“I believe he split with the party after the Nazi-Soviet thing.”
“In 1939.”
“If that's what, when, the Nazi-Soviet thing happened. '39. I guess.” I'd forgotten every piece of stagecraft I'd never known. I was fumbling with my tie, mumbling into the mike, sweating. Trying not to look into those nine sets of eyes.
“Are you aware of any Communist affiliations maintained by Mr. Sanderson subsequent to the Nazi-Soviet pact?”
“No.”
Then it came. “He has mentioned to you no names belonging to Communist or Communist-affiliated groups?”
I said the first thing that came into my head. Not even thinking.
“There was some girl, I think, in Italy. That he knew during the war. I think her name was Lena Goldoni. She's an actress now.”
Those sets of eyes didn't even blink. But I could see little smiles on their faces. And I could see the reporters out of the corner of my eye, bending suddenly over their notepads.
“Could you spell the name, please?”
So there was the spike in Earl's coffin. Whatever could have been said about Earl up to then, it would have at least revealed himself true to his principles. The betrayal of Lillian implied other betrayals, perhaps of his country. I'd destroyed him with just a few words, and at the time I didn't even know what it was I was doing.
I babbled on. In a sweat to get it over, I said anything that came into my head. I talked about loving America, and about how I just said those nice things about Henry Wallace to please Mr. Holmes, and I'm sure it was a foolish thing to have done. I didn't want to change the Southern way of life, the Southern way of life was a fine way of life. I saw Gone With the Wind twice, a great picture. Mrs. Bethune was just a friend of Earl's I got photographed with. Velde took over the questioning.
“Are you aware of the names of any so-called aces who may be living in this country today?”
“No. None, I mean, besides those who have already been given subpoenas by the committee.”
“Do you know if Earl Sanderson knows any such names?”
“No.”
“He has not confided to you in any way?”
I took a drink of water. How many times could they repeat this? “If he knows the names of any aces, he has not mentioned them in my presence.”
“Do you know if Mr. Harstein knows of any such names?”
On and on. “No.”
“Do you believe that Dr. Tachyon knows any such names?”
They'd already dealt with this. I was just confirming what they knew. “He's treated many people afflicted by the virus. I assume he knows their names. But he has never mentioned any names to me.”
“Does Mrs. van Renssaeler know the existence of any other aces?”
I started to shake my head, then a thought hit me, and I stammered out, “No. Not in herself, no.”
Velde plodded on. “Does Mr. Holmes—” he started, and then Nixon sensed something here, in the way I'd just answered the question, and he asked Velde's permission to interrupt. Nixon was the smart one, no doubt. His eager, young chipmunk face looked at me intently over his microphone.
“May I request the witness to clarify that statement?”
I was horrified. I took another drink of water and tried to think of a way out of this. I couldn't. I asked Nixon to repeat the question. He did. My answer came out before he finished.
“Mrs. van Renssaeler has absorbed the mind of Dr. Tachyon. She would know any names that he would know.”
The strange thing was, they hadn't figured it out about Blythe and Tachyon up till then. They had to have the big jock from Dakota come in and put the pieces together for them.
I should have just taken a gun and shot her. It would have been quicker.
Chairman Wood thanked me at the end of my testimony. When the chairman of HUAC said thank you, it meant you were okay as far as they were concerned, and other people could associate with you without fear of being branded a pariah. It meant you could have a job in the United States of America.
I walked out of the hearing room with my lawyer on one side and Kim on the other. I didn't meet the eyes of my friends. Within an hour I was on a plane back to California.
The house on Summit was full of congratulatory bouquets from friends I'd made in the picture business. There were telegrams from all over the country about how brave I'd been, about what a patriot I was. The American Legion was strongly represented.
Back in Washington, Earl was taking the Fifth.
