leaving the careless undertaker trapped in the vault, a victim of his own oversight.
The[57] thing must have happened at about three-thirty[58] in the afternoon. Birch, being by temperament phlegmatic and practical, did not shout long; but[59] proceeded to grope about for some tools which he recalled seeing in a corner of the tomb. It is doubtful whether he was touched at all by the horror and exquisite weirdness of his position, but the bald fact of imprisonment so far from the daily paths of men was enough to exasperate him thoroughly. His day’s work was sadly interrupted, and unless chance presently brought some rambler hither,[60] he might have[61] to remain all night or longer. The pile of tools soon reached, and a hammer and chisel selected, Birch returned over the coffins to the door. The air had begun to be exceedingly unwholesome;[62] but to this detail he paid no attention as he toiled, half by feeling, at the heavy and corroded metal of the latch. He would have given much for a lantern or bit of candle; but[63] lacking these, bungled semi-sightlessly as best he might.
When he perceived that the latch was hopelessly unyielding, at least[64] to such meagre[65] tools and under such[66] tenebrous conditions as these, Birch glanced about for other possible points of escape. The vault had been dug from a hillside,[67] so that the narrow ventilation funnel in the top ran through several feet of earth, making this direction utterly useless to consider. Over the door, however, the high, slit-like transom in the brick facade[68] gave promise of possible enlargement to a diligent worker; hence upon this his eyes long rested as[69] he racked his brains for means to reach it. There was nothing like a ladder in the tomb, and the coffin niches on the sides and rear—which Birch seldom took the trouble to use—[70]afforded no ascent to the space above the door. Only the coffins themselves remained as potential stepping-stones, and as he considered these he speculated on[71] the best mode of arranging them. Three coffin-heights, he reckoned, would permit him to reach the transom; but he could do better with four. The boxes were fairly even, and could be piled[72] up like blocks; so he began to compute how he might most stably use the eight to rear a scalable platform four deep. As he planned, he could not but wish that the units of his contemplated staircase had been more securely made. Whether he had imagination enough to wish they were empty, is strongly to be doubted.
Finally he decided to lay a base of three parallel with the wall, to place upon this two layers of two each, and upon these a single box to serve as the platform. This arrangement could be ascended with a minimum[73] of awkwa
rdness, and would furnish the desired height. Better still, though, he would utilise[74] only two boxes of the base to support the superstructure, leaving one free to be piled on top in case the actual feat of escape required an even greater altitude. And so the prisoner toiled in the twilight, heaving the unresponsive remnants of mortality with little ceremony as his miniature Tower of Babel rose course by course. Several of the coffins began to split under the stress of handling, and he planned to save the stoutly built casket of little Matthew Fenner for the top, in order that his feet might have as certain a surface[75] as possible. In the semi-gloom he trusted mostly to touch to select the right one, and indeed came upon it almost by accident, since it tumbled into his hands as if through some odd volition after he had unwittingly placed it beside another on the third layer.
The tower at length finished, and his aching arms rested by a pause during which he sat on the bottom step of his grim device, Birch cautiously ascended with his tools and stood abreast of the narrow transom. The borders of the space were entirely of brick, and there seemed little doubt but that he could shortly chisel away enough to allow his body to pass. As his hammer blows began to fall, the horse outside whinnied in a tone which may have been encouraging and may have been mocking. In either case[76] it would have been appropriate;[77] for the unexpected tenacity of the easy-looking brickwork was surely a sardonic commentary on the vanity of mortal hopes, and the source of a task whose performance deserved every possible stimulus.
Dusk fell and found Birch still toiling. He worked largely by feeling now, since newly gathered[78] clouds hid the moon; and though progress was still slow, he felt heartened at the extent of his encroachments on the top and bottom of the aperture. He could, he was sure, get out by midnight—[79]though it is characteristic of him that this thought was untinged with eery[80] implications. Undisturbed by oppressive reflections on the[81] time, the place, and the company beneath his feet, he philosophically[82] chipped away the stony brickwork;[83] cursing when a fragment hit him in the face, and laughing when one struck the increasingly excited horse that pawed near the cypress tree. In time the hole grew so large that he ventured to try his body in it now and then, shifting about so that the coffins beneath him rocked and creaked. He would not, he found, have to pile another on his platform to make the proper height;[84] for the hole was on exactly the right level to use as soon as its size might[85] permit.