“It means work,” the third said.
“Let the Negroes do it,” the first said.
“Yao. Let them. To sweat is bad. It is damp. It opens the pores.”
“And then the night air enters.”
“Yao. Let the Negroes do it. They appear to like sweating.”
So they cleared the land with the Negroes and planted it in grain. Up to that time the slaves had lived in a huge pen with a lean- to roof over one corner, like a pen for pigs. But now they began to build quarters, cabins, putting the young Negroes in the cabins in pairs to mate; five years later Issetibbeha sold forty head to a Memphis trader, and he took the money and went abroad upon it, his maternal uncle from New Orleans conducting the trip. At that time the Chevalier Sœur Blonde de Vitry was an old man in Paris, in a toupee and a corset and a careful, toothless old face fixed in a grimace quizzical and profoundly tragic. He borrowed three hundred dollars from Issetibbeha and in return he introduced him into certain circles; a year later Issetibbeha returned home with a gilt bed, a pair of girandoles by whose light it was said that Pompadour arranged her hair while Louis smirked at his mirrored face across her powdered shoulder, and a pair of slippers with red heels. They were too small for him, since he had not worn shoes at all until he reached New Orleans on his way abroad.
He brought the slippers home in tissue paper and kept them in the remaining pocket of a pair of saddlebags filled with cedar shavings, save when he took them out on occasion for his son, Moketubbe, to play with. At three years of age Moketubbe had a broad, flat, Mongolian face that appeared to exist in a complete and unfathomable lethargy, until confronted by the slippers.
Moketubbe’s mother was a comely girl whom Issetibbeha had seen one day working in her shift in a melon patch. He stopped and watched her for a while—the broad, solid thighs, the sound back, the serene face. He was on his way to the creek to fish that day, but he didn’t go any farther; perhaps while he stood there watching the unaware girl he may have remembered his own mother, the city woman, the fugitive with her fans and laces and her Negro blood, and all the tawdry shabbiness of that sorry affair. Within the year Moketubbe was born; even at three he could not get his feet into the slippers. Watching him in the still, hot afternoons as he struggled with the slippers with a certain monstrous repudiation of fact, Issetibbeha laughed quietly to himself. He laughed at Moketubbe’s antics with the shoes for several years, because Moketubbe did not give up trying to put them on until he was sixteen. Then he quit. Or Issetibbeha thought he had. But he had merely quit trying in Issetibbeha’s presence. Issetibbeha’s newest wife told him that Moketubbe had stolen and hidden the shoes. Issetibbeha quit laughing then, and he sent the woman away, so that he was alone. “Yao,” he said. “I too like being alive, it seems.” He sent for Moketubbe. “I give them to you,” he said.
Moketubbe was twenty-five then, unmarried. Issetibbeha was not tall, but he was taller by six inches than his son and almost a hundred pounds lighter. Moketubbe was already diseased with flesh, with a pale, broad, inert face and dropsical hands and feet. “They are yours now,” Issetibbeha said, watching him. Moketubbe had looked at him once when he entered, a glance brief, discreet, veiled.
“Thanks,” he said.
Issetibbeha looked at him. He could never tell if Moketubbe saw anything, looked at anything. “Why will it not be the same if I give the slippers to you?”
“Thanks,” Moketubbe said. Issetibbeha was using snuff at the time; a white man had shown him how to put the powder into his lip and scour it against his teeth with a twig of gum or of alphea.
“Well,” he said, “a man cannot live forever.” He looked at his son, then his gaze went blank in turn, unseeing, and he mused for an instant. You could not tell what he was thinking, save that he said half aloud: “Yao. But Doom’s uncle had no shoes with red heels.” He looked at his son again, fat, inert. “Beneath all that, a man might think of doing anything and it not be known until too late.” He sat in a splint chair hammocked with deer thongs. “He cannot even get them on; he and I are both frustrated by the same gross meat which he wears. He cannot even get them on. But is that my fault?”
He lived for five years longer, then he died. He was sick one night, and though the doctor came in a skunk-skin vest and burned sticks, Issetibbeha died before noon.
