else, passing on the balcony, would be able to look inside.
Already assured that the kitchen, dining area, and living room were deserted, Vassago moved catlike through the bathroom and two bedrooms (one without furniture, used primarily for storage) that comprised the rest of the apartment. The man in the recliner was alone.
On the dresser in the bedroom, Vassago spotted a wallet and a ring of keys. In the wallet he found fifty-eight dollars, which he took, and a driver’s license in the name of William X. Cooper. The photograph on the license was of the man in the living room, a few years younger and, of course, not in a drunken stupor.
He returned to the living room with the intention of waking Cooper and having an informative little chat with him. Who is Lindsey? Where does she live?
But as he approached the recliner, a current of anger shot through him, too sudden and causeless to be his own, as if he were a human radio that received other people’s emotions. And what he was receiving was the same anger that had suddenly struck him while he had been with his collection in the funhouse hardly an hour ago. As before, he opened himself to it, amplified the current with his own singular rage, wondering if he would receive visions, as he had on that previous occasion. But this time, as he stood looking down on William Cooper, the anger flared too abruptly into insensate fury, and he lost control. From the table beside the recliner, he grabbed the Jack Daniel’s by the neck of the bottle.
Lying rigid in his bed, hands fisted so tightly that even his blunt fingernails were gouging painfully into his palms, Hatch had the crazy feeling that his mind had been invaded. His flicker of anger had been like opening a door just a hairline crack but wide enough for something on the other side to get a grip and tear it off its hinges. He felt something unnameable storming into him, a force without form or features, defined only by its hatred and rage. Its fury was that of the hurricane, the typhoon, beyond mere human dimensions, and he knew that he was too small a vessel to contain all of the anger that was pumping into him. He felt as if he would explode, shatter as if he were not a man but a crystal figurine.
The half-full bottle of Jack Daniel’s whacked the side of the sleeping man’s head with such impact that it was almost as loud as a shotgun blast. Whiskey and sharp fragments of glass showered up, rained down, splattered and clinked against the television set, the other furniture, and the walls. The air was filled with the velvety aroma of corn-mash bourbon, but underlying it was the scent of blood, for the gashed and battered side of Cooper’s face was bleeding copiously.
The man was no longer merely sleeping. He had been hammered into a deeper level of unconsciousness.
Vassago was left with just the neck of the bottle in his hand. It terminated in three sharp spikes of glass that dripped bourbon and made him think of snake fangs glistening with venom. Shifting his grip, he raised the weapon above his head and brought it down, letting out a fierce hiss of rage, and the glass serpent bit deep into William Cooper’s face.
The volcanic wrath that erupted into Hatch was unlike anything he had ever experienced before, far beyond any rage that his father had ever achieved. Indeed, it was nothing he could have generated within himself for the same reason that one could not manufacture sulfuric acid in a paper cauldron: the vessel would be dissolved by the substance it was required to contain. A high-pressure lava flow of anger gushed into him, so hot that he wanted to scream, so white-hot that he had no time to scream. Consciousness was burned away, and he fell into a mercifully dreamless darkness where there was neither anger nor terror.
