Page 37 of Stories


  “We listened and listened, and suddenly the same thought occurred to us all.

  “‘It would be nice to get them married,’ the director’s wife said to me softly.

  “We all remembered for some reason that our Belikov wasn’t married, and now it seemed strange to us that we had somehow never noticed, had completely lost sight of such an important detail of his life. What generally was his attitude towards women, and how did he resolve this essential question for himself? Earlier that hadn’t interested us at all; maybe we hadn’t even admitted the thought that a man who wore galoshes in all weather and slept under a canopy was able to love.

  ‘He’s well over forty, and she’s thirty …’ the director’s wife clarified her thought. ‘I think she’d accept him.’

  “So many things are done in our provinces out of boredom, so much that’s unnecessary, absurd! That’s because what’s necessary doesn’t get done at all. Well, so why did we suddenly have to marry off this Belikov, whom it was even impossible to imagine married? The director’s wife, the inspector’s wife, and our lady teachers all livened up, even became prettier, as if they suddenly saw some purpose in life. The director’s wife reserved a box in the theater, and we looked—there was Varenka sitting in her box with a fan, radiant, happy, and beside her Belikov, small, hunched up, as if they’d pulled him out of his house with pliers. I gave a party and the ladies demanded that I invite Belikov and Varenka without fail. In short, the machine got going. It turned out that Varenka wouldn’t have minded getting married. Her life with her brother was not so happy, all they could do was argue and quarrel the whole day long. Here’s a scene for you: Kovalenko goes walking down the street, a tall, hefty hulk in an embroidered shirt, his forelock falling over his forehead from under his cap; a pile of books in one hand, a thick, knotty stick in the other. Behind him comes his sister, also with books.

  “‘But Mikhailik, you haven’t read this one!’ she protests loudly. ‘I’m telling you, I swear, you haven’t read it at all!’

  “‘And I tell you I have!’ shouts Kovalenko, rapping his stick on the sidewalk.

  “‘Ah, my God, Minchik! Why are you getting angry, we’re having a conversation of principle.’

  “‘And I tell you I’ve read it!’ Kovalenko shouts still louder.

  “And at home, whenever an outsider comes, there’s some spat. Such a life was probably boring, she wanted a corner of her own, and age was also a consideration; there was no time for choosing, she’d marry anybody, even the teacher of Greek. And to tell the truth, for the majority of our young ladies, it didn’t matter whom they married, as long as they got married. Be that as it may, Varenka began to show our Belikov a marked benevolence.

  “And Belikov? He called on Kovalenko just as he did on us. He’d come to him and say nothing. He’d say nothing, and Varenka would sing ‘The Winds Waft’ for him, or look at him pensively with her dark eyes, or suddenly dissolve:

  “‘Ha, ha, ha!’

  “In amorous matters, especially in marriage, insinuation plays a major role. Everybody—his colleagues and the ladies—started assuring Belikov that he must marry, that there was nothing left for him in life but to marry; we all congratulated him and with important faces uttered various banalities, such as that marriage was a serious step; besides, Varenka was interesting and not bad-looking, she was the daughter of a state councillor and owned a farmstead, and, above all, she was the first woman who had treated him gently, cordially—his head got in a whirl, and he decided that he really did have to marry.”

  “That was the time to take away his galoshes and umbrella,” said Ivan Ivanych.

  “Imagine, that turned out to be impossible. He put Varenka’s portrait on his desk and kept coming to me and talking about Varenka, about family life, about marriage being a serious step, he visited the Kovalenkos frequently, but he didn’t change his way of life in the least. Even the opposite, the decision to marry affected him somehow morbidly, he lost weight, grew pale, and seemed to withdraw further into his case.

  “‘I like Varvara Savvishna,’ he said to me with a faint, crooked little smile, ‘and I know that every man needs to marry, but … you know, all this has happened somehow suddenly … I have to think.’

  “‘What’s there to think about?’ I say to him. ‘Marry her, and that’s that.’