They didn't just listen to the Fifth and then let him go. They asked him one insinuating question after another, and made him take the Fifth to each. Are you a Communist? Earl answered with the Fifth. Are you an agent of the Soviet government? The Fifth. Do you associate with Soviet spies? The Fifth. Do you know Lena Goldoni? The Fifth. Was Lena Goldoni your mistress? The Fifth. Was Lena Goldoni a Soviet agent? The Fifth.
Lillian was seated in a chair right behind. Sitting mute, clutching her bag, as Lena's name came up again and again.
And finally Earl had had enough. He leaned forward, his face taut with anger.
“I have better things to do than incriminate myself in front of a bunch of fascists!” he barked, and they promptly ruled he'd waived the Fifth by speaking out, and they asked him the questions all over again. When, trembling with rage, he announced that he'd simply paraphrased the Fifth and would continue to refuse any answer, they cited him for contempt.
He was going to join Mr. Holmes and David in prison.
People from the NAACP met with him that night. They told him to disassociate himself from the civil rights movement. He'd set the cause back fifty years. He was to stay clear in the future.
The idol had fallen. He'd molded his image into that of a superman, a hero without flaw, and once I'd mentioned Lena the populace suddenly realized that Earl Sanderson was human. They blamed him for it, for their own naivete in believing in him and for their own sudden loss of faith, and in olden times they might have stoned him or hanged him from the nearest apple tree, but in the end what they did was worse.
They let him live.
Earl knew he was finished, was a walking dead man, that he'd given them a weapon that was used to crush him and everything he believed in, that had destroyed the heroic image he'd so carefully crafted, that he'd crushed the hopes of everyone who'd believed in him . . . He carried the knowledge with him to his dying day, and it paralyzed him. He was still young, but he was crippled, and he never flew as high again, or as far.
The next day HUAC called Blythe. I don't even want to think about what happened then.
Golden Boy opened two months after the hearings. I sat next to Kim at the premiere, and from the moment the film began I realized it had gone terribly wrong.
The Earl Sanderson character was gone, just sliced out of the film. The Archibald Holmes character wasn't FBI, but he wasn't independent either, he belonged to that new organization, the CIA. Someone had shot a lot of new footage. The fascist regime in South America had been changed to a Communist regime in Eastern Europe, all run by olive-skinned men with Spanish accents. Every time one of the characters said “Nazi,” it was dubbed in “Commie,” and the dubbing was loud and bad and unconvincing.
I wandered in a daze through the reception afterward. Everyone kept telling me what a great actor I was, what a great picture it was.
The film poster said Jack Braun—A Hero America Can Trust! I wanted to vomit.
I left early and went to bed.
I went on collecting ten grand per week while the picture bombed at the box office. I was told the Rickenbacker picture was going to be a big hit, but right now they were having script problems with my next picture. The first two screenwriters had been called up before the committee and ended up on the blacklist because they wouldn't name names. It made me want to weep.
After the Hollywood Ten appeals ran out, the next actor they called was Larry Parks, the man I'd been watching when the virus hit New York. He named nam
es, but he didn't name them willingly enough, and his career was over.
I couldn't seem to get away from the thing. Some people wouldn't talk to me at parties. Sometimes I'd overhear bits of conversation. “Judas Ace.” “Golden Rat.” “Friendly Witness,” said like it was a name, or title.
I bought a Jaguar to make myself feel better.
In the meantime, the North Koreans charged across the 38th Parallel and the U.S. forces were getting crunched at Taejŏn. I wasn't doing anything other than taking acting lessons a couple times each week.
I called Washington direct. They gave me a lieutenant colonel's rank and flew me out on a special plane.
Metro thought it was a great publicity stunt.
I was given a special helicopter, one of those early Bells, with a pilot from the swamps of Louisiana who exhibited a decided death wish. There was a cartoon of me on the side panels, with one knee up and one arm up high, like I was Superman flying.
I'd get taken behind North Korean lines and then I'd kick ass. It was very simple.
