He followed her through opening a shirt pocket, settled high on Moody’s Industrials tapping the envelope over a paper.—Looks real good.
—Man I mean like the best, like I mean from Guatemala man I got it from . . . listen! She stood, grabbed up her raincoat—I mean no way, she said getting to the door.—What do you want?
—Is, is Mister . . . Mister Bast in? The door came open no wider than the dim hall showed of the gap in her raincoat.—I just stopped to see if he’d like to go to a Bible breakfast but . . .
—Oh wow.
—No no I have a business lunch appointment with him but I, I thought I’d stop by early to see if he wanted . . .
—Like go to a what, man?
—It’s a, a businessmen’s Bible breakfast but . . .
—Oh wow.
—Yes but I must have the, have the wrong . . . he took a step back from the smile suddenly looming behind her—wrong Mister Bast yes I, I must have the wrong address yes . . .
—I mean like you must man.
—Sorry to, to disturb you . . . he backed into the rail in the hall gone abruptly dark with the door closed in his face, trampling the latest issue of Industrial Marketing overlooked in the morning’s haul and still there when Bast, climbing from dark to dark, trampled and picked it up before groping for the knob and lifting the door on its hinge.
—Hello? Rhoda? are you . . . he stood there and sniffed, listened, felt his way past film cans, Mazola New Improved, 36 Boxes 200 2-Ply to the punctured shade to turn on the light, stood there and sniffed again before he put down his case and Industrial Marketing on Hoppin’ With Flavor! and returned carrying a paper sack, listening, turning abruptly to lift a cover on the tub and look in, reach in, and then stand more slowly letting it close. He had dropped a bouillon cube in the cup and held that under the dwindled torrent at the sink, carried it in with pâté of anchovies, cocktail onions and Hostess Twinkies from the paper sack and arranged them on Moody’s Industrials, and was bent recovering the blanket gone in a tempestuous heap to the floor when the sound of a bell brought him upright like a spring. By the third ring he crested 12 2 lb 10 oz Round Pkgs QUICK QUAKER, by the fourth found the receiver and lifted it.—Hel, hello . . .? What in the . . . Yes but what in, what do you mean you had it installed here, what . . . What do you mean can I see you . . . yes there’s a little screen on it but . . . no listen if you’re calling from a candy store how would you expect it to . . . No wait a minute, just wait a minute I . . . no I said wait a minute! now there’s somebody at the door . . . and he tipped in that direction, a foot braced against 24–12 Oz Btls Fragile!—Rhoda . . .?
—Hello Mister?
—No, no go away . . .
—Hello Mister could I . . .
—Go away! Will you just, go away . . .! Now hello? No I don’t know, it’s just some old . . . No but listen how could you just have this thing put in here without even letting me . . . Yes I know I said I couldn’t go down to that cafeteria twice a day for messages but this . . . what? What noise . . . oh that’s, that’s just a hydrant they opened down in the street it’s . . . did what come . . .? Yes and so did somebody’s register of American manufacturers look even with a rapid reading course what do you . . . Yes that came too but . . . because I didn’t go to the free sample session, now . . . because I don’t want to learn how to sell myself and develop into a more poised confident forceful person that’s why! Look if you want to take a Dale Carnegie course go take it, I’m . . . Well that’s not the way I want to be helped out! and listen, what makes you think I’d want anybody to think I graduated from the Alabama College of Business what kind of a . . . why should it sound better than a conservationist school that’s not what I told you anyhow, I said I’d gone to a conservatory, a place where . . . what? I haven’t been through all the mail yet I don’t know how many stock certificates have come no but why you send away for Forest Industries and Supervisory Management if you think . . . all to impress who . . .? Yes yes all right but why a picturephone look, I’m glad you think