That was yesterday; the grave was dug, and for twelve hours now the People had been coming in wagons and carriages and on horseback and afoot, to eat the baked dog and the succotash and the yams cooked in ashes and to attend the funeral.
III
“It will be three days,” Basket said, as he and the other Indian returned to the house. “It will be three days and the food will not be enough; I have seen it before.”
The second Indian’s name was Louis Berry. “He will smell too, in this weather.”
“Yao. They are nothing but a trouble and a care.”
“Maybe it will not take three days.”
“They run far. Yao. We will smell this Man before he enters the earth. You watch and see if I am not right.”
They approached the house.
“He can wear the shoes now,” Berry said. “He can wear them now in man’s sight.”
“He cannot wear them for a while yet,” Basket said. Berry looked at him. “He will lead the hunt.”
“Moketubbe?” Berry said. “Do you think he will? A man to whom even talking is travail?”
“What else can he do? It is his own father who will soon begin to smell.”
“That is true,” Berry said. “There is even yet a price he must pay for the shoes. Yao. He has truly bought them. What do you think?”
“What do you think?”
“What do you think?”
“I think nothing.”
“Nor do I. Issetibbeha will not need the shoes now. Let Moketubbe have them; Issetibbeha will not care.”
“Yao. Man must die.”
“Yao. Let him; there is still the Man.”
The bark roof of the porch was supported by peeled cypress poles, high above the texas of the steamboat, shading an unfloored banquette where on the trodden earth mules and horses were tethered in bad weather. On the forward end of the steamboat’s deck sat an old man and two women. One of the women was dressing a fowl, the other was shelling corn. The old man was talking. He was barefoot, in a long linen frock coat and a beaver hat.
“This world is going to the dogs,” he said. “It is being ruined by white men. We got along fine for years and years, before the white men foisted their Negroes upon us. In the old days the old men sat in the shade and ate stewed deer’s flesh and corn and smoked tobacco and talked of honor and grave affairs; now what do we do? Even the old wear themselves into the grave taking care of them that like sweating.” When Basket and Berry crossed the deck he ceased and looked up at them. His eyes were querulous, bleared; his face was myriad with tiny wrinkles. “He is fled also,” he said.
“Yes,” Berry said, “he is gone.”
“I knew it. I told them so. It will take three weeks, like when Doom died. You watch and see.”
“It was three days, not three weeks,” Berry said.
“Were you there?”
“No,” Berry said. “But I have heard.”
“Well, I was there,” the old man said. “For three whole weeks, through the swamps and the briers—-” They went on and left him talking.
What had been the saloon of the steamboat was now a shell, rotting slowly; the polished mahogany, the carving glinting momentarily and fading through the mold in figures cabalistic and profound; the gutted windows were like cataracted eyes. It contained a few sacks of seed or grain, and the fore part of the running gear of a barouche, to the axle of which two C-springs rusted in graceful curves, supporting nothing. In one corner a fox cub ran steadily and soundlessly up and down a willow cage; three scrawny gamecocks moved in the dust, and the place was pocked and marked with their dried droppings.
They passed through the brick wall and entered a big
room of chinked logs. It contained the hinder part of the barouche, and the dismantled body lying on its side, the window slatted over with willow withes, through which protruded the heads, the still, beady, outraged eyes and frayed combs of still more game chickens. It was floored with packed clay; in one corner leaned a crude plow and two hand-hewn boat paddles. From the ceiling, suspended by four deer thongs, hung the gilt bed which Issetibbeha had fetched from Paris. It had neither mattress nor springs, the frame crisscrossed now by a neat hammocking of thongs.
Issetibbeha had tried to have his newest wife, the young one, sleep in the bed. He was congenitally short of breath himself, and he passed the nights half reclining in his splint chair. He would see her to bed and, later, wakeful, sleeping as he did but three or four hours a night, he would sit in the darkness and simulate slumber and listen to her sneak infinitesimally from the gilt and ribboned bed, to lie on a quilt pallet on the floor until just before daylight. Then she would enter the bed quietly again and in turn simulate slumber, while in the darkness beside her Issetibbeha quietly laughed and laughed.