I'd demolish entire tank columns. Any artillery that got spotted by our side were turned into pretzels. I made four North Korean generals prisoner and rescued General Dean from the Koreans that had captured him. I pushed entire supply convoys off the sides of mountains. I was grim and determined and angry, and I was saving American lives, and I was very good at it.
There is a picture of me that got on the cover of Life. It shows me with this tight Clint Eastwood smile, holding a T-34 over my head. There is a very surprised North Korean in the turret. I'm glowing like a meteor. The picture was titled Superstar of Pusan, “superstar” being a new word back then.
I was very proud of what I was doing.
Back in the States, Rickenbacker was a hit. Not as big a hit as everyone expected, but it was spectacular and it made quite a bit of money. Audiences seemed to be a bit ambivalent in their reactions to the star. Even with me on the cover of Life, there were some people who couldn't quite see me as a hero.
Metro re-released Golden Boy. It flopped again.
I didn't much care. I was holding the Pusan Perimeter. I was right there with the GIs, under fire half the time, sleeping in a tent, eating out of cans and looking like someone out of a Bill Mauldin cartoon. I think it was fairly unique behavior for a light colonel. The other officers hated it, but General Dean supported me—at one point he was shooting at tanks with a bazooka himself—and I was a hit with the soldiers.
They flew me to Wake Island so that Truman could give me the Medal of Honor, and MacArthur flew out on the same plane. He seemed preoccupied the whole time, didn't waste any time in conversation with me. He looked incredibly old, on his last legs. I don't think he liked me.
A week later, we broke out of Pusan and MacArthur landed X Corps at Inchon. The North Koreans ran for it.
Five days later, I was back in California. The Army told me, quite curtly, that my services were no longer necessary. I'm fairly certain it was MacArthur's doing. He wanted to be the superstar of Korea, and he didn't want to share any of the honors. And there were probably other aces—nice, quiet, anonymous aces—working for the U.S. by then.
I didn't want to leave. For a while, particularly after MacArthur got crushed by the Chinese, I kept phoning Washington with new ideas about how to be useful. I could raid the airfields in Manchuria that were giving us such trouble. Or I could be the point man for a breakthrough. The authorities were very polite, but it was clear they didn't want me.
I did hear from the CIA, though. After Dien Bien Phu, they wanted to send me into Indochina to get rid of Bao Dai. The plan seemed half-assed—they had no idea who or what they wanted to put in Bao Dai's place, for one thing; they just expected “native anticommunist liberal forces” to rise and take command—and the guy in charge of the operation kept using Madison Avenue jargon to disguise the fact he knew nothing about Vietnam or any of the people he was supposed to be dealing with.
I turned them down. After that, my sole involvement with the federal government was to pay my taxes every April.
While I was in Korea, the Hollywood Ten appeals ran out. David and Mr. Holmes went to prison. David served three years. Mr. Holmes served only six months and then was released on account of his health. Everyone knows what happened to Blythe.
Earl flew to Europe and appeared in Switzerland, where he renounced his U.S. citizenship and became a citizen of the world. A month later, he was living with Orlena Goldoni in her Paris apartment. She'd become a big star by then. I suppose he decided that since there was no point in concealing their relationship anymore, he'd flaunt it.
Lillian stayed in New York. Maybe Earl sent her money. I don't know.
Perón came back to Argentina in the mid-1950s, along with his peroxide chippie. The Fear moving south.
I made pictures, but somehow none of them was the success that was expected. Metro kept muttering about my image problem.
People couldn't believe I was a hero. I couldn't believe it either, and it affected my acting. In Rickenbacker, I'd had conviction. After that, nothing.
Kim had her career going by now. I didn't see her much. Eventually her detective got a picture of me in bed with the girl dermatologist who came over to apply her makeup every morning, and Kim got the house on Summit Drive, with the maids and gardener and chauffeurs and most of my money, and I ended up in a small beach house in Malibu with the Jaguar in the garage. Sometimes my parties would last weeks.