Vassago realized that he was shouting with wordless, savage glee. After a dozen or twenty blows, the glass weapon had utterly disintegrated. He finally, reluctantly dropped the short fragment of the bottle neck still in his white-knuckled grip. Snarling, he threw himself against the Naugahyde recliner, tipping it over and rolling the dead man onto the bile-green carpet. He picked up the end table and pitched it into the television set, where Humphrey Bogart was sitting in a military courtroom, rolling a couple of ball bearings in his leathery hand, talking about strawberries. The screen imploded, and Bogart was transformed into a shower of yellow sparks, the sight of which ignited new fires of destructive frenzy in Vassago. He kicked over a coffee table, tore two K Mart prints off the walls and smashed the glass out of the frames, swept a collection of cheap ceramic knickknacks off the mantel. He would have liked nothing better than to have continued from one end of the apartment to the other, pulling all the dishes out of the kitchen cabinets and smashing them, reducing all the glassware to bright shards, seizing the food in the refrigerator and heaving it against the walls, hammering one piece of furniture against another until everything was broken and splintered, but he was halted by the sound of a siren, distant now, rapidly drawing nearer, the meaning of it penetrating even through the mist of blood frenzy that clouded his thoughts. He headed for the door, then swung away from it, realizing that people might have come out into the courtyard or might be watching from their windows. He ran out of the living room, back the short hall, to the window in the master bedroom, where he pulled aside the drapes and looked onto the roof over the building-long carport. An alleyway, bordered by a block wall, lay beyond. He twisted open the latch on the double-hung window, shoved up the bottom half, squeezed through, dropped onto the roof of the long carport, rolled to the edge, fell to the pavement, and landed on his feet as if he were a cat. He lost his sunglasses, scooped them up, put them on again. He sprinted left, toward the back of the property, with the siren louder now, much louder, very close. When he came to the next flank of the eight-foot-high concrete-block wall that ringed the property, he swiftly clambered over it with the agility of a spider skittering up any porous surface, and then he was over, into another alleyway serving carports along the back of another apartment complex, and so he ran from serviceway to serviceway, picking a route through the maze by sheer instinct, and came out on the street where he had parked, half a block from the pearl-gray Honda. He got in the car, started the engine, and drove away from there as sedately as he could manage, sweating and breathing so hard that he steamed up the windows. Reveling in the fragrant mélange of bourbon, blood, and perspiration, he was tremendously excited, so profoundly satisfied by the violence he had unleashed that he pounded the steering wheel and let out peals of laughter that had a shrieky edge.
For a while he drove randomly from one street to another with no idea where he was headed. After his laughter faded, when his heart stopped racing, he gradually oriented himself and struck out south and east, in the general direction of his hideaway.
If William Cooper could have provided any connection to the woman named Lindsey, that lead was now closed to Vassago forever. He wasn’t worried. He didn’t know what was happening to him, why Cooper or Lindsey or the man in the mirror had been brought to his attention by these supernatural means. But he knew that if he only trusted in his dark god, everything would eventually be made clear to him.
He was beginning to wonder if Hell had let him go willingly, returning him to the land of the living in order to use him to deal with certain people whom the god of darkness wanted dead. Perhaps he’d not been stolen from Hell, after all, but had been sent back to life on a mission of destruction that was only slowly becoming comprehensible. If that were the case, he was pleased to make himself the instrument of the dark and powerful divinity whose company he longed to rejoin, and he anxiously awaited whatever task he might be assigned next.
Toward dawn, after several hours in a deep slumber of almost deathlike perfection, Hatch woke and did not know where he was. For a moment he drifted in confusion, then washed up on the shore of memory: the bedroom, Lindsey breathing softly in her sleep beside him, the ash-gray first light of morning like a fine silver dust on the windowpanes.
When he recalled the inexplicable and inhuman fit of rage that had slammed through him with paralytic force, Hatch stiffened with fear. He tried to remember where that spiraling anger had led, in what act of violence i
t had culminated, but his mind was blank. It seemed to him that he had simply passed out, as if that unnaturally intense fury had overloaded the circuits in his brain and blown a fuse or two.
Passed out—or blacked out? There was a fateful difference between the two. Passed out, he might have been in bed all night, exhausted, as still as a stone on the floor of the sea. But if he blacked out, remaining conscious but unaware of what he was doing, in a psychotic fugue, God alone knew what he might have done.
Suddenly he sensed that Lindsey was in grave danger.
Heart hammering against the cage of his ribs, he sat up in bed and looked at her. The dawn light at the window was too soft to reveal her clearly. She was only a shadowy shape against the sheets.
He reached for the switch on the bedside lamp, but then hesitated. He was afraid of what he might see.
I would never hurt Lindsey, never, he thought desperately.
But he remembered all too well that, for a moment last night, he had not been entirely himself. His anger at Cooper had seemed to open a door within him, letting in a monster from some vast darkness beyond.