The girandoles were lashed by thongs to two sticks propped in a corner where a ten-gallon whiskey keg lay also. There was a clay hearth; facing it, in the splint chair, Moketubbe sat. He was maybe an inch better than five feet tall, and he weighed two hundred and fifty pounds. He wore a broadcloth coat and no shirt, his round, smooth copper balloon of belly swelling above the bottom piece of a suit of linen underwear. On his feet were the slippers with the red heels. Behind his chair stood a stripling with a punkah-like fan made of fringed paper. Moketubbe sat motionless, with his broad, yellow face with its closed eyes and flat nostrils, his flipperlike arms extended. On his face was an expression profound, tragic, and inert. He did not open his eyes when Basket and Berry came in.
“He has worn them since daylight?” Basket said.
“Since daylight,” the stripling said. The fan did not cease. “You can see.”
“Yao,” Basket said. “We can see.” Moketubbe did not move. He looked like an effigy, like a Malay god in frock coat, drawers, naked chest, the trivial scarlet-heeled shoes.
“I wouldn’t disturb him, if I were you,” the stripling said.
“Not if I were you,” Basket said. He and Berry squatted. The stripling moved the fan steadily. “O Man,” Basket said, “listen.” Moketubbe did not move. “He is gone,” Basket said.
“I told you so,” the stripling said. “I knew he would flee. I told you.”
“Yao,” Basket said. “You are not the first to tell us afterward what we should have known before. Why is it that some of you wise men took no steps yesterday to prevent this?”
“He does not wish to die,” Berry said.
“Why should he not wish it?” Basket said.
“Because he must die some day is no reason,” the stripling said. “That would not convince me either, old man.”
“Hold your tongue,” Berry said.
“For twenty years,” Basket said, “while others of his race sweat in the fields, he served the Man in the shade. Why should he not wish to die, since he did not wish to sweat?”
“And it will be quick,” Berry said. “It will not take long.”
“Catch him and tell him that,” the stripling said.
“Hush,” Berry said. They squatted, watching Moketubbe’s face. He might have been dead himself. It was as though he were cased so in flesh that even breathing took place too deep within him to show.
“Listen, O Man,” Basket said. “Issetibbeha is dead. He waits. His dog and his horse we have. But his slave has fled. The one who held the pot for him, who ate of his food, from his dish, is fled. Issetibbeha waits.”
“Yao,” Berry said,
“This is not the first time,” Basket said. “This happened when Doom, thy grandfather, lay waiting at the door of the earth. He lay waiting three days, saying, ‘Where is my Negro?’ And Issetibbeha, thy father, answered, ‘I will find him. Rest; I will bring him to you so that you may begin the journey.’ ”
“Yao,” Berry said.
Moketubbe had not moved, had not opened his eyes.
“For three days Issetibbeha hunted in the bottom,” Basket said. “He did not even return home for food, until the Negro was with him; then he said to Doom, his father, ‘Here is thy dog, thy horse, thy Negro; rest,’ Issetibbeha, who is dead since yesterday, said it. And now Issetibbeha’s Negro is fled. His horse and his dog wait with him, but his Negro is fled.”
“Yao,” Berry said.
Moketubbe had not moved. His eyes were closed; upon his supine monstrous shape there was a colossal inertia, something profoundly immobile, beyond and impervious to flesh. They watched his face, squatting.
“When thy father was newly the Man, this happened,” Basket said. “And it was Issetibbeha who brought back the slave to where his father waited to enter the earth.” Moketubbe’s face had not moved, his eyes had not moved. After a while Basket said, “Remove the shoes.”
The stripling removed the shoes. Moketubbe began to pant, his bare chest moving deep, as though he were rising from beyond his unfathomed flesh back into life, like up from the water, the sea. But his eyes had not opened yet.
Berry said, “He will lead the hunt.”
“Yao,” Basket said. “He is the Man. He will lead the hunt.”