  “‘No, marriage is a serious step, I must first weigh my future duties, responsibilities … or something may come of it later. It bothers me so much that I’ve now stopped sleeping at night. And, I confess, I’m afraid: she and her brother have some strange way of thinking, they reason, you know, somehow strangely, and her character is very sprightly. I’ll get married and then, for all I know, wind up in some kind of trouble.’

  “And he didn’t propose, he kept postponing it, to the great vexation of the director’s wife and our other ladies; he kept weighing his future duties and responsibilities and meanwhile went strolling with Varenka almost every day, perhaps thinking it was necessary in his position, and came to me to talk about family life. And, in all probability, he would have proposed in the end, and one of those needless, stupid marriages would have taken place, such as take place here by the thousand out of boredom and idleness, if a kolossalische Scandal had not suddenly occurred. It must be said that Varenka’s brother, Kovalenko, had hated Belikov from the first day of their acquaintance and could not bear him.

  “‘I don’t understand,’ he said to us, shrugging his shoulders, ‘I don’t understand how you stomach that snitcher, that vile mug! Eh, gentlemen, how can you live here? The atmosphere is nasty, stifling. Are you pedagogues, teachers? No, you’re rank-grabbers, your school isn’t a temple of knowledge, it’s an office of public order, and there’s a sour stink to it, like in a sentry’s box. No, brothers, I’ll live with you a little longer and then go back to my farmstead to catch crayfish and teach little Ukrainians. I’ll leave you, and you can stay here with your Judas till he bursts.’

  “Or else he’d laugh, laugh himself to tears, now in a bass, now in a thin, squeaky voice, and ask me, spreading his hands:

  “‘Why is he sitting with me? What does he want? He sits and looks.’

  “He even gave Belikov the name of ‘the bloodsucker, alias the spider.’ And, to be sure, we avoided talking to him about his sister Varenka marrying ‘alias the spider.’ And once when the director’s wife hinted to him that it would be nice to have his sister settle down with such a solid, well-respected man as Belikov, he scowled and said gruffly:

  “‘It’s none of my business. She can even marry a viper, I don’t like interfering in other people’s affairs.’

  “Now hear what happened next. Some prankster drew a caricature: Belikov walking in his galoshes, with his tucked-in trousers, under an umbrella, and Varenka arm-in-arm with him; the caption underneath: ‘Anthropos in love.’ The expression was really caught remarkably well. The artist must have worked more than one night, because all the teachers in the boys’ and girls’ schools, the seminary teachers, the officials—everybody got a copy. Belikov got one, too. The caricature made a most painful impression on him.

  “We’re leaving the house together—it was the first of May, a Sunday, and all of us, teachers and students, had arranged to meet by the school and then go on foot together to the woods outside town—we’re leaving the house, and he’s green, dark as a cloud.

  “‘What bad, wicked people there are!’ he said, and his lips trembled.

  “I even felt sorry for him. We’re walking along and suddenly, if you can imagine, Kovalenko rides by on a bicycle, followed by Varenka, also on a bicycle, red, tired, but cheerful, joyful.

  “‘And we’re going on ahead!’ she cries. ‘The weather’s so fine, so fine, it’s simply awful!’

  “And they both vanished. My Belikov turned from green to white and froze. He stopped and stared at me …

  “‘Excuse me, but what is that?’ he asked. ‘Or maybe my eyes are deceiving me? Is it proper for schoolmasters and women
to ride bicycles?’

  “‘What’s improper about it?’ I said. ‘They can ride as much as they like.’

  “‘But how is this possible?’ he cried, amazed at my calmness. ‘What are you saying?!’

  “He was so struck that he refused to go any further and turned back home.

  “The next day he kept rubbing his hands nervously and twitching all the time, and you could see from his face that he wasn’t well. And he left class, which happened to him for the first time in his life. And he ate no dinner. Towards evening he got dressed warmly, though it was quite summery outside, and trudged to the Kovalenkos. Varenka was not at home, he found only her brother.

  “‘Kindly sit down,’ Kovalenko said coldly and scowled; his face was sleepy, he had just finished his after-dinner nap and was in a very bad humor.

  “Belikov sat silently for some ten minutes and then began:

  “‘I’ve come to you to ease my soul. I’m very, very distressed. Some lampoonist has portrayed me and another person close to us both in a ridiculous way. I consider it my duty to assure you that I have nothing to do with it … I never gave any pretext for such mockery—on the contrary, I’ve always behaved as a perfectly decent man.’

