We had been having a good deal of Scotch, and sometime after midnight Cockerell made one of those sudden decisions that seem so bright and gay at a certain stage of intoxication. He said he was sure foxy old Pnin had not really left yesterday, but was lying low. So why not telephone and find out? He made the call, and although there was no answer to the series of compelling notes which simulate the far sound of actual ringing in an imaginary hallway, it stood to reason that this perfectly healthy telephone would have been probably disconnected, had Pnin really vacated the house. I was foolishly eager to say something friendly to my good Timofey Pahlich, and so after a little while I attempted to reach him too. Suddenly there was a click, a sonic vista, the response of a heavy breathing, and then a poorly disguised voice said: "He is not at home, he has gone, he has quite gone"--after which the speaker hung up; but none save my old friend, not even his best imitator, could rhyme so emphatically "at" with the German "hat," "home" with the French "homme," and "gone" with the head of "Goneril." Cockerell then proposed driving over to 999 Todd Road and serenading its burrowed tenant, but here Mrs. Cockerell intervened; and after an evening that somehow left me with the mental counterpart of a bad taste in the mouth, we all went to bed.
7
I spent a poor night in a charming, airy, prettily furnished room where neither window nor door closed properly, and where an omnibus edition of Sherlock Holmes which had pursued me for years supported a bedside lamp, so weak and wan that the set of galleys I had brought with me to correct could not sweeten insomnia. The thunder of trucks rocked the house every two minutes or so; I kept dozing off and sitting up with a gasp, and through the parody of a window shade some light from the street reached the mirror and dazzled me into thinking I was facing a firing squad.
I am so constituted that I absolutely must gulp down the juice of three oranges before confronting the rigors of day. So at seven-thirty I took a quick shower, and five minutes later was out of the house in the company of the long-eared and dejected Sobakevich.
The air was keen, the sky clear and burnished. Southward the empty road could be seen ascending a gray-blue hill among patches of snow. A tall leafless poplar, as brown as a broom, rose on my right, and its long morning shadow crossing to the opposite side of the street reached there a crenulated, cream-colored house which, according to Cockerell, had been thought by my predecessor to be the Turkish Consulate on account of crowds of fez wearers he had seen entering. I turned left, northward, and walked a couple of blocks downhill to a restaurant that I had noted on the eve; but the place had not opened yet, and I turned back. Hardly had I taken a couple of steps when a great truck carrying beer rumbled up the street, immediately followed by a small pale blue sedan with the white head of a dog looking out, after which came another great truck, exactly similar to the first. The humble sedan was crammed with bundles and suitcases; its driver was Pnin. I emitted a roar of greeting, but he did not see me, and my only hope was that I might walk uphill fast enough to catch him while the red light one block ahead kept him at bay.
I hurried past the rear truck, and had another glimpse of my old friend, in tense profile, wearing a cap with ear flaps and a storm coat; but next moment the light turned green, the little white dog leaning out yapped at Sobakevich, and everything surged forward--truck one, Pnin, truck two. From where I stood I watched them recede in the frame of the roadway, between the Moorish house and the Lombardy poplar. Then the little sedan boldly swung past the front truck and, free at last, spurted up the shining road, which one could make out narrowing to a thread of gold in the soft mist where hill after hill made beauty of distance, and where there was simply no saying what miracle might happen.
Cockerell, brown-robed and sandaled, let in the cocker and led me kitchenward, to a British breakfast of depressing kidney and fish.
"And now," he said, "I am going to tell you the story of Pnin rising to address the Cremona Women's Club and discovering he had brought the wrong lecture."
ABOUT THE AUTHOR
Vladimir Nabokov was born in St. Petersburg on April 23, 1899. His family fled to the Crimea in 1917, during the Bolshevik Revolution, then went into exile in Europe. Nabokov studied at Trinity College, Cambridge, earning a degree in French and Russian literature in 1922, and lived in Berlin and Paris for the next two decades, writing prolifically, mainly in Russian, under the pseudonym Sirin. In 1940 he moved to the United States, where he pursued a brilliant literary career (as a poet, novelist, memoirist, critic, and translator) while teaching Russian, creative writing, and literature at Stanford, Wellesley, Cornell, and Harvard. The monumental success of his novel Lolita (1955) enabled him to give up teaching and devote himself fully to his writing. In 1961 he moved to Montreux, Switzerland, where he died in 1977. Recognized as one of the master prose stylists of the century in both Russian and English, he translated a number of his original English works--including Lolita--into Russian, and collaborated on English translations of his original Russian works.
BOOKS BY VLADIMIR NABOKOV
ADA, OR ARDOR
Ada, or Ardor tells a love story troubled by incest, but is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue.
Fiction/Literature/978-0-679-72522-0
BEND SINISTER
While it is filled with veiled puns and characteristically delightful wordplay, Bend Sinister is first and foremost a haunting and compelling narrative about a civilized man and his child caught up in the tyranny of a police state.
Fiction/Literature/978-0-679-72727-9
DESPAIR
Extensively revised by Nabokov in 1965, thirty years after its original publication, Despair is the wickedly inventive and richly derisive story of Hermann, a man who undertakes the perfect crime: his own murder.
