The frosted window at the end of the long little room cast a watery light on the green floor and made the porcelain urinals shine like slices of moon. William washed his hands with exaggerated care, enjoying the lavish amount of powdered soap provided for him in this civic castle. He studied his face in the mirror, making infinitesimal adjustments to attain the absolutely most flattering angle, and then put his hands below his throat to get their strong, long-fingered beauty into the picture. As he walked toward the door he sang, closing his eyes and gasping as if he were a real Negro whose entire career depended upon the recording:

  “Who—told me so, dilly dilly,

  Who told me soho?

  Aii told myself, dilly dilly,

  I told me so.”

  When he emerged into the hall it was not empty: one girl walked down its varnished perspective toward him, Mary Landis, a scarf on her head and books in her arms. Her locker was up here, on the second floor of the annex. His own was in the annex basement. A ticking sensation that existed neither in the medium of sound nor of light crowded against his throat. She flipped the scarf back from her hair and in a conversational voice that carried well down the clean planes of the hall said, “Hi, Billy.” The name came from way back, when they were both children, and made him feel small but brave.

  “Hi. How are you?”

  “Fine.” Her smile broadened out from the F of this word.

  What was so funny? Was she really, as it seemed, pleased to see him? “Du-did you just get through cheer-cheer-cheerleading?”

  “Yes. Thank God. Oh, she’s so awful. She makes us do the same stupid locomotives for every cheer; I told her, no wonder nobody cheers any more.”

  “This is M-M-Miss Potter?” He blushed, feeling that he made an ugly face in getting past the M. When he got caught in the middle of a sentence the constriction was somehow worse. He admired the way words poured up her throat, distinct and petulant.

  “Yes, Potbottom Potter,” she said, “she’s just aching for a man and takes it out on us. I wish she would get one. Honestly, Billy, I have half a mind to quit. I’ll be so glad when June comes, I’ll never set foot in this idiotic building again.”

  Her lips, pale with the lipstick worn off, crinkled bitterly. Foreshortened from the height of his eyes, her face looked cross as a cat’s. It a little shocked him that poor Miss Potter and this kind, warm school stirred her to what he had to take as actual anger; this grittiness in her was the first abrasive texture he had struck today. Couldn’t she see around teachers, into their fatigue, their poverty, their fear? It had been so long since he had spoken to her, he wasn’t sure how coarse she had become. “Don’t quit,” he brought out of his mouth at last. “It’d be n-n-n-nuh—it’d be nothing without you.”

  He pushed open the door at the end of the hall for her and as she passed under his arm she looked up and said, “Why, aren’t you sweet?”

  The stairwell, all asphalt and iron, smelled of galoshes. It felt more secret than the hall, more specially theirs; there was something magical in the rapid multiplication of planes and angles as they descended that lifted the spell on his tongue, so that words came as quickly as his feet pattered on the steps.

  “No, I mean it,” he said, “you’re really a beautiful cheerleader. But then you’re beautiful period.”

  “I’ve skinny legs.”

  “Who told you that?”

  “Somebody.”

  “Well, he wasn’t very sweet.”

  “No.”

  “Why do you hate this poor old school?”

  “Now, Billy. You know you don’t care about this junky place any more than I do.”

  “I love it. It breaks my heart to hear you say you want to get out, because then I’ll never see you again.”

  “You don’t care, do you?”

  “Why, sure I care; you know”—their feet stopped; they had reached bottom, the first-floor landing, two brass-barred doors and a grimy radiator—“I’ve always li-loved you.”

  “You don’t mean that.”

  “I do too. It’s ridiculous but there it is. I wanted to tell you today and now I have.”

  He expected her to laugh and go out the door, but instead she showed an unforeseeable willingness to discuss this awkward matter. He should have realized before this that women enjoy being talked to. “It’s a very silly thing to say,” she asserted tentatively.

  “I don’t see why,” he said, fairly bold now that he couldn’t seem more ridiculous, and yet picking his words with a certain strategic care. “It’s not that silly to love somebody, I mean what the hell. Probably what’s silly is not to do anything about it for umpteen years, but, then, I never had an opportunity, I thought.”