the office must look pretty neat by now but that’s not . . . Because I don’t want a lot of visitors! there’s too much . . . Well why did you give Mooneyham the address in the first place, you knew I was meeting him for lunch and . . . naked? What did he say she . . . No he told me that too look he’s, he’s from out of town he must have got lost and gone to the wrong . . . Well if you’ve just called him at his hotel what do you want me to . . . All right look you didn’t tell me you were taking his company away from him! what would . . . All right but he doesn’t think you’re doing him this big favor, he’s been . . . I told him that and look, it’s subsidiary with an i, I said we wanted him to stay on and manage it as . . . Listen you can sit there in that candy store and say you’re bailing him out and the whole deal’s just something these here lawyers fixed up for taxes and all what do you think it’s like sitting across from Mooneyham in that awful cafeteria with tears running off his cheeks into his Spanish omelet, telling me how he went to a Bible breakfast seeking guidance and . . . Yes I told him that, I said we couldn’t just carry that loan of the brewery stock to X-L on our books with stockholders like Mrs Begg starting to . . . what? Yes well he, he said he’d had a drink after the Bible breakfast but . . . a drink or two yes but he . . . one on the way to the Bible breakfast too yes but when you’d said a thing to him like . . . all right wait a minute I’ve got what you wrote down right here, wait a minute . . . he braced an elbow on QUICK QUAKER to raise himself and probe a pocket—here, two hundred thousand cash from that loan to Eagle management, and then to pay him the rest in promissory notes over the next five years so it will be the same thing as coming from future earnings but . . . No but listen did you have to tell him we had him by the short hair on that stock loan and that big debt X-L is being pressed for by some paper company? What do you . . . that I told you lithography was this greasy what . . .? No but . . . listen I didn’t know all X-L did was print matchbook covers so how would . . . No but wait a minute, what’s exploring for virgin minerals got to do with it? Look I’ve told you this whole thing is . . . All right, for X-L to make the matchbook covers too but what’s exploring for . . . what trees . . . Yes you make paper from wood pulp but look, you can’t just go in and strip off all this lumber to make matchbook covers and say you’re really exploring for virgin minerals just because you got stuck with some old mining claims on those penny stock . . . and get tax write-offs for it too? Listen J R listen don’t try to explain it to me just . . . no but listen just talk to your friend Piscator with ideas like this because I don’t even . . . Oh he did, yes well I might have known he’d . . . No when I returned his call they said he’d gone to Jamaica but . . . I don’t know, something you told him to do about getting incorporated but . . . yes that’s what I told you yes and if you can’t just stop all this you and Piscator can go out there and play to win and just let me . . . No because wait a minute just listen, when I got down to that cafeteria today to meet Mooneyham Virginia had telephone messages for me from all kinds of . . . wait, just wait a minute there’s somebody at the door, just . . . look can you just wait a minute? He slid for the floor.—Yes is . . . Rhoda?
—Delivery for Grynszpan.
—Oh, oh just a, just a minute . . . the door shuddered.
—Where do you want them.
—But, but what are they, it just looks like . . .
—Look I don’t ask questions buddy, to me they look like bundles of old newspapers but I don’t ask questions, where do you want them.
—Well, well I, but where did they come from.
—Here, you want to sign here? Party named Eigen downtown.
—Oh, yes well, yes and you can put them, put them right up there on the tub.
—You got your water running in there.
—Yes I know it’s, it’s all right just, here let me help you . . . With the last of them he stood and brushed his shirt front.
—Got your water running in the sink there too.
