Some time had elapsed, when Lem and Jake Raven decided that they would need dynamite to continue their operations. Lem was down at the bottom of the shaft, so the Indian was the one to go to camp for the explosives.
When Jake did not return after several hours, Lem began to worry about him. He remembered what the Pike man had said about his Indian policy and was afraid that that ruffian might have done Jake an injury.
Our hero decided to go back and see if everything was all right. When he entered the clearing in which the cabin stood, he was surprised to find the place deserted.
“Hi, Jake!” Lem shouted bewilderedly. “Hi, Jake Raven!”
There was no answer. Only the woods sent his words back to him in an echo almost as loud as his shout.
Suddenly, a scream rent the silence. Lem recognized the voice of the screamer as Betty’s, and ran quickly toward the cabin.
26
The door was locked. Lem hammered on it, but no one answered. He went to the woodpile to get an ax and there found Jake Raven lying on the ground. He had been shot through the chest. Hastily snatching up the ax Lem ran to the cabin. A few hearty blows and the door tumbled in.
In the half gloom of the cabin, Lem was horrified to see the Pike man busily tearing off Betty’s sole remaining piece of underwear. She was struggling as best she could, but the ruffian from Missouri was too strong for her.
Lem raised the ax high over his head and started forward to interfere. He did not get very far because the ruffian had prepared for just such a contingency by setting an enormous bear trap inside the door.
Our hero stepped on the pan of the trap and its saw-toothed jaws closed with great force on the calf of his leg, cutting through his trousers, skin, flesh and halfway into the bone besides. He dropped in a heap, as though he had been shot through the brain.
At the sight of poor Lem weltering in his own blood, Betty fainted. In no way disturbed, the Missourian went coolly about his nefarious business and soon accomplished his purpose.
With the hapless girl in his arms he then left the cabin. Throwing her behind his saddle, he pressed his cruel spurs into his horse’s sides and galloped off in the general direction of Mexico.
Once more the deep hush of the primeval forest descended on the little clearing, making peaceful what had been a scene of wild torment and savage villainy. A squirrel began to chatter hysterically in a treetop and from somewhere along the brook came the plash of a rising trout Birds sang.
Suddenly the birds were still. The squirrel fled from the tree in which he had been gathering pine cones. Something was moving behind the woodpile. Jake Raven was not dead after all.
With all the stoical disregard of pain for which his race is famous, the sorely wounded Indian crawled along on his hands and knees. His progress was slow but sure.
Some three miles away was the boundary line of the California Indian Reservation. Jake knew that there was an encampment of his people close by the line and it was to them that he was going for help.
After a long, tortuous struggle, he arrived at his destination, but his efforts had so weakened him that he fainted dead away in the arms of the first redskin to reach him. Not before, however, he had managed to mumble the following words:
“White man shoot. Co camp quick…”
Leaving Jake to the tender ministrations of the village squaws, the warriors of the tribe assembled around the wigwam of their chief to plan a course of action. Somewhere a tom-tom began to throb.
The chief’s name was Israel Satinpenny. He had been to Harvard and hated the white man with undying venom. For many years now, he had been trying to get the Indian nations to rise and drive the palefaces back to the countries from which they had come, but so .far he had had little success. His people had grown soft and lost their warlike ways. Perhaps, with the wanton wounding of Jake Raven, his chance had come.
When the warriors had all gathered around his tent, he appeared in full regalia and began a harangue.
“Red men!” he thundered. “The time has come to protest in the name of the Indian peoples and to cry out against that abomination of abominations, the paleface.
“In our father’s memory this was a fair, sweet land, where a man could hear his heart beat without wondering if what he heard wasn’t an alarm clock, where a man could fill his nose with pleasant flower odors without finding that they came from a bottle. Need I speak of springs that had never known the tyranny of iron pipes? Of deer that had never tasted hay? Of wild ducks that had never been banded by the U.S. Department of Conservation?
“In return for the loss of these things, we accepted the white man’s civilization, syphilis and the radio, tuberculosis and the cinema. We accepted his civilization because he himself believed in it. But now that he has begun to doubt, why should we continue to accept? His final gift to us is doubt, a soul-corroding doubt. He rotted this land in the name of progress, and now it is he himself who is rotting. The stench of his fear stinks in the nostrils of the great god Manitou.
“In what way is the white man wiser than the red? We lived here from time immemorial and everything was sweet and fresh. The paleface came and in his wisdom filled the sky with smoke and the rivers with refuse. What, in his wisdom, was he doing? I’ll tell you. He was making clever cigarette lighters. He was making superb fountain pens. He was making paper bags, doorknobs, leatherette satchels. All the powers of water, air and earth he made to turn his wheels within wheels within wheels within wheels. They turned, sure enough, and the land was flooded with toilet paper, painted boxes to keep pins in, key-rings, watch fobs, leatherette satchels.
“When the paleface controlled the things he manufactured, we red men could only wonder at and praise his ability to hide his vomit. But now all the secret places of the earth are full. Now even the Grand Canyon will no longer hold razor blades. Now the dam, O warriors, has broken and he is up to his neck in the articles of his manufacture.