Fiction/Literature/978-0-679-72343-1
THE ENCHANTER
The Enchanter is the precursor to Nabokov's classic novel, Lolita. At once hilarious and chilling, it tells the story of an outwardly respectable man and his fatal obsession with certain pubescent girls.
Fiction/Literature/978-0-679-72886-3
THE EYE
The Eye is as much farcical detective story as it is a profoundly refractive tale about the vicissitudes of identities and appearances. Smurov is a lovelorn, self-conscious Russian emigre living in prewar Berlin who commits suicide after being humiliated by a jealous husband, only to suffer greater indignities in the afterlife.
Fiction/Literature/978-0-679-72723-1
THE GIFT
The Gift is the last of the novels Nabokov wrote in his native language and the crowning achievement of that period of his literary career. It is the story of Fyodor Godunov-Cherdyntsev, an impoverished emigre who dreams of the book he will someday write.
Fiction/Literature/978-0-679-72725-5
GLORY
Glory is the wryly ironic story of Martin Edelweiss, a young Russian emigre of no account, who is in love with a girl who refuses to marry him. Hoping to impress his love, he embarks on a "perilous, daredevil" project to illegally reenter the Soviet Union.
Fiction/Literature/978-0-679-72724-8
INVITATION TO A BEHEADING
Invitation to a Beheading embodies a vision of a bizarre and irrational world; in an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude."
Fiction/Literature/978-0-679-72531-2
KING, QUEEN, KNAVE
Dreyer, a wealthy and boisterous proprietor of a men's clothing store, is ruddy, self-satisfied, and masculine, but repugnant to his exquisite but cold middle-class wife, Martha. Attracted to his money but repelled by his oblivious passion, she longs for their nephew instead.
Fiction/Literature/978-0-679-72340-0
LOLITA
Lolita, Vladimir Nabokov's most famous and controversial novel, tells the story of the aging Humbert Humbert's obsessive, devouring, and doomed passion for the nymphet Dolore
s Haze.
Fiction/Literature/978-0-679-72316-5
LOOK AT THE HARLEQUINS!
Nabokov's last novel is an ironic play on the Janus-like relationship between fiction and reality. It is the autobiography of the eminent Russian-American author Vadim Vadimovich N. (b. 1899). Focusing on the central figures of his life, the book leads us to suspect that the fictions Vadim has created as an author have crossed the line between his life's work and his life itself.
Fiction/Literature/978-0-679-72728-6
THE LUZHIN DEFENSE
As a young boy, Luzhin is unattractive, distracted, withdrawn, sullen--an enigma to his parents and an object of ridicule to his classmates. He takes up chess as a refuge, and rises to the rank of grandmaster, but at a cost: in Luzhin's obsessive mind, the game of chess gradually supplants reality.
Fiction/Literature/978-0-679-72722-4
PALE FIRE
Pale Fire offers a cornucopia of deceptive pleasures: a 999-line poem by the reclusive genius John Shade; an adoring foreward and commentary by Shade's self-styled Boswell, Dr. Charles Kinbote; a darkly comic novel of suspense, literary idolatry and one-upmanship, and political intrigue.
Fiction/Literature/978-0-679-72342-4
PNIN
Pnin is a professor of Russian at an American college who takes the wrong train to deliver a lecture in a language he cannot master. Pnin is the focal point of subtle academic conspiracies he cannot begin to comprehend, yet he stages a faculty party to end all faculty parties forever.
Fiction/Literature/978-0-679-72341-7
THE REAL LIFE OF SEBASTIAN KNIGHT
Many knew of Sebastian Knight, distinguished novelist, but few knew of the two love affairs that so profoundly influenced his career. After Knight's death, his half brother sets out to penetrate the enigma of his life, starting with clues found in the novelist's private papers.
Fiction/Literature/978-0-679-72726-2
SPEAK, MEMORY
Speak, Memory is an elegant and rich evocation of Nabokov's life and times, even as it offers incisive insights into his major works.
Autobiography/Literature/978-0-679-72339-4
ALSO AVAILABLE
The Annotated Lolita, 978-0-679-72729-3
Laughter in the Dark, 978-0-679-72450-6
Lolita: A Screenplay, 978-0-679-77255-2
Mary, 978-0-679-72620-3
The Stories of Vladimir Nabokov, 978-0-679-72997-6
Strong Opinions, 978-0-679-72609-8
Transparent Things, 978-0-679-72541-1
VINTAGE INTERNATIONAL
Available at your local bookstore, or visit
www.randomhouse.com
A PUBLISHING EVENT
The final, unfinished novel from
Vladimir Nabokov The Original of Laura
After years of controversy surrounding the fate of Nabokov's final manuscript, Knopf will publish the last work by one of the 20th century's acknowledged masters of literature. An essential part of Nabokov's oeuvre, The Original of Laura blurs the line between the author's life and fiction. This edition, uniquely designed by Chip Kidd, includes facsimiles of the 138 note cards on which it was written.
Available November 2009 in hardcover from Knopf
$35.00 304 pages 978-0-307-27189-1
Please visit www.aaknopf.com
Vladimir Nabokov, Pnin
(Series: # )
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