  “Kovalenko sat pouting and said nothing. Belikov waited a little and went on softly, in a mournful voice:

  “‘And I have something else to tell you. I have been teaching for a long time, while you are just beginning, and I consider it my duty, as an older colleague, to warn you. You ride a bicycle, and that is an amusement absolutely improper for a teacher of youth.’

  “‘Why so?’ Kovalenko asked in a bass voice.

  “‘But is there anything here that needs more explaining, Mikhail Savvich, is there anything that isn’t clear? If the teacher rides on a bicycle, what remains for the students? It remains only for them to walk on their heads! And since it is not permitted by the circulars, you cannot do it. I was horrified yesterday! When I saw your sister, my eyes went dim. A woman or a girl on a bicycle—it’s awful!’

  “‘What exactly do you want?’

  “‘I want just one thing—to warn you, Mikhail Savvich. You are a young man, you have a future ahead of you, you must behave very, very carefully, yet you are negligent, oh, so negligent! You go around in an embroidered shirt, you’re always outside with some sort of books, and now there’s also the bicycle. The director will find out that you and your sister ride bicycles, then it will reach the superintendent … What’s the good of it?’

  “‘That my sister and I ride bicycles is nobody’s business!’ Kovalenko said and turned purple. ‘And if anybody meddles in my domestic and family affairs, I’ll send him to all the devils in hell.’

  “Belikov paled and got up.

  “‘If you talk with me in such a tone, I cannot go on,’ he said. ‘And I beg you never to speak like that in my presence about our superiors. You must treat the authorities with respect.’

  “‘Did I say anything bad about the authorities?’ Kovalenko asked, looking at him spitefully. ‘Kindly leave me in peace. I’m an honest man and have no wish to talk with gentlemen like you. I don’t like snitchers.’

  “Belikov fussed about nervously and quickly began to dress, with a look of horror on his face. It was the first time in his life that he’d heard such rude things.

  “‘You may say whatever you like,’ he said, as he went out from the front hall to the landing. ‘Only I must warn you: someone may have heard us, and, since our conversation might be misunderstood and something might come of it, I will have to report the content of our conversation to the director … in its main features. It is my duty to do so.’

  “‘Report? Go on, report!’

  “Kovalenko seized him from behind by the collar and shoved, and Belikov went tumbling down the stairs, his galoshes clunking. The stairs were high and steep, but he reached the bottom safely, got up, and felt his nose: were his glasses broken? But just as he was tumbling down the stairs, Varenka came in and there were two ladies with her; they stood below and watched—and for Belikov this was the most terrible thing of all. It would have been better, he thought, to break his neck and both legs than to become a laughingstock: now the whole town would know, it would reach the director, the superintendent—ah, something might come of it!— there would be a new caricature, and the upshot of it all would be that he would be ordered to resign …

  “When he got up, Varenka recognized him and, looking at his ridiculous face, his crumpled overcoat, his galoshes, not understanding what it was about, and supposing he had fallen accidentally, could not help herself and laughed for the whole house to hear:

  “‘Ha, ha, ha!’

  “And this rolling, pealing ‘ha, ha, ha!’ put an end to everything: both the engagement and the earthly existence of Belikov. He did not hear what Varenka said, nor did he see anything. Returning home, he first of all removed the portrait from the desk, and then he lay down and never got up again.

  “Three days later Afanasy came to me and asked if he ought to send for the doctor, because, he said, something was wrong with his master. I went to see Belikov. He lay under the canopy, covered with a blanket, and said nothing; you ask him, and he just says yes or no—and not another sound. He lies there, and Afanasy walks around, gloomy, scowling, and sighs deeply; and he reeks of vodka like a tavern.

  “A month later Belikov died. We all went to his burial, that is, both schools and the seminary. Now, lying in the coffin, his expression was meek, pleasant, even cheerful, as if he were glad that he had finally been put in a case he would never have to leave. Yes, he had attained his ideal! And, as if in his honor, the weather during the burial was gray, rainy, and we were all in galoshes and carrying umbrellas. Varenka was also at the burial, and she wept a little when the coffin was lowered into the grave. I’ve noticed that Ukrainian girls only weep or laugh, they have no in-between state.