“He has loused the continent up good. But is he trying to de-louse it? No, all his efforts go to keep on lousing up the joint. All that worries him is how he can go on making little painted boxes for pins, watch fobs, leatherette satchels.
“Don’t mistake me, Indians. I’m no Rousseauistic philosopher. I know that you can’t put the clock back. But there is one thing you can do. You can stop that clock. You can smash that clock.
“The time is ripe. Riot and profaneness, poverty and violence are everywhere. The gates of pandemonium are open and through the land stalk the gods Mapeeo and Suraniou.
“The day of vengeance is here. The star of the paleface is sinking and he knows it. Spengler has said so; Valery has said so; thousands of his wise men proclaim it.
“O, brothers, this is the time to run upon his neck and the bosses of his armor. While he is sick and fainting, while he is dying of a surfeit of shoddy.”
Wild yells for vengeance broke from the throats of the warriors. Shouting their new war cry of “Smash that clock!” they smeared themselves with bright paint and mounted their ponies. In every brave’s hand was a tomahawk and between his teeth a scalping knife.
Before jumping on his own mustang, Chief Satinpenny ordered one of his lieutenants to the nearest telegraph office. From there he was to send code messages to all the Indian tribes in the United States, Canada and Mexico, ordering them to rise and slay.
With Satinpenny leading them, the warriors galloped through the forest over the trail that Jake Raven had come. When they arrived at the cabin, they found Lem still fast in the unrelenting jaws of the bear trap.
“Yeehoieee!” screamed the chief, as he stooped over the recumbent form of the poor lad and tore the scalp from his head. Then brandishing his reeking trophy on high, he sprang on his pony and made for the nearest settlements, followed by his horde of blood-crazed savages.
An Indian boy remained behind with instructions to fire the cabin. Fortunately, he had no matches and tried to do it with two sticks, but no matter how hard he rubbed them together he alone
grew warm.
With a curse unbecoming one of his few years, he left off to go swimming in the creek, first looting Lem’s bloody head of its store teeth and glass eye.
27
A few hours later, Mr. Whipple rode on the scene with his load of provisions. The moment he entered the clearing he knew that something was wrong and hurried to the cabin. There he found Lem with his leg still in the bear trap.
He bent over the unconscious form of the poor, mutilated lad and was happy to discover that his heart still beat. He tried desperately to release the trap, but failed, and was forced to carry Lem out of the cabin with it dangling from his leg.
Placing our hero across the pommel of his saddle, he galloped all that night, arriving at the county hospital the next morning. Lem was immediately admitted to the ward, where the good doctors began their long fight to save the lad’s life. They triumphed, but not before they had found it necessary to remove his leg at the knee.
With the disappearance of Jake Raven, there was no use in Mr. Whipple’s returning to the mine, so he remained near Lem, visiting the poor boy every day. Once he brought him an orange to eat, another time some simple wild flowers which he himself had gathered.
Lem’s convalescence was a long one. Before it was over all of Shagpoke’s funds were spent, and the ex-President was forced to work in a livery stable in order to keep body and soul together. When our hero left the hospital, he joined him there.
At first Lem had some difficulty in using the wooden leg with which the hospital authorities had equipped him. Practice, however, makes perfect, and in time he was able to help Mr. Whipple clean the stalls and curry the horses.
It goes without saying that the two friends were not satisfied to remain hostlers. They both searched for more suitable employment, but there was none to be had.
Shagpoke’s mind was quick and fertile. One day, as he watched Lem show his scalped skull for the twentieth time, he was struck by an idea. Why not get a tent and exhibit his young friend as the last man to have been scalped by the Indians and the sole survivor of the Yuba River massacre?
Our hero was not very enthusiastic about the plan, but Mr. Whipple finally managed to convince him that it was the only way in which they could hope to escape from their drudgery in the livery stable. He promised Lem that as soon as they had accumulated a little money they would abandon the tent show and enter some other business.
Out of an old piece of tarpaulin they fashioned a rough tent. Mr. Whipple then obtained a crate of cheap kerosene lighters from a dealer in pedlar’s supplies. With this meager equipment they took to the open road.
Their method of work was very simple. When they arrived at the outskirts of a likely town, they set up their tent. Lem hid himself inside it, while Mr. Whipple beat furiously on the bottom of a tin can with a stick.
In a short while, he was surrounded by a crowd eager to know what the noise was about. After describing the merits of his kerosene lighters, he made his audience a “dual” offer. For the same ten cents, they could both obtain a cigarette lighter and enter the tent where they would see the sole survivor of the Yuba River massacre, getting a close view of his freshly scalped skull.
Business was not as good as they had thought it would be. Although Mr. Whipple was an excellent salesman, the people they encountered had very little money to spend and could not afford to gratify their curiosity no matter how much it was aroused.
One day, after many weary months on the road, the two friends were about to set up their tent, when a small boy volunteered the information that there was a much bigger show being given free at the local opera house. Realizing that it would be futile for them to try to compete with this other attraction, they decided to visit it.
There were bills posted on every fence, and the two friends stopped to read one of them.