—Ye
s I, I know . . . He fitted the door closed and turned, a foot up on 24–12 Oz Btls Fragile! and paused to draw a hand over his face before he reached up for the receiver.—Now hel, what . . .? No it was just, just a delivery, it . . . No it’s not, it’s . . . No a heavy box came this morning and I haven’t opened it yet but . . . you had a what sent here . . .? No but look what do we need an electric letter opener for? You keep talking about running a low-cost operation what . . . No but if you send away for every . . . No I know you want it to look like an up-to-date operation but I keep telling you I . . . No all right, all right! But listen this list of telephone messages Virginia had waiting for me about all kinds of . . . no that broker Crawley about some drug company with an Italian name and something called Endo whatever it is, somebody named Wiles had been trying to reach me about a string of nursing homes and a lawyer named wait a minute, here it is Beaton who wants to discuss drilling rights on those Alberta and Western right of . . . what? No but listen he’s a lawyer and Piscator’s a lawyer, let him discuss it with . . . well when he gets back then and you and Piscator can get out there and play to . . . to see who . . .? No, no I haven’t been up to the hospital today and I . . . look I don’t know if he’s still whispering his trade secret to the nurse and I can’t sit beside his bed day and night to . . . no I don’t have a map right here! and I . . . Well of course the brewery is on a river but I don’t know where it is in relation to these Ace mining claims or the Alberta and . . . what? You meant to tell me about what Indian reservation right in between what . . . No listen I don’t . . . I said no! And now listen, four calls from Pomerance Associates who the, who the hell are Pomerance Associates and Hopper, she said old man Hopper up at Eagle kept calling very upset about some big plans you have for a cemetery and salary cuts at Eagle I didn’t know anything ab . . . what? No now wait a minute what do you mean take a salary cut, I don’t even have a salary in the first place you . . . No what do you mean set this here example by not taking one yourself, I . . . No look, look don’t try to tell me you’re just doing this so we can tell them the truth up at Eagle that we’re not taking salaries until we get everything on its feet, you don’t even . . . Listen I don’t want to hear about stock options and tax benefits! I just want to get . . . get what? Yes I did, I got it this morning but it wasn’t twenty dollars it was eighteen and I had to give Virginia . . . Yes I am sure, two fives and . . . yes all right go ahead and look at your accounts but I’m telling you it . . . Well of course I need it! why do you think I’m . . . No, no I know I told you that but I can’t settle everything up with you right now I, when I took the music down to their rehearsal today they said come back Friday when everybody else gets paid so I . . . Yes I paid Virginia four thirty-five out of it and bought her the ninety cent blueplate, and then . . . because you have to do things like that sometimes they’re just forty-eight cent dollars aren’t they! Of course we paid for Mooneyham’s too, his and mine came to three twenty and ninety cents carfare for . . . yes I did go to the nightclub on the same trip so . . . Yes all right then! All right! Forty-five cents! so it all comes to . . . to make three copies of all this? Look of course Virginia doesn’t itemize everything, what do you . . . what rent, this rent? I don’t know, I . . . as a business expense? Well fine yes if you . . . Yes I know you think you’re trying to help me out but . . . No it’s a cantata, I’ve just . . . Well maybe I did say it was an opera but now it’s a cantata and I’ve . . . to look up what . . .? Well I’ve already told you yes I did get the eighteen dollars not twenty and I . . . Yes of course I appreciated it but after all what do you think I’m . . . look up what mortality figures, the whole United States . . .? Yes all right! all . . . Statistical not statistican, the Statistical Abstract of . . . No I can’t do it right now no, no and look there’s somebody at the door, I have to hang up . . . No, and I . . . Me? No I don’t know how to play golf and . . . No and I don’t . . . No I said no! Look goodbye, I have to get to the . . . Mister who . . .? Look I don’t know who’s at the door no and listen you don’t have to give this address out to everybody you . . . Printed on what letterhead . . . What telephone number, this one? with this telephone number? what . . . No I can’t no, goodbye . . . no, goodbye yes, goodbye . . .! and he sat up there and drew a hand down his face watching the door shudder in.
—Bast . . .?
—Mister Gibbs? Is, that you Mister Gibbs?
—Bast . . .? A bottle appeared thrust through the opening, and then—where is everybody?
—No there’s no one here but me, I . . .
—Thought I heard you in animated discussion Bast, he said briefly forming the side of an isosceles triangle there with the door—didn’t want to intrude . . .
—No that was, just talking to myself I, let me get the door . . .
—Don’t want to intrude Bast thought you might like some company, meeting a man named Beamish here we thought you might like some . . . he stopped abruptly.—Listen . . .!
—What the, the water? Yes well . . .
—Through caverns measureless to, where the hell . . .