Trembling, he finally clicked the switch. In the lamp-light he saw that Lindsey was untouched, as fair as ever, sleeping with a peaceful smile.
Greatly relieved, he switched off the lamp—and thought of Regina. The engine of anxiety revved up again.
Ridiculous. He would no sooner harm Regina than Lindsey. She was a defenseless child.
He could not stop shaking, wondering.
He slipped out of bed without disturbing his wife. He picked up his bathrobe from the back of the armchair, pulled it on, and quietly left the room.
Barefoot, he entered the hall, where a pair of skylights admitted large pieces of the morning, and followed it to Regina’s room. He moved swiftly at first, then more slowly, weighed down by dread as heavy as a pair of iron boots.
He had a mental image of the flower-painted mahogany bed splashed with blood, the sheets sodden and red. For some reason, he had the crazy notion that he would find the child with fragments of glass in her ravaged face. The weird specificity of that image convinced him that he had, indeed, done something unthinkable after he had blacked out.
When he eased open the door and looked into the girl’s room, she was sleeping as peacefully as Lindsey, in the same posture he had seen her in last night, when he and Lindsey had checked on her before going to bed. No blood. No broken glass.
Swallowing hard, he pulled the door shut and returned along the hall as far as the first skylight. He stood in the fall of dim morning light, looking up through the tinted glass at a sky of indeterminate hue, as if an explanation would suddenly be writ large across the heavens.
No explanation came to him. He remained confused and anxious.
At least Lindsey and Regina were fine, untouched by whatever presence he had connected with last night.
He was reminded of an old vampire movie he had once seen, in which a wizened priest had warned a young woman that the undead could enter her house only if she invited them—but that they were cunning and persuasive, capable of inducing even the wary to issue that mortal invitation.
Somehow a bond existed between Hatch and the psychotic who had killed the young blond punker named Lisa. By failing to repress his anger at William Cooper, he had strengthened that bond. His anger was the key that opened the door. When he indulged in anger, he was issuing an invitation just like the one against which the priest in that movie had warned the young woman. He could not explain how he knew this to be true, but he did know it, all right, knew it in his bones. He just wished to God he understood it.
He felt lost.
Small and powerless and afraid.
And although Lindsey and Regina had come through the night unharmed, he sensed more strongly than ever that they were in great danger. Growing greater by the day. By the hour.
3
Before dawn, the thirtieth of April, Vassago bathed outdoors with bottled water and liquid soap. By the first light of day, he was safely ensconced in the deepest part of his hideaway. Lying on his mattress, staring up the elevator shaft, he treated himself to Oreos and warm root beer, then to a couple of snack-size bags of Reese’s Pieces.
Murder was always enormously satisfying. Tremendous internal pressures were released with the strike of a killing blow. More important, each murder was an act of rebellion against all things holy, against commandments and laws and rules and the irritatingly prissy systems of manners employed by human beings to support the fiction that life was precious and endowed with meaning. Life was cheap and pointless. Nothing mattered but sensation and the swift gratification of all desires, which only the strong and free really understood. After every killing, Vassago felt as liberated as the wind and mightier than any steel machine.
Until one special, glorious night in his twelfth year, he had been one of the enslaved masses, dumbly plodding through life according to the rules of so-called civilization, though they made no sense to him. He pretended to love his mother, father, sister, and a host of relatives, though he felt nothing more for them than he did for strangers encountered on the street. As a child, when he was old enough to begin thinking about such things, he wondered if something was wrong with him, a crucial element missing from his makeup. As he listened to himself playing the game of love, employing strategies of false affection and shameless flattery, he was amazed at how convincing others found him, for he could hear the insincerity in his voice, could feel the fraudulence in every gesture, and was acutely aware of the deceit behind his every loving smile. Then one day he suddenly heard the deception in their voices and saw it in their faces, and he realized that none of them had ever experienced love, either, or any of the nobler sentiments toward which a civilized person was supposed to aspire—selflessness, courage, piety, humility, and all the rest of that dreary catechism. They were all playing the game, too. Later he came to the conclusion that most of them, even the adults, had never enjoyed his degree of insight, and remained unaware that other people were exactly like them. Each person thought he was unique, that something was missing in him, and that he must play the game well or be uncovered and ostracized as something less than human. God had tried to create a world of love, had failed, and had commanded His creations to pretend to the perfection with which He had been unable to imbue them. Perceiving that stunning truth, Vassago had taken his first step toward freedom. Then one summer night when he was twelve, he finally understood that in order to be really free, totally free, he had to act upon his understanding, begin to live differently from the herd of humanity, with his own pleasure as the only consideration. He had to be willing to exercise the power over others which he possessed by virtue of his insight into the true nature of the world. That night he learned that the ability to kill without compunction was the purest form of power, and that the exercise of power was the greatest pleasure of them all....