  He set his books down on the radiator and she set hers down beside his. “What kind of opportunity were you waiting for?”

  “Well, see, that’s it; I didn’t know.” He wished, in a way, she would go out the door. But she had propped herself against the wall and plainly awaited more conversation. “Yuh-you were such a queen and I was such a nothing and I just didn’t really want to presume.” It wasn’t very interesting; it puzzled him that she seemed to be interested. Her face had grown quite stern, her mouth small and thoughtful, and he made a gesture with his hands intended to release her from the bother of thinking about it. After all, it was just a disposition of his heart, nothing permanent or expensive; perhaps it was just his mother’s idea anyway. Half in impatience to close the account, he asked, “Will you marry me?”

  “You don’t want to marry me,” she said. “You’re going to go on and be somebody.”

  He blushed in pleasure; is this how she saw him, is this how they all saw him; as nothing now, but in time somebody? Had his hopes always been obvious? He dissembled, saying, “No, I’m not. But anyway, you’re great now. You’re so pretty, Mary.”

  “Oh, Billy,” she said, “if you were me for just one day you’d hate it.”

  She said this rather blankly, watching his eyes; he wished her voice had shown more misery. In his world of closed surfaces a panel, carelessly pushed, had opened, and he hung in this openness paralyzed, unable to think what to say. Nothing he could think of quite fit the abruptly immense context. The radiator cleared its throat. Its heat made, in the intimate volume just this side of the doors on whose windows the snow beat limply, a provocative snugness. He supposed he should try to kiss her, and stepped forward, his hands lifting toward her shoulders. Mary sidestepped between him and the radiator and put the scarf back on. She lifted the cloth like a broad plaid halo above her head and then wrapped it around her chin and knotted it so she looked, in her red galoshes and bulky coat, like a peasant woman in a movie about Europe. With her hair swathed, her face seemed pale and chunky, and when she recradled the books in her arms her back bent humbly. “It’s too hot in here,” she said. “I’ve got to wait for somebody.” The disconnectedness of the two statements seemed natural in the fragmented atmosphere his stops and starts had produced. She bucked the brass bar with her shoulder and the door slammed open; he followed her into the weather.

  “For the person who thinks your legs are too skinny?”

  “Could be, Mip.” As she looked up at him a snowflake caught on the lashes of one eye. She jerkily rubbed that cheek on the shoulder of her coat and stamped a foot, splashing slush. Cold water gathered on the back of his thin shirt. He put his hands in his pockets and pressed his arms against his sides to keep from shivering.

  “Thuh-then you wo-won’t marry me?” His instinct told him the only way back was by going forward, ridiculously.

  “We don’t know each other,” she said.

  “My God,” he said. “Why not? I’ve known you since kindergarten.”

  “What do you know about me?”

  This awful seriousness of hers; he must dissolve it. “That you’re not a virgin.” But instead of making her laugh this made her face go dead and turned it away. Like beginning to kiss her, it was a mistake. In part, he felt grateful for his mist
akes; they were like loyal friends who are nevertheless embarrassing. “What do you know about me?” he asked, setting himself up for a finishing insult but dreading it. He hated the stiff feel of his smile between his cheeks; he glimpsed, as if the snow were a mirror, how hateful he looked.

  “That you’re basically very nice.”

  Her reply blinded him to his physical discomfort, set him burning with regret. “Listen,” he said, “I did love you. Let’s at least get that straight.”

  “You never loved anybody, Billy,” she said. “You don’t know what it is.”

  “O.K.,” he said. “Pardon me.”

  “You’re excused.”

  “You better wait in the school,” he told her. “He’s-eez-eez going to be a long time.”

  She didn’t answer and walked a little distance, along the slack cable that divided the parking lot from the softball field. One bicycle, rusted as if it had been there for years, leaned in the rack, its fenders supporting crescents of white.