There were two marriages after that, and the longest lasted only eight months. They cost me the rest of the money I'd made. Metro let me go, and I worked for Warner. The pictures got worse and worse. I made the same western about six times over.
Eventually I bit the bullet. My picture career had died years ago and I was broke. I went to NBC with an idea for a television series.
Tarzan of the Apes ran for four years. I was executive producer, and on the screen I played second banana to a chimp. I was the first and only blond Tarzan. I had a lot of points and the series set me up for life.
After that I did what every ex-Hollywood actor does. I went into real estate. I sold actors' homes in California for a while, and then I put a company together and started building apartments and shopping centers. I always used other people's money—I wasn't taking a chance on going broke again. I put up shopping centers in half the small towns in the Midwest.
I made a fortune. Even after I didn't need the money any more, I kept at it. I didn't have much else to do.
When Nixon got elected I felt ill. I couldn't understand how people could believe that man.
After Mr. Holmes got out of prison he went to work as editor of the New Republic. He died in 1955, lung cancer. His daughter inherited the family money. I suppose my clothes were still in his closets.
Two weeks after Earl flew the country, Paul Robeson and W.E.B. Du Bois joined the CPUSA, receiving their party cards in a public ceremony in Herald Square. They announced they were joining the protest of Earl's treatment before HUAC.
HUAC called a lot of blacks into their committee room. Even Jackie Robinson was summoned and appeared as a friendly witness. Unlike the white witnesses, the blacks were never asked to name names. HUAC didn't want to create any more black martyrs. Instead the witnesses were asked to denounce the views of Sanderson, Robeson, and Du Bois. Most of them obliged.
Through the 1950s and most of the 1960s, it was difficult to get a grasp on what Earl was doing. He lived quietly with Lena Goldoni in Paris and Rome. She was a big star, active politically, but Earl wasn't seen much.
He wasn't hiding, I think. Just keeping out of sight. There's a difference.
There were rumors, though. That he was seen in Africa during various wars for independence. That he fought in Algeria against the French and the Secret Army. When asked, Earl refused to confirm or deny his activities. He was courted by left-wing individuals and causes, but rarely committed himself publicly. I think, like me, he didn't want to be used again. But I also think he wa
s afraid that he'd do damage to a cause by associating himself with it.
Eventually the reign of terror ended, just as Earl said it would. While I was swinging on jungle vines as Tarzan, John and Robert Kennedy killed the blacklist by marching past an American Legion picket line to see Spartacus, a film written by one of the Hollywood Ten.
Aces began coming out of hiding, entering public life. But now they wore masks and used made-up names, just like the comics I'd read in the war and thought were so silly. It wasn't silly now. They were taking no chances. The Fear might one day return.
Books were written about us. I declined all interviews. Sometimes the question came up in public, and I'd just turn cold and say, “I decline to talk about that at this time.” My own Fifth Amendment.
In the 1960s, when the civil rights movement began to heat up in this country, Earl came to Toronto and perched on the border. He met with black leaders and journalists, talked only about civil rights.
But Earl was, by that time, irrelevant. The new generation of black leaders invoked his memory and quoted his speeches, and the Panthers copied his leather jacket, boots, and beret, but the fact of his continuing existence, as a human being rather than a symbol, was a bit disturbing. The movement would have preferred a dead martyr, whose image could have been used for any purpose, rather than a live, passionate man who said his own opinions loud and clear.
Maybe he sensed this when he was asked to come south. The immigration people would probably have allowed it. But he hesitated too long, and then Nixon was President. Earl wouldn't enter a country run by a former member of HUAC.
By the 1970s, Earl settled permanently into Lena's apartment in Paris. Panther exiles like Cleaver tried to make common cause with him and failed.
Lena died in 1975 in a train crash. She left Earl her money.
He'd give interviews from time to time. I tracked them down and read them. According to one interviewer, one of the conditions of the interview was that he wouldn't be asked about me. Maybe he wanted certain memories to die a natural death. I wanted to thank him for that.