In those days, before he died and came back from the dead and chose the name of the demon prince Vassago, the name to which he had answered and under which he had lived was Jeremy. His best friend had been Tod Ledderbeck, the son of Dr. Sam Ledderbeck, a gynecologist whom Jeremy called the “crack quack” when he wanted to rag Tod.
In the morning of that early June day, Mrs. Ledderbeck had taken Jeremy and Tod to Fantasy World, the lavish amusement park that, against all expectations, had begun to give Disneyland a run for its money. It was in the hills, a few miles east of San Juan Capistrano, somewhat out of the way—just as Magic Mountain had been a bit isolated before the suburbs north of Los Angeles had spread around it, and just as Disneyland had seemed to be in the middle of nowhere when first constructed on farmland near the obscure town of Anaheim. It was built with Japanese money, which worried some people who believed the Japanese were going to own the whole country some day, and there were rumors of Mafia money being involved, which only made it more mysterious and appealing. But finally what mattered was that the atmosphere of the place was cool, the rides
radical, and the junk food almost deliriously junky. Fantasy World was where Tod wanted to spend his twelfth birthday, in the company of his best friend, free of parental control from morning until ten o’clock at night, and Tod usually got what he wanted because he was a good kid; everyone liked him; he knew exactly how to play the game.
Mrs. Ledderbeck left them off at the front gate and shouted after them as they raced away from the car: “I’ll pick you up right here at ten o’clock! Right here at ten o’clock sharp!”
After paying for their tickets and getting onto the grounds of the park, Tod said, “What do you wanna do first?”
“I don’t know. What do you wanna do first?”
“Ride the Scorpion?”
“Yeah!”
“Yeah!”
Bang, they were off, hurrying toward the north end of the park where the track for the Scorpion—“The Roller Coaster with a Sting!” the TV ads all proclaimed—rose in sweet undulant terror against the clear blue sky. The park was not crowded yet, and they didn’t need to snake between cow-slow herds of people. Their tennis shoes pounded noisily on the blacktop, and each slap of rubber against pavement was a shout of freedom. They rode the Scorpion, yelling and screaming as it plummeted and whipped and turned upside down and plummeted again, and when the ride ended, they ran directly to the boarding ramp and did it once more.
Then, as now, Jeremy had loved speed. The stomach-flopping sharp turns and plunges of amusement-park rides had been a childish substitute for the violence he had unknowingly craved. After two rides on the Scorpion, with so many speeding-swooping-looping-twisting delights ahead, Jeremy was in a terrific mood.
But Tod tainted the day as they were coming down the exit ramp from their second trip on the roller coaster. He threw one arm around Jeremy’s shoulders and said, “Man, this is gonna be for sure the greatest birthday anybody’s ever had, just you and me.”
The camaraderie, like all camaraderie, was totally fake. Deception. Fraud. Jeremy hated all that phoney-baloney crap, but Tod was full of it. Best friends. Blood brothers. You and me against the world.
Jeremy wasn’t sure what rubbed him the rawest: that Tod jived him all the time about being good buddies and seemed to think that Jeremy was taken in by the con—or that sometimes Tod seemed dumb enough to be suckered by his own con. Recently, Jeremy had begun to suspect that some people played the game of life so well, they didn’t realize it was a game. They deceived even themselves with all their talk of friendship, love, and compassion. Tod was looking more and more like one of those hopeless jerks.