—Yes well the, I had the tub running and the handle broke off the . . .
—Bosom where the bright waters meet, like living in Pittsburgh Bast . . . he was under way again,—confluence of the Mongahela and the vale in whose bosom the bright waters meet to form the mighty Ohio . . . and he stopped short of Moody’s Industrials.—Bast never seen anybody with quite such fastidious tastes . . .
—Yes well that’s just . . . Bast got by him for the cup,—just eating what was here . . . he went on, back to the sink to rinse out the discolored water, wipe away bouillon clots with the shirt sleeve—I’ve been trying to . . .
—Don’t want to intrude Bast looks God damned epicurean, sorry wait . . . he brought the bottle up to the cup wavering before him,—there, meat in the hall, a bin of wine, a living river by the door what the hell more would you . . .
—No no I, I brought the cup for you Mister Gibbs, I don’t . . .
—Problem Bast you’re too God damned considerate, God damned people take advantage . . . he got the cup in both hands,—have to meet Mister Eigen here Bast, don’t want to disturb you . . . he drank, put the cup down on—Thomas Register of American Manufacturers, haven’t read that in a long time if then, mind if I try one?
—Oh yes please . . .
—Have to meet Eigen . . . he speared at the cocktail onions with a pencil point,—said he’d meet me here what the hell time is it . . .
—Yes the clock’s right under you there but . . .
—Clock . . .? and two, three cocktail onions rolled merrily down Forest Industries—fine only three o’clock, got all afternoon Bast have to do some research, came up here to check out Raindance and Mister Fred . . .
—No but the clock is, it isn’t really quarter of three it’s, wait, the clock runs backwards but I made a little table there beside it to figure out the right time and it’s, it’s about seven fifteen, you subtract what the clock says from ten unless it says ten eleven or twelve and then you have to . . .
—This . . .? Onions danced down Forest Industries,—Pom, pom pom pom, sounds like an elephant running between the raindrops Bast . . .
—Oh not that, no . . . he came forward on Hoppin’ With Flavor! to reach under the sofa—that’s just something I’ve been working on for, for something, here’s the table I . . .
—Opera, must be your opera, sure as hell not Bizet only not Bizet problem Bast you don’t finish things, jump from one thing to the other don’t finish anything.
—No I did finish that, in fact I just came from that nightclub rehearsal where they, after all that copying I did that accordionist didn’t even look at his part, he just said he always played off the first violin’s and then all he played was oompah oompah writhing around and grinning at the empty tables and they still haven’t paid me, they . . .
—Bast that reminds me, family matter . . . the cup came up, emptied, the bottle followed,—company Stella’s father had . . . r />
—Stella?
—Stella, Bast. Stella Bast, what is she’s your cousin? Your father James was her father’s brother so . . .
—But how would . . . how would you know Stella?
—Worked for her father once, little company he had Bast what the hell is happening to that little company he had.
—Oh that I, I don’t know. He just died and we were never, he and my father were never on good terms so I . . . I don’t know but, but did you know Stella very well?
—Knew Stella very well Bast . . . and the cup came up and went down half emptied as he got to his feet again waving a paper,—problem here you’re working with a base of ten instead twelve, got twelve hours in the day problem is the God damned clock never is right.
—Yes I, what happened was I plugged it in and set it at six o’clock and then the electricity went off for four hours but, but I mean have you seen her? Stella I mean?
—Bast got to be God damned careful . . . he nipped the cocktail onion from the pencil point,—look set the God damned thing right at noon then it has to be right twice a day, pass itself at midnight again going backwards at noon all the rest of the time you’ve got a nice base twelve, six and six, eight and four, five fifteen it’s quarter of seven got to find Raindance and Mister Fred . . . and he got through past Mazola New Improved,—never heard of them did you Bast know why? Holding them back, last time they ran they took the field and then they’re gone, dropped out of sight, been holding them back till everybody forgets them and then bring them in at long odds God damn it both running tomorrow one in the first one in the second where the hell’s the light in here . . .