  “I confess, burying people like Belikov is a great pleasure. As we came back from the cemetery, we had modest, lenten physiognomies; nobody wanted to show this feeling of pleasure—a feeling like that experienced long, long ago, in childhood, when the grown-ups went away and we could spend an hour or two running around in the garden, relishing our full freedom. Ah, freedom, freedom! Even a hint, even a faint hope of it lends the soul wings, isn’t that so?

  “We came back from the cemetery in good spirits. But no more than a week went by, and life flowed on as before, the same grim, wearisome, witless life, not forbidden by the circulars, yet not fully permitted. Things didn’t get any better. And, indeed, we had buried Belikov, but how many more men in cases there still are, and how many more there will be!”

  “Right you are,” said Ivan Ivanych, and he lit his pipe.

  “How many more there will be!” Burkin repeated.

  The schoolteacher came out of the shed. He was a short man, fat, completely bald, with a black beard almost down to his waist. Two dogs came out with him.

  “What a moon!” he said, looking up.

  It was already midnight. To the right the whole village was visible, the long street stretching into the distance a good three miles. Everything was sunk in a hushed, deep sleep; not a movement, not a sound, it was hard to believe that nature could be so hushed. When you see a wide village street on a moonlit night, with its cottages, haystacks, sleeping willows, your own soul becomes hushed; in that peace, hiding from toil, care, and grief in the shadows of the night, it turns meek, mournful, beautiful, and it seems that the stars, too, look down on it tenderly and with feeling, and that there is no more evil on earth, and all is well. Fields spread out to the left from the edge of the village; they were visible as far as the horizon, and across the whole breadth of those fields, flooded with moonlight, there was also no movement or sound.

  “Right you are,” Ivan Ivanych repeated. “And that we live in town, stifled, crowded, writing useless papers, playing cards—isn’t that a case? And that we spend our lives among do-nothings, pettifoggers, stupid, idle women,
that we say and hear all kinds of nonsense—isn’t that a case? Here, if you like, I’ll tell you an instructive story.”

  “No, it’s time to sleep,” said Burkin. “Good night.”

  They both went into the shed and lay down in the hay. And they had both already covered themselves and dozed off when light footsteps were heard: tap, tap … Someone was walking near the shed; walked and then stopped, and after a moment again: tap, tap … The dogs growled.

  “That’s Mavra out walking,” said Burkin.

  The steps died away.

  “To see and hear people lie,” said Ivan Ivanych, turning over on the other side, “and to be called a fool yourself for putting up with the lie; to endure insults, humiliations, not daring to say openly that you’re on the side of honest, free people, and to have to lie yourself, to smile, and all that for a crust of bread, a warm corner, some little rank that’s not worth a penny—no, it’s impossible to live like that any longer!”

  “Well, that’s from another opera, Ivan Ivanych,” said the teacher. “Let’s get some sleep.”

  And ten minutes later Burkin was asleep. But Ivan Ivanych kept tossing from side to side and sighing. Then he got up, went out again, sat by the doorway, and lit his pipe.

  JULY 1898

  GOOSEBERRIES

  Since early morning the whole sky had been covered with dark clouds; it was not hot, but still and dull, as usual on gray, bleak days, when clouds hang over the fields for a long time, you wait for rain, but it does not come. The veterinarian Ivan Ivanych and the high-school teacher Burkin were tired of walking, and the fields seemed endless to them. Far ahead the windmills of the village of Mironositskoe were barely visible, to the right a line of hills stretched away and then disappeared far beyond the village, and they both knew that this was the bank of the river, with meadows, green willows, country houses, and if you stood on one of the hills, from there you could see equally vast fields, telegraph poles, and the train, which in the distance looked like a crawling caterpillar, and in clear weather you could even see the town. Now, in the still weather, when all nature seemed meek and pensive, Ivan Ivanych and Burkin were imbued with love for these fields, and both thought how great, how beautiful this land was.