Being best friends was just a way to get a guy to do things for you that he wouldn’t do for anyone else in a thousand years. Friendship was also a mutual defense arrangement, a way of joining forces against the mobs of your fellow citizens who would just as soon smash your face and take whatever they wanted from you. Everyone knew that’s all friendship was, but no one ever talked truthfully about it, least of all Tod.
Later, on their way from the Haunted House to an attraction called Swamp Creature, they stopped at a stand selling blocks of ice cream dipped in chocolate and rolled in crushed nuts. They sat on plastic chairs at a plastic table, under a red umbrella, against a backdrop of acacias and manmade waterfalls, chomping down, and everything was fine at first, but then Tod had to spoil it.
“It’s great coming to the park without grownups, isn’t it?” Tod said with his mouth full. “You can eat ice cream before lunch, like this. Hell, you can eat it for lunch, too, if you want, and after lunch, and nobody’s there to whine at you about spoiling your appetite or getting sick.”
“It’s great,” Jeremy agreed.
“Let’s sit here and eat ice cream till we puke.”
“Sounds good to me. But let’s not waste it.”
“Huh?”
Jeremy said, “Let’s be sure, when we puke, we just don’t spew on the ground. Let’s be sure we puke on somebody.”
“Yeah!” Tod said, getting the drift right away, “on somebody who deserves it, who’s really pukeworthy.”
“Like those girls,” Jeremy said, indicating a pair of pretty teenagers who were passing by. They wore white shorts and bright summery blouses, and they were so sure that they were cute, you wanted to puke on them even if you hadn’t eaten anything and all you could manage was the dry heaves.
“Or those old farts,” Tod said, pointing to an elderly couple buying ice cream nearby.
“No, not them,” Jeremy said. “They already look like they’ve been puked on.”
Tod thought that was so hilarious, he choked on his ice cream. In some ways Tod was all right.
“Funny about this ice cream,” he said when he stopped choking.
Jeremy bit: “What’s funny about it?”
“I know the ice cream is made from milk, which comes from cows. And they make chocolate out of cocoa beans. But whose nuts do they crush to sprinkle over it all?”
Yeah, for sure, old Tod was all right in some ways.
But just when they were laughing the loudest, feeling good, he leaned across the table, swatted Jeremy lightly alongside the head, and said, “You and me, Jer, we’re gonna be tight forever, friends till they feed us to the worms. Right?”
He really believed it. He had conned himself. He was so stupidly sincere that he made Jeremy want to puke on him.
Instead, Jeremy said, “What’re you gonna do next, try to kiss me on the lips?”
Grinning, not picking up on the impatience and hostility aimed at him, Tod said, “Up your grandma’s ass.”
“Up your grandma’s ass.”
“My grandma doesn’t have an ass.”
“Yeah? Then what’s she sit on?”
“Your face.”
They kept ragging each other all the way to Swamp Creature. The attraction was hokey, not well done, but good for a lot of jokes because of that. For a while, Tod was just wild and fun to be around.
Later, however, after they came out of Space Battle, Tod started referring to them as “the two best rocket jockeys in the universe,” which half embarrassed Jeremy because it was so stupid and juvenile. It also irritated him because it was just another way of saying “we’re buddies, blood brothers, pals.” They’d get on the Scorpion, and just as it pulled out of the station, Tod would say, “This is nothing, this is just a Sunday drive to the two best rocket jockeys in the universe.” Or they’d be on their way into World of the Giants, and Tod would throw his arm around Jeremy’s shoulder and say, “The two best rocket jockeys in the universe can handle a fucking giant, can’t we, bro?”
Jeremy wanted to say, Look, you jerk, the only reason we’re friends is because your old man and mine are sort of in the same kind of work, so we got thrown together. I hate this arm-around-the-shoulders shit, so just knock it off, let’s have some laughs and be happy with that. Okay?
But he did not say anything of the sort because, of course, good players in life never admitted that they knew it was all just a game. If you let the other