FREE FREE FREE Chamber of American Horrors Animate and Inanimate Hideosities also Chief Jake Raven COME ONE COME ALL S. Snodgrasse Mgr. FREE FREE FREE
Delighted to discover that their red-skinned friend was still alive, they set out to find him. He was coming down the steps of the opera house just as they arrived there, and his joy on seeing them was very great. He insisted on their accompanying him to a restaurant.
Over his coffee, Jake explained that after being shot by the man from Pike County, he had crawled to the Indian encampment. There his wounds had been healed by the use of certain medicaments secret to the squaws of his tribe. It was this same elixir that he was now selling in conjunction with the “Chamber of American Horrors.”
Lem in his turn told how he, had been scalped and how Mr. Whipple had arrived just in time to carry him to the hospital. After listening sympathetically to the lad’s story, Jake expressed his anger in no uncertain terms. He condemned Chief Satinpenny for being a hothead, and assured Lem and Mr. Whipple that the respectable members of the tribe frowned on Satinpenny’s activities.
Although Mr. Whipple believed Jake, he was not satisfied that the Indian rising was as simple as it seemed. “Where,” he asked the friendly redskin, “had Satinpenny obtained the machine guns and whisky needed to keep’ his warriors in the field?”
Jake was unable to answer this question, and Mr. Whipple smiled as though he knew a great deal more than he was prepared to divulge at this time.
28
“I remember your administration very well,” said Sylvanus Snodgrasse to Mr. Whipple. “It will be an honor to have you and your young friend, whom I also know and admire, in my employ.”
“Thank you,” said both Shagpoke and Lem together.
“You will spend today rehearsing your roles and tomorrow you will appear in the pageant.”
It was through the good offices of Jake Raven that the above interview was made possible. Realizing how poor they were, he had suggested that the two friends abandon their own little show and obtain positions in the one with which he was traveling.
As soon as Shagpoke and Lem left the manager’s office, an inner door opened and through it entered a certain man. If they had seen him and had known who he was, they would have been greatly surprised. Moreover, they would not have been quite so happy over their new jobs.
This stranger was none other than the fat man in the Chesterfield overcoat, Operative 6348XM, or Comrade Z as he was known at a different address. His presence in Snodgrasse’s office is explained by the fact that the “Chamber of American Horrors, Animate and Inanimate Hideosities,” although it appeared to be a museum, was in reality a bureau for disseminating propaganda of the most subversive nature. It had been created and financed to this end by the same groups that employed the fat man.
Snodgrasse had become one of their agents because of his inability to sell his “poems.” Like many another “poet,” he blamed his literary failure on the American public instead of on his own lack of talent, and his desire for revolution was really a desire for revenge. Furthermore, having lost faith in himself, he thought it his duty to undermine the nation’s faith in itself.
As its name promised, the show was divided into two parts, “animate” and “inanimate.” Let us first briefly consider the latter, which consisted of innumerable objects culled from the popular art of the country and of an equally large number of manufactured articles of the kind detested so heartily by Chief Satinpenny.
(“Can this be a coincidence?” Mr. Whipple was later to ask.)
The hall which led to the main room of the “inanimate” exhibit was lined with sculptures in plaster. Among the most striking of these was a Venus de Milo with a clock in her abdomen, a copy of Power’s “Greek Slave” with elastic bandages on all her joints, A Hercules wearing a small, compact truss.
In the center of the principal salon was a gigantic hemorrhoid that was lit from within by electric lights. To give the effect of throbbing pain, these lights went on and off.
All was not medical, however. Along the walls were tables on which were displayed collections of objects whose distinction lay in the great skill with which
their materials had been disguised. Paper had been made to look like wood, wood like rubber, rubber like steel, steel like cheese, cheese like glass, and, finally, glass like paper.
Other tables carried instruments whose purposes were dual and sometimes triple or even sextuple. Among the most ingenious were pencil sharpeners that could also be used as earpicks, can openers as hair brushes. Then, too, there was a large variety of objects whose real uses had been cleverly camouflaged. The visitor saw flower pots that were really victrolas, revolvers that held candy, candy that held collar buttons and so forth.
The “animate” part of the show took place in the auditorium of the opera house. It was called “The Pageant of America or A Curse on Columbus,” and consisted of a series of short sketches in which Quakers were shown being branded, Indians brutalized and cheated, Negroes sold, children sweated to death. Snodgrasse tried to make obvious the relationship between these sketches and the “inanimate” exhibit by a little speech in which he claimed that the former had resulted in the latter. His arguments were not very convincing, however.
The “pageant” culminated in a small playlet which I will attempt to set down from memory. When the curtain rises, the audience sees the comfortable parlor of a typical American home. An old, white-haired grandmother is knitting near the fire while the three small sons of her dead daughter play together on the floor. From a radio in the corner comes a rich, melodic voice.
Radio: “The Indefatigable Investment Company of Wall Street wishes its unseen audience all happiness, health and wealth, especially the latter. Widows, orphans, cripples, are you getting a large enough return on your capital? Is the money left by your departed ones bringing you all that they desired you to have in the way of comforts? Write or telephone…”