IV
All that day the Negro, Issetibbeha’s body servant, hidden in the barn, watched Issetibbeha’s dying. He was forty, a Guinea man. He had a flat nose, a close, small head; the inside corners of his eyes showed red a little, and his prominent gums were a pale bluish red above his square, broad teeth. He had been taken at fourteen by a trader off Kamerun, before his teeth had been filed. He had been Issetibbeha’s body servant for twenty-three years.
On the day before, the day on which Issetibbeha lay sick, he returned to the quarters at dusk. In that unhurried hour the smoke of the cooking fires blew slowly across the street from door to door, carrying into the opposite one the smell of the identical meat and bread. The women tended them; the men were gathered at the head of the lane, watching him as he came down the slope from the house, putting his naked feet down carefully in a strange dusk. To the waiting men his eyeballs were a little luminous.
“Issetibbeha is not dead yet,” the headman said.
“Not dead,” the body servant said. “Who not dead?”
In the dusk they had faces like his, the different ages, the thoughts sealed inscrutable behind faces like the death masks of apes. The smell of the fires, the cooking, blew sharp and slow across the strange dusk, as from another world, above the lane and the pickaninnies naked in the dust.
“If he lives past sundown, he will live until daybreak,” one said.
“Who says?”
“Talk says.”
“Yao. Talk says. We know but one thing.” They looked at the body servant as he stood among them, his eyeballs a little luminous. He was breathing slow and deep. His chest was bare; he was sweating a little. “He knows. He knows it.”
“Let us let the drums talk.”
“Yao. Let the drums tell it.”
The drums began after dark. They kept them hidden in the creek bottom. They were made of hollowed cypress knees, and the Negroes kept them hidden; why, none knew. They were buried in the mud on the bank of a slough; a lad of fourteen guarded them. He was undersized, and a mute; he squatted in the mud there all day, clouded over with mosquitoes, naked save for the mud with which he coated himself against the mosquitoes, and about his neck a fiber bag containing a pig’s rib to which black shreds of flesh still adhered, and two scaly barks on a wire. He slobbered onto his clutched knees, drooling; now and then Indians came noiselessly out of the bushes behind him and stood there and contemplated him for a while and went away, and he never knew it.
From the loft of the stable where he lay hidden until dark and after, the Negro could hear the drums. They were three miles away, but he could hear them as though they were in the barn itself below
him, thudding and thudding. It was as though he could see the fire too, and the black limbs turning into and out of the flames in copper gleams. Only there would be no fire. There would be no more light there than where he lay in the dusty loft, with the whispering arpeggios of rat feet along the warm and immemorial ax-squared rafters. The only fire there would be the smudge against mosquitoes where the women with nursing children crouched, their heavy, sluggish breasts nippled full and smooth into the mouths of men children; contemplative, oblivious of the drumming, since a fire would signify life.
There was a fire in the steamboat, where Issetibbeha lay dying among his wives, beneath the lashed girandoles and the suspended bed. He could see the smoke, and just before sunset he saw the doctor come out, in a waistcoat made of skunk skins, and set fire to two clay-daubed sticks at the bows of the boat deck. “So he is not dead yet,” the Negro said into the whispering gloom of the loft, answering himself; he could hear the two voices, himself and himself:
“Who not dead?”
“You are dead.”
“Yao, I am dead,” he said quietly. He wished to be where the drums were. He imagined himself springing out of the bushes, leaping among the drums on his bare, lean, greasy, invisible limbs. But he could not do that, because man leaped past life, into where death was; he dashed into death and did not die because when death took a man, it took him just this side of the end of living. It was when death overran him from behind, still in life. The thin whisper of rat feet died in fainting gusts along the rafters. Once he had eaten rat. He was a boy then, but just come to America. They had lived ninety days in a three-foot-high ’tween deck in tropic latitudes, hearing from topside the drunken New England captain intoning aloud from a book which he did not recognize for ten years afterward to be the Bible. Squatting in the stable so, he had watched the rat, civilized, by association with man reft of its inherent cunning of limb and eye; he had caught it without difficulty, with scarce a movement of his hand, and he ate it slowly, wondering how any of the rats had escaped so long. At that time he was still wearing the single white garment which the trader, a deacon in the Unitarian church, had given him, and he spoke then only his native tongue.