  The warmth inside the door felt heavy. William picked up his books and ran his pencil across the black ribs of the radiator before going down the stairs to his locker in the annex basement. The shadows were thick at the foot of the steps; suddenly it felt late, he must hurry and get home. He was seized by the irrational fear that the school authorities were going to lock him in. The cloistered odors of paper, sweat, and, from the wood-shop at the far end of the basement hall, sawdust no longer flattered him; the tall green double lockers appeared to study him critically through the three air slits near their tops. When he opened his locker, and put his books on his shelf, below Marvin Wolf’s, and removed his coat from his hook, his self seemed to crawl into the long dark space thus made vacant, the humiliated, ugly, educable self. In answer to a flick of his large hand the steel door weightlessly floated shut, and through the length of his body he felt so clean and free he smiled. Between now and the happy future predicted for him he had nothing, almost literally nothing, to do.

  Flight

  At the age of seventeen I was poorly dressed and funny-looking, and went around thinking about myself in the third person. “Allen Dow strode down the street and home.” “Allen Dow smiled a thin sardonic smile.” Consciousness of a special destiny made me both arrogant and shy. Years before, when I was eleven or twelve, just on the brink of ceasing to be a little boy, my mother and I, one Sunday afternoon—my father was busy, or asleep—hiked up to the top of Shale Hill, a child’s mountain that formed one side of the valley that held our town. There the town lay under us, Olinger, perhaps a thousand homes, the best and biggest of them climbing Shale Hill toward us, and beyond them the blocks of brick houses, one- and two-family, the homes of my friends, sloping down to the pale thread of the Alton Pike, which strung together the high school, the tennis courts, the movie theatre, the town’s few stores and gasoline stations, the elementary school, the Lutheran church. On the other side lay more homes, including our own, a tiny white patch placed just where the land began to rise toward the opposite mountain, Cedar Top. There were rims and rims of hills beyond Cedar Top, and, looking south, we could see the pike dissolving in other towns and turning out of sight amid the patches of green and brown farmland, and it seemed the entire county was lying exposed under a thin veil of haze. I was old enough to feel uneasy at standing there alone with my mother, beside a windstunted spruce tree, on a long spine of shale. Suddenly she dug her fingers into the hair on my head and announced, “There we all are, and there we’ll all be forever.” She hesitated before the word “forever,” and hesitated again before adding, “Except you, Allen. You’re going to fly.” A few birds were hung far out over the valley, at the level of our eyes, and in her impulsive way she had just plucked the image from them, but it felt like the clue I had been waiting all my childhood for. My most secret self had been made to respond, and I was intensely embarrassed, and irritably ducked my head out from under her melodramatic hand.

  She was impulsive and romantic and inconsistent. I was never able to develop this spurt of reassurance into a steady theme between us. That she continued to treat me like an ordinary child seemed a betrayal of the vision she had made me share. I was captive to a hope she had tossed off and forgotten. My shy attempts to justify irregularities in my conduct—reading late at night or not coming back from school on time—by appealing to the image of flight were received with a startled blank look, as if I were talking nonsense. It seemed outrageously unjust. Yes, but, I wanted to say, yes, but it’s your nonsense. And of course it was just this that made my appeal ineffective: her knowing that I had not made it mine, that I cynically intended to exploit both the privileges of being extraordinary and the pleasures of being ordinary. She feared my wish to be ordinary; once she did respond to my protest that I was learning to fly, by crying with red-faced ferocity, “You’ll never learn, you’ll stick and die in the dirt just like I’m doing. Why should you be better than your mother?”

  She had been born ten miles to the south, on a farm she and her mother had loved. Her mother, a small fierce woman who looked more like an Arab than a German, worked in the fields with the men, and drove the wagon to market ten miles away every Friday. When still a tiny girl, my mother rode with her, and my impression of those rides is of fear—the little girl’s fear of the gross and beery men who grabbed and hugged her, her fear of the wagon’s breaking, of the produce’s not selling, of her father’s condition when at nightfall they returned. Friday was his holiday, and he drank. His drinking is impossible for me to picture, for I never knew him except as an enduring, didactic, almost Biblical old man, whose one passion was reading the newspapers and whose one hatred was of the Republican Party. There was something public about him; now that he is dead I keep seeing bits of him attached to famous politicians—his watch chain and his plump, square stomach in old films of Theodore Roosevelt, his high-top shoes and the tilt of his head in a photograph of Alfalfa Bill Murry. Alfalfa Bill is turning his head to talk, and holds his hat by the crown, pinching it between two fingers and a thumb, a gentle and courtly grip that reminded me so keenly of my grandfather that I tore the picture out of Life and put it in a drawer.

  Laboring in the soil had never been congenial to my grandfather, though with his wife’s help he prospered by it. Then, in an era when success was hard to avoid, he began to invest in stocks. In 1922 he bought our large white home in the town—its fashionable section had not yet shifted to the Shale Hill side of the valley—and settled in to reap his dividends. He believed to his death that women were foolish, and the broken hearts of his two must have seemed specially so. The dignity of finance for the indignity of farming must have struck him as an eminently advantageous exchange. It strikes me that way, too, and how to reconcile my idea of those fear-ridden wagon rides with the grief that my mother insists she and her mother felt at being taken from the farm? Perhaps prolonged fear is a ground of love. Or perhaps, and likelier, the equation is long and complex, and the few factors I know—the middle-aged woman’s mannish pride of land, the adolescent girl’s pleasure in riding horses across the fields, their common feeling of rejection in Olinger—are enclosed in brackets and heightened by coefficients that I cannot see. Or perhaps it is not love of land but its absence that needs explaining, in my grandfather’s fastidiousness and pride. He believed that as a boy he had been overworked, and bore his father a grudge that my mother could never understand. Her grandfather to her was a saintly slender giant, over six feet tall when this was a prodigy, who knew the names of everything, like Adam in Eden. In his old age he was blind. When he came out of the house, the dogs rushed forward to lick his hands. When he lay dying, he requested a Gravenstein apple from the tree on the far edge of the meadow, and his son brought him a Krauser from the orchard near the house. The old man refused it, and my grandfather made a second trip, but in my mother’s eyes the outrage had been committed, an insult without provocation. What had his father done to him? The only specific complaint I ever heard my grandfather make was that, w
hen he was a boy and had to fetch water for the men in the fields, his father would tell him sarcastically, “Pick up your feet; they’ll come down themselves.” How incongruous! As if each generation of parents commits atrocities against their children which by God’s decree remain invisible to the rest of the world.

  I remember my grandmother as a little dark-eyed woman who talked seldom and was always trying to feed me, and then as a hook-nosed profile pink against the lemon cushions of the casket. She died when I was seven. All the rest I know about her is that she was the baby of twelve children, that while she was alive she made our yard one of the most beautiful in town, and that I am supposed to resemble her brother Pete.

  My mother was precocious; she was fourteen when they moved, and for three years had been attending the county normal school. She graduated from Lake College, near Philadelphia, when she was only twenty, a tall handsome girl with a self-deprecatory smile, to judge from one of the curling photographs kept in a shoebox that I was always opening as a child, as if it might contain the clue to the quarrels in my house. My mother stands at the end of our brick walk, beside the elaborately trimmed end of our privet hedge—in shape a thick square column mounted by a rough ball of leaf. The ragged arc of a lilac bush in flower cuts into the right edge of the photograph, and behind my mother I can see a vacant lot where there has been a house ever since I can remember. She poses with a kind of country grace in a long light-colored coat, unbuttoned to expose her beads and a short yet somehow demure flapper dress. Her hands are in her coat pockets, a beret sits on one side of her bangs, and there is a swank about her that seemed incongruous to me, examining this picture on the stained carpet of an ill-lit old house in the closing years of the Thirties and in the dark of the warring Forties. The costume and the girl in it look so up-to-date, so formidable. It was my grandfather’s pleasure, in his prosperity, to give her a generous clothes allowance. My father, the penniless younger son of a New Jersey Presbyterian minister, had worked his way through Lake College by waiting on tables, and still speaks with mild resentment of the beautiful clothes that Lillian Baer wore. This aspect of my mother caused me some pain in high school; she was a fabric snob, and insisted on buying my slacks and sport shirts at the best store in Alton, and since we had little money, she bought me few, when of course what I needed was what my classmates had—a wide variety of cheap clothes.